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  1. Literature and the Cult of Personality
    Essays on Goethe and His Influence
    Published: 2017; ©2017
    Publisher:  Ibidem Press, Stuttgart

    Intro -- Contents -- Acknowledgements -- Preface -- Prelude Literature and the Cult of Personality: On Goethe's Influence in Britain -- Chapter One Goethe and the Generation of 1789: Cultural Mediation and Literary Enfranchisement -- Chapter Two... more

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    Intro -- Contents -- Acknowledgements -- Preface -- Prelude Literature and the Cult of Personality: On Goethe's Influence in Britain -- Chapter One Goethe and the Generation of 1789: Cultural Mediation and Literary Enfranchisement -- Chapter Two Goethe, the Reception of Kant, and the Romantic Culture War in Britain -- Chapter Three The Accidental Intermediary: Henry Crabb Robinson and the Translation of Goethe's Poetry -- Interlude One Goethe and the Romantic Idealization of the Artist -- Chapter Four Resistance and Concealment: Goethe and the Canonical British Romantic Poets -- Chapter Five Thomas Carlyle and the Imitatio Goethe -- Interlude Two Cultural Identity and the Transmission of Goethe in New England -- Chapter Six The Failure of Romanticism and the Triumph of Realism in Middlemarch: Goethe and the Literary Formation of George Eliot -- Postlude De-mythologizing Goethe: George Saintsbury and the Assertion of British Cultural Autonomy -- Bibliography -- Notes -- Index.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783838269818
    Subjects: Goethe, Johann Wolfgang von,-1749-1832-Influence..; English literature-German influences..; English literature-19th century-History and criticism; Electronic books
    Scope: 1 online resource (291 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  2. Giving people ideas - text and concept
    literary texts as thought experiments
    Published: [2017]
    Publisher:  Routledge, an imprint of Taylor and Francis,, Boca Raton, FL

    chapter Prize Essay Competitions -- The English Goethe Society has three essay prizes in its gift. GOETHE PRIZE OF THE ENGLISH GOETHE SOCIETY. more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    chapter Prize Essay Competitions -- The English Goethe Society has three essay prizes in its gift. GOETHE PRIZE OF THE ENGLISH GOETHE SOCIETY.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781351192675; 9781351192644
    Other identifier:
    Edition: First edition.
    Subjects: German literature; German literature; Literature
    Scope: 1 online resource (216 pages)
  3. Giving people ideas - text and concept
    literary texts as thought experiments
    Published: [2017]
    Publisher:  Routledge, an imprint of Taylor and Francis,, Boca Raton, FL

    chapter Prize Essay Competitions -- The English Goethe Society has three essay prizes in its gift. GOETHE PRIZE OF THE ENGLISH GOETHE SOCIETY. more

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    chapter Prize Essay Competitions -- The English Goethe Society has three essay prizes in its gift. GOETHE PRIZE OF THE ENGLISH GOETHE SOCIETY.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781351192675; 9781351192644
    Other identifier:
    Edition: First edition.
    Subjects: German literature; German literature; Literature
    Scope: 1 online resource (216 pages)
  4. Literature and the cult of personality
    essays on Goethe and his influence
    Published: [2017]; © 2017
    Publisher:  ibidem-Verlag, Stuttgart

    The construction of Johann Wolfgang von Goethe as an Anglo-American sage and literary icon was the product of a cult of personality that lay at the center of nineteenth-century cultural politics. A reconstruction of the culture wars fought over... more

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    The construction of Johann Wolfgang von Goethe as an Anglo-American sage and literary icon was the product of a cult of personality that lay at the center of nineteenth-century cultural politics. A reconstruction of the culture wars fought over Goethe?s authority, a previously hidden chapter in the intellectual history of the period ranging from the late eighteenth century to the threshold of Modernism, is the focus of Literature and the Cult of Personality. Marginal as well as canonical writers and critics figured prominently in this process, and Literature and the Cult of Personality offers insight into the mediation activities of Mary Wollstonecraft, Henry Crabb Robinson, the canonical Romantic poets, Thomas Carlyle, Margaret Fuller, George Eliot, Matthew Arnold, and others. For women writers and Jacobins, Scots, and Americans, translating Goethe served as an empowering cultural platform that challenges the myth of the self-sufficiency of British literature. Reviewing and translating German authors provided a means of gaining literary enfranchisement and offered a paradigm of literary development according to which 're-writers' become original writers through an apprenticeship of translation and reviewing. 00In the diverse and fascinating body of critical writing examined in this book, textual exegesis plays an unexpectedly minor role; in its place, a full-blown cult of personality emerges along with a blueprint for the ideology of hero-worship that is more fully mapped out in the cultural and political life of twentieth-century Europe Literature and the cult of personality: on Goethe's influence in Britain -- Goethe and the generation of 1789 : cultural mediation and literary enfranchisement -- Goethe, the reception of Kant, and the Romantic culture war in Britain -- The accidental intermediary : Henry Crabb Robinson and the translation of Goethe's poetry -- Goethe and the Romantic idealization of the artist -- Resistance and concealment : Goethe and the Canonical British Romantic poets -- Thomas Carlyle and the Imitatio Goethe -- Cultural identity and the transmission of Goethe in New England -- The failure of Romanticism and the Triumph of Realism in Middlemarch: Goethe and the literary formation of George Eliot -- De-mythologizing Goethe: George Saintsbury and the Assertion of British cultural autonomy

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783838209814; 3838209818
    Other identifier:
    9783838209814
    RVK Categories: GK 4370 ; GN 9999 ; GK 4290
    DDC Categories: 420
    Subjects: Romanticism; English literature; English literature
    Other subjects: Goethe, Johann Wolfgang von (1749-1832); Goethe, Johann Wolfgang von (1749-1832); Goethe, Johann Wolfgang von (1749-1832)
    Scope: X, 278 Seiten, 21 cm x 14.8 cm
    Notes:

    Literaturverzeichnis: Seite 205-222

  5. Augenblick, Lebenszeit, Geschichte, Ewigkeit
    die Zeit in Goethes Werken
    Contributor: Steinby, Liisa (HerausgeberIn); Schmidt, Michael (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  Universitätsverlag Winter, Heidelberg

    Siglen -- Einleitung: Goethe und seine Zeiten, Liisa Steinby -- Postkutschenzeit. Goethes An Schwager Kronos als Gelegenheitsgedicht im Kontext der europäischen Rauschdichtung, Michael Schmidt -- Formen der Zeitlichkeit in Wilhelm Meisters... more

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    Siglen -- Einleitung: Goethe und seine Zeiten, Liisa Steinby -- Postkutschenzeit. Goethes An Schwager Kronos als Gelegenheitsgedicht im Kontext der europäischen Rauschdichtung, Michael Schmidt -- Formen der Zeitlichkeit in Wilhelm Meisters Lehrjahren, Liisa Steinby -- Sentimentale Gegenstände. Die stenamentalisch-seitliche Bedeutsamkeit des Symbols bei Goethe, Mattias Pirholt -- "nu für den Augenblick Festgehaltenes" Zeitkonzepte in Goethes Heften Zur Morphologie, Marie-Theres Federhofer -- Lebeszeit Goethe und sein Jahrhundert, Klaus-Detlef Müller

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Steinby, Liisa (HerausgeberIn); Schmidt, Michael (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3825367398; 9783825367398
    Other identifier:
    9783825367398
    RVK Categories: GK 4441
    Series: Beiträge zur neueren Literaturgeschichte ; Band 366
    Subjects: Time in literature
    Other subjects: Goethe, Johann Wolfgang von (1749-1832)
    Scope: 170 Seiten, 21 cm
    Notes:

    Es handelt sich um Folge 3 der Reihe

  6. Augenblick, Lebenszeit, Geschichte, Ewigkeit
    die Zeit in Goethes Werken
    Contributor: Steinby, Liisa (HerausgeberIn); Schmidt, Michael (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  Universitätsverlag Winter, Heidelberg

    Siglen -- Einleitung: Goethe und seine Zeiten, Liisa Steinby -- Postkutschenzeit. Goethes An Schwager Kronos als Gelegenheitsgedicht im Kontext der europäischen Rauschdichtung, Michael Schmidt -- Formen der Zeitlichkeit in Wilhelm Meisters... more

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    Siglen -- Einleitung: Goethe und seine Zeiten, Liisa Steinby -- Postkutschenzeit. Goethes An Schwager Kronos als Gelegenheitsgedicht im Kontext der europäischen Rauschdichtung, Michael Schmidt -- Formen der Zeitlichkeit in Wilhelm Meisters Lehrjahren, Liisa Steinby -- Sentimentale Gegenstände. Die stenamentalisch-seitliche Bedeutsamkeit des Symbols bei Goethe, Mattias Pirholt -- "nu für den Augenblick Festgehaltenes" Zeitkonzepte in Goethes Heften Zur Morphologie, Marie-Theres Federhofer -- Lebeszeit Goethe und sein Jahrhundert, Klaus-Detlef Müller

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Steinby, Liisa (HerausgeberIn); Schmidt, Michael (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3825367398; 9783825367398
    Other identifier:
    9783825367398
    RVK Categories: GK 4441
    Series: Beiträge zur neueren Literaturgeschichte ; Band 366
    Subjects: Time in literature
    Other subjects: Goethe, Johann Wolfgang von (1749-1832)
    Scope: 170 Seiten, 21 cm
    Notes:

    Es handelt sich um Folge 3 der Reihe

  7. Evangelium der Freiheit und Rechte der Natur : notas sobre lo trágico en Schiller y Goethe
    Published: 29.09.2017

    Schiller and Goethe have very different conceptions of tragedy. In his play Don Carlos, Schiller, especially in the character of Philip II, shows us the conflict between blood and positive law. In Goethe´s novel Elective Affinities, the individual... more

     

    Schiller and Goethe have very different conceptions of tragedy. In his play Don Carlos, Schiller, especially in the character of Philip II, shows us the conflict between blood and positive law. In Goethe´s novel Elective Affinities, the individual will is ignorant of fate and helpless against it. So to speak, Schiller applies the "Antigone´s Model" and Goethe applies the "Oedipus Model". In his dramatic vision of the conflict, Schiller is inspired by Shakespeare´s plays. However, Goethe´s point of view is based on his reflections on Natural Philosophy.

     

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    Content information: free
    Source: CompaRe
    Language: Spanish
    Media type: Article
    Format: Online
    DDC Categories: 830
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    creativecommons.org/licenses/by/4.0/

    ;

    info:eu-repo/semantics/openAccess

  8. Evangelium der Freiheit und Rechte der Natur : notas sobre lo trágico en Schiller y Goethe
    Published: 2017

    Schiller and Goethe have very different conceptions of tragedy. In his play Don Carlos, Schiller, especially in the character of Philip II, shows us the conflict between blood and positive law. In Goethe´s novel Elective Affinities, the individual... more

     

    Schiller and Goethe have very different conceptions of tragedy. In his play Don Carlos, Schiller, especially in the character of Philip II, shows us the conflict between blood and positive law. In Goethe´s novel Elective Affinities, the individual will is ignorant of fate and helpless against it. So to speak, Schiller applies the "Antigone´s Model" and Goethe applies the "Oedipus Model". In his dramatic vision of the conflict, Schiller is inspired by Shakespeare´s plays. However, Goethe´s point of view is based on his reflections on Natural Philosophy.

     

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    Source: BASE Selection for Comparative Literature
    Language: Spanish
    Media type: Article (journal)
    Format: Online
    DDC Categories: 830
    Rights:

    creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess

  9. Gegenwärtig entrückt : Kommerell über 'die Jugend' und Goethe
    Author: Geulen, Eva
    Published: 2017

    Mit der Goethe-Rezeption Max Kommerells beschäftigt sich der Beitrag von Eva Geulen. Ausgehend von Walter Benjamins bekannter Kritik an "Der Dichter als Führer in der deutschen Klassik" (1928) fragt sie nach einem "Doppelzug des Theorie- und... more

     

    Mit der Goethe-Rezeption Max Kommerells beschäftigt sich der Beitrag von Eva Geulen. Ausgehend von Walter Benjamins bekannter Kritik an "Der Dichter als Führer in der deutschen Klassik" (1928) fragt sie nach einem "Doppelzug des Theorie- und Gegenwartsverzichts" von Kommerells literaturwissenschaftlicher Arbeit, wie er sich in herausragender Weise in seiner lebenslangen Auseinandersetzung mit Goethe kondensiert. Dabei rückt Geulen weniger den zentralen Stellenwert Goethes im Führer-Buch oder die bis heute viel zitierten Studien über Goethes Lyrik, Faust II oder Wilhelm Meisters Lehrjahre in den Blick, sondern widmet sich stattdessen zwei Reden Kommerells, die die Bedeutung Goethes für die Jugend seiner Zeit eruieren: "Jugend ohne Goethe" (1931) und "Goethe und die europäische Jugend" (1943). Zwar zeichneten sich diese Arbeiten durch für Kommerell eigentlich untypische zeitkritische Bezüge aus. So rechne die erste Rede mit Jugendbewegung und Präfaschismus ab; und so lese sich die zweite streckenweise bereits wie ein Vorschlag zur 'Völkerverständigung' der unmittelbaren Nachkriegszeit. Die besondere Pointe von Kommerells Goethe-Aneignung erblickt Geulen allerdings darin, dass die Reden das Motiv des einsamen Goethe mobilisieren und dass sie eine "absolute Aktualität und Gegenwärtigkeit" Goethes "mit seiner absoluten Entrückung im Knotenpunkt der Einsamkeit" verschränken. Aktuell und gegenwärtig sei Goethe für Kommerell just aus dem Grund, dass er sich bereits von seiner eigenen Gegenwart nicht habe vereinnahmen lassen. Dieses "Widerspiel von Entrückung und Vergegenwärtigung" lasse Goethes Aktualität mit seiner Unzeitgemäßheit durchgängig koinzidieren. Und nicht zuletzt dies bewahre sowohl Kommerell als auch Goethe vor dem Altmodisch-Werden: "Kann er nicht gegenwärtig sein, so wird er auch nie vergangen sein." Im Hinblick auf Kommerells "beharrliche Entrückungsstrategie" Goethes wirft Geulen auch die Frage nach Chancen und Grenzen des gegenwärtigen Interesses an Kommerell auf.

     

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    Source: BASE Selection for Comparative Literature
    Language: German
    Media type: Article (edited volume)
    Format: Online
    DDC Categories: 800; 830
    Subjects: Goethe; Johann Wolfgang von; Rezeption; Kommerell; Max
    Rights:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess

  10. Music in Goethe's Faust
    Goethe's Faust in music
    Contributor: Byrne Bodley, Lorraine (HerausgeberIn)
    Published: 2017
    Publisher:  The Boydell Press, Woodbridge

    That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's Faust, a work which has attracted the attention of composers... more

    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
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    That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's Faust, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century. While Goethe longed to have Faust set to music and considered only Mozart and perhaps Meyerbeer as being equal to the task, by the end of his life he had abandoned hope that he would live to witness a musical setting of his text. Despite this, a floodtide of musical interpretations of Goethe's Faust came into existence from Beethoven to Schubert, Schumann to Wagner and Mahler, and Gounod to Berlioz; and a broad trajectory can be traced from Zelter's colourful description of the first setting of Goethe's Faust to Alfred Schnittke's Faust opera (1993). This book explores the musical origins of Goethe's Faust and the musical dimensions of its legacy. It uncovers the musical furore caused by Goethe's Faust and considers why his polemical text has resonated so strongly with composers. 0Bringing together leading musicologists and Germanists, the book addresses a wide range of issues including reception history, the performative challenges of writing music for Faust, the impact of the legend on composers' conceptual thinking, and the ways in which it has been used by composers to engage with other contemporary intellectual concepts. Constituting the richest examination to date of the musicality of language and form in Goethe's Faust and its musical rendering from the eighteenth to twenty-first centuries, the book will appeal to music, literary and Goethe scholars and students alike Introduction. Rhapsody and rebuke : Goethe's Faust in music ; The redress of Goethe's Faust in music history / Lorraine Byrne Bodley -- Wagering on modernity : Goethe's eighteenth-century Faust / Nicholas Boyle -- Reflectivity, music and the modern condition : thoughts on Goethe's Faust / Martin Swales -- Music and metaphorical thinking in Goethe's Faust : the example of harmony / J.M. Tudor -- Faust : the instrumentalisation of an icon / Osman Durrani -- Faust's Schubert : Schubert's Faust / John Michael Cooper -- The musical novel as master-genre : Schumann's Szenen aus Goethes Faust / Julian Horton -- The psychology of Schumann's Faust : developing the human soul / Christopher Ruth -- A life with Goethe : Wagner's engagement with Faust in music and in words / Glenn Stanley -- Wagner's Ninth : reading Beethoven with Faust / Mark Austin -- Linking Christian and Faustian utopias : Mahler's setting of the Schluszene in his Eighth Symphony / Eftychia Papanikolaou -- Operatic translation and adaptation : Gounod's Faust, with a tribute to Ken Russell / Siobhán Donovan -- Adapters, falsifiers and profiteers : staging La damnation de Faust in Monte Carlo and Paris, 1893-1903 / Heather Hadlock -- Faust in the trenches : Busoni's Doktor Faust / Mark Fitzgerald -- As Goethe intended? : Max Reinhardt's Faust productions and the aesthetics of incidental music in the early twentieth century / Ursula Kramer -- Music and the rebirth of Faust in the GDR / David Robb -- Music, text and stage : Peter Stein's production of Goethe's Faust / John Guthrie -- 'Devilishly good' : Rudolf Volz's rock opera Faust and 'event culture' / Waltraud Maierhofer -- Select bibliography

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Byrne Bodley, Lorraine (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Print
    ISBN: 9781783272006
    Other identifier:
    9781783272006
    RVK Categories: GK 4581 ; LR 57715
    Corporations / Congresses: International Conference Music in Goethe's Faust: Goethe's Faust in Music (2012, Maynooth)
    Subjects: Music and literature; Faust (Legendary character); Faust (Legendary character); Music and literature
    Other subjects: Goethe, Johann Wolfgang von (1749-1832); Goethe, Johann Wolfgang von (1749-1832): Faust; Goethe, Johann Wolfgang von 1749-1832; Goethe, Johann Wolfgang von 1749-1832
    Scope: xix, 336 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Literaturverzeichnis: Seiten 305-325

    Faust ist im Titel und im Titelzusatz kursiv geschrieben

    aus dem Vorwort: "The book has its roots in an interdisciplinary conference "Music in Goethe's Faust: Goethe's Faust in Music", which was held in the Department of Music of Maynooth University..."

  11. Music in Goethe's Faust
    Goethe's Faust in music
    Contributor: Byrne Bodley, Lorraine (HerausgeberIn)
    Published: 2017
    Publisher:  The Boydell Press, Woodbridge

    That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's Faust, a work which has attracted the attention of composers... more

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    That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's Faust, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century. While Goethe longed to have Fausset to music and considered only Mozart and perhaps Meyerbeer as being equal to the task, by the end of his life he had abandoned hope that he would live to witness a musical setting of his text. Despite this, a floodtide of musical interpretations of Goethe's Faust came into existence from Beethoven to Schubert, Schumann to Wagner and Mahler, and Gounod to Berlioz; and a broad trajectory can be traced from Zelter's colourful description of the first setting of Goethe's Faust to Alfred Schnittke's Faust opera (1993). This book explores the musical origins of Goethe's Faust and the musical dimensions of its legacy. It uncovers the musical furore caused by Goethe's Faust and considers why his polemical text has resonated so strongly with composers. Bringing together leading musicologists and Germanists, the book addresses a wide range of issues including reception history, the performative challenges of writing music for Faust, the impact of the legend on composers' conceptual thinking, and the ways in which it has been used by composers to engage with other contemporary intellectual concepts. Constituting the richest examination to date of the musicality of language and form in Goethe's Faust and its musical rendering from the eighteenth to twenty-first centuries, the book will appeal to music, literary and Goethe scholars and students alike. Lorraine Byrne Bodley is Senior Lecturer in Musicology at Maynooth University and President of the Society for Musicology in Ireland. Contributors: Mark Austin, Lorraine Byrne Bodley, Nicholas Boyle, John Michael Cooper, Siobhán Donovan, Osman Durrani, Mark Fitzgerald, John Guthrie, Heather Hadlock, Julian Horton, Ursula Kramer, Waltraud Meierhofer, Eftychia Papanikolaou, David Robb, Christopher Ruth, Glenn Stanley, Martin Swales, J. M. Tudor Introduction. Rhapsody and rebuke : Goethe's Faust in music ; The redress of Goethe's Faust in music history / Lorraine Byrne Bodley -- Wagering on modernity : Goethe's eighteenth-century Faust / Nicholas Boyle -- Reflectivity, music and the modern condition : thoughts on Goethe's Faust / Martin Swales -- Music and metaphorical thinking in Goethe's Faust : the example of harmony / J.M. Tudor -- Faust : the instrumentalisation of an icon / Osman Durrani -- Faust's Schubert : Schubert's Faust / John Michael Cooper -- The musical novel as master-genre : Schumann's Szenen aus Goethes Faust / Julian Horton -- The psychology of Schumann's Faust : developing the human soul / Christopher Ruth -- A life with Goethe : Wagner's engagement with Faust in music and in words / Glenn Stanley -- Wagner's Ninth : reading Beethoven with Faust / Mark Austin -- Linking Christian and Faustian utopias : Mahler's setting of the Schluszene in his Eighth Symphony / Eftychia Papanikolaou -- Operatic translation and adaptation : Gounod's Faust, with a tribute to Ken Russell / Siobhán Donovan -- Adapters, falsifiers and profiteers : staging La damnation de Faust in Monte Carlo and Paris, 1893-1903 / Heather Hadlock -- Faust in the trenches : Busoni's Doktor Faust / Mark Fitzgerald -- As Goethe intended? : Max Reinhardt's Faust productions and the aesthetics of incidental music in the early twentieth century / Ursula Kramer -- Music and the rebirth of Faust in the GDR / David Robb -- Music, text and stage : Peter Stein's production of Goethe's Faust / John Guthrie -- 'Devilishly good' : Rudolf Volz's rock opera Faust and 'event culture' / Waltraud Maierhofer -- Select bibliography

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Byrne Bodley, Lorraine (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9781787440227
    RVK Categories: GK 4581 ; LR 57715
    Corporations / Congresses: International Conference Music in Goethe's Faust: Goethe's Faust in Music (2012, Maynooth)
    Subjects: Music and literature; Faust (Legendary character); Goethe, Johann Wolfgang von ; 1749-1832 ; Musical settings ; History and criticism; Goethe, Johann Wolfgang von ; 1749-1832 ; Faust; Faust (Legendary character) ; Songs and music ; History and criticism; Music and literature
    Other subjects: Goethe, Johann Wolfgang von (1749-1832): Faust; Goethe, Johann Wolfgang von (1749-1832)
    Scope: 1 Online-Ressource (xix, 336 pages)
  12. Music in Goethe's Faust
    Goethe's Faust in music
    Contributor: Byrne Bodley, Lorraine (HerausgeberIn)
    Published: 2017
    Publisher:  The Boydell Press, Woodbridge

    That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's Faust, a work which has attracted the attention of composers... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's Faust, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century. While Goethe longed to have Fausset to music and considered only Mozart and perhaps Meyerbeer as being equal to the task, by the end of his life he had abandoned hope that he would live to witness a musical setting of his text. Despite this, a floodtide of musical interpretations of Goethe's Faust came into existence from Beethoven to Schubert, Schumann to Wagner and Mahler, and Gounod to Berlioz; and a broad trajectory can be traced from Zelter's colourful description of the first setting of Goethe's Faust to Alfred Schnittke's Faust opera (1993). This book explores the musical origins of Goethe's Faust and the musical dimensions of its legacy. It uncovers the musical furore caused by Goethe's Faust and considers why his polemical text has resonated so strongly with composers. Bringing together leading musicologists and Germanists, the book addresses a wide range of issues including reception history, the performative challenges of writing music for Faust, the impact of the legend on composers' conceptual thinking, and the ways in which it has been used by composers to engage with other contemporary intellectual concepts. Constituting the richest examination to date of the musicality of language and form in Goethe's Faust and its musical rendering from the eighteenth to twenty-first centuries, the book will appeal to music, literary and Goethe scholars and students alike. Lorraine Byrne Bodley is Senior Lecturer in Musicology at Maynooth University and President of the Society for Musicology in Ireland. Contributors: Mark Austin, Lorraine Byrne Bodley, Nicholas Boyle, John Michael Cooper, Siobhán Donovan, Osman Durrani, Mark Fitzgerald, John Guthrie, Heather Hadlock, Julian Horton, Ursula Kramer, Waltraud Meierhofer, Eftychia Papanikolaou, David Robb, Christopher Ruth, Glenn Stanley, Martin Swales, J. M. Tudor Introduction. Rhapsody and rebuke : Goethe's Faust in music ; The redress of Goethe's Faust in music history / Lorraine Byrne Bodley -- Wagering on modernity : Goethe's eighteenth-century Faust / Nicholas Boyle -- Reflectivity, music and the modern condition : thoughts on Goethe's Faust / Martin Swales -- Music and metaphorical thinking in Goethe's Faust : the example of harmony / J.M. Tudor -- Faust : the instrumentalisation of an icon / Osman Durrani -- Faust's Schubert : Schubert's Faust / John Michael Cooper -- The musical novel as master-genre : Schumann's Szenen aus Goethes Faust / Julian Horton -- The psychology of Schumann's Faust : developing the human soul / Christopher Ruth -- A life with Goethe : Wagner's engagement with Faust in music and in words / Glenn Stanley -- Wagner's Ninth : reading Beethoven with Faust / Mark Austin -- Linking Christian and Faustian utopias : Mahler's setting of the Schluszene in his Eighth Symphony / Eftychia Papanikolaou -- Operatic translation and adaptation : Gounod's Faust, with a tribute to Ken Russell / Siobhán Donovan -- Adapters, falsifiers and profiteers : staging La damnation de Faust in Monte Carlo and Paris, 1893-1903 / Heather Hadlock -- Faust in the trenches : Busoni's Doktor Faust / Mark Fitzgerald -- As Goethe intended? : Max Reinhardt's Faust productions and the aesthetics of incidental music in the early twentieth century / Ursula Kramer -- Music and the rebirth of Faust in the GDR / David Robb -- Music, text and stage : Peter Stein's production of Goethe's Faust / John Guthrie -- 'Devilishly good' : Rudolf Volz's rock opera Faust and 'event culture' / Waltraud Maierhofer -- Select bibliography

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Byrne Bodley, Lorraine (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9781787440227
    RVK Categories: GK 4581 ; LR 57715
    Corporations / Congresses: International Conference Music in Goethe's Faust: Goethe's Faust in Music (2012, Maynooth)
    Subjects: Music and literature; Faust (Legendary character); Goethe, Johann Wolfgang von ; 1749-1832 ; Musical settings ; History and criticism; Goethe, Johann Wolfgang von ; 1749-1832 ; Faust; Faust (Legendary character) ; Songs and music ; History and criticism; Music and literature
    Other subjects: Goethe, Johann Wolfgang von (1749-1832): Faust; Goethe, Johann Wolfgang von (1749-1832)
    Scope: 1 Online-Ressource (xix, 336 pages)
  13. Music in Goethe's Faust
    Goethe's Faust in music
    Contributor: Byrne Bodley, Lorraine (HerausgeberIn)
    Published: 2017
    Publisher:  The Boydell Press, Woodbridge

    That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's Faust, a work which has attracted the attention of composers... more

    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
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    That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's Faust, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century. While Goethe longed to have Faust set to music and considered only Mozart and perhaps Meyerbeer as being equal to the task, by the end of his life he had abandoned hope that he would live to witness a musical setting of his text. Despite this, a floodtide of musical interpretations of Goethe's Faust came into existence from Beethoven to Schubert, Schumann to Wagner and Mahler, and Gounod to Berlioz; and a broad trajectory can be traced from Zelter's colourful description of the first setting of Goethe's Faust to Alfred Schnittke's Faust opera (1993). This book explores the musical origins of Goethe's Faust and the musical dimensions of its legacy. It uncovers the musical furore caused by Goethe's Faust and considers why his polemical text has resonated so strongly with composers. 0Bringing together leading musicologists and Germanists, the book addresses a wide range of issues including reception history, the performative challenges of writing music for Faust, the impact of the legend on composers' conceptual thinking, and the ways in which it has been used by composers to engage with other contemporary intellectual concepts. Constituting the richest examination to date of the musicality of language and form in Goethe's Faust and its musical rendering from the eighteenth to twenty-first centuries, the book will appeal to music, literary and Goethe scholars and students alike Introduction. Rhapsody and rebuke : Goethe's Faust in music ; The redress of Goethe's Faust in music history / Lorraine Byrne Bodley -- Wagering on modernity : Goethe's eighteenth-century Faust / Nicholas Boyle -- Reflectivity, music and the modern condition : thoughts on Goethe's Faust / Martin Swales -- Music and metaphorical thinking in Goethe's Faust : the example of harmony / J.M. Tudor -- Faust : the instrumentalisation of an icon / Osman Durrani -- Faust's Schubert : Schubert's Faust / John Michael Cooper -- The musical novel as master-genre : Schumann's Szenen aus Goethes Faust / Julian Horton -- The psychology of Schumann's Faust : developing the human soul / Christopher Ruth -- A life with Goethe : Wagner's engagement with Faust in music and in words / Glenn Stanley -- Wagner's Ninth : reading Beethoven with Faust / Mark Austin -- Linking Christian and Faustian utopias : Mahler's setting of the Schluszene in his Eighth Symphony / Eftychia Papanikolaou -- Operatic translation and adaptation : Gounod's Faust, with a tribute to Ken Russell / Siobhán Donovan -- Adapters, falsifiers and profiteers : staging La damnation de Faust in Monte Carlo and Paris, 1893-1903 / Heather Hadlock -- Faust in the trenches : Busoni's Doktor Faust / Mark Fitzgerald -- As Goethe intended? : Max Reinhardt's Faust productions and the aesthetics of incidental music in the early twentieth century / Ursula Kramer -- Music and the rebirth of Faust in the GDR / David Robb -- Music, text and stage : Peter Stein's production of Goethe's Faust / John Guthrie -- 'Devilishly good' : Rudolf Volz's rock opera Faust and 'event culture' / Waltraud Maierhofer -- Select bibliography

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Byrne Bodley, Lorraine (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Print
    ISBN: 9781783272006
    Other identifier:
    9781783272006
    RVK Categories: GK 4581 ; LR 57715
    Corporations / Congresses: International Conference Music in Goethe's Faust: Goethe's Faust in Music (2012, Maynooth)
    Subjects: Music and literature; Faust (Legendary character); Faust (Legendary character); Music and literature
    Other subjects: Goethe, Johann Wolfgang von (1749-1832); Goethe, Johann Wolfgang von (1749-1832): Faust; Goethe, Johann Wolfgang von 1749-1832; Goethe, Johann Wolfgang von 1749-1832
    Scope: xix, 336 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Literaturverzeichnis: Seiten 305-325

    Faust ist im Titel und im Titelzusatz kursiv geschrieben

    aus dem Vorwort: "The book has its roots in an interdisciplinary conference "Music in Goethe's Faust: Goethe's Faust in Music", which was held in the Department of Music of Maynooth University..."

  14. Goethe yearbook
    publications of the Goethe Society of North America : Volume XXIV
    Contributor: Daub, Adrian (HerausgeberIn); Krimmer, Elisabeth (HerausgeberIn); Franzel, Sean (HerausgeberIn)
    Published: 2017
    Publisher:  Camden House, Rochester, NY

    The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while... more

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    No loan of volumes, only paper copies will be sent

     

    The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 24 features a special section titled "The Poetics of Space in the Goethezeit," co-edited by John Lyon and Elliott Schreiber, with contributions on blind spots in Goethe's Elective Affinities; on the topography and topoi of Goethe's autobiographical childhood; on disorientation and the subterranean in Novalis; on selfhood, sovereignty, and public space in Die italienische Reise and Dichtung und Wahrheit; on Goethe's theater of anamnesis in Wilhelm Meisters Lehrjahre; and on spatial mobilization in Kleist's Berliner Abendblätter. There are also articles on the horror of coming home in Caroline de la Motte Fouqué's "Der Abtrünnige" and on Friedrich Heinrich Jacobi's Eduard Allwills Papiere. Contributors: Colin Benert, Stephanie Galasso, Tove Holmes, Edgar Landgraf, Sara Luly, John B. Lyon, Anthony Mahler, Monika Nenon, Joseph O'Neil, Elliott Schreiber, Inge Stephan, Gabriel Trop, Christian P. Weber Adrian Daub is Associate Professor of German at Stanford. Elisabeth Krimmer is Professor of German at the University of California Davis. Book review editor Birgit Tautz is Associate Professor of German at Bowdoin College

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Daub, Adrian (HerausgeberIn); Krimmer, Elisabeth (HerausgeberIn); Franzel, Sean (HerausgeberIn)
    Language: English; German
    Media type: Ebook
    Format: Online
    ISBN: 9781787440180
    Subjects: Goethe, Johann Wolfgang von ; 1749-1832 ; Criticism and interpretation ; Periodicals
    Other subjects: Goethe, Johann Wolfgang von (1749-1832)
    Scope: 1 Online-Ressource (ix, 326 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 06 Sep 2017)

  15. Goethe yearbook
    publications of the Goethe Society of North America : Volume XXIV
    Contributor: Daub, Adrian (HerausgeberIn); Krimmer, Elisabeth (HerausgeberIn); Franzel, Sean (HerausgeberIn)
    Published: 2017
    Publisher:  Camden House, Rochester, NY

    The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 24 features a special section titled "The Poetics of Space in the Goethezeit," co-edited by John Lyon and Elliott Schreiber, with contributions on blind spots in Goethe's Elective Affinities; on the topography and topoi of Goethe's autobiographical childhood; on disorientation and the subterranean in Novalis; on selfhood, sovereignty, and public space in Die italienische Reise and Dichtung und Wahrheit; on Goethe's theater of anamnesis in Wilhelm Meisters Lehrjahre; and on spatial mobilization in Kleist's Berliner Abendblätter. There are also articles on the horror of coming home in Caroline de la Motte Fouqué's "Der Abtrünnige" and on Friedrich Heinrich Jacobi's Eduard Allwills Papiere. Contributors: Colin Benert, Stephanie Galasso, Tove Holmes, Edgar Landgraf, Sara Luly, John B. Lyon, Anthony Mahler, Monika Nenon, Joseph O'Neil, Elliott Schreiber, Inge Stephan, Gabriel Trop, Christian P. Weber Adrian Daub is Associate Professor of German at Stanford. Elisabeth Krimmer is Professor of German at the University of California Davis. Book review editor Birgit Tautz is Associate Professor of German at Bowdoin College

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Daub, Adrian (HerausgeberIn); Krimmer, Elisabeth (HerausgeberIn); Franzel, Sean (HerausgeberIn)
    Language: English; German
    Media type: Ebook
    Format: Online
    ISBN: 9781787440180
    Subjects: Goethe, Johann Wolfgang von ; 1749-1832 ; Criticism and interpretation ; Periodicals
    Other subjects: Goethe, Johann Wolfgang von (1749-1832)
    Scope: 1 Online-Ressource (ix, 326 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 06 Sep 2017)

  16. Goethe yearbook
    publications of the Goethe Society of North America. : Volume XXIV
    Contributor: Daub, Adrian (Herausgeber); Krimmer, Elisabeth (Herausgeber); Franzel, Sean (Herausgeber)
    Published: 2017
    Publisher:  Camden House, Rochester, NY ; Cambridge University Press, Cambridge, UK

    The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while... more

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    The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 24 features a special section titled "The Poetics of Space in the Goethezeit," co-edited by John Lyon and Elliott Schreiber, with contributions on blind spots in Goethe's Elective Affinities; on the topography and topoi of Goethe's autobiographical childhood; on disorientation and the subterranean in Novalis; on selfhood, sovereignty, and public space in Die italienische Reise and Dichtung und Wahrheit; on Goethe's theater of anamnesis in Wilhelm Meisters Lehrjahre; and on spatial mobilization in Kleist's Berliner Abendblätter. There are also articles on the horror of coming home in Caroline de la Motte Fouqué's "Der Abtrünnige" and on Friedrich Heinrich Jacobi's Eduard Allwills Papiere. Contributors: Colin Benert, Stephanie Galasso, Tove Holmes, Edgar Landgraf, Sara Luly, John B. Lyon, Anthony Mahler, Monika Nenon, Joseph O'Neil, Elliott Schreiber, Inge Stephan, Gabriel Trop, Christian P. Weber Adrian Daub is Associate Professor of German at Stanford. Elisabeth Krimmer is Professor of German at the University of California Davis. Book review editor Birgit Tautz is Associate Professor of German at Bowdoin College.

     

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    Source: Union catalogues
    Contributor: Daub, Adrian (Herausgeber); Krimmer, Elisabeth (Herausgeber); Franzel, Sean (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787440180
    Scope: 1 Online-Ressource (ix, 326 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 06 Sep 2017)

  17. "Ja, Goethe über alles und immer!"
    Benns "Doppelleben" in den Briefen an F. W. Oelze (1932-1956)
    Published: 2017
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    "Goethe über alles"! Das will heißen, mit einer kaum versteckten Anspielung auf die deutsche Nationalhymne: Goethe vor allem über Deutschland! Diese emphatische Parole Gottfried Benns findet sich in seinem Brief vom 8. November 1950 an Friedrich... more

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    "Goethe über alles"! Das will heißen, mit einer kaum versteckten Anspielung auf die deutsche Nationalhymne: Goethe vor allem über Deutschland! Diese emphatische Parole Gottfried Benns findet sich in seinem Brief vom 8. November 1950 an Friedrich Wilhelm Oelze.1 Zu dieser Zeit stand der Briefwechsel zwischen den beiden Männern schon in seinem achtzehnten Jahr, ausgelöst durch das Goethe-Jahr 1932, zu dem Benn seinen Essay "Goethe und die Naturwissenschaften" beigesteuert hatte. Er erschien in der "Neuen Rundschau" in einem "Sonderheft zum hundertsten Todestag Goethes" und enthielt u. a. Beiträge von Gerhart Hauptmann, Thomas Mann, Hermann Hesse, André Gide und Ortega y Gasset. Benn war zeitlebens stolz auf diese Leistung und ihre illustre Autoren-Nachbarschaft.

     

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 830
    Subjects: Brief; Doppelleben; Novelle; Künstler
    Other subjects: Benn, Gottfried (1886-1956); Mandelkow, Karl Robert (1926-2008)
    Scope: 1 Online-Ressource (10 Seiten)
  18. "Ja, Goethe über alles und immer!"
    Benns "Doppelleben" in den Briefen an F. W. Oelze (1932-1956)
    Published: 2017
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    "Goethe über alles"! Das will heißen, mit einer kaum versteckten Anspielung auf die deutsche Nationalhymne: Goethe vor allem über Deutschland! Diese emphatische Parole Gottfried Benns findet sich in seinem Brief vom 8. November 1950 an Friedrich... more

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    "Goethe über alles"! Das will heißen, mit einer kaum versteckten Anspielung auf die deutsche Nationalhymne: Goethe vor allem über Deutschland! Diese emphatische Parole Gottfried Benns findet sich in seinem Brief vom 8. November 1950 an Friedrich Wilhelm Oelze.1 Zu dieser Zeit stand der Briefwechsel zwischen den beiden Männern schon in seinem achtzehnten Jahr, ausgelöst durch das Goethe-Jahr 1932, zu dem Benn seinen Essay "Goethe und die Naturwissenschaften" beigesteuert hatte. Er erschien in der "Neuen Rundschau" in einem "Sonderheft zum hundertsten Todestag Goethes" und enthielt u. a. Beiträge von Gerhart Hauptmann, Thomas Mann, Hermann Hesse, André Gide und Ortega y Gasset. Benn war zeitlebens stolz auf diese Leistung und ihre illustre Autoren-Nachbarschaft.

     

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    Source: Specialised Catalogue of Comparative Literature
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 830
    Subjects: Brief; Doppelleben; Novelle; Künstler
    Other subjects: Benn, Gottfried (1886-1956); Mandelkow, Karl Robert (1926-2008)
    Scope: 1 Online-Ressource (10 Seiten)
  19. "Ja, Goethe über alles und immer!" : Benns "Doppelleben" in den Briefen an F. W. Oelze (1932-1956)
    Published: 19.10.2017

    "Goethe über alles"! Das will heißen, mit einer kaum versteckten Anspielung auf die deutsche Nationalhymne: Goethe vor allem über Deutschland! Diese emphatische Parole Gottfried Benns findet sich in seinem Brief vom 8. November 1950 an Friedrich... more

     

    "Goethe über alles"! Das will heißen, mit einer kaum versteckten Anspielung auf die deutsche Nationalhymne: Goethe vor allem über Deutschland! Diese emphatische Parole Gottfried Benns findet sich in seinem Brief vom 8. November 1950 an Friedrich Wilhelm Oelze.1 Zu dieser Zeit stand der Briefwechsel zwischen den beiden Männern schon in seinem achtzehnten Jahr, ausgelöst durch das Goethe-Jahr 1932, zu dem Benn seinen Essay "Goethe und die Naturwissenschaften" beigesteuert hatte. Er erschien in der "Neuen Rundschau" in einem "Sonderheft zum hundertsten Todestag Goethes" und enthielt u. a. Beiträge von Gerhart Hauptmann, Thomas Mann, Hermann Hesse, André Gide und Ortega y Gasset. Benn war zeitlebens stolz auf diese Leistung und ihre illustre Autoren-Nachbarschaft.

     

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    Content information: free
    Source: CompaRe
    Language: German
    Media type: Book
    Format: Online
    DDC Categories: 830
    Rights:

    creativecommons.org/licenses/by/4.0/

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    info:eu-repo/semantics/openAccess

  20. "Ja, Goethe über alles und immer!" : Benns "Doppelleben" in den Briefen an F. W. Oelze (1932-1956)
    Published: 2017

    "Goethe über alles"! Das will heißen, mit einer kaum versteckten Anspielung auf die deutsche Nationalhymne: Goethe vor allem über Deutschland! Diese emphatische Parole Gottfried Benns findet sich in seinem Brief vom 8. November 1950 an Friedrich... more

     

    "Goethe über alles"! Das will heißen, mit einer kaum versteckten Anspielung auf die deutsche Nationalhymne: Goethe vor allem über Deutschland! Diese emphatische Parole Gottfried Benns findet sich in seinem Brief vom 8. November 1950 an Friedrich Wilhelm Oelze.1 Zu dieser Zeit stand der Briefwechsel zwischen den beiden Männern schon in seinem achtzehnten Jahr, ausgelöst durch das Goethe-Jahr 1932, zu dem Benn seinen Essay "Goethe und die Naturwissenschaften" beigesteuert hatte. Er erschien in der "Neuen Rundschau" in einem "Sonderheft zum hundertsten Todestag Goethes" und enthielt u. a. Beiträge von Gerhart Hauptmann, Thomas Mann, Hermann Hesse, André Gide und Ortega y Gasset. Benn war zeitlebens stolz auf diese Leistung und ihre illustre Autoren-Nachbarschaft.

     

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    Source: BASE Selection for Comparative Literature
    Language: German
    Media type: Book
    Format: Online
    DDC Categories: 830
    Rights:

    creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess

  21. Augenblick, Lebenszeit, Geschichte, Ewigkeit
    Die Zeit in Goethes Werken
    Published: 2017
    Publisher:  Universitätsverlag Winter, Heidelberg

    Cover -- Titel -- Impressum -- Inhalt -- Siglen -- Liisa Steinby: Einleitung: Goethe und seine Zeiten -- Michael Schmidt: Postkutschenzeit. Goethes ‚An Schwager Kronos' als Gelegenheitsgedicht im Kontext der -- Liisa Steinby: Formen der Zeitlichkeit... more

    Hochschulbibliothek Friedensau
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    Cover -- Titel -- Impressum -- Inhalt -- Siglen -- Liisa Steinby: Einleitung: Goethe und seine Zeiten -- Michael Schmidt: Postkutschenzeit. Goethes ‚An Schwager Kronos' als Gelegenheitsgedicht im Kontext der -- Liisa Steinby: Formen der Zeitlichkeit in ‚Wilhelm Meisters Lehrjahren'. Einleitung: Die Verzeitlichung der Welt- und der Identitätsbestimmung -- Mattias Pirholt: Sentimentale Gegenstände. Die sentimentalisch-zeitliche Bedeutsamkeit des Symbols bei Goethe -- Marie-Theres Federhofer: „nur für den Augenblick Festgehaltenes". Zeitkonzepte in Goethes Heften ‚Zur Morphologie' -- Klaus-Detlef Müller: Lebenszeit - Goethe und sein Jahrhundert -- Backcover.

     

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    Content information
    Source: Union catalogues
    Contributor: Schmidt, Michael (MitwirkendeR)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783825377038
    RVK Categories: GK 4441
    Edition: 1st ed.
    Series: Beiträge zur neueren Literaturgeschichte [Dritte Folge] ; v.366
    Subjects: Goethe, Johann Wolfgang von, 1749-1832; Electronic books
    Scope: 1 online resource (172 pages)
  22. Goethe yearbook
    publications of the Goethe Society of North America : Volume XXIII
    Contributor: Daub, Adrian (HerausgeberIn); Krimmer, Elisabeth (HerausgeberIn)
    Published: 2017
    Publisher:  Boydell & Brewer, Suffolk

    The <I>Goethe Yearbook</I> is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world.
    Volume 23 features a special section on visual culture with contributions on the visual aesthetics of Goethe's 1815 production of Proserpina (Bersier); on the Farbenlehre (Lande); on Tableaux Vivants in Goethe's Die Wahlverwandtschaften (Solanki); on the relationship between Goethe and C. G. Carus and their respective views on the representation of nature in art and science (Allert); and on visual and verbal bricolage in Clemens Brentano's Gockel, Hinkel und Gackeleia (MacLeod). There are also articles on Goethe and ancient mystery religions (Amrine); on Goethe's fairy-tale aesthetics (Brown); on the concept of neutrality (Holland); on the concept of the mathematical infinite (Smith); on virginity and maternity in Werther (Nossett); on the Classical aesthetics of Schlegel's Lucinde (ter Horst); and on motherless creations in Faust (Nielsen).

    Contributors: Beate Allert, Frederick Amrine, Gabrielle Bersier, Jane K. Brown, Jocelyn Holland, Joel B. Lande, Catriona MacLeod, Wendy C. Nielsen, Lauren Nossett, John H. Smith, Tanvi Solanki, Eleanor ter Horst.

    Adrian Daub is Associate Professor of German at Stanford. Elisabeth Krimmer is Professor of German at the University of California Davis. Book review editor Birgit Tautz is Associate Professor of German at Bowdoin College

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Daub, Adrian (HerausgeberIn); Krimmer, Elisabeth (HerausgeberIn)
    Language: English; German
    Media type: Ebook
    Format: Online
    ISBN: 9781782048084
    Subjects: Goethe, Johann Wolfgang von ; 1749-1832 ; Criticism and interpretation ; Periodicals
    Other subjects: Goethe, Johann Wolfgang von (1749-1832)
    Scope: 1 Online-Ressource (ix, 320 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 07 Mar 2017)

  23. Goethe yearbook
    publications of the Goethe Society of North America. : Volume XXIII
    Contributor: Daub, Adrian (Herausgeber); Krimmer, Elisabeth (Herausgeber)
    Published: 2017
    Publisher:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    The <I>Goethe Yearbook</I> is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan

     

    The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world.
    Volume 23 features a special section on visual culture with contributions on the visual aesthetics of Goethe's 1815 production of Proserpina (Bersier); on the Farbenlehre (Lande); on Tableaux Vivants in Goethe's Die Wahlverwandtschaften (Solanki); on the relationship between Goethe and C. G. Carus and their respective views on the representation of nature in art and science (Allert); and on visual and verbal bricolage in Clemens Brentano's Gockel, Hinkel und Gackeleia (MacLeod). There are also articles on Goethe and ancient mystery religions (Amrine); on Goethe's fairy-tale aesthetics (Brown); on the concept of neutrality (Holland); on the concept of the mathematical infinite (Smith); on virginity and maternity in Werther (Nossett); on the Classical aesthetics of Schlegel's Lucinde (ter Horst); and on motherless creations in Faust (Nielsen).

    Contributors: Beate Allert, Frederick Amrine, Gabrielle Bersier, Jane K. Brown, Jocelyn Holland, Joel B. Lande, Catriona MacLeod, Wendy C. Nielsen, Lauren Nossett, John H. Smith, Tanvi Solanki, Eleanor ter Horst.

    Adrian Daub is Associate Professor of German at Stanford. Elisabeth Krimmer is Professor of German at the University of California Davis. Book review editor Birgit Tautz is Associate Professor of German at Bowdoin College.

     

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    Source: Union catalogues
    Contributor: Daub, Adrian (Herausgeber); Krimmer, Elisabeth (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782048084
    Scope: 1 Online-Ressource (ix, 320 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 07 Mar 2017)

  24. Goethe yearbook
    publications of the Goethe Society of North America : Volume XXIII
    Contributor: Daub, Adrian (HerausgeberIn); Krimmer, Elisabeth (HerausgeberIn)
    Published: 2017
    Publisher:  Boydell & Brewer, Suffolk

    The <I>Goethe Yearbook</I> is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the... more

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    No loan of volumes, only paper copies will be sent

     

    The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world.
    Volume 23 features a special section on visual culture with contributions on the visual aesthetics of Goethe's 1815 production of Proserpina (Bersier); on the Farbenlehre (Lande); on Tableaux Vivants in Goethe's Die Wahlverwandtschaften (Solanki); on the relationship between Goethe and C. G. Carus and their respective views on the representation of nature in art and science (Allert); and on visual and verbal bricolage in Clemens Brentano's Gockel, Hinkel und Gackeleia (MacLeod). There are also articles on Goethe and ancient mystery religions (Amrine); on Goethe's fairy-tale aesthetics (Brown); on the concept of neutrality (Holland); on the concept of the mathematical infinite (Smith); on virginity and maternity in Werther (Nossett); on the Classical aesthetics of Schlegel's Lucinde (ter Horst); and on motherless creations in Faust (Nielsen).

    Contributors: Beate Allert, Frederick Amrine, Gabrielle Bersier, Jane K. Brown, Jocelyn Holland, Joel B. Lande, Catriona MacLeod, Wendy C. Nielsen, Lauren Nossett, John H. Smith, Tanvi Solanki, Eleanor ter Horst.

    Adrian Daub is Associate Professor of German at Stanford. Elisabeth Krimmer is Professor of German at the University of California Davis. Book review editor Birgit Tautz is Associate Professor of German at Bowdoin College

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Daub, Adrian (HerausgeberIn); Krimmer, Elisabeth (HerausgeberIn)
    Language: English; German
    Media type: Ebook
    Format: Online
    ISBN: 9781782048084
    Subjects: Goethe, Johann Wolfgang von ; 1749-1832 ; Criticism and interpretation ; Periodicals
    Other subjects: Goethe, Johann Wolfgang von (1749-1832)
    Scope: 1 Online-Ressource (ix, 320 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 07 Mar 2017)

  25. [Rezension zu:] Katharina Mommsen: "Orient und Okzident sind nicht mehr zu trennen."
    Published: 2017

    Rezension zu Katharina Mommsen: "Orient und Okzident sind nicht mehr zu trennen." Goethe und die Weltkulturen. Göttingen (Wallstein) 2012 (= Schriften der Goethe-Gesellschaft, Band 75). 480 S. more

     

    Rezension zu Katharina Mommsen: "Orient und Okzident sind nicht mehr zu trennen." Goethe und die Weltkulturen. Göttingen (Wallstein) 2012 (= Schriften der Goethe-Gesellschaft, Band 75). 480 S.

     

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    Source: BASE Selection for Comparative Literature
    Language: German
    Media type: Review
    Format: Online
    DDC Categories: 800; 830
    Subjects: Rezension; Goethe; Johann Wolfgang von; Interkulturalität; Weltbild; Weltliteratur; Fremdkultur
    Rights:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess