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  1. Acts of Narrative
    Textual Strategies in Modern German Fiction
    Published: [2016]; © 1996
    Publisher:  University of Toronto Press, Toronto

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442670600
    Other identifier:
    Series: Theory / Culture
    Subjects: German fiction; Narration (Rhetoric); Prosa; Erzähltechnik; Literatur; Deutsch
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :

  2. Fictions of Discourse
    Reading Narrative Theory
    Published: [2017]; © 1996
    Publisher:  University of Toronto Press, Toronto

    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story ('what really happened') and the discourse ('how what happened is presented'). For traditional... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story ('what really happened') and the discourse ('how what happened is presented'). For traditional criticism, the primary task of narrative discourse is essentially to convey the story as transparently as possible. Patrick O'Neill investigates the extent to which narrative discourse also contains the counter-tendency not to tell the story, indeed to subvert the story it tells in foregrounding its own performance. The systemic implications of this perspective for narrative and for narrative theory are examined within the conceptual framework provided by classical French narratology. O'Neill ultimately attempts both to expand and to problematize the structural model of narrative proposed by this centrally important tradition of narrative theory. O'Neill describes narrative as functioning in terms of four interacting levels: story, narrative text, narration, and textuality. Using a range of examples from Homer to modern European fiction, he discusses traditional narrative categories such as voice, focalization, character, and setting, and reinscribes them within the contextual space of author and reader to bring out narrative's potential for ambiguity and unreliability. He also discusses the implications of translation for narrative theory

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442674868
    Other identifier:
    Series: Theory / Culture
    Subjects: Erzähltheorie
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed June 01., 2017)

  3. Fictions of Discourse
    Reading Narrative Theory
    Published: 2017; ©1996
    Publisher:  University of Toronto Press, Toronto

    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story (`what really happened') and the discourse (`how what happened is presented'). For traditional... more

    Hochschule für Gesundheit, Hochschulbibliothek
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    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story (`what really happened') and the discourse (`how what happened is presented'). For traditional criticism, the primary task of narrative discourse is essentially to convey the story as transparently as possible. Patrick O'Neill investigates the extent to which narrative discourse also contains the counter-tendency not to tell the story, indeed to subvert the story it tells in foregrounding its own performance. The systemic implications of this perspective for narrative and for narrative theory are examined within the conceptual framework provided by classical French narratology. O'Neill ultimately attempts both to expand and to problematize the structural model of narrative proposed by this centrally important tradition of narrative theory. O'Neill describes narrative as functioning in terms of four interacting levels: story, narrative text, narration, and textuality. Using a range of examples from Homer to modern European fiction, he discusses traditional narrative categories such as voice, focalization, character, and setting, and reinscribes them within the contextual space of author and reader to bring out narrative's potential for ambiguity and unreliability. He also discusses the implications of translation for narrative theory.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442674868
    Other identifier:
    Series: Theory / Culture
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction -- -- 1 Theory Games: Narratives and Narratologies -- -- 2 Narrative Facts and Other Fictions: Story and Discourse -- -- 3 Discourse Discoursed: The Ventriloquism Effect -- -- 4 Points of Origin: The Focalization Factor -- -- 5 Texts and Textuality: The Shapers and the Shaped -- -- 6 Games Texts Play: Reading between the Narratives -- -- Conclusion -- -- Notes -- -- Bibliography -- -- Index

  4. Acts of Narrative
    Textual Strategies in Modern German Fiction
    Published: [2016]; ©1996
    Publisher:  University of Toronto Press, Toronto

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... more

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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard.O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system.Acts of Narrative provides a fresh and challenging approach to German literary texts that will interest both those whose concern is narrative theory and critical practice and those who study modern and postmodern German or comparative literature.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442670600
    Other identifier:
    Series: Theory / Culture
    Subjects: Narration (Rhetoric); German fiction; Narration (Rhetoric); German fiction; German fiction.; Narration (Rhetoric).
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- ACKNOWLEDGMENTS -- -- Introduction -- -- 1. Death in Venice: Narrative Situations in Thomas Mann's Der Tod in Venedig -- -- 2. The Trial: Paradigms of Indeterminacy in Franz Kafka's Der Froze ft -- -- 3. Harry Haller's Records: The Ludic Imagination in Hermann Hesse's Steppenwolf -- -- 4. Auto da fé: Reading Misreading in Elias Canetti's Die Blendung -- -- 5. The Tin Drum: Implications of Unreliability in Günter Grass's Die Blechtrommel -- -- 6. Two Views: The Authority of Discourse in Uwe Johnson's Zwei Ansichten -- -- 7. The Goalie's Anxiety: Signs and Semiosis in Peter Handke's Die Angst des Tormanns beim Elfmeter -- -- 8. The Lime Works: Narrative and Noise in Thomas Bernhard's Das Kalkwerk -- -- Conclusion -- -- NOTES -- -- BIBLIOGRAPHY -- -- INDEX

  5. Fictions of discourse
    reading narrative theory
    Published: 1996
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Universitäts- und Landesbibliothek Düsseldorf
    lite100.o58
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0802004687; 0802079482
    Edition: Reprint. in paperback
    Series: Theory : culture
    Subjects: Erzähltheorie
    Scope: X, 188 S.
  6. Acts of narrative
    textual strategies in modern German fiction
    Published: 1996
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... more

    Universitätsbibliothek Bamberg
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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0802009824
    RVK Categories: GM 1411 ; GN 1411 ; GN 1900
    Series: Theory, culture
    Subjects: Narration; Roman allemand - 20e siècle - Histoire et critique; Geschichte; German fiction; Narration (Rhetoric); Prosa; Literatur; Deutsch; Erzähltechnik
    Scope: X, 205 S.
  7. Fictions of discourse
    reading narrative theory
    Published: 1996
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Universitäts- und Landesbibliothek Düsseldorf
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    Universitätsbibliothek Trier
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0802004687; 0802079482
    Edition: Reprint. in paperback
    Series: Theory : culture
    Subjects: Erzähltheorie
    Scope: X, 188 S.
  8. Fictions of discourse
    reading narrative theory
    Published: c1996
    Publisher:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0802079482; 1442674865; 9780802079480; 9781442674868
    Series: Theory/culture series
    Subjects: LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; LITERARY CRITICISM / Semiotics & Theory; Narration (Rhetoric); Narration (Rhetoric); Erzähltheorie
    Scope: 1 Online-Ressource (x, 188 p.)
    Notes:

    Includes bibliographical references (p. [169]-180) and index

  9. Acts of narrative
    textual strategies in modern German fiction
    Published: c1996
    Publisher:  University of Toronto Press, Toronto [Ont.]

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0802009824; 1442670606; 9780802009821; 9781442670600
    Series: Theory/culture series
    Subjects: Roman allemand / 20e siècle / Histoire et critique; Narration; Literatur; Narrativität; LITERARY CRITICISM / European / German; German fiction; Narration (Rhetoric); German fiction; Narration (Rhetoric); Erzähltechnik; Literatur; Deutsch; Prosa
    Scope: 1 Online-Ressource (x, 205 p.)
    Notes:

    Includes bibliographical references and index

    Death in Venice : narrative situations in Thomas Mann's Der Tod in Venedig -- - Trial : paradigms of indeterminacy in Franz Kafka's Der Prozess -- - Harry Haller's records : the ludic imagination in Hermann Hesse's Steppenwolf -- - Auto da fé : reading misreading in Elias Canetti's Die Blendung -- - Tin Drum : implications of unrealibility in Günter Grass's Die Blechtrommel -- - Two views : the authority of discourse in Uwe Johnson's Zwei Ansichten -- - Goalie's anxiety : signs and semiosis in Peter Handke's Die Angst des Tormanns beim Elfmeter -- - Lime works : narrative and noise in Thomas Bernhard's Das Kalkwerk

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard

    O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system

  10. Acts of Narrative
    Textual Strategies in Modern German Fiction
    Published: [2016]; © 1996
    Publisher:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442670600
    Other identifier:
    Series: Theory / Culture
    Subjects: German fiction; Narration (Rhetoric); Prosa; Erzähltechnik; Literatur; Deutsch
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard.O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system.Acts of Narrative provides a fresh and challenging approach to German literary texts that will interest both those whose concern is narrative theory and critical practice and those who study modern and postmodern German or comparative literature

  11. Acts of narrative
    textual strategies in modern German fiction
    Published: 1996; © 1996
    Publisher:  University of Toronto Press, Toronto, [Canada] ; Buffalo, [New York] ; London, [England]

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442670600
    RVK Categories: GM 1411 ; GN 1411 ; GN 1900
    Series: Theory / Culture
    Subjects: German fiction; Narration (Rhetoric); Prosa; Erzähltechnik; Literatur; Deutsch
    Scope: 1 online resource (216 pages)
    Notes:

    Description based on print version record

  12. Fictions of Discourse
    Reading Narrative Theory
    Published: [2017]; © 1996
    Publisher:  University of Toronto Press, Toronto

    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story ('what really happened') and the discourse ('how what happened is presented'). For traditional... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story ('what really happened') and the discourse ('how what happened is presented'). For traditional criticism, the primary task of narrative discourse is essentially to convey the story as transparently as possible. Patrick O'Neill investigates the extent to which narrative discourse also contains the counter-tendency not to tell the story, indeed to subvert the story it tells in foregrounding its own performance. The systemic implications of this perspective for narrative and for narrative theory are examined within the conceptual framework provided by classical French narratology. O'Neill ultimately attempts both to expand and to problematize the structural model of narrative proposed by this centrally important tradition of narrative theory. O'Neill describes narrative as functioning in terms of four interacting levels: story, narrative text, narration, and textuality. Using a range of examples from Homer to modern European fiction, he discusses traditional narrative categories such as voice, focalization, character, and setting, and reinscribes them within the contextual space of author and reader to bring out narrative's potential for ambiguity and unreliability. He also discusses the implications of translation for narrative theory

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442674868
    Other identifier:
    Series: Theory / Culture
    Subjects: Erzähltheorie
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed June 01., 2017)

  13. Acts of narrative
    textual strategies in modern German fiction
    Published: 1996
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Universitätsbibliothek Greifswald
    310/GN 1900 O58
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0802009824
    Series: Theory / culture
    Subjects: German fiction; Narration (Rhetoric)
    Scope: X, 205 S
    Notes:

    Includes bibliographical references (p. [189]-199) and index

  14. Critical essays on Günter Grass
    Contributor: O'Neill, Patrick (Hrsg.)
    Published: 1987
    Publisher:  Hall, Boston, Mass.

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Source: Staatsbibliothek zu Berlin
    Contributor: O'Neill, Patrick (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0816188300
    RVK Categories: GN 5052
    Series: Critical essays on world literature
    Subjects: Grass, Günter;
    Other subjects: Grass, Günter (1927-2015)
    Scope: VI, 230 S.
  15. Critical essays on Günter Grass
    Contributor: O'Neill, Patrick (Hrsg.)
    Published: 1987
    Publisher:  Hall, Boston, Mass.

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Source: Union catalogues
    Contributor: O'Neill, Patrick (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0816188300
    RVK Categories: GN 5052
    Series: Critical essays on world literature
    Other subjects: Grass, Günter (1927-2015)
    Scope: VI, 230 S.
    Notes:

    Bibliogr. S. 225 - 227

  16. Acts of Narrative
    Textual Strategies in Modern German Fiction
    Published: [1996]
    Publisher:  University of Toronto Press, Toronto ; [Walter de Gruyter GmbH], [Berlin]

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... more

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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard.O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system.Acts of Narrative provides a fresh and challenging approach to German literary texts that will interest both those whose concern is narrative theory and critical practice and those who study modern and postmodern German or comparative literature.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442670600
    Other identifier:
    Series: Theory / Culture
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

  17. Fictions of Discourse
    Reading Narrative Theory
    Published: [1996]
    Publisher:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story (`what really happened') and the discourse (`how what happened is presented'). For traditional... more

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    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story (`what really happened') and the discourse (`how what happened is presented'). For traditional criticism, the primary task of narrative discourse is essentially to convey the story as transparently as possible. Patrick O'Neill investigates the extent to which narrative discourse also contains the counter-tendency not to tell the story, indeed to subvert the story it tells in foregrounding its own performance. The systemic implications of this perspective for narrative and for narrative theory are examined within the conceptual framework provided by classical French narratology. O'Neill ultimately attempts both to expand and to problematize the structural model of narrative proposed by this centrally important tradition of narrative theory. O'Neill describes narrative as functioning in terms of four interacting levels: story, narrative text, narration, and textuality. Using a range of examples from Homer to modern European fiction, he discusses traditional narrative categories such as voice, focalization, character, and setting, and reinscribes them within the contextual space of author and reader to bring out narrative's potential for ambiguity and unreliability. He also discusses the implications of translation for narrative theory.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442674868
    Other identifier:
    Series: Theory / Culture
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed June 01., 2017)

  18. Acts of Narrative
    Textual Strategies in Modern German Fiction
    Published: 1996
    Publisher:  University of Toronto Press, Toronto ; ProQuest, Ann Arbor, Michigan

    O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard. more

    Universität Frankfurt, Elektronische Ressourcen
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    O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442670600
    RVK Categories: GN 1900
    Series: Theory / Culture
    Subjects: Deutsch; Literatur; Narrativität
    Scope: 1 Online-Ressource (216 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  19. Acts of narrative
    textual strategies in modern German fiction
    Published: 1996
    Publisher:  University of Toronto Press, Toronto [Ont.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... more

    Bibliothek der Hochschule Mainz, Untergeschoss
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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard. O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442670600; 1442670606
    RVK Categories: GN 1900
    Series: Theory/culture
    Subjects: Deutsch; Literatur; Narrativität
    Scope: 1 Online-Ressource (x, 205 pages)
    Notes:

    Includes bibliographical references and index

  20. Acts of narrative
    textual strategies in modern German fiction
    Published: 1996
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    12.962.69
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    D 97/402
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0802009824
    RVK Categories: GN 1900
    Series: Theory - culture
    Subjects: Deutsch; Literatur; Narrativität
    Scope: X, 205 S.
    Notes:

    Literaturverz. S. [189] - 199

  21. Fictions of discourse
    reading narrative theory
    Published: 1996
    Publisher:  Univ. of Toronto Press, Toronto

    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    /EC 4500 O58
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0802004687; 0802079482
    RVK Categories: EC 4500 ; EC 4660
    Edition: Repr. in paperback
    Series: Theory, culture
    Subjects: Erzähltheorie
    Scope: X, 188 S.
    Notes:

    Literaturverz. S. [169] - 180

  22. Acts of narrative
    textual strategies in modern German fiction
    Published: 1996
    Publisher:  Univ. of Toronto Press, Toronto, Ontario [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 336846
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0802009824
    RVK Categories: GN 1900
    Series: Array
    Subjects: German fiction; Narration (Rhetoric)
    Scope: X, 205 S.
    Notes:

    Includes bibliographical references (p. [189]-199) and index

  23. Fictions of discourse
    reading narrative theory
    Published: 1996
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Universitätsbibliothek Braunschweig
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780802079480; 0802079482
    Other identifier:
    9780802079480
    RVK Categories: EC 4660 ; EC 4500
    Edition: Reprinted in paperback
    Series: Theory, culture
    Subjects: Erzähltheorie;
    Other subjects: Narration (Rhetoric)
    Scope: X, 188 S., 24 cm
    Notes:

    Literaturverz. S. [169] - 180

    Hier auch später erschienene, unveränderte Nachdrucke

  24. Fictions of discourse
    reading narrative theory
    Published: 1996
    Publisher:  Univ. of Toronto Pr., Toronto [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0802079482; 0802004687
    RVK Categories: EC 4500 ; EC 4660
    Edition: Reprinted
    Series: Theory, culture ; *
    Subjects: Narration (Rhetoric)
    Scope: X, 188 S., graph. Darst.
    Notes:

    Literaturverz. S. [169] - 180

  25. Acts of narrative
    textual strategies in modern German fiction
    Published: 1996
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0802009824
    RVK Categories: GM 1411 ; GN 1411 ; GN 1900
    Series: Theory, culture
    Subjects: Narration; Roman allemand - 20e siècle - Histoire et critique; Geschichte; German fiction; Narration (Rhetoric); Prosa; Literatur; Deutsch; Erzähltechnik
    Scope: X, 205 S.