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  1. Deutsches Theater-Lexikon, Teil 1, Nachtragsband
    Biographisches und Bibliographisches Handbuch
    Published: 2013
    Publisher:  W. de Gruyter, Berlin

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
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    Bibliotheksverbund Bayern (BVB)

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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Bibliotheksverbund Bayern (BVB)
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110285499; 3110285495; 9783110284607
    Subjects: Drama / Bio-bibliography; Opera / Bio-bibliography; Theater / Germany / Bio-bibliography; Theater / Germany / Dictionaries; DRAMA / Continental European; Drama; Opera; Theater; Theater; Theater; Drama; Opera
    Scope: 422 pages
    Notes:

    Includes bibliographical references

    This supplement to the Deutsches Theater-Lexikon [German Lexicon of Theater], which was completed in 2011, amplifies and extends Volumes I-IV (A-T), which first appeared between 1953 and 1998. Articles have been re-edited and expanded with an emphasis on the 20th century, and personalities from the world of German-language theater who were not previously included have been newly added. The lexicon contains bio-bibliographic information about playwrights, composers, theatrical directors, producers, actors, singers, set designers, and costume designers
  2. G - J
    Author: Kosch, Wilhelm
    Published: 2014
    Publisher:  De Gruyter, Berlin

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
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    Bibliotheksverbund Bayern (BVB)

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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Bibliotheksverbund Bayern (BVB)
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110287585; 3110287587
    Subjects: Theater / Germany / Bio-bibliography; Drama / Bio-bibliography; Opera / Bio-bibliography; Theater / Germany / Dictionaries; DRAMA / Continental European; Drama; Opera; Theater; Theater; Drama; Opera; Theater
    Scope: 432 pages
    Notes:

    Vorwort; Abkürzungsverzeichnis; G; H; I; J.

    This supplement to the Deutsches Theater-Lexikon amplifies and extends Volumes I-IV (A-T, appeared between 1953 and 1998). Articles have been re-edited with an emphasis on the 20th century, and personalities of German-language theater who were not previously included have been newly added. The lexicon contains bio-bibliographic information about playwrights, composers, theatrical directors, producers, actors, singers, set and costume designers
  3. Deutsches Theater-Lexikon, 38./39. Lieferung, Zedler-Zysset
    biographisches und bibliographisches Handbuch
    Author: Kosch, Wilhelm
    Published: 2011
    Publisher:  De Gruyter, Berlin

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
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    Unlimited inter-library loan, copies and loan
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    Bibliotheksverbund Bayern (BVB)

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Bibliotheksverbund Bayern (BVB)
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110269017; 3110269015; 3110250918; 9783110250916
    Subjects: DRAMA / Continental European; Drama; Opera; Theater; Theater; Theater; Drama; Opera
    Scope: 1 Online-Ressource
  4. Performing interpersonal violence
    court, curse, and comedy in fourth-century BCE Athens
    Author: Riess, Werner
    Published: 2012
    Publisher:  De Gruyter, Berlin

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110245592; 3110245590; 9783110245608; 3110245604
    Series: MythosEikonPoiesis ; Bd. 4
    Subjects: LITERARY CRITICISM / Ancient & Classical; Theater; Violence; Violence in the theater; Geschichte; Theater; Violence in the theater; Violence; Komödie; Gewalttätigkeit; Konfliktlösung; Soziale Kontrolle; Griechisch; Gerichtsrede; Gewalt <Motiv>; Interpersonaler Konflikt <Motiv>; Wertordnung
    Scope: 1 Online-Ressource (xi, 479 p.)
    Notes:

    Includes bibliographical references and indexes
  5. Performativität
    Eine Einführung (2., unveränderte Auflage 2013)
    Author: Fischer-Lichte, Erika
    Published: [2015]; © 2012
    Publisher:  transcript Verlag, Bielefeld

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Hochschule Augsburg, Bibliothek
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839411780
    Other identifier:
    Edition: 1. Aufl
    Series: Edition Kulturwissenschaft ; 10
    Subjects: Allgemeine Literaturwissenschaft; Einführung; Kultur; Kulturtheorie; Kulturwissenschaft; Körper; Sozialität; Theater; Theaterwissenschaft; SOCIAL SCIENCE / Popular Culture; Drama; Greek drama (Comedy); Performance; Phallus
    Scope: 1 Online-Ressource (240 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
  6. Authenticity in contemporary theatre and performance
    make it real
    Author: Morgenroth, Daniel
    Published: 2017
    Publisher:  Bloomsbury Methuen Drama, London ; ProQuest Ebook Central, Oxford

    Authenticity is one of the major values of our time. It is visible everywhere, from clothing to food to self-help books. While it is such a prevalent phenomenon, it is also very evasive. This study analyses the 'culture of authenticity' as it relates... more

     

    Authenticity is one of the major values of our time. It is visible everywhere, from clothing to food to self-help books. While it is such a prevalent phenomenon, it is also very evasive. This study analyses the 'culture of authenticity' as it relates to theatre and establishes a theoretical framework for analysis. Daniel Schulz argues that authenticity is sought out and marked by the individual and springs from a culture that is perceived as inherently fake and lacking depth. The study examines three types of performances that exemplify this structure of feeling: intimate theatre seen in Forced Entertainment productions such as Quizoola! (1996, 2015), as well as one-on-one performances, such as Oentroerend Goed's Internal (2009); immersive theatres as illustrated by Punchdrunk's shows The Masque of the Red Death (2007) and The Drowned Man (2013) which provide a visceral, sensate understanding for audiences; finally, the study scrutinises the popular category of documentary theatre through various examples such as Robin Soan's Talking to Terrorists (2005), David Hare's Stuff Happens (2004), Edmund Burke's Black Watch (2007) and Dennis Kelly's pseudo-documentary play Taking Care of Baby (2007). It is specifically the value of the document that lends such performances their truth-value and consequently their authenticity. The study analyses how the success of these disparate categories of performance can be explained through a common concern with notions of truth and authenticity. It argues that this hunger for authentic, unmediated experience is characteristic of a structure of feeling that has superseded postmodernism and that actively seeks to resignify artistic and cultural practices of the everyday.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350000988; 9781350000971
    RVK Categories: HN 1261 ; AP 66200 ; EC 4700
    Series: Methuen drama engage
    Subjects: Theater; Performance <Künste>; Postmoderne; Authentizität;
    Scope: 1 Online-Ressource (xii, 284 Seiten)
    Notes:

    Literaturverzeichnis Seite [261]-279
  7. Creole drama
    theatre and society in antebellum New Orleans
    Author: Braun, Juliane
    Published: [2019]
    Publisher:  University of Virginia Press, Charlottesville ; ProQuest Ebook Central, London

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813942322
    Series: Writing the early Americas
    Subjects: New Orleans, La.; Kreolisch-Französisch; Theater; Geschichte 1792-1861;
    Scope: 1 Online-Ressource (xv, 260 Seiten), Illustrationen
    Notes:

    Literaturverzeichnis: Seite 233-254
  8. Tragedy's endurance
    performances of Greek tragedies and cultural identity in Germany since 1800
    Author: Fischer-Lichte, Erika
    Published: 2017; © 2017
    Publisher:  Oxford University Press, Oxford

    This volume explores performances of Greek tragedies in Germany since 1800 as responses to particular political, social and cultural milestones, shedding light on how, in a constantly changing political and cultural climate, they influenced the... more

     

    This volume explores performances of Greek tragedies in Germany since 1800 as responses to particular political, social and cultural milestones, shedding light on how, in a constantly changing political and cultural climate, they influenced the evolving cultural identity of the educated middle class over that period

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191801440
    Other identifier:
    RVK Categories: FB 1915 ; FE 4451
    Edition: First edition
    Series: Classical presences
    Subjects: Greek drama (Tragedy); Greek drama (Tragedy); Theater
    Scope: 1 Online-Ressource (xx, 398 Seiten), Illustrationen
    Notes:

    Literaturverzeichnis: Seite 365-390
  9. Allianzen
    kritische Praxis an "weißen" Institutionen
    Contributor: Liepsch, Elisa (Publisher); Warner, Julian (Publisher); Pees, Matthias (Publisher)
    Published: [2018]
    Publisher:  transcript, Bielefeld ; Walter de Gruyter GmbH, Berlin/Germany

    In den letzten Jahren ist der strukturelle Ausschluss von »People of Colour« und »Schwarzen Menschen« durch weiße Kultur- und Bildungsinstitutionen immer mehr in den Fokus künstlerischer sowie auch institutioneller Kritik geraten. Neue... more

     

    In den letzten Jahren ist der strukturelle Ausschluss von »People of Colour« und »Schwarzen Menschen« durch weiße Kultur- und Bildungsinstitutionen immer mehr in den Fokus künstlerischer sowie auch institutioneller Kritik geraten. Neue Förderinstrumente und Arbeitspraktiken führten oftmals nicht zu nachhaltigen Veränderungen. Zugleich werden immer wieder neue Strategien der Allianzenbildung und solidarischen Praxis initiiert.In den Beiträgen dieses Bandes kommen Künstler_innen, Kurator_innen und Wissenschaftler_innen zu Wort, die ihre Arbeitspraxis in Zusammenarbeit mit Institutionen und Mitstreiter_innen kritisch reflektieren. Das Ergebnis ist eine Bestandsaufnahme verschiedener aktueller Kämpfe zwischen selbstkritischem Lagebericht, Manifest und praxisnahem Handbuch. In this volume curators, artists and scientists reflect on current forms of critical and solidary practice in and around 'white' cultural and educational institutions.

     
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    Volltext (kostenfrei)
    Source: Union catalogues
    Contributor: Liepsch, Elisa (Publisher); Warner, Julian (Publisher); Pees, Matthias (Publisher)
    Language: German; English
    Media type: Ebook
    Format: Online
    ISBN: 9783839443408
    Other identifier:
    DDC Categories: 700; 000; 300
    Series: Postcolonial studies ; Band 34
    Subjects: Art; Critical Practice; Critical Race Studies; Cultural Studies; Decolonial Practice; Dekolonialismus; Diversität; Diversity; Handbook; Handbuch; Imparting; Institutional Critique; Institutionskritik; Interculturalism; Interkulturalität; Kritik Als Praxis; Kulturwissenschaft; Kunst; Kunsttheorie; Political Art; Politische Kunst; Postcolonialism; Postkolonialismus; Rassismusforschung; Theater; Theaterwissenschaft; Theatre Studies; Theatre; Theory of Art; Vermittlung
    Scope: 1 Online-Ressource (302 Seiten), Illustrationen
    Notes:

    Enthält Literaturangaben

    Array: Array
  10. Early modern tragedy, gender and performance, 1984-2000
    the destined livery
    Author: Barker, Roberta
    Published: 2007
    Publisher:  Palgrave Macmillan, Basingstoke ; ProQuest Ebook Central, New York

    Roberta Barker advances a new model for politically engaged spectatorship of contemporary productions by Shakespeare and his contemporaries more

     

    Roberta Barker advances a new model for politically engaged spectatorship of contemporary productions by Shakespeare and his contemporaries

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230597488
    Subjects: Sex role in the theater; Feminism and theater; Theater; Sex role in motion pictures; Gender identity in motion pictures; English drama; English drama; Gender identity in the theater; English drama (Tragedy)
    Scope: Online-Ressource (xii, 237 Seiten), Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (p. 208-229) and index

    Cover; Contents; List of Figures; Acknowledgments; List of Abbreviations; Introduction: The Destined Livery? Tragedy, Performance, Subject and Spectator; Part I: Realism and Reinscription; 1 What We Are, But Not What We May Be: The Feminist Ophelia and the (Re)production of Gender; 2 An Actor in the Main of All: Individual and Relational Selves in The Duchess of Malfi; 3 The Natural Father and the Imaginary Daughter: Patriarchy as Realism and Representation in Titus; Part II: Performance and Performativity; 4 'Let Me Forget Myself': What a Queen is Good For in Edward II

    5 Death and the Married Maiden: Gender Reproduction as Destruction in The Broken Heart6 Tricked Like a Bride: A New Traffic in A Woman Killed with Kindness; Conclusion: Cultural Drag; or, Hamlet and Ophelia Redux; Appendix: Casts, Production Teams and Opening Dates of Productions Discussed; Notes; Bibliography; Index
  11. <<The>> allure of the ancient
    receptions of the ancient middle east, ca. 1600-1800
    Contributor: Geoga, Margaret (Publisher); Steele, John M. (Publisher)
    Published: [2022]; © 2022
    Publisher:  Brill, Leiden

    he Allure of the Ancient investigates how the ancient Middle East was imagined and appropriated for artistic, scholarly, and political purposes in the seventeenth and eighteenth centuries. Bringing together scholars of the ancient and early modern... more

     

    he Allure of the Ancient investigates how the ancient Middle East was imagined and appropriated for artistic, scholarly, and political purposes in the seventeenth and eighteenth centuries. Bringing together scholars of the ancient and early modern worlds, the volume approaches reception history from an interdisciplinary perspective, asking how early modern artists and scholars interpreted ancient Middle Eastern civilizations-such as Egypt, Babylonia, and Persia-and how their interpretations were shaped by early modern contexts and concerns.

     
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    Source: Union catalogues
    Contributor: Geoga, Margaret (Publisher); Steele, John M. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004426245
    Other identifier:
    RVK Categories: NG 1520
    Series: Intersections ; volume 80
    Subjects: Mittlerer Osten; Antike; Rezeption; Kunst; Kultur; Musik; Theater; Literatur; Astronomie; Geschichte 1600-1800; ; Mittlerer Osten; Europa; Lateinamerika; Kulturvermittlung; Wissensvermittlung; Geschichte 1600-1800;
    Scope: 1 Online-Ressource (xvi, 402 Seiten), Illustrationen
  12. Theaterperiodika des 18. Jahrhunderts
    Bibliographie und inhaltliche Erschließung deutschsprachiger Theaterzeitschriften, Theaterkalender und Theatertaschenbücher – 1791-1800, Bibliographie, Inhaltsverzeichnisse und Einzelregister A - K, Teil 3, Band 1
    Published: 2005
    Publisher:  K.G. Saur, München

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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110975833
    Other identifier:
    Subjects: German drama; German drama; Theater; Theater
    Scope: 1 Online-Ressource (1441 Seiten)
    Notes:

    Erscheinungsdatum laut Landingpage: 26. Juli 2011
  13. Theatre translation
    a practice as research model
    Author: Tarantini, Angela Tiziana
    Published: [2021]
    Publisher:  Palgrave Macmillan, Cham ; ProQuest Ebook Central, [Ann Arbor]

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030702021
    Series: Palgrave studies in translating and interpreting
    Subjects: Applied linguistics; Performing arts; Linguistics—Methodology; Theater; Applied Linguistics; Performing Arts; Research Methods in Language and Linguistics; Contemporary Theatre; Theatre and Performance Studies
    Scope: 1 Online-Ressource (xiii, 251 Seiten), Illustrationen
    Notes:

    Enthält Literaturangaben
  14. Stoff und Form als Begriffe der Ästhetik
    Am Beispiel von Drama und Theater
    Author: Pikulik, Lothar
    Published: 2010
    Publisher:  mentis Verlag, Paderborn

    Stoff und Form sind Grundbegriffe der Ästhetik, die in diesem Buch am Beispiel von Drama und Theater behandelt werden. Vorgenommen wird zunächst eine allgemeine Begriffsbestimmung, die von Aristoteles bis Schiller reicht und zeigt, in welchem... more

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    Stoff und Form sind Grundbegriffe der Ästhetik, die in diesem Buch am Beispiel von Drama und Theater behandelt werden. Vorgenommen wird zunächst eine allgemeine Begriffsbestimmung, die von Aristoteles bis Schiller reicht und zeigt, in welchem Verhältnis die beiden Begriffe zueinander stehen und was es heißt, dass ein Werk der Kunst Form ist, die sich aus Stoff entwickelt, und dass umgekehrt auch Form wieder zu Stoff werden kann. Die Anwendung der Begriffe auf die dramatische Wortkunst und die theatrale Spielkunst klärt nicht nur, was in dem einen wie dem anderen Fach jeweils als Stoff und Form angesehen werden kann, sondern auch, dass Drama und Theater sich stofflich und formal in einem Wechselverhältnis zueinander befinden. Ist das Drama eine Kunstform, die sich erst durch die Aufführung auf der Bühne vollendet, so dient das Theater mit seinen vielfältigen Mitteln, zu denen in erster Linie der Schauspieler gehört, ihm als Stoff. Versteht das Theater sich seinerseits als Kunst, so sind ihm seine Mittel einschließlich des dramatischen Textes Stoff für den eigenen formalen Zweck. Es ist zumal ein Charakteristikum des sogenannten Regietheaters, mit dem Text so umzugehen, als wäre er nichts als Material für die Inszenierung. Generell ist aber dem Theater das Recht zuzugestehen, nach dem eigenen Kunstwillen zu verfahren. Das Buch behandelt im letzten Teil die Bedeutung, die beim Theater der Wahrnehmung (Aisthesis) zukommt. Auch diese ist eine auf stofflichen Elementen beruhende Formkraft, die zumal beim Zuschauer zur Geltung gelangt

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783969751343; 9783897857261
    Other identifier:
    Subjects: Aesthetics; German drama; Theater
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Includes bibliographical references and index
  15. Syncretic arenas
    essays on postcolonial African drama and theatre for Esiaba Irobi
    Published: 2014
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Esiaba Irobi: The Tragedy of Exile /Olu Oguibe -- Esiaba Irobi: A Personal Note /Martin Banham -- Esiaba Irobi and His Muse /Georgina Alaukwu–Ehuriah -- Remembering Esiaba Irobi: at the International Research Centre... more

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    Preliminary Material -- Esiaba Irobi: The Tragedy of Exile /Olu Oguibe -- Esiaba Irobi: A Personal Note /Martin Banham -- Esiaba Irobi and His Muse /Georgina Alaukwu–Ehuriah -- Remembering Esiaba Irobi: at the International Research Centre ‘Interweaving Performance Cultures’ in Berlin, 2009–2010 /Erika Fischer–Lichte -- Esiaba Irobi: Death Does Not Kill a Song /Femi Osofisan -- On My Birthday /Tanure Ojaide -- Omonla:* Your Like Will Never Be There Again: 7 Prose Poems/Haikus [For Esiaba Irobi] /Biodun Jeyifo -- Half a Century Death /Benedictus Nwachukwu -- Madding Crowd (For Esiaba Irobi and Kofi Awoonor) /Obiwu -- Seven Stations of the Cross (for Esiaba Irobi) /Olu Oguibe -- Esiaba Irobi’s Legacy: Theory and Practice of Postcolonial Performance -- Between Soyinka and Clark: The Dynamics of Influence on Esiaba Irobi’s Nwokedi /Henry Obi Ajumeze -- Eclipsed Visions: Esiaba Irobi Interviewed /Leon Osu -- Theatre and Modernization in the First Age of Globalization: The Cairo Opera House /Christopher Balme -- Autobiography as Counter-Memory in The Orange Earth of Adam Small /Hein Willemse -- Directing Politics: Soyinkan Parallels in the Works of Uganda’s Robert Serumaga /Don Rubin -- Afrika Cultural Centre: Phoenix under Apartheid and Burnt Ember under Democracy? /Bhekizizwe Peterson -- The Anxiety of Class in Kenyan Drama: A Reading of Boy’s Benta and Sibi-Okumu’s Role Play /Christopher Odhiambo Joseph -- A Heritage of Violence: Paradoxes of Freedom and Memory in Recent South African Play-Texts /Anton Krueger -- African Drama and the Construction of an Indigenous Cultural Identity: An Examination of Four Major Nigerian Plays /Kene Igweonu -- The Creative Development, Importance, and Dramaturgy of Duro Ladipo’s Ọba Kò So /Oluseyi Ogunjobi -- Critical Responses: The Evolution of the Theatre Critic in South Africa /Temple Hauptfleisch -- “I want to dialogue”: Chief Muraina Oyelami Talking Oṣogbo and Beyond /Christine Matzke -- Notes on Contributors -- Index. This collection in part examines the legacy of the consummate Nigerian stage artist and scholar, Esiaba Irobi (1960–2010). Poems, tributes, and studies celebrate Irobi’s significance as actor, playwright, director, poet, and theatre theorist. Irobi’s life, temper, times, and career are inextricably linked to the history, development, concerns, and uses of drama and theatre in Africa. The contributions highlight the evolution of autochthonous theatrical practices: the interaction between Western and indigenous African performance traditions; colonial/postcolonial government policies and the mutations of drama and theatre (and critical commentary); the tensions inherent in postcolonial conceptions of history, identity, nationhood, and articulations of alternative aesthetics, pedagogies, and epistemologies for postcolonial African theatre; staging African plays in the West; and the constituencies of the contemporary African playwright and director. The strength of these studies derives primarily from nuanced examinations of the concerns and careers of particular African playwrights; the history, offerings, and fortunes of particular theatrical arenas, and close explorations of specific performances and texts. The foregrounding of correspondences in the dramaturgies and intellectual ferment of the continent critically accentuates equally privileged regional, historical, and other crucial specificities. Situated in time and place while underscoring the political and intellectual intersections of a shared history of colonialism, the contributions to Syncretic Arenas , individually and collectively, reveal the transformations and growing strengths of postcolonialism as an analytical strategy

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401211802
    Other identifier:
    Series: Array ; 177
    Subjects: African drama; African drama; Theater; African drama; Influence (Literary, artistic, etc.); Theater; Criticism, interpretation, etc; History
    Other subjects: Irobi, Esiaba (1960-2010); Irobi, Esiaba
    Scope: 1 Online-Ressource (xvii, 369 pages), illustrations (some color)
    Notes:

    Includes bibliographical references and index
  16. Staging vice
    a study of dramatic traditions in medieval and sixteenth-century England and the Low Countries
    Author: Steenbrugge, Charlotte
    Published: 2014
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Acknowledgements -- Abbreviations -- Introduction -- A Plethora of Evils: Introducing the Negative Characters -- Functions -- Theatricality -- Meta-theatricality -- Historicising Vice -- Negative Characters as Gauges of... more

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    Preliminary Material -- Acknowledgements -- Abbreviations -- Introduction -- A Plethora of Evils: Introducing the Negative Characters -- Functions -- Theatricality -- Meta-theatricality -- Historicising Vice -- Negative Characters as Gauges of Dramatic Traditions -- Appendix A -- Appendix B -- Bibliography -- Index. Characters representing various sins and vices became the stars of their respective theatrical traditions in the course of the late medieval and early modern period in both the Low Countries and England. This study assesses the importance of such characters, and especially the English Vice and Dutch sinnekens , for our understanding of medieval and sixteenth-century Dutch and English drama by charting diachronic developments and through synchronic comparisons. The analysis of the functions as well as theatrical and meta-theatrical aspects of these characters reveals how these plays were conditioned by their literary and social setting. It sheds invaluable light on the subtly divergent appreciation of the concept of drama in these two regions and on their different use of drama as a didactic tool. In a wider perspective this study also investigates how the moral plays and their negative characters reflect the changes in the intellectual and religious climate of the fifteenth and sixteenth centuries

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401210881
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    Series: Ludus ; 13
    Subjects: Moralities; Drama, Medieval; Theater; Theater; Theater; Theater; Drama, Medieval; Moralities; Theater; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource (264 pages)
    Notes:

    Includes bibliographical references and index
  17. Men at play
    masculinities in Australian theatre since the 1950s
    Author: Bollen, Jonathan
    Published: 2008
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Introduction -- “What’s a man to do?” -- Fists, boots and blues -- The bully and the businessman -- Black men, white men -- In the theatre of war -- “Wog boy” moves -- Representing gay masculinities -- From father to son --... more

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    Preliminary Material -- Introduction -- “What’s a man to do?” -- Fists, boots and blues -- The bully and the businessman -- Black men, white men -- In the theatre of war -- “Wog boy” moves -- Representing gay masculinities -- From father to son -- Between the sea and the sky -- References -- Index. How are masculinities enacted in Australian theatre? How do Australian playwrights depict masculinities in the present and the past, in the bush and on the beach, in the city and in the suburbs? How do Australian plays dramatise gender issues like father-son relations, romance and intimacy, violence and bullying, mateship and homosexuality, race relations between men, and men’s experiences of war and migration? Men at Play explores theatre’s role in presenting and contesting images of masculinity in Australia. It ranges from often-produced plays of the 1950s to successful contemporary plays – from Dick Diamond’s Reedy River , Ray Lawler’s Summer of the Seventeenth Dol l, Richard Beynon’s The Shifting Heart and Alan Seymour’s The One Day of the Year to David Williamson’s Sons of Cain , Richard Barrett’s The Heartbreak Kid , Gordon Graham’s The Boys and Nick Enright’s Blackrock . The book looks at plays as they are produced in the theatre and masculinity as it is enacted on the stage. It is written in an accessible style for students and teachers in drama at university and senior high school. The book’s contribution to contemporary debates about masculinity will also interest scholars in gender, race and sexuality studies, literary studies and Australian history

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401205528
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    Series: Australian playwrights ; monograph 11
    Subjects: Australian drama; Australian drama; Gender identity in the theater; Masculinity in literature; Sex role in the theater; Theater and society; Theater; Australian drama; Gender identity in the theater; Masculinity in literature; Sex role in the theater; Theater; Theater and society; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (xii, 215 pages), illustrations, portraits
    Notes:

    Includes bibliographical references (p. 185-200) and index
  18. Clowns, fools and picaros
    popular forms in theatre, fiction and film
    Published: 2007
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Introduction /David Robb -- Where The Antic Sits /Robert Cheesmond -- Modern Tragicomedy and the Fool /Faye Ran -- The Postmodern Theatre Clown /Ashley Tobias -- Nietzsche and the Praise of Masks /Rüdiger Görner -- Clowning... more

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    Preliminary Material -- Introduction /David Robb -- Where The Antic Sits /Robert Cheesmond -- Modern Tragicomedy and the Fool /Faye Ran -- The Postmodern Theatre Clown /Ashley Tobias -- Nietzsche and the Praise of Masks /Rüdiger Görner -- Clowning Around at the Limits of Representation: On Fools, Fetishes and Bruce Nauman’s Clown Torture /Maxim Leonid Weintraub -- An American Circus: the Lynch Victim as Clown /Barbara Lewis -- The Court Jester in Nigerian Drama /Kayode Gboyega Kofoworola -- “Fratello Arlecchino”: Clowns, Kings, and Bombs in Bali /Ron Jenkins -- Scaramouche: The Mask and the Millenium. /Stephen Knapper -- The Cinema of Masks: Commedia dell’Arte and Jean Renoir’s The Golden Coach /Des O’Rawe -- From Nestroy to Wenzel and Mensching: carnivalesque revolutionaries in the German and Austrian theatrical tradition /David Robb -- Karolos Koun, Karaghiozis and The Birds: Aristophanes as Popular Theatre /Marina Kotzamani -- The Clown as Social Critic: Kerouac’s Vision /Stephen Llano -- Picaresque Narratology: Lazarillo de Tormes and Edgar Hilsenrath’s Der Nazi und der Friseur /Bernhard Malkmus -- Notes on Contributors. By its very nature the clown, as represented in art, is an interdisciplinary phenomenon. In whichever artform it appears – fiction, drama, film, photography or fine art – it carries the symbolic association of its usage in popular culture, be it ritual festivities, street theatre or circus. The clown, like its extended family of fools, jesters, picaros and tricksters, has a variety of functions all focussed around its status and image of being “other.” Frequently a marginalized figure, it provides the foil for the shortcomings of dominant discourse or the absurdities of human behaviour. Clowns, Fools and Picaros represents the latest research on the clown, bringing together for the first time studies from four continents: Europe, America, Africa and Asia. It attempts to ascertain commonalities, overlaps and differences between artistic expressions of the “clownesque” from these various continents and genres, and above all, to examine the role of the clown in our cultures today. This volume is of interest for scholars of political and comic drama, film and visual art as well as scholars of comparative literature and anthropology

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401205399
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    Series: At the interface/probing the boundaries ; v. 43
    Subjects: Clowns in literature; Fools and jesters in literature; Tricksters in literature; Clowns; Theater; Postmodernism (Literature); Clowns; Clowns in literature; Fools and jesters in literature; Postmodernism (Literature); Theater; Tricksters in literature; Conference papers and proceedings; History
    Scope: 1 Online-Ressource (233 pages)
    Notes:

    Based on papers from a conference held at the Queen's University of Belfast in September 4-6, 2003

    Includes bibliographical references
  19. Theatrum Arbitri
    theatrical elements in the Satyrica of Petronius
    Author: Panayotakis, Costas
    Published: 1995
    Publisher:  E.J. Brill, Leiden

    Preliminary Material /Costas Panayotakis -- The adventures at the school of rhetoric and at the brothel /Costas Panayotakis -- The adventure of the stolen tunic and Quartilia’s orgy /Costas Panayotakis -- Spectaculum Trimalchionis /Costas Panayotakis... more

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    Preliminary Material /Costas Panayotakis -- The adventures at the school of rhetoric and at the brothel /Costas Panayotakis -- The adventure of the stolen tunic and Quartilia’s orgy /Costas Panayotakis -- Spectaculum Trimalchionis /Costas Panayotakis -- Unfaithful lovers and manic poetasters /Costas Panayotakis -- An adultery-mime /Costas Panayotakis -- The Adventures on Board Lichas’ ship and on the way to Croton /Costas Panayotakis -- The Adventures at Croton /Costas Panayotakis -- Conclusion /Costas Panayotakis -- Bibliography /Costas Panayotakis -- Index of Passages /Costas Panayotakis -- General Index /Costas Panayotakis -- Supplements to Mnemosyne /J. M. Bremer , L. F. Janssen , H. Pinkster , H. W. Pleket , C. J. Ruijgh and P. H. Schrijvers. Theatrum Arbitri is a literary study dealing with the possible influence of Roman comic drama (comedies of Plautus and Terence, theatre of the Greek and Roman mimes, and fabula Atellana ) on the surviving fragments of Petronius' Satyrica . The theatrical assessment of this novel is carried out at the levels of plot-construction, characterization, language, and reading of the text as if it were the narrative equivalent of a farcical staged piece with the theatrical structure of a play produced before an audience. The analysis follows the order of each of the scenes in the novel. The reader will also find a brief general commentary on the less discussed scenes of the Satyrica , and a comprehensive account of the theatre of the mimes and its main features

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004329515
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    Series: Mnemosyne, bibliotheca classica Batava. Supplementum ; 146
    Subjects: Satire, Latin; Civilization, Ancient, in literature; Literature; Performing arts; Satire, Latin; Theater; Theater in literature; Criticism, interpretation, etc; History
    Other subjects: Petronius Arbiter: Satyricon; Petronius Arbiter; Petronius Arbiter
    Scope: 1 Online-Ressource (xxv, 225 pages)
    Notes:

    Revision of the author's thesis (Ph. D.--University of Glasgow, 1993)

    Includes bibliographical references (p. 197-207) and indexes
  20. Seneca on the stage
    Author: Sutton, Dana Ferrin
    Published: 1986
    Publisher:  E.J. Brill, Leiden

    Preliminary Material /Dana Ferrin Sutton -- Introduction /Dana Ferrin Sutton -- Use of Dramatic Space and the Scaenae Frons /Dana Ferrin Sutton -- Scenic Features /Dana Ferrin Sutton -- Scenic Effects /Dana Ferrin Sutton -- Dramatic Time /Dana Ferrin... more

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    Preliminary Material /Dana Ferrin Sutton -- Introduction /Dana Ferrin Sutton -- Use of Dramatic Space and the Scaenae Frons /Dana Ferrin Sutton -- Scenic Features /Dana Ferrin Sutton -- Scenic Effects /Dana Ferrin Sutton -- Dramatic Time /Dana Ferrin Sutton -- The Actors /Dana Ferrin Sutton -- The Chorus /Dana Ferrin Sutton -- Introduction /Dana Ferrin Sutton -- The Plays /Dana Ferrin Sutton -- Conclusion /Dana Ferrin Sutton -- Artificial Blood in the Roman theater /Dana Ferrin Sutton -- Use of the Two-Building “Set” in the Medea /Dana Ferrin Sutton -- Index Locorum /Dana Ferrin Sutton. In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004328310
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    Series: Mnemosyne, bibliotheca classica Batava. Supplementum ; 96
    Subjects: Mythology, Classical, in literature; Tragedy; Criticism and interpretation; Mythology, Classical, in literature; Theater; Tragedy
    Other subjects: Seneca, Lucius Annaeus (approximately 4 B.C.-65 A.D); Seneca, Lucius Annaeus (approximately 4 B.C.-65 A.D); Seneca, Lucius Annaeus
    Scope: 1 Online-Ressource (vi, 72 pages)
    Notes:

    Includes bibliographical references and index
  21. Euripides' Bacchae
    the play and its audience
    Author: Oranje, Hans
    Published: 1984
    Publisher:  E.J. Brill, Leiden

    Preliminary Material -- Introduction: the riddle of the Bacchae -- The interpretation of the Bacchae -- The audience response -- Pentheus (1)-Bacchae 1-656 -- Pentheus (2)-Bacchae 657-1392 -- Dionysus (1): the god in the life of the Athenians --... more

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    Preliminary Material -- Introduction: the riddle of the Bacchae -- The interpretation of the Bacchae -- The audience response -- Pentheus (1)-Bacchae 1-656 -- Pentheus (2)-Bacchae 657-1392 -- Dionysus (1): the god in the life of the Athenians -- Dionysus (2): the god on the tragic stage -- Dionysus (3): the god’s epiphanies in the Bacchae -- Space and action in the Bacchae -- The chorus in the action: what is wisdom? -- Conceptual meanings -- Bernd Seidensticker’s study of the Pentheus character -- Bacchae 651-2 -- Bacchae 748-68 -- Bacchae 135-69 -- Bibliography -- Indexes. The purpose of this book is to investigate what it was Euripides intended to convey to the theatre-going public of his day when he wrote his most exciting and most gruesome play, the Bacchae . The meanings which are to be attached to the action of a play are woven by an audience, both during and after the performance, into a single dramatic experience, labelled in this book as 'audience response'. After some introductory chapters dealing with the history of the interpretation of the Bacchae and with the theory of audience response, the main part of the book is devoted to a detailed analysis of the action of the play (chapters 4 and 5), and to a study of Dionysus in his various apects in Athenian life and in his appearances in earlier literature and on the tragic stage. The discussion of the choruses concentrates on the choruses' repeated utterances about cleverness and wisdom, which form the core of the Dionysian propaganda of the play. The most immediate results of this new interpretation of the Bacchae are that the widely-accepted view of Pentheus as a dark puritan, a man possessed by the Dionysian qualities of his divine opponent, proves to be untenable, and that that which in the past has been rightly called the overriding theme of the play - the god's epiphany - also contains the poet's most serious and ironical discussion of divinity and of man's treatment of it. The problems of the Greek text are given full discussion, mainly in the nots and appendices. In many cases new solutions are proposed; some new problems are however added

     
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    Source: Union catalogues
    Language: English; Greek, Ancient (to 1453)
    Media type: Ebook
    Format: Online
    ISBN: 9789004328051
    Other identifier:
    Series: Mnemosyne, bibliotheca classica Batava. Supplementum ; 78
    Subjects: Bacchantes in literature; Theater audiences; Theater; Bacchantes in literature; Literature; Theater; Theater audiences; History
    Other subjects: Euripides: Bacchae; Dionysus (Greek deity); Pentheus King of Thebes (Mythological character); Dionysus; Pentheus
    Scope: 1 Online-Ressource (200 pages)
    Notes:

    Originally presented as the author's thesis (doctoral)--Free University of Amsterdam

    Includes bibliographical references (p. 192-198) and index
  22. The Agamemnon of Aeschylus
    a commentary for students
    Author: Aeschylus
    Published: 2017
    Publisher:  Oxford University Press, Oxford

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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Contributor: Raeburn, David (HerausgeberIn); Thomas, Oliver (HerausgeberIn)
    Language: English; Greek, Ancient (to 1453)
    Media type: Ebook
    Format: Online
    ISBN: 9780191849909; 0191849901
    Other identifier:
    Series: Array
    Subjects: Aeschylus; Agamemnon; Agamemnon (Aeschylus); Theater; Drama
    Other subjects: Aeschylus: Agamemnon; Aeschylus; Agamemnon King of Mycenae (Mythological character)
    Scope: 1 Online-Ressource (lxxiv, 289 Seiten), Illustrationen, Karten
    Notes:

    Previously issued in print: 2011

    Includes bibliographical references and index

    Zielgruppe - Audience: Specialized
  23. Kulturelle Übersetzer
    Kunst und Kulturmanagement im transkulturellen Kontext
    Contributor: Dätsch, Christiane (HerausgeberIn)
    Published: [2018]; © 2018
    Publisher:  transcript-Verlag, Bielefeld

    Sind Künstler_innen und Kultureinrichtungen kulturelle Übersetzer? Welche Rolle spielen Konzepte wie jenes der »Transkulturalität«? Die Beiträge des Bandes stellen das Thema der (trans-)kulturellen Übersetzung in den Mittelpunkt und schlagen eine... more

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Sind Künstler_innen und Kultureinrichtungen kulturelle Übersetzer? Welche Rolle spielen Konzepte wie jenes der »Transkulturalität«? Die Beiträge des Bandes stellen das Thema der (trans-)kulturellen Übersetzung in den Mittelpunkt und schlagen eine Brücke zwischen Kunst und Kulturbetrieb. Dafür ist der sogenannte »Cultural Turn« ebenso relevant wie die Ergebnisse neuester Studien aus den Handlungsfeldern des Kulturbetriebs und -managements. Neben transkulturellen Phänomenen in bildender Kunst, Musik, Literatur und Theater widmen sich die Beiträger_innen aktuellen Fragestellungen der Kulturvermittlung auf Festivals, in Museen, Theatern, Bibliotheken, Konzert- und Opernsälen. Abschließend werden Prozesse des kulturellen Austauschs und des (inter-)nationalen Kulturmanagements fokussiert, die von ihren Akteur_innen gleichfalls modifizierte Denkstrukturen verlangen. Sind Künstler und Kultureinrichtungen kulturelle Übersetzer? Welche Rolle spielen Konzepte wie jenes der Transkulturalität? Die Beiträge des Bandes stellen das Thema der (trans-)kulturellen Übersetzung in den Mittelpunkt und schlagen eine Brücke zwischen Kunst und Kulturbetrieb. Dafür ist der sogenannte Cultural Turn ebenso relevant wie neueste Erkenntnisse aus Kulturbetrieb und -management. Neben transkulturellen Phänomenen in bildender Kunst, Musik, Literatur und Theater widmen sich die Beiträge der Kulturvermittlung auf Festivals, in Museen, Theatern, Bibliotheken, Konzert- und Opernsälen. Ebenso werden Prozesse des (inter-)nationalen Kulturmanagements fokussiert, die von ihren Akteuren gleichfalls modifizierte Denkstrukturen verlangen

     
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    Source: Union catalogues
    Contributor: Dätsch, Christiane (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839434994
    Other identifier:
    RVK Categories: AK 86700
    Series: Edition Kulturwissenschaft ; Band 103
    Subjects: Kulturwissenschaft; Projektmanagement; Globalisierung; Theater; Musik; Kultur; Museum; Bibliothek; Kunst; Literatur; Public Relations; Interkulturalität; Kulturmanagement; Kulturpolitik; Konzert; Besucherforschung; Kulturaustausch; Oper; Kulturtourismus; Festival
    Scope: 1 Online Ressource (405 Seiten), Illustrationen
    Notes:

    Dätsch, Christiane --: Frontmatter -- ; Inhalt -- ; Zu diesem Sammelband

    Mittelhammer, Florian --: I. Welcher Kultur-, welcher Kunstbegriff? -- ; Kultur als Übersetzungsprozess

    Knubben, Thomas --: Der Fall des Campanile

    Moore, Elke aus dem --: Imagination, Joy & Trust – Collective Wisdom

    Richter-Ibáñez, Christina --: II. Künstler als Übersetzer: Diachrone Transkulturalität -- ; Wer sind die Übersetzer?

    Altınoba, Buket --: Der Maler Osman Hamdi Bey und die Translation der westlichen Moderne

    Koch, Franziska --: Nam June Paik: Catching up with the West?

    Bublatzky, Cathrine --: Fotografie – ein transkultureller Verhandlungsraum

    Teissl, Verena --: III. Europa und die Welt: Postkoloniale Perspektiven -- ; Korrektiver Blickwechsel

    Bühler-Dietrich, Annette --: Unübersetzbarkeiten?

    Dätsch, Christiane --: Literatur auf zweiter Stufe

    Wegener, Franziska --: Kolonialismus im Kasten?

    Stober, Karin / Alaçam, Cem --: IV. Einwanderungsland Deutschland: Wandel des Kanons? -- ; Kulturerbe über-setzen

    Dätsch, Christiane --: »Wir müssen aus unserem Elfenbeinturm raus.«

    Dätsch, Christiane --: Der Chamisso-Preis: Viele Kulturen – eine Sprache?

    Dätsch, Christiane --: Kulturelle Übersetzung in der Bibliothek

    Dätsch, Christiane --: »Wir müssen anders denken, wir müssen auch anders sammeln.«

    Kalbhenn, Dorothee --: V. Deutsche Willkommenskultur? Partizipation und Projekte -- ; Freiheitsstimmen und Konzertpatenschaften

    Pross, Steffen --: Zaide. Eine Flucht: Die Kunst, mit Oper kulturell zu übersetzen

    Vogel-Janotta, Brigitte --: Multaka: Treffpunkt Museum

    Wolfram, Gernot --: Teachers for Life

    Allmanritter, Vera --: VI. Inter- oder transkulturell? Erkenntnisse des Kulturmanagements -- ; Multi-, Inter- und Transkulturalität (als Begriffe) in der empirischen Kulturbesucherforschung

    Schmitz, Lena --: Management zwischen Kulturen

    Mandel, Birgit --: Internationalisierung des Kulturmanagements

    Saretzki, Anja / May, Carola --: Interkulturelle versus transkulturelle Räume des Kulturtourismus

    : Die Beiträgerinnen und Beiträger
  24. Without a Word
    Author: Schumann, Jennifer
    Published: 2022
    Publisher:  Moon Notes, Hamburg

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  25. Performance Art nach 1945
    Aktionstheater und Intermedia
    Author: Dreher, Thomas
    Published: 2001
    Publisher:  Fink, München

    Access:
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    Location:
    Hessisches BibliotheksInformationsSystem hebis
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    https://hds.hebis.de/ubffm/Record/HEB313712050
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    Source: Digi20
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3770534522
    Other identifier:
    RVK Categories: LH 65827 ; LH 65830
    Series: Das Problempotential der Nachkriegsavantgarden ; 3
    Subjects: Performance <Künste>; Theater; Aufführung; Aktionskunst; Happening; Mixed media; Avantgarde; Geschichte; Body Art
    Scope: 543 S. : Ill.
    Notes:

    Online-Ausg.: