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  1. Romantische Identitätskonstruktionen
    Nation, Geschichte und (Auto-)Biographie ; Glasgower Kolloquium der Internationalen Arnim-Gesellschaft
    Contributor: Dickson, Sheila (Publisher); Pape, Walter (Publisher)
    Published: 2003
    Publisher:  De Gruyter, Berlin

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Dickson, Sheila (Publisher); Pape, Walter (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783484108578; 9783110952025; 9783111818153
    Other identifier:
    RVK Categories: GK 3065
    Series: Schriften der Internationalen Arnim-Gesellschaft ; 4
    Subjects: German literature; Romanticism; Identität <Motiv>; Romantik; Literatur; Deutsch
    Other subjects: Arnim, Ludwig Achim Freiherr von (1781-1831); Arnim, Achim von (1781-1831); Electronic books
    Scope: 1 Online-Ressource (X, 302 S.)
    Notes:

    Literaturverz. S. 279 - 294

    Main description: At the fourth colloquium of the international Arnim Society in Glasgow, the central issues were biographical and national identity, culture- and socio-political codification, and marginalization and communality. Alongside comparative studies concentrating on intertextuality, there were also a number of interdisciplinary contributions largely concerned with the historical, political, social, and cultural contexts. Among the Romantics, the crisis occasioned by the Napoleonic wars strengthened the recourse to their own literary traditions and the highly problematic (from a 20th century viewpoint) reception accorded to those traditions. Experience of other cultures (Arnim's image of England, Jews and gypsies in Arnim's works) differentiated the formation of identity on the national, communitarian, and individual plane. There is also discussion of the reasons for a shift to aesthetic identifications (as opposed to philosophical and/or political alternatives). Other case studies are devoted to the narrative construction of artistic, social, amicable, and gender-based identity

    Main description: Beim vierten Kolloquium der Internationalen Arnim-Gesellschaft in Glasgow standen Fragen biographischer und nationaler Identität, kultur- und sozialpolitischer Kodifizierung, Ausgrenzung und Gemeinschaft im Mittelpunkt. Neben komparatistischen Vorträgen, die sich auf intertextuelle Zusammenhänge konzentrieren, stehen interdisziplinäre Beiträge, die sich vor allem mit dem historischen, politischen, sozialen und kulturellen Kontexten auseinandersetzen. Die Krisenerfahrung der Napoleonischen Kriege stärkte unter den Romantikern den Rückbezug auf die eigene literarische Tradition und deren - im Blickwinkel des 20. Jahrhunderts - so problematische Rezeption. Die Fremdheitserfahrung (Arnims Englandbild, Juden und Zigeuner bei Arnim) differenziert die Identitätsbildung auf nationaler, gemeinschaftlicher und individueller Basis. Dabei wird auch diskutiert, weshalb oft eine Verschiebung auf ästhetische (statt philosophisch-politische) Identitätsangebote stattfindet. Weitere Fallstudien widmen sich der erzählerischen Konstruktion von künstlerischer, sozialer, amikaler und Geschlechter-Identität

  2. Arnim und die Berliner Romantik: Kunst, Literatur und Politik
    Berliner Kolloquium der Internationalen Arnim-Gesellschaft
    Contributor: Pape, Walter (Publisher)
    Published: 2001
    Publisher:  De Gruyter, Berlin

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Pape, Walter (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783484108332; 9783110952032; 9783111795799
    Other identifier:
    RVK Categories: GK 3065
    Series: Schriften der Internationalen Arnim-Gesellschaft ; 3
    Subjects: Literatur; Deutsch; Literarisches Leben; Politische Kultur; Romantik
    Other subjects: Arnim, Achim von (1781-1831)
    Scope: 1 Online-Ressource (XI, 252 S.)
    Notes:

    Main description: Das dritte Kolloquium der Internationalen Arnim-Gesellschaft stellt Achim von Arnim in den politischen, kulturpolitischen und literarischen Kontext Preußens im zweiten Jahrzehnt des 19. Jahrhunderts. Arnims Berliner Zeit (1809--1814) ist durch die Vielfältigkeit der literarischen und journalistischen Produktionen zum Zenit in Arnims Leben geworden. Fragen der Bildung und Politik werden ebenso untersucht wie der spezielle "romantische" Kontext von Arnims Berliner Jahren (Berliner Kunst, Dorothea Veit-Schlegel, Kleist, Eichendorff und Tieck). Abgeschlossen wird die Sammlung durch drei dezidiert textanalytisch verfahrende Studien zu Arnim und Brentano sowie durch eine überraschende Lektüre Rahel Levins von Arnims »Wunderhorn«

    Main description: The third colloquium of the International Arnim Society situates Achim von Arnim in the political, culture-political, and literary context of Prussia in the 1810-1820 period. The profusion of literary and journalistic production justifies regarding Arnim's Berlin years (1809-1814) as the zenith of his career. Political and educational issues are addressed alongside the specifically 'Romantic' context of Arnim's Berlin period (Berlin art, Dorothea Veit-Schlegel, Kleist, Eichendorff, Tieck). The volume closes with three emphatically text-analytic studies on Arnim and Brentano and the discussion of a surprising reading of Arnim's 'Wunderhorn' by Rahel Levin

  3. Unbestimmte Rhetorik
    Friedrich Schlegel und die Redekunst um 1800
    Published: 2001
    Publisher:  De Gruyter, Berlin

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783484680142; 9783110958348; 9783111816456
    RVK Categories: ND 7240 ; GK 9095
    Series: Rhetorik-Forschungen ; 14
    Subjects: Geschichte; Ästhetik; Rhetoric; Rhetoric; Romantik; Rhetorik
    Other subjects: Schlegel, Friedrich von (1772-1829); Schlegel, Friedrich von (1772-1829); Electronic books
    Scope: 1 Online-Ressource (VI, 418 S.)
    Notes:

    Includes bibliographical references (pages 403-418). - Originally presented as the author's thesis (doctoral)--Carl-von-Ossietzky-Universität, Oldenburg, 1998

    Main description: Im 18. Jahrhundert verliert die Rhetorik ihre herausragende Stellung im Bildungssystem, ihre Kraft gegenüber der Philosophie und ihre Bedeutung für die Poesie. Und doch erweist sie sich als unverzichtbar. Friedrich Schlegel (1772-1829) setzt sich intensiv und kritisch mit der Rhetorik auseinander. Der erste Teil dieser Studie untersucht den romantischen Rhetorikbegriff. Erläutert wird Schlegels Kenntnis und Rezeption des Kanons: Rhetorik wird von Schlegel poetisiert, verliert an konkreter Absichtlichkeit. Aber diese Romantisierung bestätigt nicht die These, Rhetorik sei um 1800 untergegangen. Im zweiten Teil der Arbeit werden - im Hinblick auf die Romantik - die Gegenläufigkeiten in der Rhetorikgeschichte und die jeweils zugrundeliegenden Rhetorikbegriffe dargestellt

    Main description: In the 18th century rhetoric was ousted from its prominent status as an essential part of the educational system, thus losing ground over and against philosophy and forfeiting its significance for poetry. And yet it still proved to be indispensable. Friedrich Schlegel's engagement with rhetoric was intensive and critical. The first part of this study examines the concept of rhetoric in Romanticism. Schlegel's knowledge and reception of the canon is described, showing that in his approach rhetoric is poeticized, thus losing some of its concrete intentionality. But this Romantic view does not confirm the theory that rhetoric disappeared for good around 1800. The second part of the book looks at the divergent course taken by the history of rhetoric (with special reference to Romanticism) and discusses the different concepts underlying the conflicting departures involved

  4. The Self as Mind
    Vision and Identity in Wordsworth, Coleridge, and Keats
  5. Tennyson and the Doom of Romanticism
    Published: [1988]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674434127; 9780674434110
    Other identifier:
    Subjects: Romanticism / England; Englische Literatur; Romanticism; Lyrik; Romantik
    Other subjects: Tennyson, Alfred (1809-1892)
    Scope: 1 Online-Ressource (ix,481p.)
  6. Politics in English Romantic Poetry
    Published: [1970]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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  7. The Quest for Permanence
    The Symbolism of Wordsworth, Shelley, and Keats
    Published: [1959]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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  8. Early German Romanticism
    Its Founders and Heinrich von Kleist
  9. Metamorphosis
    The Mind in Exile
    Published: [1981]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674424982; 9780674424975
    Other identifier:
    Subjects: Imagination / History; Romanticism / Great Britain; Romanticism / Germany; Empiricism / History; Enlightenment / History; Imagination / Histoire; Siècle des lumières / Histoire; Romantisme / Grande-Bretagne; Romantisme / Allemagne; Empirisme / Histoire; Geschichte; Philosophie; Enlightenment; Creation (Literary, artistic, etc.); Création littéraire; Empiricism; Imagination; Romanticism; Creativiteit; Verbeelding; Verbeeldingskracht; Verlichting (cultuurgeschiedenis); Romantiek; Deutsch; Englisch; Literatur; Romantik; Theorie; Metamorphose <Motiv>; Literatur
    Scope: 1 Online-Ressource (244p.)
    Notes:

    Fusing the methods of comparative literature, intellectual history, and philosophical analysis, Skulsky explores a motif that has fascinated storytellers since antiquity: the miraculous transformation of a character into a plant, an animal, or a different human being. The thesis of the study is that the fantasy of metamorphosis challenges the narrator and his audience to confront certain basic anxieties about the human condition

    Fusing the methods of comparative literature, intellectual history, and philosophical analysis, Harold Skulsky explores a motif that has fascinated storytellers since antiquity: the miraculous transformation of a character into a plant, an animal, or a different human being. The thesis of the study is that the fantasy of metamorphosis challenges the narrator and his audience to confront certain basic anxieties about the human condition: Is the mind reducible to physical properties? What constitutes personhood? How does physical form affect personal identity and continuity of the self? Testing instances in which these and related perplexities appear in literature, Skulsky systematically and provocatively interprets ten major illustrative texts drawn from diverse epochs and languages, including the works of Homer, Ovid, Apuleius, Marie de France, Dante, Donne, Spenser, Keats, Kafka, and Woolf. Through Skulsky's masterly analysis the victims of metamorphosis in narrative literature--whether werewolf, ass, beetle, swine, or tree--provide a profound insight into the complexities of human experience

  10. The Romantic Impulse in Victorian Fiction
    Published: [1980]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674594302; 9780674594296
    Other identifier:
    Subjects: English fiction / 19th century / History and criticism; Romanticism / Great Britain; Englische Literatur; English fiction; Romanticism; Roman; Romantik; Romantik; Englisch; Roman
    Scope: 1 Online-Ressource (viii,396p.)
  11. Existentialism
    A Theory of Man
    Published: [1948]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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  12. Icarus
    The Image of the Artist in French Romanticism
    Published: [1961]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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  13. Goethes Rätselparodie der Romantik
    eine neue Lesart der "Wahlverwandtschaften"
    Published: 1997
    Publisher:  Niemeyer, Tübingen

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3484320907; 9783484320901; 9783110938920
    Other identifier:
    Series: Untersuchungen zur deutschen Literaturgeschichte ; Bd. 90
    Subjects: Intertextualität; Romantik; Parodie; Rätsel
    Other subjects: Goethe, Johann Wolfgang von (1749-1832): Wahlverwandtschaften; Goethe, Johann Wolfgang von (1749-1832): Die Wahlverwandtschaften; Goethe, Johann Wolfgang von (1749-1832)
    Scope: 1 Online-Ressource (viii, 217 p)
    Notes:

    Includes bibliographical references (p. 203-214) and index

    Main description: Diese Untersuchung gründet sich auf den zeitgenössischen Begriff der Parodie als ironische und metaliterarische Spielart von Intertextualität. Die in der Literaturtheorie der Frühromantik erklärte Affinität der Parodie zur Ironie berechtigt die Anwendbarkeit des Parodiebegriffs auf Goethes subtilen Roman. Eine intertextuelle Lösung der rätselhaften Onomastik der »Wahlverwandtschaften« deckt die Identität des parodierten Gegners in der Person des neubekehrten romantischen Kritikers Friedrich Schlegel auf, dessen Konversionsschriften seine früheren Angriffe gegen den Weimarer Klassiker vom Bereich der Kunsttheorie auf sprach- und literaturtheoretische Gebiete übertragen hatten. Die Textanalyse zeigt, wie sich Goethe die polemische Sprache seines Gegners aneignete, um sich mit einer ironischen Evokation seiner Verbote und Gebote im Gewand eines romantischen Romans zu rächen

    Main description: This study is based on the current understanding of parody as an ironic and metaliterary type of intertextuality. The affinity between parody and irony asserted in Early Romantic literary theory validates the application of the term to Goethe's subtle novel. By presenting an intertextual solution to the enigma of the names, the study reveals the secret target of the narrator's parodic wit to be the newly converted Friedrich Schlegel whose recent publications had just carried over previous attacks against Goethe's Classicism from the realm of art into the fields of language theory and literature. The book shows how Goethe appropriated his opponent's polemical language to retaliate with an ironic evocation of his charges and recommendations in the guise of a romantic novel

  14. The Taming of Romanticism
    European Literature and the Age of Biedermeier
    Published: [1984]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674418271; 9780674418264
    Other identifier:
    Series: Harvard Studies in Comparative Literature ; 37
    Subjects: European literature / 19th century / History and criticism; Romanticism / Europe; Littérature européenne / 19e siècle / Histoire et critique; Romantisme / Europe; Literatur; Literatur, Rhetorik, Literaturwissenschaft; Biedermeier; European literature; Romanticism; Letterkunde; Romantiek; Literatur; Geschichte (1815-1848); Romantik; Biedermeier; Romantik; Literatur
    Scope: 1 Online-Ressource (ix,302p.)
    Notes:

    Looking at a broad spectrum of writers--English, French, German, Italian, Russian and other East Europeans--Nemoianu offers here a coherent characterization of the period 1815-1848. This he calls the era of the domestication of romanticism. The explosive, visionary core of romanticism is seen to give way--after the defeat of Napoleon--to an expanded and softer version reflecting middle-class values

    Looking at a broad spectrum of writers--English, French, German, Italian, Russian and other East Europeans--Virgil Nemoianu offers here a coherent characterization of the period 1815-1848. This he calls the era of the domestication of romanticism. The explosive, visionary core of romanticism is seen to give way--after the defeat of Napoleon--to an expanded and softer version reflecting middle-class values. This later form of romanticism is characterized by moralizing efforts to reform society, a sentimental yearning for the tranquility of home and hearth, and persistent faith in the individual, alongside a new skepticism, shattered ideals, and consequent irony. Expanding the application of the term Biedermeier, which has been useful in describing this period in German literature, Nemoianu provides a new framework for understanding these years in a wider European context

  15. English Romantic Irony
    Published: [1980]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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  16. English Romanticism and the French Tradition
  17. From Classic to Romantic
    Premises of Taste in Eighteenth-Century England
    Published: [1946]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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  18. The creative imagination
    enlightenment to romanticism
  19. Opera
    The Art of Dying
    Published: [2004]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674335639; 9780674335615
    Other identifier:
    Series: Convergences: Inventories of the Present
    Subjects: Music / 19th century / History and criticism; Musique / 19e siècle / Histoire et critique; Music / Instruction and study; Musik; Musik; Romanticism in music; Romantiek; Componisten; Romantisme dans la musique; Romantik; Oper; Tod <Motiv>
    Scope: 1 Online-Ressource (239p.)
    Notes:

    9 schw.-w. Abb., 1 Faks

    Our modern narratives of science and technology can only go so far in teaching us about the death that we must all finally face. Might opera, an art form steeped in death, teach us how to die, as this provocative work suggests? In Opera: The Art of Dying a physician and a literary theorist bring together scientific and humanistic perspectives on the lessons on living and dying that this extravagant and seemingly artificial art imparts

    Our modern narratives of science and technology can only go so far in teaching us about the death that we must all finally face. Can an act of the imagination, in the form of opera, take us the rest of the way? Might opera, an art form steeped in death, teach us how to die, as this provocative work suggests? In Opera: The Art of Dying a physician and a literary theorist bring together scientific and humanistic perspectives on the lessons on living and dying that this extravagant and seemingly artificial art imparts. Contrasting the experience of mortality in opera to that in tragedy, the Hutcheons find a more apt analogy in the medieval custom of contemplatio mortis--a dramatized exercise in imagining one's own death that prepared one for the inevitable end and helped one enjoy the life that remained. From the perspective of a contemporary audience, they explore concepts of mortality embodied in both the common and the more obscure operatic repertoire: the terror of death (in Poulenc's Dialogues of the Carmelites); the longing for death (in Wagner's Tristan and Isolde); preparation for the good death (in Wagner's Ring of the Nibelung); and suicide (in Puccini's Madama Butterfly). In works by Janacek, Ullmann, Berg, and Britten, among others, the Hutcheons examine how death is made to feel logical and even right morally, psychologically, and artistically--how, in the art of opera, we rehearse death in order to give life meaning

  20. Romantische Metaphorik des Fließens
    Körper, Seele, Poesie
    Published: 2007
    Publisher:  De Gruyter, Berlin

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783484108776; 9783110975925; 9783111886053
    Other identifier:
    RVK Categories: GK 2605
    Series: Schriften der Internationalen Arnim-Gesellschaft ; 6
    Subjects: Metapher; Fluss; Romantik; Deutsch; Literatur
    Scope: 1 Online-Ressource (X, 285 S.)
    Notes:

    Biographical note: Walter Pape, Universität zu Köln

    Main description: Fluss und Strom als Bilder der Zeit und des Schicksals sind ebenso alt wie Quelle und Strom als Metaphern der Inspiration und des Gesanges. Prozesse der Grenzüberschreitung und der Entgrenzung, der Vermittlung und des Austauschs werden in unterschiedlichen Bildern des Fließens veranschaulicht. Das sechste Kolloquium derInternationalen Arnim-Gesellschaft auf der Burg Schönburg (Oberwesel) diskutierte dieses Bild- und Metaphernfeld vom fließenden Rhein über den Geldfluss bis hin zu den Text- und Körperströmen, auch im Kontext der "romantischen Naturwissenschaft0. Novalis" Vorstellung der Poesie als "von Natur flüssig0 steht Goethes "Schöpft des Dichters reine Hand, / Wasser wird sich ballen0 gegenüber

    Main description: River and stream as images of time and fate are as ancient as spring and stream as metaphors of inspiration and song. Processes of crossing and dissolving boundaries, of transmission and exchange are visualised in different images of fluidity. At the sixth Colloquium of the International Arnim Society held in Burg Schönburg (Oberwesel), the participants discussed this complex of images and metaphors, from the flowing Rhine via cash flows to the flow of a text and energy flows in the body - using too the context of 0Romantic Science0. Novalis' conception of poetry as 0by its nature fluid0 is opposed by Goethe's lines 0Water drawn by bards whosefame /Pure is, may be rounded0

  21. Deutsche Erzählprosa der frühen Restaurationszeit
    Studien zu ausgewählten Texten
    Published: 1995
    Publisher:  De Gruyter, Berlin

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783484320758; 9783110920154; 9783111846132
    Other identifier:
    Series: Untersuchungen zur deutschen Literaturgeschichte ; 75
    Subjects: German fiction; Prosa; Erzählung; Romantik; Deutsch
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (VI, 315 S.)
    Notes:

    Includes bibliographical references

    Main description: In diesem Band wird nach der Ausbildung erzählprosaistischer Strukturen in einer Zeit gefragt, in der sich die überkommenen Idealismen als obsolet erwiesen und die sich für die meisten künstlerischen Autoren durch herabstimmende Diffusionsvorgänge und lähmende Verhältnistristesse kennzeichnete. Hervorgearbeitet wird das vielfältig Experimentierende von Erzählansätzen; erörtert werden prosaistische Verfahrensarten, die dem Bewußtsein von Differentiellem entsprangen und denen in erheblichem Maße ein ironischer Grundgestus das Gepräge gibt. Außer der Einleitung des Herausgebers enthält der Band neun Einzelstudien zu erzähl-prosaistischen Texten von Goethe, E.T.A. Hoffmann, Tieck, Schefer, Louise Brachmann, Arnim, Eichendorff, Alexis und Heine

    Main description: This volume inquires into the evolution of narrative prose structures in a period in which traditional idealisms had proved obsolete and a generally inchoate intellectual climate and debilitating material conditions were prevalent for most creative writers. The emphasis here is on the frequently experimental approach to narration in that period, with particular attention being paid to prose techniques springing from an acute awareness of differentialism and hence largely characterised by a fundamentally ironic stance. Alongside the editor's introduction the volume contains articles on narrative prose works by Goethe, E.T.A. Hoffmann, Tieck, Schefer, Louise Brachmann, Arnim, Eichendorff, Alexis and Heine

  22. Das romantische Drama
    Produktive Synthese zwischen Tradition und Innovation
    Published: 2000
    Publisher:  De Gruyter, Berlin

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783484321038; 9783110911596; 9783111881294
    RVK Categories: GK 2878
    Series: Untersuchungen zur deutschen Literaturgeschichte ; 103
    Subjects: German drama; German drama; Romanticism; Romantik; Drama; Deutsch
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (IX, 287 S.)
    Notes:

    Includes bibliographical references (pages [281]-287). - Proceedings of a conference held Sept. 13-15 at Karlsruhe University

    Main description: Der Band versammelt Beiträge zu einer 1999 veranstalteten internationalen Tagung, die das Drama der Romantik mit Fragestellungen der aktuellen Romantikforschung zu vermitteln suchte. Gewürdigt wird eine gegenüber dem zeitgleichen "klassischen" Drama vernachlässigte generische Konstellation, deren eigenständige Verfaßtheit auch auf den literarhistorischen Kontext hin perspektiviert werden sollte. Die Studien behandeln das Problem der Gegenstandskonstituierung, die Theorie des romantischen Dramas und Strukturen der romantischen Komödie; sie liefern autor- und werkzentrierte Deutungen (Novalis, Tieck, Brentano, Arnim, Eichendorff), Überlegungen zum dramengeschichtlichen Kontext (Schiller, Kleist) und zu Aspekten der Wirkungsgeschichte (Nestroy, Keller, Hofmannsthal, Pirandello)

    Main description: The volume assembles papers delivered at an international conference organized in 1999 to essay a rapprochement between Romantic drama and the latest concerns of research into Romanticism. Central to the joint endeavour is the appropriate appreciation of a generic constellation frequently neglected in comparison with the contemporary 'classical' tradition, a constellation whose specific constitutive features call for adequate perspectivization in terms of literary history. The studies address the problem of the constitution of subject-matter, the theory of Romantic drama, and structures in Romantic comedy. They comprise interpretations centering on works and authors (Novalis, Tieck, Brentano, Arnim, Eichendorff), consideration of the historical context of the dramas (Schiller, Kleist) and of aspects of the history of their impact (Nestroy, Keller, Hofmannsthal, Pirandello)

  23. Immanentismus und konjunktives Denken
    Die Entstehung eines modernen Weltverständnisses aus dem strategischen Einsatz einer "psychologia prima" (1830-1880)
    Published: 1999
    Publisher:  De Gruyter, Berlin

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783484350632; 9783110916676; 9783111830216
    Other identifier:
    Series: Studien und Texte zur Sozialgeschichte der Literatur ; 63
    Subjects: Psychologie; Poetik; Wissenschaftstheorie; Naturphilosophie; Romantik; Realismus; Naturwissenschaften
    Other subjects: Lotze, Hermann (1817-1881); Herbart, Johann Friedrich (1776-1841); Fechner, Gustav Theodor (1801-1887)
    Scope: 1 Online-Ressource (IX, 375 S.)
    Notes:

    Main description: Die Arbeit untersucht die um 1830 einsetzende Neubewertung sämtlicher Erkenntnisgrundlagen, für die das Verhältnis von Seelenlehre und Naturwissenschaft strukturbildend ist. Im Zustand der "Atomisierung" des Wissens nach dem Zusammenbruch der romantischen Naturphilosophie entwickeln Herbart, Lotze und Fechner Strategien für eine "Konzentration" sämtlicher Wissenschaften in einem einheitlichen Modell, das nicht nur den Modernisierungsvorgang beschleunigt, sondern auch eine kompensierende Funktion erfüllt. Ihre Diskussion der Entstehung und Verarbeitung von Wissen bestimmt die erkenntnisbildende Funktion und kulturelle Relevanz des Ästhetischen auf folgenreiche Weise neu

    Main description: The study examines the thoroughgoing re-evaluation of the foundations of human knowledge that set in around the year 1830. Of crucial significance in structural terms is the relation between ideas on the soul and natural science. In the context of the 'atomization' of knowledge following the collapse of Romantic nature philosophy, Herbart, Lotze and Fechner developed strategies for a 'concentration' of all branches of knowledge in a unified model not only accelerating the modernization process but also fulfilling a compensatory function. Their debates on the origins and processing of knowledge represents a highly influential redefinition of the epistemological function and cultural relevance of the aesthetic

  24. Mysterienrede
    Zum Selbstverständis romantischer Intellektueller
    Published: 1996
    Publisher:  De Gruyter, Berlin

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783484181397; 9783110923728; 9783111833484
    Series: Studien zur deutschen Literatur ; 139
    Subjects: German literature; German literature; Mysteries, Religious, in literature; Romanticism; Intellektueller; Literatur; Deutsch; Rezeption; Romantik; Begriff; Antike; Mysterienreligion; Selbstverständnis
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (IX, 447 S.)
    Notes:

    Includes bibliographical references (pages 439-447)

    Main description: Die Arbeit vertritt die These, daß dem Symbolkomplex der antiken Mysterien eine für die Selbstdeutung der frühromantischen Generation zentrale Rolle zukommt. Kunsttheoretische Schriften und Dichtungen von Schlegel, Schleiermacher, Novalis, Loeben und Eichendorff konturieren mit diesem Sprachfeld ein nicht mythologisch-allgemeines, exklusives 'Wissen', das nur in besonderen Redeweisen sagbar ist. Die entsprechende Form intellektueller Identitätsbildung wird als Reaktion auf wissens- und sozialgeschichtliche Modernisierungsprozesse gedeutet. Um der konnotativen Fülle der romantischen Schriften gerecht zu werden, enthält die Arbeit jeweils ein ausführliches Kapitel zur Antike und zu den unmittelbaren Voraussetzungen der romantischen Selbstdeutung in der deutschen Aufklärung

    Main description: This work advances the thesis that the symbolism of the ancient mysteries was of central significance for the self-interpretation of the early generation of German Romantics. Literary works and writings on the theory of art by Schlegel, Schleiermacher, Novalis, Loeben and Eichendorff draw upon this source to outline an exclusive form of 'knowledge' that is neither mythodological nor general and can only be communicated by special modes of discourse. The resulting form of intellectual identity formation is interpreted here as a reaction to modernization processes taking shape in society and in the communication of knowledge. With a view of doing justice to the connotative richness of these Romantic writings, there are also detailed chapters on Antiquity and the immediate wellsprings of Romantic self-interpretation to be found in German Enlightenment thinking

  25. Witzige Spielgemälde
    Tieck und das Drama der Romantik
    Published: 2003
    Publisher:  W. De Gruyter, Berlin

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3110177749; 9783110177749; 9783110894080
    Other identifier:
    Subjects: Geschichte; Romantik; Drama; Deutsch
    Other subjects: Tieck, Ludwig (1773-1853); German literature / 18th century / History and criticism; Romanticism / Germany / History / 18th century; Tieck, Ludwig / 1773-1853 / Criticism and interpretation
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references (p. [629]-652)