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When the bad bleeds
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Taboo, Transgression, and Literature
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Images of the Female Countenance in Renaissance Literature
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Acquisition through translation
towards a definition of renaissance translation -
<<The>> myth of the Golden Age in the Renaissance
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Renaissance argument
Valla and Agricola in the traditions of rhetoric and dialectic -
New worlds and the Italian renaissance
contributions to the history of European intellectual culture -
Maistor
classical, Byzantine, and Renaissance studies for Robert Browning -
The Cambridge companion to English Renaissance tragedy
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Exotic animals in the art and culture of the Medici court in Florence
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Velvets of the fifteenth century
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Rex regum i rex Poloniae w dekoracji malarskiej Graduału Jana Olbrachta i Pontyfikału Erazma Ciołka
z zagadnień ikonografii władzy królewskiej w sztuce polskiej wieku XVI = Rex regum and rex Poloniae in illuminated manuscripts: the gradual of King Jan Olbracht and the pontifical of Erazm Ciołek ; some problems in the iconography of the King's power in polish sixteenth century art -
<<The>> noble Savage
Satyrs and satyr families in Renaissance art -
Sapientiam amemus
Humanismus und Aristotelismus in der Renaissance; Festschrift für Eckhard Keßler zum 60. Geburtstag -
Renaissance love
eros, passion, and friendship in Italian art around 1500 -
Images of sex and desire in Renaissance art and modern historiography
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Anamorphosen der Rhetorik
die Wahrheitsspiele der Renaissance -
When the bad bleeds
mantic elements in English renaissance revenge tragedy -
Images of sex and desire in Renaissance art and modern historiography
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Seen from behind
perspectives on the male body and Renaissance art -
Dangerous liaisons
Jews, Christians, and Muslims in the Renaissance Italian novella -
<<The>> garden of the Renaissance
botanical symbolism in Italian painting -
Giant leaf tapestries of the renaissance 1500 - 1600
inaugural exhibition 21st October - 25th November 2005 -
<<The>> voyage to Rome in French renaissance literature
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Christ as Laocoon
an iconographic parallel between Christian and Pagan sacrificial representations in the Italian Renaissance