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Displaying results 1 to 25 of 3920.

  1. Visuelle Skepsis
    wie Bilder zweifeln
    Contributor: Kern, Margit (Publisher)
    Published: 2019
    Publisher:  De Gruyter, Berlin

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Contributor: Kern, Margit (Publisher)
    Language: English; German
    Media type: Book
    ISBN: 9783110590180; 3110590182
    Other identifier:
    9783110590180
    DDC Categories: 700
    Series: Studien aus dem Warburg-Haus ; 21
    Subjects: Ästhetik; Bildbetrachtung
    Scope: 368 Seiten, 38 Illustrationen, 152 Illustrationen, 24 cm x 17 cm
  2. Visual aspects of scribal culture in Ashkenaz
    shaping the Small Book of Commandments (SeMaK)
    Author: Kaufmann, Ingrid M.
    Published: [2019]; © 2019
    Publisher:  De Gruyter, Berlin ; Boston

    Location:
    Universität Bonn, Fachbibliothek der Evangelischen und Katholischen Theologie
    Signature:
    BD 4980 K21
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    Location:
    Institut für Jüdische Studien, Bibliothek
    Signature:
    KW/BD 9200 K21 V834
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    No inter-library loan

    Location:
    Universitätsbibliothek Trier
    Signature:
    w23007
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9783110569384
    RVK Categories: BD 4980
    Series: Studia Judaica ; Band 103
    Subjects: Ästhetik; Jüdische Kunst; Aschkenasim; Illuminierte Handschrift
    Scope: X, 229 Seiten, Illustrationen
    Notes:

    Bibliography Seiten: 203-216. - Dissertation erschienen unter dem Titel: Neben dem Text: Kommentierung, Dekoration, Kritzelei - Der SeMaK (Das kleine Buch der Gebote) als Zeugnis der visuellen Schreiberkultur in Ashkenaz

    Dissertation, University of Lucerne, 2016
  3. Contemporary scenography
    practices and aesthetics in German theatre, arts and design
    Contributor: Wiens, Birgit (Publisher)
    Published: 2019
    Publisher:  Methuen Drama, London

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    Source: Union catalogues
    Contributor: Wiens, Birgit (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781350064478
    RVK Categories: AP 74700
    Series: Performance + Design
    Subjects: Deutschland; Theater; Szenografie; Ästhetik; Geschichte 2003-2017
    Scope: xxi, 248 Seiten, Illustrationen, Diagramme, 24 cm
    Notes:

    Literaturverzeichnis: Seite [228]-242
  4. Arbeit am Labyrinth
    Essays
    Author: Holländer, Hans
    Published: [2019]
    Publisher:  Sonderzahl, Wien

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    Source: Union catalogues
    Contributor: G. H. H. (Publisher)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783854495260
    DDC Categories: 700; 800
    Subjects: Schach <Motiv>; Kunst; Kultur; ; Labyrinth; Geschichte; ; Künste; Ästhetik;
    Other subjects: Hardcover, Softcover / Belletristik/Essays, Feuilleton, Literaturkritik, Interviews
    Scope: 141 Seiten, Illustrationen, 22 cm
    Notes:

    Literaturverzeichnis: Seite 133-140; Bibliographie H. Holländer: Seite 129-132
  5. Ästhetik und Gesellschaft
    Grundlagentexte aus Soziologie und Kulturwissenschaften
    Contributor: Reckwitz, Andreas (Publisher); Prinz, Sophia (Publisher); Schäfer, Hilmar (Publisher)
    Published: 2019
    Publisher:  Suhrkamp, Berlin

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    Source: Union catalogues
    Contributor: Reckwitz, Andreas (Publisher); Prinz, Sophia (Publisher); Schäfer, Hilmar (Publisher)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783518297186
    RVK Categories: EC 2410 ; MS 1290 ; LH 61360 ; CC 6900 ; MR 7100
    Edition: 3. Auflage
    Series: Suhrkamp Taschenbuch Wissenschaft ; 2118
    Subjects: Ästhetik; Gesellschaft; Geschichte 1900-2004;
    Scope: 455 Seiten
    Notes:

    "Originalausgabe" auf der Umschlagrückseite
  6. Objektorientierte Kunsttheorie
    Graham Harmans spekulative Philosophie im Kontext einer (nicht-)relationalen Ästhetik
    Author: Ohls, Hauke
    Published: [2019]; © 2019
    Publisher:  AVINUS, Hamburg

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783869380940
    DDC Categories: 700; 100
    Series: AVINUS Academia
    Subjects: Harman, Graham; Objekt <Philosophie>; Ästhetik;
    Other subjects: Graham Harman; Heidegger; Kunsttheorie; Latour; New Materialism; OOO; Objektorientierung; ralationale Ästhetik; spekulative Realisten; Hardcover, Softcover / Medien, Kommunikation/Sonstiges; Ästhetik; Harman; Kunstwissenschaft; Philosophie
    Scope: 112 Seiten, Illustrationen, 22 cm
  7. Bau(Spiel)Haus
    Contributor: Hensel, Thomas (Publisher); Eikmeyer, Robert (Publisher)
    Published: [2019]
    Publisher:  VfmK - Verlag für Moderne Kunst GmbH, Wien

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    Source: Union catalogues
    Contributor: Hensel, Thomas (Publisher); Eikmeyer, Robert (Publisher)
    Language: German; English
    Media type: Book
    Format: Print
    ISBN: 9783903269873
    Subjects: Spiel; Kreativität; Pädagogik; Ästhetik; ; Bauhaus; Spielzeug; Design; ; Nicolai, Olaf; Bauhaus; Künstlerbuch; Geschichte;
    Scope: 3 Bände
    Notes:

    Erscheint anlässlich der Ausstellung "BAU[SPIEL]HAUS", Neues Museum, Staatliches Museum für Kunst und Design, Nürnberg, 22. März bis 16. Juni 2019

    Der "Katalog", der dokumentarische Teil, macht die Ausstellung im Nachhinein erfahrbar; der "Reader" dient als Instrument zum tieferen Einstieg in Quellen und die Sekundärliteratur rund um das Thema des Spiels und seine historische Genese als kreatives Instrument; das "Künstlerbuch" von Olaf Nicolai setzt das Thema der Ausstellung unmittelbar in Szene
  8. Plotting Horror
    Author: Heuer, Thomas
    Published: 2019
    Publisher:  Humboldt-Universität zu Berlin

    Abstract ; Die Entwicklungsschübe der modernen Medien im 20. Jahrhundert haben die Wechselbeziehungen zwischen den Künsten, den Medien, den Sinnesmodalitäten, den verbalen und nonverbalen Ausdrucks- und Zeichenprozessen verstärkt und erweitert. Im... more

     

    Abstract ; Die Entwicklungsschübe der modernen Medien im 20. Jahrhundert haben die Wechselbeziehungen zwischen den Künsten, den Medien, den Sinnesmodalitäten, den verbalen und nonverbalen Ausdrucks- und Zeichenprozessen verstärkt und erweitert. Im Zuge dieser Entwicklungen sind Genre- und Formatfragen über das disziplinäre Interesse einzelner Kunst- und Medienwissenschaften hinaus ins Aufmerksamkeitsfeld einer vergleichenden Medienästhetik und -dramaturgie ge-rückt. Aufbauend auf den Erkenntnissen von Kalisch 2014, 2016 und den Überlegungen Gaudreaults 2009 zu einer Unterscheidung zwischen Narration und Monstration, ist es gelungen ein Modell zur Analyse von Werken unter dem Ausgangspunkt von Dramaturgie und Präsentationsstruktur herauszubilden, das für jedwedes dramaturgisch motiviertes und fiktionales Werk verwendet werden kann, unab-hängig vom Medium. Als Mittel zur Verdeutlichung der Thesen wird Horror als ästhetische Kategorie definiert, die einen direkten Einfluss auf die narrativen Strukturen eines Werkes besitzt, was den narrativ-monstrativen Doppelcharakter von Werken belegt und ferner verdeutlicht, dass Erzählung und Formung eines Werkes untrennbar verbunden sind. Die Dualität von Dramaturgie und Präsenta-tionsstruktur wird in der Formung eines Werkes offenbar. Um dies zu verdeutli-chen, werden im Verlauf der Arbeit kursorisch Beispiele von Werken mit Schre-ckensinhalten diskutiert und analysiert. Basierend auf diesem Modell wird eine Diskussion des Themenkomplexes von Intermedialität und Transmedialität im Spannungsverhältnis zur Komparistik der Künste durchgeführt. In der Folge wird eine Ästhetik des Schreckens diskutiert und anhand von ästhetischen Wertungskategorien aufgezeigt. Abschließend werden drei narrativ-motivierte Konzeptionen für dramaturgisch angetriebene Schre-ckensinszenierungen aufgeführt, die zur Kategorisierung von Werken angewendet werden können: düstere Präfiguration, düstere Konfiguration und düstere Manifestation. ; Abstract ; The development in modern media during the 20th century (from movies over television to the hybrid forms of audiovisual and textual media in the internet) reveals interdependencies between art, media, the modalities of senses, the verbal and nonverbal dictions and semiotic processes that have evolved and expanded themselfes. According to this progress the interest in art and media studies should achive a collective interest in the changes of genre and formats, instead of a sepa-rated observation of only single disciplines. Following the Prolegomena on a comperative drama of media by Eleonore Ka-lisch (Kalisch 2014) and the thougts of André Gaudreault on Narration and Mon-stration (Gaudreault 2009) this thesis bulids a system to analyse works of fiction (e. g. movies, pictures, literature, video games). This system allows to analyse and compare works of fiction based on drama and presentation structure. The horror genre is used to show the mechanics of this system. Horror has a direct influence on the narrative structure of a work and manifests a duality of narration and mon-stration (Kalisch 2016), that binds drama and presentation to each other and shows the necessity of a separated consideration on both aspects. The duality of drama and presentation reveals itself during the modeling of a work of fiction. Build on the system the discourse is open to discuss intermetiality and transmedi-ality and their influence on the field of interest. Furthermore, an aesthetic of hor-ror is defined by evaluation categories of aesthetic indicators. In the end three types of narrativ driven concepts of horror are revealed and discussed: gloomy pre-figuaration, gloomy configuration and gloomy manifestation.

     
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  9. Modernity, Aesthetics, and the Bounds of Art
    Author: McCormick, Peter J.
    Published: [2019]; © 1990
    Publisher:  Cornell University Press, Ithaca, NY

    Illuminating the tensions between theory, history, and interpretation in contemporary aesthetics, Peter McCormick traces here the intellectual history of our understanding of the relationship between philosophy and the arts more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Illuminating the tensions between theory, history, and interpretation in contemporary aesthetics, Peter McCormick traces here the intellectual history of our understanding of the relationship between philosophy and the arts

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501746086
    Other identifier:
    Subjects: ART / History / General; Aesthetics, Modern; Aesthetics, Modern; Ästhetik
    Scope: 1 online resource, 2 charts
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019)
  10. Dionysus Reborn
    Play and the Aesthetic Dimension in Modern Philosophical and Scientific Discourse
    Author: Spariosu, Mihai
    Published: [2019]; © 1989
    Publisher:  Cornell University Press, Ithaca, NY

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501746284
    Other identifier:
    Subjects: Ancient History & Classical Studies; Performing Arts & Drama; PHILOSOPHY / History & Surveys / Ancient & Classical; Aesthetics, Modern; Play (Philosophy); Science; Philosophie; Spiel; Wissenschaft; Ästhetik
    Scope: 1 online resource (352 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  11. Rightness and Reasons
    Interpretation in Cultural Practices
    Author: Krausz, Michael
    Published: [2019]; © 1993
    Publisher:  Cornell University Press, Ithaca, NY

    Must there be a single right interpretation of a particular cultural entity? In his book Michael Krausz considers this question in such representative cultural practices as music, visual art, history, and cross-cultural understanding.Krausz advances... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Must there be a single right interpretation of a particular cultural entity? In his book Michael Krausz considers this question in such representative cultural practices as music, visual art, history, and cross-cultural understanding.Krausz advances two main theses. First, he argues, the notion that there must be a single right interpretation in cultural practices-the "singularist" view-is misplaced. Without acceding to an interpretive anarchism, he embraces the "multiplist" view that cultural practices characteristically allow a multiplicity of ideally admissible interpretations. In his discussion Krausz critically outlines the maneuvers available to both singularists and multiplists.Second, Krausz notes that singularists characteristically construe their objects-of-interpretation along realist lines, and multiplists along constructionist lines.But, he argues, these associations are not necessary: the singularist condition is not guaranteed by realism, nor the multiplist by constructionism. Krausz holds that the question of interpretive ideals is detachable from the dispute between realists and constructionists.Addressing topics of intense concern within mainstream analytic philosophy and in many other areas of cultural investigation, Rightness and Reasons will berewarding reading for aestheticians, musicologists, art historians, literary theorists, historiographers, and anthropologists

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744563
    Other identifier:
    Subjects: SOCIAL SCIENCE / Customs & Traditions; Aesthetics; Hermeneutics; Ontology; Hermeneutik; Ontologie; Ästhetik
    Scope: 1 online resource (192 pages), 2 b&w illustrations, 9 line drawings
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  12. Der aesthetische Genuss
    Author: Groos, Karl
    Published: [1902]; [2019]; © 1902
    Publisher:  J. Ricker, Berlin ; Boston ; De Gruyter

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783111548364
    Other identifier:
    Edition: Reprint 2019
    Subjects: Ästhetik; PHILOSOPHY / General; Ästhetik
    Scope: 1 online resource (271 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019)
  13. Idealismus und Naturalismus in der gotischen Skulptur und Malerei
    Author: Dvořák, Max
    Published: [2019]; © 1918
    Publisher:  Oldenbourg Wissenschaftsverlag, Berlin ; Boston

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783486744927
    Other identifier:
    Edition: Reprint 2019
    Subjects: ART / General; Ästhetisches Ideal; Naturalismus; Ästhetik; Gotik; Malerei; Kunst; Plastik
    Other subjects: Dvořák, Max (1874-1921)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019)
  14. Notes to Literature
    Author: Adorno, Theodor W.
    Published: [2019]; © 2019
    Publisher:  Columbia University Press, New York, NY

    Notes to Literature is a collection of the great social theorist Theodor W. Adorno's essays on such writers as Mann, Bloch, Holderlin, Siegfried Kracauer, Goethe, Benjamin, and Stefan George. It also includes his reflections on a variety of subjects,... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Notes to Literature is a collection of the great social theorist Theodor W. Adorno's essays on such writers as Mann, Bloch, Holderlin, Siegfried Kracauer, Goethe, Benjamin, and Stefan George. It also includes his reflections on a variety of subjects, such as literary titles, the physical qualities of books, political commitment in literature, the light-hearted and the serious in art, and the use of foreign words in writing. This edition presents this classic work in full in a single volume, with a new introduction by Paul Kottman

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231550291
    Other identifier:
    Series: European Perspectives: A Series in Social Thought and Cultural Criticism
    Subjects: PHILOSOPHY / Movements / Critical Theory; Literature; Literaturkritik; Ästhetik; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  15. Morality and Social Class in Eighteenth-Century French Literature and Painting
    Author: Roberts, Warren
    Published: [2019]; © 1974
    Publisher:  University of Toronto Press, Toronto

    The moralistic tendencies that culminated in the Republic of Virtue can be traced in literature back to the late seventeenth century. In the 1690s two separate and antithetical moralities began to take shape, one erotic and libertine, the other... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The moralistic tendencies that culminated in the Republic of Virtue can be traced in literature back to the late seventeenth century. In the 1690s two separate and antithetical moralities began to take shape, one erotic and libertine, the other highly moralistic. Both represented a revolt against the formalism of the seventeenth century. The roman érotique was rooted in a hedonistic philosophy whose objective was to enlarge the scope of freedom, translated in sexual terms, while the moralistic literature, also influenced by philosophical hedonism, was sentimental, romantic, and defended the Christian idea of love and marriage. Roberts discards some of the common presuppositions of historical and literary criticism, for example, that the literature of sensibility was the reaction of the bourgeoisie against the degenerate aristocracy, and that the libertine literature was created by and accurately portrayed the aristocracy. Such explanations have never been supported by valid evidence. Roberts shows that the bourgeoisie, even when most critical of the aristocracy, was emulating the aristocratic way of life, and that the aristocracy, even at its most degenerate, was susceptible to the moral influences revealed in contemporary art. 'Once the dikes of traditional morality broke,' Roberts explains, 'two responses took place. First, authors reacted against the severity of the seventeenth century, which led to a literature of libertinism and eventually of pornography. Secondly, an attempt was made to retain the loftiness of seventeenth-century morality, but to place that morality on new foundations, the result being sentimentalism, and later, classicism.' And out of this dialectical process came a third, dualistic current of literature and art combining hedonism, and sometimes perversity and pornography, with a condemnation of the social order, a call for moral regeneration, and a utopian vision of the future. This is a highly original study of social morality in pre-Revolutionary French and of its reflection in literature and art

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487580360
    Other identifier:
    Series: Heritage
    Subjects: PHILOSOPHY / Aesthetics; Ästhetik; Sitte <Motiv>; Malerei; Literatursoziologie; Erotische Kunst; Kunstsoziologie
    Scope: 1 online resource (240 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  16. Philosophy of Music
    A History
    Author: Martinelli, Riccardo
    Published: [2019]; © 2019
    Publisher:  De Gruyter, Berlin ; Boston

    Ranging from Antiquity to contemporary analytic philosophy, it provides a concise but thorough analysis of the arguments developed by some of the most outstanding philosophers of all times. Besides the aesthetics of music proper, the volume touches... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Ranging from Antiquity to contemporary analytic philosophy, it provides a concise but thorough analysis of the arguments developed by some of the most outstanding philosophers of all times. Besides the aesthetics of music proper, the volume touches upon metaphysics, ethics, philosophy of language, psychology, anthropology, and scientific developments that have influenced the philosophical explanations of music. Starting from the very origins of philosophy in Western thought (Pythagoras, Plato, Aristotle) the book talks about what music is according to Augustine, Descartes, Leibniz, Rousseau, Kant, Hegel, the Romantics, Schopenhauer, Nietzsche, Wittgenstein, Susanne Langer, Bloch, Adorno, and many others. Recent developments within the analytic tradition are illustrated with particular attention to the ontology of the musical artwork and to the problem of music and emotions. A fascinating idea which recurs throughout the book is that philosophers allow for a sort of a secret kinship between music and philosophy, as means to reveal complementary aspects of truth

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110627411
    Other identifier:
    Subjects: Music and emotions; Music and language; Musical aesthetics; Philosophie der Musik; Philosophy of music; Ästhetik; PHILOSOPHY / History & Surveys / Modern; Musikphilosophie
    Scope: 1 online resource (XI, 169 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  17. Die Kunst des Reiches im Völkerraum Europas
    Vom Gesetz der lebendigen Form
    Author: Rehm, Harald
    Published: [2019]; © 1941
    Publisher:  Oldenbourg Wissenschaftsverlag, Berlin ; Boston

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783486773293
    Other identifier:
    Edition: Reprint 2019
    Subjects: Deutschland; Europa; Kunst; ART / General; Künste; Ästhetik; Literatur; Nationalsozialismus; Kunst
    Other subjects: Carossa, Hans (1878-1956)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
  18. Vom Schönen und seiner Wahrheit
    Eine Analyse ästhetischer Erlebnisse
    Author: Koebner, Richard; Koebner, Gertrud
    Published: [2019]; © 1957
    Publisher:  De Gruyter, Berlin ; Boston

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783111536750
    Other identifier:
    Edition: Enth. u.a. e. Kap.: Ästhetische Wahrheit in Musik und Dichtung. Reprint 2018
    Subjects: PHILOSOPHY / General; Ästhetik
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019)
  19. Einführung in die Ästhetik Adornos
    Author: Sauerland, Karol
    Published: [2019]; © 1979
    Publisher:  De Gruyter, Berlin ; Boston

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110843934
    Other identifier:
    Edition: Reprint 2019
    Series: De Gruyter Studienbuch
    Subjects: PHILOSOPHY / General; Ästhetik
    Other subjects: Adorno, Theodor W. (1903-1969)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019)
  20. Ästhetik
    Author: Kutschera, Franz von
    Published: [2019]; © 1988
    Publisher:  De Gruyter, Berlin ; Boston

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110857382
    Other identifier:
    Edition: Reprint 2019
    Subjects: Ausdruck; Künste; Ästhetik; PHILOSOPHY / Aesthetics; Ausdruck; Künste; Musik; Darstellende Kunst; Kunst; Ästhetik; Literatur
    Scope: 1 online resource (589 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  21. The Structure of Aesthetics
    Author: Sparshott, Francis
    Published: [2019]; © 1963
    Publisher:  University of Toronto Press, Toronto

    Aesthetics is variously identified with the philosophy of art, the philosophy of criticism, and the philosophy of beauty. The resulting confusing has meant that the condition of this branch (or branches) of philosophy has been a standing scandal; so... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Aesthetics is variously identified with the philosophy of art, the philosophy of criticism, and the philosophy of beauty. The resulting confusing has meant that the condition of this branch (or branches) of philosophy has been a standing scandal; so much so that many philosopher have supposed the subject be inherently recalcitrant or in some way spurious. This book seeks to remey this situation by reducing the subject to order. It offers answers to the following questions: (1) What are the problems with which aesthetics deals? (2) What kinds of answers have been proposed or may be proposed to these questions? (3) How are these problems related to one another? (4) Are the relations between the problems such that awesthetics can form a single unified field of study? (5) In what circumstances and to what extent will aesthetics seem a branch of philosophy worthy of systematic study? Professor Sparshott's book thus places the study of aesthetics on a new footing, since it becomes for the first time possible to grasp the scope of the subject as a whole. Hitherto, no one has tried to introduce order into the subject by any other means than marking off and systimatically cultivating a small corner of the field. Now for the firs ttime the mutual bearings of these local clearings are mapped. This book is accordingly meant for all those who are seriously interested in the philosophy of art, or of criticism, or of beauty: for all those, that is, who are prepared to raise the far-reaching problems with which it deals. The author will not be dismayed if it encourages other syntheses! This book also makes incidental suggestions toward the solution of some of the problems which it organizes, and is illustrated by reference to a wide range of aesthetic literature, from Aristotle to Ziff

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487575380
    Other identifier:
    Series: Heritage
    Subjects: PHILOSOPHY / Aesthetics; Aesthetics; Art; Ästhetik
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  22. After Dionysus
    A Theory of the Tragic
    Author: Storm, William
    Published: [2019]; © 1998
    Publisher:  Cornell University Press, Ithaca, NY

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744877
    Other identifier:
    Subjects: PHILOSOPHY / History & Surveys / Ancient & Classical; Tragik; Ästhetik; Tragödie; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  23. Quaint, Exquisite
    Victorian Aesthetics and the Idea of Japan
    Author: Lavery, Grace
    Published: [2019]; © 2019
    Publisher:  Princeton University Press, Princeton, NJ

    From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of this dramatic encounter, showing how the rise of Japan led to a major transformation of Western aesthetics at the dawn of globalization.Drawing on philosophy, psychoanalysis, queer theory, textual criticism, and a wealth of in-depth archival research, Grace Lavery provides a radical new genealogy of aesthetic experience in modernity. She argues that the global popularity of Japanese art in the late nineteenth century reflected an imagined universal standard of taste that Kant described as the "subjective universal" condition of aesthetic judgment. The book features illuminating cultural histories of Gilbert and Sullivan’s Mikado, English derivations of the haiku, and retellings of the Madame Butterfly story, and sheds critical light on lesser-known figures such as Winnifred Eaton, an Anglo-Chinese novelist who wrote under the Japanese pseudonym Onoto Watanna, and Mikimoto Ryuzo, a Japanese enthusiast of the Victorian art critic John Ruskin. Lavery also explains the importance and symbolic power of such material objects as W. B. Yeats’s prized katana sword and the "Japanese vellum" luxury editions of Oscar Wilde.Quaint, Exquisite provides essential insights into the modern understanding of beauty as a vehicle for both intimacy and violence, and the lasting influence of Japanese forms today on writers and artists such as Quentin Tarantino

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691189963
    Other identifier:
    Subjects: LITERARY CRITICISM / Comparative Literature; Aesthetics, Japanese; Aesthetics, Modern; Art, Japanese; Rezeption; Ästhetik
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019)
  24. Harmonie und Rhythmus in Natur und Kunst
    Author: Frieling, Heinrich
    Published: [2019]; © 1937
    Publisher:  Oldenbourg Wissenschaftsverlag, Berlin ; Boston

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Link to union catalogue:
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783486769562
    Other identifier:
    Edition: Reprint 2019
    Subjects: ART / General; Natur; Rhythmus; Kunst; Ästhetik; Harmonie
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019)
  25. The Vast Design
    Patterns in W.B. Yeats's Aesthetic
    Author: Engelberg, Edward
    Published: [2019]; © 1964
    Publisher:  University of Toronto Press, Toronto

    In recent years Yeats has been receiving a great deal of critical attention from many aspects. Professor Engelberg here makes a distinctive contribution to the new studies by bringing under discussion the kind of aesthetic views developed by Yeats in... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    In recent years Yeats has been receiving a great deal of critical attention from many aspects. Professor Engelberg here makes a distinctive contribution to the new studies by bringing under discussion the kind of aesthetic views developed by Yeats in order to rationalize his own practice as poet and dramatist. Yeats was pragmatic in his approach and therefore not concerned about formulating a tight critical theory. Recognizing this, the author at the same time skilfully guides the reader through the opinions expressed in the critical essays to meaningful patterns and shows how Yeats's aesthetic views developed, often in relation to his study of Balzac, Blake, Spenser, Shelley, Morris, and the Irish theatre of his own day. Throughout the stress is fittingly on the originality of Yeats, and the reader will be impressed always with his great critical perceptiveness

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442631861
    Other identifier:
    Series: Heritage
    Subjects: LITERARY CRITICISM / Modern / 20th Century; Aesthetics, Modern; Poetics; Literaturkritik; Ästhetik
    Other subjects: Yeats, William Butler (1865-1939)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)