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  1. Gender und Sport: Der Jugendroman zwischen pädagogisch-didaktischem und literarästhetischem Anspruch
    Author: Kutzbach, Konstanze
    Published: 2011

  2. The filmmaker's eye
    learning (and breaking) the rules of cinematic composition
    Author: Mercado, Gustavo
    Published: c2011
    Publisher:  Focal Press, Amsterdam

    Location:
    Technische Hochschulbibliothek Rosenheim
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780080959344; 9780240812175; 0240812174
    Other identifier:
    Subjects: Film; Ästhetik; Motion pictures / Aesthetics; Cinematography; Kameraarbeit
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (xvi, 192 S.), Ill.
    Notes:

    Includes index
  3. Kunst und Kultur
    Kunst und künstlerisches Feld Schriften zur Kultursoziologie 4
    Author: Bourdieu, Pierre
    Published: 2011
    Publisher:  Herbert von Halem Verlag, Köln

    Der soziale Umgang mit Kunst und Literatur als Kennzeichen der 'feinen Unterschiede' hat Bourdieu schon zu Beginn seiner Forschungen beschäftigt. Parallel zu diesen Studien über den 'Konsum' von Kultur entsteht auch eine Reihe von Arbeiten und... more

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    Hochschulbibliothek Ansbach
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Weihenstephan-Triesdorf, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Evangelische Hochschule Nürnberg, Bibliothek
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    OTH- Ostbayerische Technische Hochschule Regensburg, Hochschulbibliothek
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    Technische Hochschulbibliothek Rosenheim
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    Der soziale Umgang mit Kunst und Literatur als Kennzeichen der 'feinen Unterschiede' hat Bourdieu schon zu Beginn seiner Forschungen beschäftigt. Parallel zu diesen Studien über den 'Konsum' von Kultur entsteht auch eine Reihe von Arbeiten und Vorträgen zur Logik der Kulturproduktion. Von Elementen einer Theorie der Kunstwahrnehmung über Skizzen zur Struktur des 'künstlerischen Feldes' bis hin zu den historischen Dimensionen der Entstehung einer 'reinen Ästhetik' demonstriert Bourdieu in immer dichteren Analysen die Mechanismen der Kulturproduktion als sozial hoch vorausSetzungsreiche Arbeit am Glauben an ihre eigene VorausSetzungslosigkeit. Im zweiten Band der Schriften Bourdieus zu 'Kunst und Kultur' sind diese Studien sämtlich zusammengefasst

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Schwibs, Bernd; Fietkau, Wolfgang; Tillmann, Michael
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783744503396
    Edition: 1st ed
    Series: Pierre Bourdieu - Schriften
    Subjects: Ästhetik; Gesellschaft; Kultur; Kulturproduktion; Kultursoziologie; Kunst; Literatur; Logik; Pierre Bourdieu; Soziologie; Wissenschaft
    Scope: 1 Online-Ressource (546 Seiten), , HC
    Notes:

    [1. Auflage]
  4. Theorien der Avantgarde
    Gehlen - Bürger - Bourdieu - Luhmann
    Author: Magerski, Christine
    Published: 2011
    Publisher:  VS Verlag für Sozialwissenschaften, Wiesbaden ; ProQuest, Ann Arbor, Michigan

    Nicht ohne Häme bemerkte Arnold Gehlen 1966, dass es einmal eine wissenschaftliche Kunstlehre als wesentlichen Bestandteil der Philosophie gegeben habe, die als Ästhetik für Phänomene wie den Avantgardismus zuständig gewesen sei. Doch scheinen diese... more

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    Nicht ohne Häme bemerkte Arnold Gehlen 1966, dass es einmal eine wissenschaftliche Kunstlehre als wesentlichen Bestandteil der Philosophie gegeben habe, die als Ästhetik für Phänomene wie den Avantgardismus zuständig gewesen sei. Doch scheinen diese Bemühungen eingestellt, was Gehlen zum Anlass nimmt, den Avantgardismus aus der Perspektive der Soziologie schärfer in den Blick zu nehmen. Damit, so die These der Studie, eröffnet er eine neue, kultursoziologisch geprägte Phase der Auseinandersetzung mit moderner Kunst, die von Gehlen über Bürger bis zu Bourdieu und Luhmann reicht. Ihre Theorien moderner Kunst werden hier als Antworten auf zentrale, vom komplexen Phänomen der Avantgarde aufgeworfene Fragen gelesen: Wie institutionalisiert sich ein arbiträres Gebilde wie die Kunst, nach welchen Regeln funktioniert sie und wie steht es um ihren Fortbestand im Zeichen des Postavantgardismus?.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783531932767
    RVK Categories: MR 5100 ; MS 8000
    DDC Categories: 700
    Subjects: Ästhetik; Avantgarde
    Scope: 1 Online-Ressource (157 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  5. Die semantische Wende
    eine neue Grundlage für Design
    Author: Krippendorff, Klaus
    Published: 2011
    Publisher:  Birkhäuser, Basel

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783034601023; 9783034610919
    Other identifier:
    9783034601023
    RVK Categories: LH 79540
    DDC Categories: 720
    Series: Schriften zur Gestaltung
    Subjects: Design; Theorie; Semantik; Produktgestaltung; Philosophie; Ästhetik
    Scope: 1 Online-Ressource (404 S.), Ill., graph. Darst., 240 mm x 165 mm
  6. Caravaggio und die Grenzen des Darstellbaren
    Ambiguität, Ironie und Performativität in der Malerei um 1600
    Author: von Rosen, Valeska
    Published: 2011
    Publisher:  Oldenbourg Wissenschaftsverlag GmbH, Berlin

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783050062433
    Other identifier:
    Edition: Zweite, unveränderte Auflage
    Subjects: Art History; Performativität <Kulturwissenschaften>; Ironie; Ästhetik; Malerei; Ambiguität
    Other subjects: Caravaggio, Michelangelo Merisi da (1571-1610)
    Scope: 1 Online-Ressource
  7. Esthetics of the Moment
    Literature and Art in the French Enlightenment
    Author: Kavanagh, Thomas M.
    Published: [2011]; © 1996
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    The literature and art of the French Enlightenment is everywhere marked by an intense awareness of the moment. The parallel projects of living in, representing, and learning from the moment run through the Enlightenment's endeavors as tokens of an... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The literature and art of the French Enlightenment is everywhere marked by an intense awareness of the moment. The parallel projects of living in, representing, and learning from the moment run through the Enlightenment's endeavors as tokens of an ambition and a heritage imposing its only and ultimately impossible cohesion. In this illuminating study, Thomas M. Kavanagh argues that Enlightenment culture and its tensions, contradictions, and achievements flow from a subversive attention to the present as present, freed from the weight of past and future.Examining a wide sweep of literary and artistic culture, Kavanagh argues against the traditional view of the Age of Reason as one of coherent, recognizable ideology expressed in a structured narrative form. In literature, he analyzes the moment at work in the inebriating lightness of Marivaux's repartee; the new-found freedom of Lahontan's and Rousseau's ideals of a consciousness limited to the present; Diderot's championing of Epicurean epistemology; Graffigny's portrayal of abrupt cultural displacement; and Casanova's penchant for chance's redefining moment. The moment in art theory and practice is explored in such forms as de Piles's defense of color; Du Bos's foregrounding of perception; Watteau's indulgence in a corporeal present; Chardin's dismantling of mimesis; and Boucher's and Fragonard's thematics of desire

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812202441
    Other identifier:
    Series: Critical Authors and Issues
    Subjects: Fine Arts; Arts, French; Arts, Modern; Ut pictura poesis (Aesthetics); Aufklärung; Text; Französisch; Augenblick; Bild; Ästhetik; Literatur; Ut pictura poesis; Kunst
    Scope: 1 online resource, 51 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Mar. 21, 2016)
  8. Ökonomische Ästhetik und Markenkult
    Reflexionen über das Phänomen Marke in der Gegenwartskunst
    Author: Neustadt, Jeannette
    Published: 2011
    Publisher:  De Gruyter, transcript, Berlin, Bielefeld

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783837616590; 9783839416594
    Other identifier:
    Series: Image ; 16
    Subjects: Geschichte; Rezeption; Kunst; Marke; Ästhetik; Rezeption; Marke; Kunst; Ästhetik
    Scope: 1 Online-Ressource (468 S.)
    Notes:

    Biographical note: Jeannette Neustadt (Dr. phil.) studierte Literatur-, Kunst- und Medienwissenschaft sowie Volkswirtschaftslehre in Konstanz und München. Sie arbeitet als freie Redakteurin und Künstlerin in München

    Main description: Marken sind ein populäres, ökonomisch verwertbares Phänomen, das in den marktfernen Gefilden der Kunst scheinbar nichts verloren hat. Doch ob Jeff Koons, Richard Prince oder Takashi Murakami - immer mehr Gegenwartskünstler verweisen in ihren Arbeiten explizit auf Markenbotschaften. Ihre markenaneignenden Kunstwerke werden in diesem Buch erstmals wissenschaftlich analysiert und als Ausdrucksformen einer ökonomischen Ästhetik beschrieben, die Raum für Reflexionen über die kommunikativen Techniken von Wirtschaft, Kunst und Medien bietet. In Anlehnung an die Systemtheorie Niklas Luhmanns führt Jeannette Neustadt vor, dass Markenkommunikation immer auch Kunstkommunikation ist - und umgekehrt

    Univ., Diss. u.d.T.: Neustadt, Jeannette: Markenkult und Gegenwartskunst - das (selbst)reflexive Potential der ökonomischen Ästhetik--München, 2010
  9. La Villa
    Author: Taegio, Bartolomeo
    Published: 2011
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812203806
    Other identifier:
    Series: Penn Studies in Landscape Architecture
    Subjects: Villa; Gartenkunst; Ästhetik
    Other subjects: Taegio, Bartolomeo (1520-1573)
    Scope: 1 Online-Ressource (312 S.)
    Notes:

    Biographical note: Thomas E. Beck is an architect practicing in Philadelphia

    Main description: Published in 1559 and appearing for the first time in English, La Villa is a rare source of Renaissance landscape theory
  10. The Bad Taste of Others
    Judging Literary Value in Eighteenth-Century France
    Author: Tsien, Jennifer
    Published: 2011
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812205121
    Other identifier:
    Subjects: Ästhetisches Urteil; Ästhetik; Literatur
    Scope: 1 Online-Ressource (280 S.)
    Notes:

    Biographical note: Jennifer Tsien is Associate Professor of French at the University of Virginia

    Main description: Faced with the potential chaos of an expanding literary market Montesquieu, Voltaire, Diderot, and other Enlightenment writers used the damning label of "bad taste" in order to claim the authority to shape the French literary heritage in their image
  11. Dialectical passions
    negation in postwar art theory
    Author: Day, Gail
    Published: c2011
    Publisher:  Columbia University Press, New York

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231520621
    Other identifier:
    Series: Columbia themes in philosophy, social criticism, and the arts
    Subjects: Philosophie; Art, Modern; Art, Modern; Negation (Logic); Negation; Kunst; Ästhetik
    Scope: 1 Online-Ressource (x, 308 p)
    Notes:

    Includes bibliographical references and index

    Representing a new generation of theorists who reaffirm the radical dimensions of art, Gail Day launches a bold critique of late-twentieth-century art theory and its often reductive analysis of cultural objects. Exploring core debates in discourses on art, from the New Left to theories of "critical postmodernism" and beyond, Day counters the belief that recent tendencies in art fail to be adequately critical and challenges the political inertia that results from these conclusions.Day organizes her defense around critics who have engaged substantively with emancipatory thought and social proces
  12. Afterness
    Figures of Following in Modern Thought and Aesthetics
    Author: Richter, Gerhard
    Published: [2011]; © 2011
    Publisher:  Columbia University Press, New York, NY

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231530347
    Other identifier:
    Subjects: 20th and 21st Century Philosophy; History of Philosophy; Philosophy; Philosophie; Ästhetik; Aesthetics; Philosophy, Modern; Time; Zeit; Zeitlichkeit; Philosophie; Ästhetik
    Scope: 1 online resource (XI, 262 Seiten), 2 illus. , even troubling insights t readers interested in the modern economic and political history of the United States and perplexed by recent trends in public policy debate. It also complements a growing literature on the history of the social sciences. Sure to have a lasting impact on its field
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)g to "follow" something else? Does that which follows mark a clear break with what came before it, or does it in fact tacitly perpetuate its predecessor as a consequence of its inevitable indebtedness to the terms and conditions of that from which it claims to have departed? Indeed, is not the very act of breaking with, and then following upon, a way of retroactively constructing and fortifying that from which the break that set the movement of following into motion had occurred?The book explores the concept and movement of afterness as a privileged yet uncanny category through close readings of writers such as Kant, Kafka, Heidegger, Bloch, Benjamin, Brecht, Adorno, Arendt, Lyotard, and Derrida. It shows how the vexed concepts of afterness, following, and coming after shed new light on a constellation of modern preoccupations, including personal and cultural memory, translation, photography, hope, and the historical and conceptual specificity of what has been termed "after Auschwitz." The study's various analyses¿across a heterogeneous collection of modern writers and thinkers, diverse historical moments of articulation, and a range of media¿conspire to illuminate Lyotard's apodictic statement that "after philosophy comes philosophy. But it has been altered by the 'after.'" As Richter's intricate study demonstrates, much hinges on our interpretation of the "after." After all, our most fundamental assumptions concerning modern aesth
  13. On the Ruins of Babel
    Architectural Metaphor in German Thought
    Author: Purdy, Daniel
    Published: [2011]; © 2011
    Publisher:  Cornell University Press, Ithaca, N.Y.

    The eighteenth century struggled to define architecture as either an art or a science-the image of the architect as a grand figure who synthesizes all other disciplines within a single master plan emerged from this discourse. Immanuel Kant and Johann... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The eighteenth century struggled to define architecture as either an art or a science-the image of the architect as a grand figure who synthesizes all other disciplines within a single master plan emerged from this discourse. Immanuel Kant and Johann Wolfgang Goethe described the architect as their equal, a genius with godlike creativity. For writers from Descartes to Freud, architectural reasoning provided a method for critically examining consciousness. The architect, as philosophers liked to think of him, was obligated by the design and construction process to mediate between the abstract and the actual.In On the Ruins of Babel, Daniel Purdy traces this notion back to its wellspring. He surveys the volatile state of architectural theory in the Enlightenment, brought on by the newly emerged scientific critiques of Renaissance cosmology, then shows how German writers redeployed Renaissance terminology so that "harmony," "unity," "synthesis," "foundation," and "orderliness" became states of consciousness, rather than terms used to describe the built world. Purdy's distinctly new interpretation of German theory reveals how metaphors constitute interior life as an architectural space to be designed, constructed, renovated, or demolished. He elucidates the close affinity between Hegel's Romantic aesthetic of space and Daniel Libeskind's deconstruction of monumental architecture in Berlin's Jewish Museum.Through a careful reading of Walter Benjamin's writing on architecture as myth, Purdy details how classical architecture shaped Benjamin's modernist interpretations of urban life, particularly his elaboration on Freud's archaeology of the unconscious. Benjamin's essays on dreams and architecture turn the individualist sensibility of the Enlightenment into a collective and mythic identification between humans and buildings

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801460050
    Other identifier:
    Series: Signale: Modern German Letters, Cultures, and Thought
    Subjects: Geschichte; Architecture and literature; Architecture and philosophy; German literature; Philosophy, German; Architekturtheorie; Ästhetik; Architektur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Dec. 14, 2016)
  14. Crafting Truth
    Documentary Form and Meaning
    Author: Spence, Louise; Navarro, Vinicius
    Published: [2010]; © 2011
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Documentaries such as Zana Briski and Ross Kauffman's Born into Brothels, Michael Moore's Fahrenheit 9/11, Jeffrey Blitz's Spellbound, along with March of the Penguins and An Inconvenient Truth have achieved critical as well as popular success.... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Documentaries such as Zana Briski and Ross Kauffman's Born into Brothels, Michael Moore's Fahrenheit 9/11, Jeffrey Blitz's Spellbound, along with March of the Penguins and An Inconvenient Truth have achieved critical as well as popular success. Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a nanve concept of "truth" and "reality"-for them, documentaries are information sources. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of truth and reality? What aesthetic means are used to build these illusions? A documentary's sounds and images are always the product of selection and choice, and often underscore points the filmmaker wishes to make. Crafting Truth illuminates the ways these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of these choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction film

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813552323
    Other identifier:
    Subjects: PERFORMING ARTS / General; Documentary films; Documentary films; Dokumentarfilm; Realitätsbezug; Ästhetik
    Scope: 1 online resource, 51 illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  15. Gleichzeitigkeit des Ungleichzeitigen
    Formen und Funktionen von Pluralität in der ästhetischen Moderne
    Contributor: Schneider, Sabine <1966-> (Publisher); Brüggemann, Heinz (Publisher)
    Published: 2011
    Publisher:  Fink, München [u.a.]

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    http://d-nb.info/998877085/04 (Inhaltsverzeichnis)
    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Schneider, Sabine <1966-> (Publisher); Brüggemann, Heinz (Publisher)
    Language: German
    Media type: Book
    ISBN: 978-3-7705-4978-8
    Subjects: Ästhetik; Moderne
    Scope: 338 S. : Ill.
  16. Inaesthetics
    Contributor: Dickhoff, Wilfried (Publisher); Steinweg, Marcus (Publisher)
    Published: [2011]
    Publisher:  Merve-Verl., Berlin

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Dickhoff, Wilfried (Publisher); Steinweg, Marcus (Publisher)
    Media type: Periodical
    Subjects: Ästhetik
    Notes:

    Lokal vorhanden: 2.2011 - 4.2014
  17. Parole ed estetica dei nuovi media
    Contributor: Tavani, Elena (Publisher)
    Published: 2011
    Publisher:  Carocci, Roma

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Tavani, Elena (Publisher)
    Language: Italian
    Media type: Book
    ISBN: 978-88-430-4621-8
    Edition: 1. ed.
    Series: Biblioteca di testi e studi ; 661 : Scienze della comunicazione
    Subjects: Neue Medien; Kommunikationsverhalten; Ästhetik
    Scope: 174 S. : Ill.
  18. Sehen und Handeln
    Contributor: Bredekamp, Horst (Publisher); Krois, John Michael (Publisher)
    Published: 2011
    Publisher:  Akad.-Verl., Berlin

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    http://d-nb.info/1012167844/04 (Inhaltsverzeichnis)
    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Bredekamp, Horst (Publisher); Krois, John Michael (Publisher)
    Media type: Book
    ISBN: 978-3-05-005090-4
    Series: Actus et Imago ; 1
    Subjects: Bild; Sehen; Handlung; Embodiment; Bildtheorie; Ästhetik
    Scope: XIV, 241 S. : Ill.
    Notes:

    Beitr. teilw. dt., teilw. engl.
  19. Under blue cup
    Author: Krauss, Rosalind E.
    Published: 2011
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Book
    ISBN: 978-0-262-01613-1
    Subjects: Ästhetik; Kunstpsychologie; Kunst; Gedächtnis
    Scope: 142 S. : Ill.
  20. Impfen, pfropfen, transplantieren
    Contributor: Wirth, Uwe (Publisher); Sellier, Veronika (Publisher); Alloa, Emmanuel (Publisher)
    Published: 2011
    Publisher:  Kulturverl. Kadmos, Berlin

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    Content information
    http://d-nb.info/1012495418/04 (Inhaltsverzeichnis)
    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Wirth, Uwe (Publisher); Sellier, Veronika (Publisher); Alloa, Emmanuel (Publisher)
    Language: German
    Media type: Book
    ISBN: 978-3-86599-105-8
    Series: Wege der Kulturforschung ; 2
    Subjects: Ästhetik; Intertextualität; Collage
    Scope: 255 S. : Ill.
    Notes:

    Literaturangaben
  21. Bibel und Literatur um 1800
    Author: Weidner, Daniel
    Published: 2011
    Publisher:  Fink, München

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    Content information
    http://d-nb.info/998838179/04 (Inhaltsverzeichnis)
    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Dissertation
    ISBN: 978-3-7705-5000-5
    Series: Trajekte <Reihe>
    Subjects: Bibel; Rezeption; Literatur; Geschichte 1780-1820; Bibel; Rezeption; Ästhetik; Geschichte 1780-1820
    Scope: 437 S.
    Notes:

    Zugl.: Berlin, Freie Univ., Habil.-Schr., 2009
  22. Theorien des Comics
    ein Reader
    Contributor: Eder, Barbara (Publisher); Klar, Elisabeth (Publisher); Reichert, Ramón (Publisher)
    Published: 2011
    Publisher:  Transcript, Bielefeld

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    Content information
    http://d-nb.info/998765627/04 (Inhaltsverzeichnis)
    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Eder, Barbara (Publisher); Klar, Elisabeth (Publisher); Reichert, Ramón (Publisher)
    Media type: Book
    ISBN: 978-3-8376-1147-2
    Series: Kultur- und Medientheorie
    Subjects: Comic; Ästhetik; Intermedialität
    Scope: 460 S. : Ill.
    Notes:

    Literaturangaben
  23. Takt und Frequenz
    Contributor: Balke, Friedrich (Publisher); Siegert, Bernhard (Publisher); Vogl, Joseph (Publisher)
    Published: 2011
    Publisher:  Fink, München

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    Content information
    http://d-nb.info/1017617481/04 (Inhaltsverzeichnis)
    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Balke, Friedrich (Publisher); Siegert, Bernhard (Publisher); Vogl, Joseph (Publisher)
    Media type: Book
    ISBN: 978-3-7705-5348-8
    Series: Archiv für Mediengeschichte ; 2011
    Subjects: Ästhetik; Rhythmus; Gliederung
    Scope: 169 S. : Ill. ; 28 cm
  24. Frammenti sull'espressione
    Grundlegende Bruchstücke zu einer pragmatischen Ausdruckskunde
    Author: Warburg, Aby M.
    Published: 2011
    Publisher:  Ed. della Normale, Pisa

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Müller, Susanne (Publisher); Ghelardi, Maurizio
    Media type: Book
    ISBN: 978-88-7642-400-7
    Series: Bibliotheca ; 8
    Subjects: Ästhetik
    Scope: 309 S.
    Notes:

    Beitr. teilw. dt., teilw. dt. und ital.

    Das Wasserzeichen des Gedankens / Susanne Müller -- Grundlegende Bruchstücke zu einer pragmatischen Ausdruckskunde -- Textkritischer Apparat und Stellenkommentar -- Frammenti costitutivi per una teoria pragmatica dell'espressione
  25. Dictionary of visual discourse
    a dialectical lexicon of terms
    Author: Sandywell, Barry
    Published: 2011
    Publisher:  Ashgate, Farnham [u.a.]

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    Content information
    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Book
    ISBN: 978-1-4094-0188-9
    Subjects: Bildwissenschaft; Geschichte; Ästhetik; Geschichte
    Scope: XIX, 702 S.
    Notes:

    Literaturverz. S. 617 - 702