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'What is not 'Life' that really is?' asked Coleridge, struggling, like many poets, philosophers, and scientists of Europe's Romantic age, to formulate a theory of life that explained the mysterious relation between dead material bodies and living, animate beings. Romantic intellectuals found a key to this mystery surprisingly close at hand: the process by which dead matter could come to life must be something like the process of reading. 'The Revivifying Word' examines the reanimating acts of reading that became a central focus of attention for Romantic writers. German theorists, building on the Apostle Paul's assertion that the dead letter can be revivified by the living spirit, proposed a permeable, legible boundary between the living and the dead. This inaugurated a revolution in European aesthetics, implanting the germ of an extraordinarily productive narrative idea that enriched Romantic literature for decades. Poets and novelists created a large cast of characters who crossed the boundary between death and life with the help of some form of reading: figures like Keats's Glaucus, Kleist's Elizabeth Kohlhaas, Shelley's Frankenstein (and the monster he creates), Maturin's Melmoth, Poe's Madeline Usher, and Gautier's Spirite. Clayton Koelb demonstrates that such fictions offer a nuanced consideration of the most urgent question facing any theory of life: how do material bodies come to acquire, to lose, and then perhaps to regain the immaterial intellectual/spiritual quality that defines animate beings? Clayton Koelb is Guy B. Johnson Professor of German, English, and Comparative Literature and Chair of the Department of Germanic Languages and Literatures at the University of North Carolina, Chapel Hill Introduction: "The dead man's life": romantic reading and revivification -- "The sound which echoes in our soul": the romantic aesthetics of matter and spirit -- "Spirit thanks only through the body": materialist spiritualism in romantic Europe -- "The heavenly revelation of her spirit": Goethe's The sorrows of young Werther -- "O read for pity's sake!": Keat's Endymion -- "Graecum est, non legitur": Hugo's Notre-Dame de Paris -- "Spiritual communication": Gautier's Spirite -- "Eat this scroll": Kleist's "Michael Kohlhaas" -- "I sickened as I read": Mary Shelley's Frankenstein -- "Those who, being dead, are yet alive": Maturin's Melmoth the wanderer -- "This hideous drama of revivification": Poe and the rhetoric of terror
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