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  1. Wozu braucht der Mensch Dichtung?
    Anthropologie und Poetik von Platon bis Musil
    Published: [2017]; © 2017
    Publisher:  J.B. Metzler, Stuttgart

    Dieses Buch geht einer anthropologischen Frage nach: „Wozu braucht der Mensch Dichtung?“ Die Antworten von Philosophen und Dichtern von der Antike bis ins 20. Jahrhundert stehen im Mittelpunkt. Theoretiker der Antike wie Gorgias, Platon, Aristoteles,... more

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    Dieses Buch geht einer anthropologischen Frage nach: „Wozu braucht der Mensch Dichtung?“ Die Antworten von Philosophen und Dichtern von der Antike bis ins 20. Jahrhundert stehen im Mittelpunkt. Theoretiker der Antike wie Gorgias, Platon, Aristoteles, Plotin, Proklos kommen zu Wort. Geistliche und Ritter des Mittelalters geben die immanente Poetik ihrer Dichtungen preis. Dichter-Anthropologen wie Ficino, Brant, die Emblematiker, europäische Anthropologen und Lehrer der Dichtkunst reflektieren über den Sinn und die Notwendigkeit von Dichtung. Mit aufschlussreichen Beispielen aus dem europäischen Roman, dem europäischen Drama und der Ballade des 19. und 20. Jahrhunderts können auch noch die Hauptgattungen poetologisch und anthropologisch in ihrem Ursprung, Sinn und Wirkungspotential erfasst werden I. Einleitung -- II. Gorgias von Leontinoi -- III. Platon: Theorien der Poesie und der Literatur -- IV. Aristoteles: Poetik der Polis -- V. Plotin: Hieroglyphische Poetik -- VI. Proklos: Negative Ästhetik und integrative Poetik -- VII. Figurale Denkform in mittelalterlicher Anthropologie und Poetik -- VIII. Marsilio Ficino: Mikrokosmische Anthropologie und Poetik -- IX. Der Narr Sebastianus Brant: Satirische Anthropologie und Poetik -- X. Emblematik: Befreiende Kunst und Dichtung -- XI. Anthropologien und Poetiken -- XII. Europäischer Roman -- XIII. Europäisches Drama -- XIV. Ausblick

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783476053619
    Other identifier:
    RVK Categories: GE 3227 ; EC 1830
    Subjects: Literature
    Scope: 1 Online-Ressource (VII, 300 Seiten), 4 Illustrationen
  2. Der Begriff der Literatur
    transdisziplinäre Perspektiven
    Contributor: Löck, Alexander (Hrsg.)
    Published: 2010
    Publisher:  de Gruyter, Berlin [u.a.]

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    Source: Union catalogues
    Contributor: Löck, Alexander (Hrsg.)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110225488
    Other identifier:
    RVK Categories: EC 1820 ; EC 1830
    DDC Categories: 800
    Series: Spectrum Literaturwissenschaft ; 24
    Subjects: Begriff; Literatur; Poetik
    Scope: VIII, 484 S.
  3. Ethik im Gespräch
    Autorinnen und Autoren über das Verhältnis von Literatur und Ethik heute
    Contributor: Waldow, Stephanie (Hrsg.)
    Published: 2011
    Publisher:  Transcript, Bielefeld

    Universitätsbibliothek Paderborn
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    Contributor: Waldow, Stephanie (Hrsg.)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839416020
    Other identifier:
    RVK Categories: EC 2430 ; EC 1830 ; GO 16005 ; GO 10230 ; GE 3151 ; CC 7200
    Series: Lettre
    Subjects: Deutsch; Literatur; Ethik
    Scope: 177 S.
  4. Der Begriff der Literatur
    transdisziplinäre Perspektiven
    Contributor: Löck, Alexander (Publisher)
    Published: 2010
    Publisher:  de Gruyter, Berlin

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Löck, Alexander (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110225488
    Other identifier:
    9783110225471
    RVK Categories: EC 1830 ; EC 1820
    DDC Categories: 800
    Series: Spectrum Literaturwissenschaft ; 24
    Subjects: Begriff; Poetik; Literaturtheorie; Literatur
    Scope: 1 Online-Ressource (VIII, 484 S.), 230 mm x 155 mm
  5. The values of literary studies
    critical institutions, scholarly agendas
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    What is valuable about literary studies? What is its point and purpose? In The Values of Literary Studies: Critical Institutions, Scholarly Agendas, leading scholars in the field illuminate both the purpose and priorities of literary criticism. At a... more

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    What is valuable about literary studies? What is its point and purpose? In The Values of Literary Studies: Critical Institutions, Scholarly Agendas, leading scholars in the field illuminate both the purpose and priorities of literary criticism. At a time when the humanities are increasingly called upon to justify themselves, this book seeks to clarify their myriad values and ideologies. Engaging the idea of literary value while at the same time remaining attuned to aesthetic, ethical, political and psychological principles, this book serves to underscore the enduring significance of literary studies in an academic climate that is ostensibly concerned with expediency and quantification. As a sophisticated examination of literary theory and criticism, The Values of Literary Studies: Critical Institutions, Scholarly Agendas provides a comprehensive and hopeful view of where the discipline is now and what avenues it is likely to take from here

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107124165; 9781107575684; 9781316440506
    Other identifier:
    RVK Categories: EC 1830
    Subjects: Literature; Literature; Criticism; Literature; Literature ; Study and teaching (Higher); Literature ; History and criticism ; Theory, etc; Criticism; Literature ; Philosophy
    Scope: 1 online resource (xi, 265 pages)
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    Title from publisher's bibliographic system (viewed on 01 Feb 2016)

  6. Fictionality
    Published: 2023
    Publisher:  Routledge, London ; New York

    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003161585; 9781000852592
    Other identifier:
    RVK Categories: EC 1830 ; HG 650
    Series: The new critical idiom
    Subjects: Fiktion
    Scope: 1 Online-Ressource (211 Seiten)
  7. Klassiker und Lieblingsbücher
    das Wissen der Literatur II
    Published: [2017]; © 2017
    Publisher:  Wilhelm Fink Verlag, Paderborn

    Die Frage, ob schöne Literatur nicht nur unterhält und erfreut, sondern auch sachlich relevantes Wissen zur Diskussion stellt, beschäftigt die Philosophie und Wissenschaftstheorie seit ihren Anfängen.Die Positionen, die in dieser Diskussion vertreten... more

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    Die Frage, ob schöne Literatur nicht nur unterhält und erfreut, sondern auch sachlich relevantes Wissen zur Diskussion stellt, beschäftigt die Philosophie und Wissenschaftstheorie seit ihren Anfängen.Die Positionen, die in dieser Diskussion vertreten werden, haben einen hohen Wiedererkennungswert. Die deutlich stärkere Fraktion argumentiert seit Hesiod und Platon, dass fiktionale Literatur bestenfalls ein indifferentes Verhältnis zur Wahrheit hat, in schlechteren Fällen aber frivol mit den Kategorien Lüge und Wahrheit spiele. Die schwächere Fraktion vertraut mit Horaz u.a. darauf, dass schöne Literatur nicht nur erfreut, sondern auch unkonventionelle Wahrheiten liefert.Die hier versammelten Studien kreisen um das Verhältnis von Wahrheit, Wissen und Erkenntnis in der Literatur. Ihnen geht es aber weniger um abstrakte Fragen nach der Wahrheit von Poesie, sondern vielmehr um konkrete Fallstudien, die eine belastbare Gemeinsamkeit haben. Sie fragen nämlich danach, welches argumentativ zu entfaltende Potenzial an Intuitionen, Thesen, Theoremen und Einsichten literarische Texte haben. Sie vertrauen darauf, dass die häufig belächelte Formel von "dichten und denken" ernst genommen zu werden verdient

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846762608
    Other identifier:
    RVK Categories: EC 1820 ; EC 1830 ; EC 1960 ; EC 2400 ; GB 1750 ; GE 3151
    Subjects: Diskurs; Goethe; Kanon; Kultur; Literaturwissenschaft; Philosophie; Literatur; Wissen <Motiv>
    Scope: 1 Online-Ressource (277 Seiten), Illustrationen
  8. <<Der>> Begriff der Literatur
    transdisziplinäre Perspektiven
    Contributor: Löck, Alexander (Herausgeber)
    Published: 2010
    Publisher:  de Gruyter, Berlin [u.a.]

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    Source: Union catalogues
    Contributor: Löck, Alexander (Herausgeber)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110225488
    Other identifier:
    RVK Categories: EC 1820 ; EC 1830
    Series: Spectrum Literaturwissenschaft ; 24
    Subjects: Literatur; Begriff; Poetik; Online-Ressource
    Scope: VIII, 484 S.
  9. The pursuit of signs
    semiotics, literature, deconstruction
    Published: 2001
    Publisher:  Routledge, London [u.a.]

    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0415253829; 0415255368; 9780203996157; 9780415255363
    RVK Categories: EC 1830
    Edition: 1. publ. in Routledge classics
    Series: Routledge classics
    Subjects: Literaturtheorie; Semiotik; Literatursemiotik; Dekonstruktion; Poststrukturalismus
    Scope: 1 Online-Ressource
  10. Truth, fiction, and literature
    a philosophical perspective
    Published: 1994
    Publisher:  Clarendon, Oxford

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0191679372; 9780191679377
    Other identifier:
    RVK Categories: CC 6900 ; EC 1830 ; EC 1960 ; EC 4610
    Series: Clarendon library of logic and philosophy
    Subjects: Literatur; Philosophie; Literature / Philosophy; Fiction; Truth in literature; Literatur; Philosophie; Wirklichkeit; Fiktion; Wahrheit; Literaturtheorie
    Scope: 1 Online-Ressource (xii, 481 p.)
    Notes:

    This book examines the complex and varied ways in which fictions relate to the real world, and offers a precise account of how imaginative works of literature can use fictional content to explore matters of universal human interest

    Includes bibliographical references and index

  11. How authors' minds make stories
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    This book explores how the creations of great authors result from the same operations as our everyday counterfactual and hypothetical imaginations, which cognitive scientists refer to as 'simulations'. Drawing on detailed literary analyses as well as... more

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    This book explores how the creations of great authors result from the same operations as our everyday counterfactual and hypothetical imaginations, which cognitive scientists refer to as 'simulations'. Drawing on detailed literary analyses as well as recent research in neuroscience and related fields, Patrick Colm Hogan develops a rigorous theory of the principles governing simulation that goes beyond any existing framework. He examines the functions and mechanisms of narrative imagination, with particular attention to the role of theory of mind, and relates this analysis to narrative universals. In the course of this theoretical discussion, Hogan explores works by Austen, Faulkner, Shakespeare, Racine, Brecht, Kafka and Calvino. He pays particular attention to the principles and parameters defining an author's narrative idiolect, examining the cognitive and emotional continuities that span an individual author's body of work

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139540629
    Other identifier:
    RVK Categories: EC 1830 ; EC 2260
    Subjects: Psychologie; Authorship / Psychological aspects; Creation (Literary, artistic, etc.) / Psychological aspects; Creative ability / Psychological aspects; Cognitive science; Erzählen; Schaffensprozess; Literaturproduktion; Kognition
    Scope: 1 online resource (xxi, 227 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  12. Der Erzählinstinkt
    warum das Gehirn in Geschichten denkt
    Published: [2015]
    Publisher:  Hanser, München

    Jeder von uns hat ihn, den Erzählinstinkt: Wir alle organisieren unser Gedächtnis, unsere Ziele und Wünsche, unser gesamtes Leben auf narrative Weise. Erzählend verorten wir uns in Zeit und Raum. Doch nicht nur Individuen, ganze Zivilisationen... more

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    Jeder von uns hat ihn, den Erzählinstinkt: Wir alle organisieren unser Gedächtnis, unsere Ziele und Wünsche, unser gesamtes Leben auf narrative Weise. Erzählend verorten wir uns in Zeit und Raum. Doch nicht nur Individuen, ganze Zivilisationen gründen auf Mythen, die Zusammenhang und Sinn stiften. Auf die Frage, was uns zu Menschen macht, gibt es viele Antworten: unser Verstand etwa oder die Fähigkeit zur Kooperation. Werner Siefer tritt den Beweis an, dass unsere Hilfsbereitschaft den Erzählinstinkt einst begründete. Eindrücklich zeigt er, warum eine gute Erzählung alles vermag: von der Überwindung persönlicher Krisen bis zur Schaffung des Weltfrieden.

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783446444744; 3446444734
    Other identifier:
    RVK Categories: EC 4500 ; EC 1830 ; EC 2000
    DDC Categories: 300
    Subjects: Erzählen; Neurobiologie; Denkform; Hirnfunktion
    Other subjects: Biologie; Evolution; Hirnforschung; Literaturwissenschaft; Sprache
    Scope: 1 Online-Ressource (270 Seiten)
  13. Beyond representation
    philosophy and poetic imagination
    Contributor: Eldridge, Richard Thomas (Publisher)
    Published: 1996
    Publisher:  Cambridge University Press, Cambridge

    The essays in this 1996 volume explore the ways in which traditional philosophical problems about self-knowledge, self-identity, and value have migrated into literature since the Romantic and Idealist periods. How do so-called literary works take up... more

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    The essays in this 1996 volume explore the ways in which traditional philosophical problems about self-knowledge, self-identity, and value have migrated into literature since the Romantic and Idealist periods. How do so-called literary works take up these problems in a new way? What conception of the subject is involved in this literary practice? How are the lines of demarcation between philosophy and literature problematised? The contributors examine these issues with reference both to Romantic and Idealist writers and to some of their literary and philosophical inheritors and revisers. Their essays offer a philosophical understanding of the roots and nature of contemporary literary and philosophical practice, and elaborate, powerful and influential, but rarely decisively articulated, conceptions of the human subject and of value

     

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    Source: Union catalogues
    Contributor: Eldridge, Richard Thomas (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511627897
    Other identifier:
    RVK Categories: CC 6900 ; EC 1830 ; EC 1990 ; EC 2430
    Series: Cambridge studies in philosophy and the arts
    Subjects: Philosophy in literature; Identitätsfindung; Philosophie; Poetik; Selbst; Identität; Literatur
    Scope: 1 online resource (xii, 306 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Array: Array

  14. Wozu braucht der Mensch Dichtung?
    Anthropologie und Poetik von Platon bis Musil
    Published: 2017
    Publisher:  J.B. Metzler Verlag, Stuttgart

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783476053619
    Other identifier:
    RVK Categories: EC 1830 ; GE 3227
    Subjects: Literature; Literature, general; Literatur; Poetik; Funktion; Literatur
    Scope: 1 Online-Ressource (VII, 300 Seiten)
  15. Veering
    a theory of literature
    Published: 2011
    Publisher:  Edinburgh University Press, Edinburgh

    Exploring images of swerving loss of control digressing and deviating Royle works with insights from Lewis Carroll Freud Adorno Raymond Williams Edward Said Deleuze Cixous and Derrida. With wit and irony he investigates 'veering' in the writings of... more

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    Exploring images of swerving loss of control digressing and deviating Royle works with insights from Lewis Carroll Freud Adorno Raymond Williams Edward Said Deleuze Cixous and Derrida. With wit and irony he investigates 'veering' in the writings of Jonson Milton Dryden Wordsworth Coleridge Melville Hardy Proust Lawrence Bowen J.H. Prynne and many others

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748636556
    RVK Categories: EC 1830 ; EC 1840 ; EC 1850 ; EC 1970
    Subjects: Criticism; Literature, Modern / History and criticism / Theory, etc; Vagheit; Literaturtheorie
    Scope: 1 online resource (ix, 221 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Casting off -- Reading a novel -- Reading a poem -- Drama: an aside -- The essay: a note (on being late) -- On critical and creative writing -- The literary turn -- Veerer: where ghosts live -- Veerer: reading Melville's 'Bartleby' A small case of civil disobedience -- Veering with Lawrence

  16. What is fiction for?
    literary humanism restored
    Published: 2015; © 2015
    Publisher:  Indiana University Press, Bloomington, Ind.

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780253014122
    RVK Categories: EC 1830 ; EC 4600
    Subjects: Fiction; Fiktion; Romantheorie; Roman
    Scope: 1 Online-Ressource(xxiii, 593 Seiten)
    Notes:

    Description based on print version record

  17. How to Make Believe
    The Fictional Truths of the Representational Arts
    Published: [2015]; © 2015
    Publisher:  De Gruyter, Berlin ;Boston

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Bayerische Staatsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110443875
    Other identifier:
    RVK Categories: EC 1830 ; EC 1960 ; EC 1970 ; EC 2440
    Series: Narratologia ; 49
    Subjects: Literary Studies; Make-Believe Theorie; Narratology; Erzähltechnik; Realismus; Film; Wahrheit; Literatur
    Scope: 1 online resource (369pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Nov. 24, 2015)

    Over the last two decades, the notion of make-believe has become a major theory for the understanding of representational arts in general. As a contribution to this development, the current volume provides 17 articles on how make-believe theory can be used to explain the generation of fictional truths in various forms of representations such as novels, poems, plays, computer games, role playing games, music, and virtual reality

  18. Fiction and metaphysics
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

    This challenging study places fiction squarely at the centre of the discussion of metaphysics. Philosophers have traditionally treated fiction as involving a set of narrow problems in logic or the philosophy of language. By contrast Amie Thomasson... more

    Universitätsbibliothek Bamberg
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    This challenging study places fiction squarely at the centre of the discussion of metaphysics. Philosophers have traditionally treated fiction as involving a set of narrow problems in logic or the philosophy of language. By contrast Amie Thomasson argues that fiction has far-reaching implications for central problems of metaphysics. The book develops an 'artifactual' theory of fiction, whereby fictional characters are abstract artifacts as ordinary as laws or symphonies or works of literature. By understanding fictional characters we come to understand how other cultural and social objects are established on the basis of the independent physical world and the mental states of human beings

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511527463
    Other identifier:
    RVK Categories: CC 6000 ; CC 6600 ; EC 1830
    Series: Cambridge studies in philosophy
    Subjects: Fictions, Theory of; Metaphysics; Metaphysik; Literatur
    Scope: 1 online resource (xii, 175 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: from fiction into metaphysics -- Part I. The Artifactual Theory of Fiction: Foreword ; If we postulated fictional objects, what would they be? ; The nature and varieties of existential dependence ; Fictional characters as abstract artifacts ; Reference to fictional characters ; Identity conditions for fictional characters -- Part II. Ontological Decisions: Foreword ; Fiction and experience ; Fiction and language ; Ontology and categorization ; The perils of false parsimony ; An ontology for a varied world

  19. The nature of fiction
    Published: 1989
    Publisher:  Cambridge University Press, Cambridge

    This important book provides a theory about the nature of fiction, and about the relation between the author, the reader and the fictional text. The approach is philosophical: that is to say, the author offers an account of key concepts such as... more

    Universitätsbibliothek Bamberg
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    This important book provides a theory about the nature of fiction, and about the relation between the author, the reader and the fictional text. The approach is philosophical: that is to say, the author offers an account of key concepts such as fictional truth, fictional characters, and fiction itself. The book argues that the concept of fiction can be explained partly in terms of communicative intentions, partly in terms of a condition which excludes relations of counterfactual dependence between the world and the text. This communicative model is then applied to the following problems: how can something be 'true in the story' without being explicitly stated in the text? In what ways does interpreting a fictional story depend upon grasping its author's intentions? Is there always a unique best interpretation of a fictional text? What is the correct semantics for fictional names? What is the nature of our emotional response to a fictional work? In answering these questions the author explores the complex interaction between author, reader, and text. This interaction requires the reader to construct a 'fictional author' - a character in the story whose personality, beliefs and emotional states must be interpreted if the reader is to grasp the meaning of the work

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511897498
    Other identifier:
    RVK Categories: EC 1465 ; EC 1830 ; EC 4600
    Subjects: Literatur; Literature / History and criticism / Theory, etc; Fiction / History and criticism; Erzähltheorie; Literaturtheorie; Theorie; Philosophie; Roman; Prosa
    Scope: 1 online resource (xii, 222 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  20. The structure of literary understanding
    Published: 1978
    Publisher:  Cambridge University Press, Cambridge

    How does a reader respond to a work of literature and how does he begin to evaluate it? Mr Olsen attempts to answer these and related questions. The book is in two parts. In the first three chapters, the author demolishes established theories that... more

    Universitätsbibliothek Bamberg
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    How does a reader respond to a work of literature and how does he begin to evaluate it? Mr Olsen attempts to answer these and related questions. The book is in two parts. In the first three chapters, the author demolishes established theories that literature has a special language, provides a heightened insight into 'truth' and has emotion as its prime currency. In the remaining chapters Mr Olsen constructs and fully illustrates the theory that understanding of a work of literature comes in two complementary stages: first, judgements about the author's aesthetic intentions (interpretation); second, appreciation of the aesthetic qualities of the work (evaluation). At the end of his argument, attempting an answer to the question 'Why is literature important?', Mr Olsen characterizes literature as an institution and thus forges links with contemporary philosophy which sees all human action as ordered and defined by social institutions

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511552823
    Other identifier:
    RVK Categories: EC 1820 ; EC 1830
    Subjects: Literatur; Philosophie; Ästhetik; Literature / Philosophy; Literature / Aesthetics; Criticism; Englisch; Werturteil; Literarische Wertung; Literatur; Literaturtheorie; Interpretation
    Scope: 1 online resource (xi, 235 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  21. Veering
    a theory of literature
    Published: 2011
    Publisher:  Edinburgh University Press, Edinburgh

    Exploring images of swerving loss of control digressing and deviating Royle works with insights from Lewis Carroll Freud Adorno Raymond Williams Edward Said Deleuze Cixous and Derrida. With wit and irony he investigates 'veering' in the writings of... more

    Bayerische Staatsbibliothek
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    Exploring images of swerving loss of control digressing and deviating Royle works with insights from Lewis Carroll Freud Adorno Raymond Williams Edward Said Deleuze Cixous and Derrida. With wit and irony he investigates 'veering' in the writings of Jonson Milton Dryden Wordsworth Coleridge Melville Hardy Proust Lawrence Bowen J.H. Prynne and many others

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748636556
    RVK Categories: EC 1830 ; EC 1840 ; EC 1850 ; EC 1970
    Subjects: Criticism; Literature, Modern / History and criticism / Theory, etc; Literaturtheorie; Vagheit
    Scope: 1 online resource (ix, 221 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Casting off -- Reading a novel -- Reading a poem -- Drama: an aside -- The essay: a note (on being late) -- On critical and creative writing -- The literary turn -- Veerer: where ghosts live -- Veerer: reading Melville's 'Bartleby' A small case of civil disobedience -- Veering with Lawrence

  22. Love's knowledge
    essays on philosophy and literature
    Published: 1990
    Publisher:  Oxford University Press, New York

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199772094
    RVK Categories: CB 4100 ; CC 6900 ; CK 4140 ; EC 1830 ; EC 1990 ; EC 2430
    Subjects: Ethics; Literature and morals; Philosophy in literature; Moral; Ethik; Philosophie; Literaturtheorie; Literatur
    Scope: xiv, 403 p
    Notes:

    First issued as an Oxford University Press paperback, 1992

    Includes bibliographical references and index

  23. L'Emergence
    En réponse aux travaux de Jean-Marie Grassin
    Contributor: Fontanille, Jacques (Publisher); Vion-Dury, Juliette (Publisher); Westphal, Bertrand (Publisher)
    Published: 2011
    Publisher:  P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales, Brussels

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Fontanille, Jacques (Publisher); Vion-Dury, Juliette (Publisher); Westphal, Bertrand (Publisher)
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9783035200560
    Other identifier:
    9783035200560
    RVK Categories: EC 1830
    Edition: 1st, New ed
    Subjects: Entstehung; Erscheinung; Literatur; Entstehung <Motiv>
    Scope: 1 Online-Ressource (296 Seiten)
    Notes:

    Online resource; title from title screen (viewed June 10, 2019)

    L'émergence est la pensée du nouveau, de l'inédit. Comment quelque chose peut-il apparaître là où rien n'était ? Pourquoi le tout n'est-il pas seulement la somme de ses parties ? Ce « quelque chose », ce supplément, qui font la naissance, l'avènement ou la création de phénomènes culturels et scientifiques, ainsi que les mouvements qu'ils génèrent, sont étudiés sous le nom d'« émergence ». Dédicacé par un prix Nobel de Littérature, rassemblant des auteurs qui font autorité dans leur domaine, cet ouvrage constitue aussi bien une synthèse et une analyse scientifique des théories de l'émergence qu'un hommage à celui qui s'en est fait le concepteur en France. Jean-Marie Grassin, en effet, grâce a sa bonne connaissance de la francophonie et des questions de l'émergence de nouvelles littératures dans un contexte postcolonial, et comme observateur international privilégié des concepts littéraires, a proposé une description, puis une théorisation, de l'émergence. Venus de divers horizons des lettres, des arts, des sciences humaines et sociales et de pays très divers, des chercheurs lui répondent en un échange fécond

  24. Naming what we know
    threshold concepts of writing studies
    Contributor: Adler-Kassner, Linda (Publisher); Wardle, Elizabeth A. (Publisher)
    Published: [2015]; © 2015
    Publisher:  Utah State University Press, Logan

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    Source: Union catalogues
    Contributor: Adler-Kassner, Linda (Publisher); Wardle, Elizabeth A. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780874219906
    RVK Categories: EC 1830
    Subjects: Englisch; English language; Creative writing; Academic writing
    Scope: 1 online resource (267 pages)
    Notes:

    Description based on print version record

    "Naming What We Know examines the core principles of knowledge in the discipline of writing studies using the lens of "threshold concepts"--concepts that are critical for epistemological participation in a discipline. The first part of the book defines and describes thirty-seven threshold concepts of the discipline in entries written by some of the field's most active researchers and teachers, all of whom participated in a collaborative wiki discussion guided by the editors. These entries are clear and accessible, written for an audience of writing scholars, students, and colleagues in other disciplines and policy makers outside the academy. Contributors describe the conceptual background of the field and the principles that run throughout practice, whether in research, teaching, assessment, or public work around writing. Chapters in the second part of the book describe the benefits and challenges of using threshold concepts in specific sites--first-year writing programs, WAC/WID programs, writing centers, writing majors--and for professional development to present this framework in action. Naming What We Know opens a dialogue about the concepts that writing scholars and teachers agree are critical and about why those concepts should and do matter to people outside the field"--

  25. How to make believe
    the fictional truths of the representational arts
    Contributor: Bareis, J. Alexander (Publisher); Nordrum, Lene (Publisher)
    Published: [2015]; © 2015
    Publisher:  de Gruyter, Berlin ; Boston

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Contributor: Bareis, J. Alexander (Publisher); Nordrum, Lene (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110435726; 9783110443875
    RVK Categories: EC 1960 ; EC 1830 ; EC 1970 ; EC 2440
    Series: Narratologia ; 49
    Subjects: Erzähltechnik; Realismus; Film; Wahrheit; Literatur
    Scope: VII, 362 Seiten
    Notes:

    Literaturangaben