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Displaying results 1 to 9 of 9.

  1. Ekel
    Theorie und Geschichte einer starken Empfindung
    Author: Menninghaus, Winfried
    Published: 2017
    Publisher:  Suhrkamp, Frankfurt am Main

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    Fachhochschule Dortmund, Hochschulbibliothek
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    Hochschulbibliothek der Hochschule Düsseldorf
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    Universitäts- und Landesbibliothek Düsseldorf
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    Hochschule Trier, Umwelt-Campus Birkenfeld, Bibliothek
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Universitätsbibliothek Paderborn
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    Hochschulbibliothek Trier
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783518292341; 351829234X
    Edition: 4. Auflage
    Series: Suhrkamp Taschenbuch Wissenschaft ; 1634
    Subjects: Ästhetik; Ekel; Geschichte 1750-1940; Kafka, Franz; Ekel <Motiv>
    Scope: 591 Seiten
    Notes:

    Die Erste Auflage erschien 2002
  2. Ekel
    Theorie und Geschichte einer starken Empfindung
    Author: Menninghaus, Winfried
    Published: 2017
    Publisher:  Suhrkamp, Frankfurt am Main

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783518292341
    RVK Categories: CC 6700 ; CC 6900 ; CP 3000 ; GE 4831
    Edition: 4. Aufl.
    Series: Suhrkamp Taschenbuch Wissenschaft ; 1634
    Subjects: Afkeer; Aversion; Aesthetics, Modern; Ästhetik; Ekel <Motiv>; Ekel
    Other subjects: Kafka, Franz (1883-1924)
    Scope: 591 Seiten
  3. Ekel
    Theorie und Geschichte einer starken Empfindung
    Author: Menninghaus, Winfried
    Published: 2017
    Publisher:  Suhrkamp, Frankfurt am Main

    Location:
    Fachhochschule Dortmund, Hochschulbibliothek
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    HRD 80(4)
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    Hochschulbibliothek der Hochschule Düsseldorf
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    11 BRF 3
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    Universitäts- und Landesbibliothek Düsseldorf
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    litn230.m547
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    Hochschule Trier, Umwelt-Campus Birkenfeld, Bibliothek
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    psypäd Dac 034
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    Universität Köln, Philosophisches Seminar, Bibliothek
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    401/S10:5430
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    Germanistisches Institut, Bibliothek
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    Mo10 MEN 1a
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    Universitäts- und Landesbibliothek Münster
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    3F 46199
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    Universitätsbibliothek Paderborn
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    Hochschulbibliothek Trier
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    G 05.2/215
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783518292341; 351829234X
    Edition: 4. Auflage
    Series: Suhrkamp Taschenbuch Wissenschaft ; 1634
    Subjects: Ästhetik; Ekel <Motiv>; Ekel
    Other subjects: Kafka, Franz (1883-1924)
    Scope: 591 Seiten
    Notes:

    Die Erste Auflage erschien 2002
  4. Measuring aesthetic emotions : a review of the literature and a new assessment tool
    Author: Schindler, Ines; Hosoya, Georg; Menninghaus, Winfried; Beermann, Ursula; Wagner, Valentin; Eid, Michael; Scherer, Klaus R.
    Published: 2017

    Aesthetic perception and judgement are not merely cognitive processes, but also involve feelings. Therefore, the empirical study of these experiences requires conceptualization and measurement of aesthetic emotions. Despite the long-standing interest... more

     

    Aesthetic perception and judgement are not merely cognitive processes, but also involve feelings. Therefore, the empirical study of these experiences requires conceptualization and measurement of aesthetic emotions. Despite the long-standing interest in such emotions, we still lack an assessment tool to capture the broad range of emotions that occur in response to the perceived aesthetic appeal of stimuli. Elicitors of aesthetic emotions are not limited to the arts in the strict sense, but extend to design, built environments, and nature. In this article, we describe the development of a questionnaire that is applicable across many of these domains: the Aesthetic Emotions Scale (Aesthemos). Drawing on theoretical accounts of aesthetic emotions and an extensive review of extant measures of aesthetic emotions within specific domains such as music, literature, film, painting, advertisements, design, and architecture, we propose a framework for studying aesthetic emotions. The Aesthemos, which is based on this framework, contains 21 subscales with two items each, that are designed to assess the emotional signature of responses to stimuli’s perceived aesthetic appeal in a highly differentiated manner. These scales cover prototypical aesthetic emotions (e.g., the feeling of beauty, being moved, fascination, and awe), epistemic emotions (e.g., interest and insight), and emotions indicative of amusement (humor and joy). In addition, the Aesthemos subscales capture both the activating (energy and vitality) and the calming (relaxation) effects of aesthetic experiences, as well as negative emotions that may contribute to aesthetic displeasure (e.g., the feeling of ugliness, boredom, and confusion).

     
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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    DDC Categories: 150; 800
    Rights:

    Creative Commons - Namensnennung 4.0Creative Commons - Namensnennung 4.0
  5. The emotional power of poetry: neural circuitry, psychophysiology and compositional principles
    Author: Wassiliwizky, Eugen; Koelsch, Stefan; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Published: 2017
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Parent title: In: Social Cognitive and Affective Neuroscience, 2017, 1–12, doi: 10.1093/scan/nsx069
    Subjects: Neuroästhetik; Nucleus accumbens; Lyrik; Ästhetik; Musikästhetik
    Other subjects: neuroaesthetics; aesthetic reward; poetic language; chills; piloerection; Empirische Ästhetik
    Scope: Online-Ressource
  6. Tears falling on goosebumps : Co-occurrence of emotional lacrimation and emotional piloerection indicates a psychophysiological climax in emotional arousal
    Author: Wassiliwizky, Eugen; Jacobsen, Thomas; Heinrich, Jan; Schneiderbauer, Manuel; Menninghaus, Winfried
    Published: 2017
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
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    Parent title: In: Frontiers in psychology, 8.2017, Article 41, doi: 10.3389/fpsyg.2017.00041
    Subjects: Film; Gänsehaut; Ergriffenheit; Gefühl
    Other subjects: emotional tears; piloerection; being moved; psychophysiology; Empirische Ästhetik
    Scope: Online-Ressource
  7. The emotional power of poetry: neural circuitry, psychophysiology and compositional principles
    Author: Wassiliwizky, Eugen; Koelsch, Stefan; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Published: 2017

    It is a common experience—and well established experimentally—that music can engage us emotionally in a compelling manner. The mechanisms underlying these experiences are receiving increasing scrutiny. However, the extent to which other domains of... more

     

    It is a common experience—and well established experimentally—that music can engage us emotionally in a compelling manner. The mechanisms underlying these experiences are receiving increasing scrutiny. However, the extent to which other domains of aesthetic experience can similarly elicit strong emotions is unknown. Using psychophysiology, neuroimaging and behavioral responses, we show that recited poetry can act as a powerful stimulus for eliciting peak emotional responses, including chills and objectively measurable goosebumps that engage the primary reward circuitry. Importantly, while these responses to poetry are largely analogous to those found for music, their neural underpinnings show important differences, specifically with regard to the crucial role of the nucleus accumbens. We also go beyond replicating previous music-related studies by showing that peak aesthetic pleasure can co-occur with physiological markers of negative affect. Finally, the distribution of chills across the trajectory of poems provides insight into compositional principles of poetry.

     
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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800
    Subjects: Neuroästhetik; Nucleus accumbens; Lyrik; Ästhetik; Musikästhetik
    Rights:

    creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess
  8. Tears falling on goosebumps : Co-occurrence of emotional lacrimation and emotional piloerection indicates a psychophysiological climax in emotional arousal
    Author: Wassiliwizky, Eugen; Jacobsen, Thomas; Heinrich, Jan; Schneiderbauer, Manuel; Menninghaus, Winfried
    Published: 2017

    This psychophysiological study is the first to examine the relationship between emotional tears and emotional piloerection (i.e., goosebumps). Although both phenomena have been related to peak states of being moved, details about their temporal... more

     

    This psychophysiological study is the first to examine the relationship between emotional tears and emotional piloerection (i.e., goosebumps). Although both phenomena have been related to peak states of being moved, details about their temporal occurrence and the associated levels of physiological arousal have remained unknown. In our study, we used emotionally powerful film scenes that were self-selected by participants. Our findings show that even within peak moments of emotional arousal, a gradation of intensity is possible. The overlap of tears and goosebumps signifies a maximal climax within peak moments. On the side of the stimulus, we found that displays of prosocial behavior play a crucial role in the elicitation of tears and goosebumps. Finally, based on the results of a formal film analysis of the tears-eliciting clips provided by our participants, as compared to randomly extracted, equally long control clips from the same films, we show how the technical and artistic making of the clips was optimized for the display of social interaction and emotional expressions.

     
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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800
    Subjects: Film; Gänsehaut; Ergriffenheit; Gefühl
    Rights:

    creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess
  9. Tears falling on goosebumps : Co-occurrence of emotional lacrimation and emotional piloerection indicates a psychophysiological climax in emotional arousal
    Author: Wassiliwizky, Eugen; Jacobsen, Thomas; Heinrich, Jan; Schneiderbauer, Manuel; Menninghaus, Winfried
    Published: 07.02.2017

    This psychophysiological study is the first to examine the relationship between emotional tears and emotional piloerection (i.e., goosebumps). Although both phenomena have been related to peak states of being moved, details about their temporal... more

     

    This psychophysiological study is the first to examine the relationship between emotional tears and emotional piloerection (i.e., goosebumps). Although both phenomena have been related to peak states of being moved, details about their temporal occurrence and the associated levels of physiological arousal have remained unknown. In our study, we used emotionally powerful film scenes that were self-selected by participants. Our findings show that even within peak moments of emotional arousal, a gradation of intensity is possible. The overlap of tears and goosebumps signifies a maximal climax within peak moments. On the side of the stimulus, we found that displays of prosocial behavior play a crucial role in the elicitation of tears and goosebumps. Finally, based on the results of a formal film analysis of the tears-eliciting clips provided by our participants, as compared to randomly extracted, equally long control clips from the same films, we show how the technical and artistic making of the clips was optimized for the display of social interaction and emotional expressions.

     
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    Content information: free
    Source: CompaRe
    Language: English
    Media type: Article
    Format: Online
    DDC Categories: 800
    Collection: Max-Planck-Institut für empirische Ästhetik
    Subjects: Film; Gänsehaut; Ergriffenheit; Gefühl
    Rights:

    creativecommons.org/licenses/by/4.0/

    ;

    info:eu-repo/semantics/openAccess