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Displaying results 1 to 15 of 15.
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'Perché mi vinse il lume d'esta stella' : Giovanni Giudici's rewriting of Dante's "Paradiso" for the theatre
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Irish Dante : Yeats, Joyce, Beckett
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Human desire, deadly love : the "Vita Nova" in Gide, Delay, Lacan
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'Anzichè allargare, dilaterai!' : allegory and mimesis from Dante's "Comedy" to Pier Paolo Pasolini's "La Divina Mimesis"
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From Giorgio Agamben's Italian category of 'Comedy' to 'Profanation' as the political task of modernity : Ingravallo's soaring descent, or Dante according to Carlo Emilio Gadda
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Interrupted and unfinished : the open-ended Dante of the "Commedia"
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Reduction in time : kinaesthetic and traumatic experiences of the present in literary texts
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Elena Ferrantes Tetralogie "L'amica geniale" als Inszenierung von Intersektionalität
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Aktive Passivität? : Spinoza in Pasolinis "Schweinestall"
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Openness and intensity : Petrarch's becoming laurel in "Rerum vulgarium fragmenta" 23 and 228
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Alain Badiou's Pasolini : the problem of subtractive universalism
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One divided by another : split and conversion in Pasolini's "San Paolo"
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Outside Italy : Pasolini's transnational visions of the sacred and tradition
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Differently queer : temporality, aesthetics, and sexuality in Pier Paolo Pasolini's "Petrolio" and Elsa Morante's "Aracoeli"
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Weathering the afterlife : the meteorological psychology of Dante's "Commedia"