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  1. Mary versus Eve
    paternal uncertainty and the Christian view of women
    Published: 2011

    The virgin Mary and Eve constitute two opposite sexual poles in the way Christian discourse has approached women since the time of the church fathers. This stems from a predicament faced by the human male throughout hominid evolution, namely,... more

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    The virgin Mary and Eve constitute two opposite sexual poles in the way Christian discourse has approached women since the time of the church fathers. This stems from a predicament faced by the human male throughout hominid evolution, namely, paternal uncertainty. Because the male is potentially always at risk of unwittingly raising the offspring of another male, two (often complementary) male sexual strategies have evolved to counter this genetic threat: mate guarding and promiscuity. ...

     

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    Source: Online Contents Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: In:: Neophilologus; Dordrecht [u.a.] : Springer Science + Business Media B.V., 1916-; Band 95, Heft 4 (2011), Seite 507-521; Online-Ressource

    DDC Categories: 800
    Notes:

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  2. Under the hood of Tess
    conflicting reproductive strategies in Thomas Hardy's "Tess of the D'Urbervilles"
    Published: 2013

    Thomas Hardy's "Tess of the D'Urbervilles" is analyzed from an evocritical perspective in order to consider evolved human reproductive strategies through the psychology and behavior of the novel's three principal characters: Tess, Alec and Angel. It... more

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Thomas Hardy's "Tess of the D'Urbervilles" is analyzed from an evocritical perspective in order to consider evolved human reproductive strategies through the psychology and behavior of the novel's three principal characters: Tess, Alec and Angel. It is argued that Hardy made the episode of Tess' and Alec's sexual contact, as well its interpretation by the characters, ambiguous, thereby suggesting the possibility of seduction rather than rape. ...

     

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    Source: Online Contents Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: In:: Neophilologus; Dordrecht [u.a.] : Springer Science + Business Media B.V., 1916-; Band 97, Heft 1 (2013), Seite 245-259; Online-Ressource

    DDC Categories: 800
    Notes:

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  3. One Adam and nine Eves in Donald Siegel's "The Beguiled" and Giovanni Boccaccio's 3:1 of "The Decameron"
    Publisher:  [Universitätsbibliothek Johann Christian Senckenberg], [Frankfurt am Main]

    Donald Siegel's 1971 film entitled "The Beguiled" is compared to Tale 1 of Day 3 from Giovanni Boccaccio’s "The Decameron". Both stories are about a man who arrives in a garden setting and finds nine sexually starved women. In Boccaccio's tale, a... more

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Donald Siegel's 1971 film entitled "The Beguiled" is compared to Tale 1 of Day 3 from Giovanni Boccaccio’s "The Decameron". Both stories are about a man who arrives in a garden setting and finds nine sexually starved women. In Boccaccio's tale, a male gardener finds himself in a convent occupied by nine nuns with whom he proceeds to have sexual relations to everyone's satisfaction. ...

     

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    Source: Online Contents Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Neophilologus; Dordrecht [u.a.] : Springer Science + Business Media B.V., 1916-; Band 98, Heft 1 (2014), Seite 1-12; Online-Ressource

    DDC Categories: 800
    Scope: 1 Online-Ressource (18 Seiten)
  4. Daniel and the Sonnenscheins
    biblical cycles in István Szabó's film "Sunshine"
    Published: 2004

    As the exilic experience, initiated in 587 B.C.E., continued over millennia, no one has been able to settle the question of what it means to be a diaspora Jew. Are those who actively participate in non-Jewish life still in a position to claim the... more

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    As the exilic experience, initiated in 587 B.C.E., continued over millennia, no one has been able to settle the question of what it means to be a diaspora Jew. Are those who actively participate in non-Jewish life still in a position to claim the heritage of Israel? And what about Jews who actively seek assimilation and renounce their roots altogether: are they still Jews in spite of themselves? ...

     

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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: The journal of religion and film; Omaha, 1997-; Band 8, Heft 2 (2004); Online-Ressource

    DDC Categories: 800
    Scope: 7 Seiten
    Notes:

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  5. De-automatization in Timothy Findley's "The Wars"
    Published: 1991

    Timothy Findley's "The Wars" is a very powerful and disturbing book. Despite the novel's historically distant setting, the events of "The Wars" do not seem distant at all: the reader is brought close to the horrible violence of World War I and its... more

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    No inter-library loan

     

    Timothy Findley's "The Wars" is a very powerful and disturbing book. Despite the novel's historically distant setting, the events of "The Wars" do not seem distant at all: the reader is brought close to the horrible violence of World War I and its devastating impact on a young mind. The question is why? The topic is certainly not new — we are аll too familiar with the World War I period. The theme is also an old one — a young man's loss of innocence and baptism by fire on the battlefield. ...

     

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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: In:: Canadian literature; Vancouver : University of British Columbia, 1959-; Heft 130 (1991), Seite 107-115; Online-Ressource

    DDC Categories: 800
    Notes:

    Online-Ausg.:

  6. The first temptation of the last magus
    a comparison of Michel Tournier's "Taor, prince de Mangalore", Edzard Schaper's "Die Legende vom vierten König" and Henry van Dyke's "The story of the other wise man"
    Published: 1997

    Given Tournier's own indication that the story of Taor in the last part of "Gaspard, Mechior & Balthazar" came to him from Edzard Schaper's "Die Legende vom vierten König" and Henry van Dyke's "The story of the other wise man", this article compares... more

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    No inter-library loan

     

    Given Tournier's own indication that the story of Taor in the last part of "Gaspard, Mechior & Balthazar" came to him from Edzard Schaper's "Die Legende vom vierten König" and Henry van Dyke's "The story of the other wise man", this article compares the three texts in order to determine their respective theological perspectives. It is argued that Schaper's and van Dyke's respective tales constitute meditations on the sheep and the goats pericope from Matthew 24. ...

     

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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: In:: Orbis litterarum; Oxford : Wiley-Blackwell, 1943-; Band 52, Heft 4 (1997), Seite 280-297; Online-Ressource

    DDC Categories: 800
    Notes:

    Online-Ausg.:

  7. Novelizing myth in Sholem Asch's "Moses"
    Published: 1998

    Sholem Asch's epic novel "Moses" has been criticized for a number of shortcomings. One of the main reproaches has do with Asch's attempt to present myth as history in a serious and at times "stuffily reverential" style (Siegel 194). Leslie Fiedler... more

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    Sholem Asch's epic novel "Moses" has been criticized for a number of shortcomings. One of the main reproaches has do with Asch's attempt to present myth as history in a serious and at times "stuffily reverential" style (Siegel 194). Leslie Fiedler compares Asch's retelling of Exodus-Deuteronomy to Thomas Mann's version of Genesis in "Joseph and his Brothers" and argues that Asch, unlike Mann, lacks the irony of Mann's approach which is essential for handling mythological material in the modern age. ...

     

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    Source: Specialised Catalogue of Comparative Literature
    Language: German
    Media type: Article (journal)
    Format: Online
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    Parent title: In:: Yiddish; Flushing, NY : Queens College Press, 1973-2012; Band 11, Heft 1-2 (1998), Seite 162-184

    DDC Categories: 800
    Notes:

    Online-Ausg.:

  8. Black and white
    Michel Tournier, Anatole France & Genesis
    Published: 1999

    This article deals with Michel Tournier as a writer of hypertexts. The first chapter of "Gaspard, Melchior et Balthazar" is considered with respect to two possible unmarked hypotextual connections. The first is a short story by Anatole France... more

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    This article deals with Michel Tournier as a writer of hypertexts. The first chapter of "Gaspard, Melchior et Balthazar" is considered with respect to two possible unmarked hypotextual connections. The first is a short story by Anatole France entitled "Balthasar", and the song of songs is the key element that connects France's and Tournier's texts. ...

     

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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: In:: Orbis litterarum; Oxford : Wiley-Blackwell, 1943-; Band 54, Heft 4 (1999), Seite 301-314; Online-Ressource

    DDC Categories: 800
    Notes:

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  9. All bad
    the biblical flood revisited in modern fiction
    Published: 2007

    Modern retellings of the Flood pericope (Genesis 6–8) depend on the age of the targeted audience. Writing for adults, Wolfdietrich Schnurre, Brigitte Schär, Timothy Findley, and Anne Provoost ask whether universal annihilation can be justified. Their... more

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    Modern retellings of the Flood pericope (Genesis 6–8) depend on the age of the targeted audience. Writing for adults, Wolfdietrich Schnurre, Brigitte Schär, Timothy Findley, and Anne Provoost ask whether universal annihilation can be justified. Their criticism of the divine notion that evil is universal and indiscriminate collective punishment is therefore justified, reveals values that are incompatible with those informing the original biblical narrative. ...

     

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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: In:: Arcadia; Berlin [u.a.] : de Gruyter, 1966-; Band 42, Heft 1 (2007), Seite 84-97; Online-Ressource

    DDC Categories: 800
    Notes:

    Online-Ausg.:

  10. Dinah's rage
    the retelling of Genesis 34 in Anita Diamant's "The red tent" and Thomas Mann's "Joseph and his Brothers"
    Published: 2007

    It is commonplace to assert that the Book of Genesis in the Old Testament is based on an androcentric position. Although critics have tried to introduce some sort of female empowerment by reassessing various biblical stories (cf. Savina Teubal,... more

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    It is commonplace to assert that the Book of Genesis in the Old Testament is based on an androcentric position. Although critics have tried to introduce some sort of female empowerment by reassessing various biblical stories (cf. Savina Teubal, 1984), Genesis remains a man's realm with only a limited female perspective. The case of Dinah's rape by Shechem in Genesis 34 illustrates the marginality of womanhood in the biblical world and theology. ...

     

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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: In:: Canadian review of comparative literature; Edmonton : Acad. Print & Publ., 1974-; Band 34, Heft 4 (2007), Seite 375-382; Online-Ressource

    DDC Categories: 800
    Notes:

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  11. Yahweh vs. the teraphim
    Jacob's pagan wives in Thomas Mann's "Joseph and his brothers" and in Anita Diamant's "The red tent"
    Published: 2007

    This essay deals with two retellings of Genesis: Thomas Mann's "Joseph and his brothers" and Anita Diamant's "The red tent". Both authors note the presence of implicit pagan tendencies among the women of Jacob's clan (Gen 31:19; 35:2) and develop... more

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    This essay deals with two retellings of Genesis: Thomas Mann's "Joseph and his brothers" and Anita Diamant's "The red tent". Both authors note the presence of implicit pagan tendencies among the women of Jacob's clan (Gen 31:19; 35:2) and develop this subtext for their respective ideological purposes. Thomas Mann creates a dichotomy between the backwardness of the pagan female realm and the progressive nature of the monotheistically-oriented patriarchs. ...

     

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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: In:: Nebula; Glebe, NSW : Nebula Press, 2004-; Band 4, Heft 2 (2007), Seite 139-151; Online-Ressource

    DDC Categories: 800
    Notes:

    Online-Ausg.:

  12. Mary versus Eve
    paternal uncertainty and the Christian view of women
    Published: 2011

    The virgin Mary and Eve constitute two opposite sexual poles in the way Christian discourse has approached women since the time of the church fathers. This stems from a predicament faced by the human male throughout hominid evolution, namely,... more

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    Verlag (kostenfrei)
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    No inter-library loan

     

    The virgin Mary and Eve constitute two opposite sexual poles in the way Christian discourse has approached women since the time of the church fathers. This stems from a predicament faced by the human male throughout hominid evolution, namely, paternal uncertainty. Because the male is potentially always at risk of unwittingly raising the offspring of another male, two (often complementary) male sexual strategies have evolved to counter this genetic threat: mate guarding and promiscuity. ...

     

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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: In:: Neophilologus; Dordrecht [u.a.] : Springer Science + Business Media B.V., 1916-; Band 95, Heft 4 (2011), Seite 507-521; Online-Ressource

    DDC Categories: 800
    Notes:

    Online-Ausg.:

  13. Under the hood of Tess
    conflicting reproductive strategies in Thomas Hardy's "Tess of the D'Urbervilles"
    Published: 2013

    Thomas Hardy's "Tess of the D'Urbervilles" is analyzed from an evocritical perspective in order to consider evolved human reproductive strategies through the psychology and behavior of the novel's three principal characters: Tess, Alec and Angel. It... more

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    Verlag (kostenfrei)
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    No inter-library loan
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    No inter-library loan

     

    Thomas Hardy's "Tess of the D'Urbervilles" is analyzed from an evocritical perspective in order to consider evolved human reproductive strategies through the psychology and behavior of the novel's three principal characters: Tess, Alec and Angel. It is argued that Hardy made the episode of Tess' and Alec's sexual contact, as well its interpretation by the characters, ambiguous, thereby suggesting the possibility of seduction rather than rape. ...

     

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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: In:: Neophilologus; Dordrecht [u.a.] : Springer Science + Business Media B.V., 1916-; Band 97, Heft 1 (2013), Seite 245-259; Online-Ressource

    DDC Categories: 800
    Notes:

    Online-Ausg.:

  14. One Adam and nine Eves in Donald Siegel's "The Beguiled" and Giovanni Boccaccio's 3:1 of "The Decameron"
    Publisher:  [Universitätsbibliothek Johann Christian Senckenberg], [Frankfurt am Main]

    Donald Siegel's 1971 film entitled "The Beguiled" is compared to Tale 1 of Day 3 from Giovanni Boccaccio’s "The Decameron". Both stories are about a man who arrives in a garden setting and finds nine sexually starved women. In Boccaccio's tale, a... more

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    No inter-library loan

     

    Donald Siegel's 1971 film entitled "The Beguiled" is compared to Tale 1 of Day 3 from Giovanni Boccaccio’s "The Decameron". Both stories are about a man who arrives in a garden setting and finds nine sexually starved women. In Boccaccio's tale, a male gardener finds himself in a convent occupied by nine nuns with whom he proceeds to have sexual relations to everyone's satisfaction. ...

     

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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Neophilologus; Dordrecht [u.a.] : Springer Science + Business Media B.V., 1916-; Band 98, Heft 1 (2014), Seite 1-12; Online-Ressource

    DDC Categories: 800
    Scope: 1 Online-Ressource (18 Seiten)
  15. 'Ecce Bellum'
    Garshin's "Four Days"
    Published: 2000
    Publisher:  Northgate Press, Oxford

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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Vsevolod Garshin at the turn of the century; Oxford : Northgate Press, 2000; Seite 127-145
    DDC Categories: 800
    Scope: Seite 127-145
    Notes:

    Online-Ausgabe:

  16. De-automatization in Timothy Findley's "The Wars"
    Published: 2014

    Timothy Findley's "The Wars" is a very powerful and disturbing book. Despite the novel's historically distant setting, the events of "The Wars" do not seem distant at all: the reader is brought close to the horrible violence of World War I and its... more

     

    Timothy Findley's "The Wars" is a very powerful and disturbing book. Despite the novel's historically distant setting, the events of "The Wars" do not seem distant at all: the reader is brought close to the horrible violence of World War I and its devastating impact on a young mind. The question is why? The topic is certainly not new — we are аll too familiar with the World War I period. The theme is also an old one — a young man's loss of innocence and baptism by fire on the battlefield. The novelty and vividness of Findley's work are attributable to another source: its form. I hope to show that one artistic device in particular — de-automatization — is largely responsible for the novel's powerful impact on the modern reader.

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800
    Subjects: Findley; Timothy / The wars; Erzähltechnik
    Rights:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess

  17. The first temptation of the last magus : a comparison of Michel Tournier's "Taor, prince de Mangalore", Edzard Schaper's "Die Legende vom vierten König" and Henry van Dyke's "The story of the other wise man"
    Published: 1997

    Given Tournier's own indication that the story of Taor in the last part of "Gaspard, Mechior & Balthazar" came to him from Edzard Schaper's "Die Legende vom vierten König" and Henry van Dyke's "The story of the other wise man", this article compares... more

     

    Given Tournier's own indication that the story of Taor in the last part of "Gaspard, Mechior & Balthazar" came to him from Edzard Schaper's "Die Legende vom vierten König" and Henry van Dyke's "The story of the other wise man", this article compares the three texts in order to determine their respective theological perspectives. It is argued that Schaper's and van Dyke's respective tales constitute meditations on the sheep and the goats pericope from Matthew 24. Tournier's tale, on the other hand, involves a different theological focus: the first temptation of Christ from Matthew 4:14 as this pericope relates to Deuteronomy 8:2-3. This shift in focus makes food central to the spiritual journey of Tournier's protagonist: the gluttonous Taor makes a symbolic transition from "living on bread alone" to living by "every word that comes out of the mouth of God" (the bread of the Eucharist). It is argued that because Taor begins his journey from the spiritually immature (from a Christian perspective) position of the Israelites in Exodus 16, his starting point is pre-Christological and, therefore, his journey is far greater than those of Schaper's and van Dyke's respective protagonists. The latter possess rudimentary Christological knowledge right from the start and therefore undergo less extensive spiritual metamorphosis than does Taor.

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800
    Subjects: Schaper; Edzard / Der vierte König; Tournier; Michel; Drei Könige
    Rights:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess

  18. Novelizing myth in Sholem Asch's "Moses"
    Published: 2014

    Sholem Asch's epic novel "Moses" has been criticized for a number of shortcomings. One of the main reproaches has do with Asch's attempt to present myth as history in a serious and at times "stuffily reverential" style (Siegel 194). Leslie Fiedler... more

     

    Sholem Asch's epic novel "Moses" has been criticized for a number of shortcomings. One of the main reproaches has do with Asch's attempt to present myth as history in a serious and at times "stuffily reverential" style (Siegel 194). Leslie Fiedler compares Asch's retelling of Exodus-Deuteronomy to Thomas Mann's version of Genesis in "Joseph and his Brothers" and argues that Asch, unlike Mann, lacks the irony of Mann's approach which is essential for handling mythological material in the modern age. Fiedler maintains that Mann's novel is superior to Asch's because Mann does not try to modernize the original material by rationalizing it (Fiedler 73-4). While there is much truth in what Fiedler says about "Moses", the contrast between Mann and Asch is not quite so clear-cut. Undoubtedly, the two authors did handle their material in radically different ways. However, both authors were writing modern realistic novels, i.e., they were dealing with a genre that demands structural coherence. And in this respect one must not overemphasize the difference between Asch's and Mann's treatment of myth.

     

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    Source: BASE Selection for Comparative Literature
    Language: German
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800
    Subjects: Asch; Sholem; Mann; Thomas / Joseph und seine Brüder; Mythos
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  19. Black and white: Michel Tournier, Anatole France & Genesis
    Published: 2014

    This article deals with Michel Tournier as a writer of hypertexts. The first chapter of "Gaspard, Melchior et Balthazar" is considered with respect to two possible unmarked hypotextual connections. The first is a short story by Anatole France... more

     

    This article deals with Michel Tournier as a writer of hypertexts. The first chapter of "Gaspard, Melchior et Balthazar" is considered with respect to two possible unmarked hypotextual connections. The first is a short story by Anatole France entitled "Balthasar", and the song of songs is the key element that connects France's and Tournier's texts. The second is an episode from Genesis which I term "The sister-wife Hoax". The main concern in this study is the issue of human dignity as it relates to race and sexuality.

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800
    Subjects: Tournier; Michel; France; Anatole; Genesis; Hypertext
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  20. 'Ecce Bellum' : Garshin's "Four Days"
    Published: 2000

    Vsevolod Garshin's "Four Days" is the story of a wounded soldier left for dead on a deserted battlefield: During four days of physical and mental agony, he reassesses his formerly idealistic attitude towards war and ends up condemning it as something... more

     

    Vsevolod Garshin's "Four Days" is the story of a wounded soldier left for dead on a deserted battlefield: During four days of physical and mental agony, he reassesses his formerly idealistic attitude towards war and ends up condemning it as something far from glorious and noble. However, the importance of Garshin's short story in literary history is not so much its anti-war message as the innovative nature of the form used to convey that message. Garshin was the first to explore the potential of direct interior monologue (hereinafter: DIM): a technique which seeks to create the artistic illusion that the reader is eavesdropping on a character's inner discourse without any mediation on the part of a narrator [.]. Because Garshin's text anticipated many of the devices later used by such masters of the genre as James Joyce and William Faulkner, the form of "Four Days" merits close analysis.

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (edited volume)
    Format: Online
    DDC Categories: 800
    Subjects: Garšin; Vsevolod M. / Četyre dnja; Innerer Monolog
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  21. All bad : the biblical flood revisited in modern fiction
    Published: 2007

    Modern retellings of the Flood pericope (Genesis 6–8) depend on the age of the targeted audience. Writing for adults, Wolfdietrich Schnurre, Brigitte Schär, Timothy Findley, and Anne Provoost ask whether universal annihilation can be justified. Their... more

     

    Modern retellings of the Flood pericope (Genesis 6–8) depend on the age of the targeted audience. Writing for adults, Wolfdietrich Schnurre, Brigitte Schär, Timothy Findley, and Anne Provoost ask whether universal annihilation can be justified. Their criticism of the divine notion that evil is universal and indiscriminate collective punishment is therefore justified, reveals values that are incompatible with those informing the original biblical narrative. However much modernity is aware that myths are symbolic, it apparently cannot assimilate their ethics without a critical reassessment. In this, modern writers rely on the realistic premises of modern novelistic narration. In contrast, modern retellings of the Flood story for children appear to be far more prepared to accept the ancient value system underlying the biblical narrative. Books for younger audiences seem to be much more comfortable with the notion of generalized evil and global punishment than works for adults. This becomes particularly striking in a number of picture books about Noah's ark. The narrative stance of writers ultimately depends on the way they perceive adulthood and childhood.

     

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    Language: English
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800
    Subjects: Sintflut
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  22. Dinah's rage : the retelling of Genesis 34 in Anita Diamant's "The red tent" and Thomas Mann's "Joseph and his Brothers"
    Published: 2007

    It is commonplace to assert that the Book of Genesis in the Old Testament is based on an androcentric position. Although critics have tried to introduce some sort of female empowerment by reassessing various biblical stories (cf. Savina Teubal,... more

     

    It is commonplace to assert that the Book of Genesis in the Old Testament is based on an androcentric position. Although critics have tried to introduce some sort of female empowerment by reassessing various biblical stories (cf. Savina Teubal, 1984), Genesis remains a man's realm with only a limited female perspective. The case of Dinah's rape by Shechem in Genesis 34 illustrates the marginality of womanhood in the biblical world and theology. The pericope tells us that, while the Israelites are settled near the Hivite city of Shechem in Canaan, Jacob's and Leah's daughter Dinah goes out of the Israelite camp. She is raped by Shechem, the prince of the eponymous city, who then abducts her and makes her one of his household. A deal is concluded by Jacob's sons and the Shechemites, according to which the situation can be made legitimate through marriage if the men of Shechem circumcise themselves. While the Shechemites are weak at er the surgery, the Israelites sack the city, kill all the males and take Dinah back.

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800
    Subjects: Mann; Thomas / Joseph und seine Brüder; Dina; Diamant; Anita / The red tent
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  23. Yahweh vs. the teraphim : Jacob's pagan wives in Thomas Mann's "Joseph and his brothers" and in Anita Diamant's "The red tent"
    Published: 2007

    This essay deals with two retellings of Genesis: Thomas Mann's "Joseph and his brothers" and Anita Diamant's "The red tent". Both authors note the presence of implicit pagan tendencies among the women of Jacob's clan (Gen 31:19; 35:2) and develop... more

     

    This essay deals with two retellings of Genesis: Thomas Mann's "Joseph and his brothers" and Anita Diamant's "The red tent". Both authors note the presence of implicit pagan tendencies among the women of Jacob's clan (Gen 31:19; 35:2) and develop this subtext for their respective ideological purposes. Thomas Mann creates a dichotomy between the backwardness of the pagan female realm and the progressive nature of the monotheistically-oriented patriarchs. The path toward modern humanist values comes from the likes of Jacob and Joseph rather than Rachel and Leah in Mann's novel. Anita Diamant, on the other hand, adopts the opposite attitude, namely, that the paganism of Rachel, Leah, as well as other women in Jacob's family, is a humane and natural form of spirituality in contrast to the bloodthirsty Yahwism of Jacob and his sons. The latter point is illustrated by the sacking of Shechem. In order to question the patriarchal stance of the Old Testament Diamant reverses the key values informing the theology of the Bible. Thus, in "The red tent" Jacob's wives venerate the Ashera in particular. The latter constitutes a challenge to the stance of the Deuteronomic History where the cult of the Ashera is viewed as a key reason behind God's decision to let the Babylonians destroy the Southern Kingdom of Judah. And since Mann's novel upholds the patriarchal spirit of the biblical text, Diamant enters into debate with the continuity of female disempowerment which reaches all the way from Genesis to "Joseph and his brothers".

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800
    Subjects: Diamant; Anita / The red tent; Genesis; Mann; Thomas / Joseph und seine Brüder; Heidentum
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  24. Mary versus Eve : paternal uncertainty and the Christian view of women
    Published: 2011

    The virgin Mary and Eve constitute two opposite sexual poles in the way Christian discourse has approached women since the time of the church fathers. This stems from a predicament faced by the human male throughout hominid evolution, namely,... more

     

    The virgin Mary and Eve constitute two opposite sexual poles in the way Christian discourse has approached women since the time of the church fathers. This stems from a predicament faced by the human male throughout hominid evolution, namely, paternal uncertainty. Because the male is potentially always at risk of unwittingly raising the offspring of another male, two (often complementary) male sexual strategies have evolved to counter this genetic threat: mate guarding and promiscuity. The Virgin Mary is the mythological expression of the mate guarding strategy. Mary is an eternal virgin, symbolically allaying all fear of paternal uncertainty. Mary makes it possible for the male psyche to have its reproductive cake and eat it too: she gives birth (so reproduction takes place) and yet requires no mate guarding effort or jealousy. Eve, the inventor of female sexuality, is repeatedly viewed by the church fathers, e.g., Augustine and Origen, as Mary's opposite. Thus, Eve becomes the embodiment of the whore: both attractive in the context of the promiscuity strategy and repulsive in terms of paternal uncertainty: "Death by Eve, life by Mary" (St. Jerome). The Mary-Eve dichotomy has given a conceptual basis to what is known in psychology as the Madonna-Whore dichotomy: the tendency to categorize women in terms of two polar opposites. This paper will explore the way mythology reflects biology, i.e., human psychological traits that have evolved over millennia.

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800
    Subjects: Evolutionspsychologie; Religionsgeschichte; Frauenfeindlichkeit; Maria; Eva
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  25. Under the hood of Tess : conflicting reproductive strategies in Thomas Hardy's "Tess of the D'Urbervilles"
    Published: 2013

    Thomas Hardy's "Tess of the D'Urbervilles" is analyzed from an evocritical perspective in order to consider evolved human reproductive strategies through the psychology and behavior of the novel's three principal characters: Tess, Alec and Angel. It... more

     

    Thomas Hardy's "Tess of the D'Urbervilles" is analyzed from an evocritical perspective in order to consider evolved human reproductive strategies through the psychology and behavior of the novel's three principal characters: Tess, Alec and Angel. It is argued that Hardy made the episode of Tess' and Alec's sexual contact, as well its interpretation by the characters, ambiguous, thereby suggesting the possibility of seduction rather than rape. In this context, two female mating patterns — inherited from our hominid ancestors — appear in Tess' behavior: a) the collection of high quality genes from a genetically fit male (Alec) who is not likely to stay with the female and provide for the offspring and b) mating with a provider male who is interested in long-term parental investment (Angel). Conversely, Angel and Alec represent two male mating strategies that evolved as possible courses of action in our species: the dad and the cad respectively. The unwillingness of Angel to forgive Tess her sexual past is considered in the context of another evolved feature of the human mind: paternal uncertainty (the fear of the male's genetic extinction through the possibility of raising another male's offspring). This is juxtaposed with studies of male jealousy in different cultures and periods. Tess' decision to tell Angel about her past is viewed in connection with the concept of modularity: an approach to human psychology based on the assumption that the mind is divided into specialized modules (responsible for different cognitive spheres) which can sometimes conflict.

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800
    Subjects: Evolutionspsychologie; Hardy; Thomas / Tess of the d'Urbervilles; Fortpflanzung
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