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  1. As possibilidades do ser entre o poder e a morte
    uma caminhada pelos limites existenciais
    Published: 2015
    Publisher:  Novas Edições Acadêmicas, Saarbrücken

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Portuguese
    Media type: Dissertation
    ISBN: 9783639749540; 3639749545
    Other identifier:
    9783639749540
    DDC Categories: 100
    Edition: 1. Auflage
    Subjects: Macht <Motiv>; Tod <Motiv>; Roman
    Other subjects: Saramago, José (1922-2010); Electronic book text; existencialísmo
    Scope: 100 Seiten
    Notes:

    Lizenzpflichtig. - Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten

    Disseration, Universidadde do Estade do Rio de Janeiro, 2011

  2. As nuvens e o vaso sagrado
    (Kant e Goethe. leituras)
    Published: maio de 2014
    Publisher:  Antropos, Lisboa

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    ISBN: 9789896413514
    DDC Categories: 830; 100
    Subjects: Kant, Immanuel; Goethe, Johann Wolfgang von;
    Other subjects: Goethe, Johann Wolfgang von (1749-1832); Kant, Immanuel (1724-1804)
    Scope: 228 Seiten
  3. Heidegger, linguagem e tradução
    colóquio internacional, Março 2002
    Contributor: Borges-Duarte, Irene (Hrsg.); Henriques, Fernanda (Hrsg.); Matos Dias, Isabel (Hrsg.)
    Published: [2004]
    Publisher:  Centro de Filosofia da Univ. de Lisboa, Lisboa

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    89.437.42
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    Source: Union catalogues
    Contributor: Borges-Duarte, Irene (Hrsg.); Henriques, Fernanda (Hrsg.); Matos Dias, Isabel (Hrsg.)
    Language: Portuguese
    Media type: Book
    Format: Print
    ISBN: 9728531192
    RVK Categories: CI 2617
    DDC Categories: 100
    Series: Philosophica. Actas
    Subjects: Sprache; Übersetzung
    Other subjects: Heidegger, Martin (1889-1976)
    Scope: 550 S., Ill., 24 cm
    Notes:

    Beitr. teilw. dt., teilw. franz., teilw. portug

    Literaturangaben

  4. Elementos de retórica em Nietzsche
    Published: 2006
    Publisher:  Ed. Loyola, São Paulo, SP

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    88.911.72
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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Print
    ISBN: 8515031914
    DDC Categories: 100; 830
    Series: Coleção filosofia
    Subjects: Rhetorik
    Other subjects: Nietzsche, Friedrich (1844-1900)
    Scope: 236 S., 21 cm
    Notes:

    Literaturverz. S. 229 - 236

  5. As nuvens e o vaso sagrado
    (Kant e Goethe, leituras)
    Published: Maio de 2014
    Publisher:  Relógio D'Água Editores, Lisboa

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    90.855.25
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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Print
    ISBN: 9789896413514; 9896413517
    DDC Categories: 100; 830
    Series: Antropos
    Other subjects: Kant, Immanuel (1724-1804); Goethe, Johann Wolfgang von (1749-1832)
    Scope: 228 Seiten, 23 cm
    Notes:

    Bibliografie Seite 219-225

  6. Do visível ao invisível
    a teoria da visão no comentário aos três livros "Da alma" do curso jesuíta conimbricense (1598)
    Published: 2012

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    Source: Union catalogues
    Language: Portuguese
    Media type: Dissertation
    Format: Online
    Other identifier:
    hdl: 10216/67329
    DDC Categories: 100; 230
    Subjects: Coimbrizenser; Sehen; Unsichtbarkeit; Seele
    Other subjects: Aristoteles (v384-v322): De anima; Aristoteles (v384-v322): De sensu et sensibilibus
    Scope: 1 Online-Ressource (252 Seiten)
    Notes:

    Dissertation, Universidade do Porto, 2012

  7. A filosofia transcendental e a sua crítica: idealismo - fenomenologia - hermenêutica
    Published: 2015
    Publisher:  Coimbra University Press, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    Se a contemporaneidade filosófica nasceu com a crítica de Kant... more

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    Akademie der Wissenschaften und der Literatur, Bibliothek
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    Se a contemporaneidade filosófica nasceu com a crítica de Kant...

     

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    Source: Union catalogues
    Language: Portuguese
    Media type: Ebook
    Format: Online
    ISBN: 9789892610498; 9789892610481
    DDC Categories: 100
    Subjects: Transzendentalphilosophie; Idealismus; Phänomenologie; Hermeneutik
    Other subjects: Portuguese
    Scope: 1 Online-Ressource (398 p.)
  8. A obra de arte segundo Jean-Paul Sartre
    Published: 2018

    Abstract: In this article we analyze the art from the perspective of Jean-Paul Sartre. From your work what is literature? We demonstrate how the arts are distinguished and why the writer can be more engaged than the other artists. For the French... more

     

    Abstract: In this article we analyze the art from the perspective of Jean-Paul Sartre. From your work what is literature? We demonstrate how the arts are distinguished and why the writer can be more engaged than the other artists. For the French philosopher it is possible to say of significant art and non-significant art. Poetry, painting and sculpture are non-significant while literature, by dealing with signs, is significant. There is a common choice for all artists, however, the option for significant art as a way of unveiling the world has a deeper sense that Sartre sought to clarify. In addition, we try to show what makes a work of art an aesthetic object

     

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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/60337
    DDC Categories: 100
    Other subjects: (thesoz)Sartre, J.; (thesoz)Kunst; (thesoz)Literatur; (thesoz)Ästhetik
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Griot: Revista de Filosofia ; 17 (2018) 1 ; 114-133

  9. Heidegger e a entrada da arte no horizonte da estética
    Published: 2018

    Abstract: This paper aims to analyze the process of art’s moving into the purview of aesthetics. Therefore, Martin Heidegger follow some concepts developed by the greeks, for instance the conjunction between matter and form and art as mimesis. The... more

     

    Abstract: This paper aims to analyze the process of art’s moving into the purview of aesthetics. Therefore, Martin Heidegger follow some concepts developed by the greeks, for instance the conjunction between matter and form and art as mimesis. The german philosopher also explain the relation between subject and object as the time of the world picture’s assumption. Considering the interpretations given by the modern thinkers, Heidegger evaluate how the artwork becomes a support of sensitive experiences and how the judgment of taste associated aesthetics with the beauty and our sensibility

     

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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/60342
    DDC Categories: 100
    Other subjects: (thesoz)Heidegger, M.; (thesoz)Kunst; (thesoz)Ästhetik; (thesoz)Moderne
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Griot: Revista de Filosofia ; 17 (2018) 1 ; 204-217

  10. Da faculdade do juízo como fronteira entre a estética e a política

    Abstract: From the ideas of Immanuel Kant and Hannah Arendt regarding Faculty of judgment, this article seeks to analyse the possible connections between our ability to judge the beautiful, and the way in which contemporary art articulate aesthetic... more

     

    Abstract: From the ideas of Immanuel Kant and Hannah Arendt regarding Faculty of judgment, this article seeks to analyse the possible connections between our ability to judge the beautiful, and the way in which contemporary art articulate aesthetic values, moral and cognitive. To this end, presents some aspects of appropriation that Arendt makes aesthetic judgment of taste who thinks the beautiful as a political category, aimed at a possible Association of public manifestations of contemporary art to the political action of public character

     

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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/60370
    DDC Categories: 100
    Other subjects: (thesoz)Kant, I.; (thesoz)Arendt, H.; (thesoz)Kunst; (thesoz)Ästhetik; Judgment
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Griot: Revista de Filosofia ; 16 (2017) 2 ; 221-235

  11. Da metáfora em sua face retórica
    Published: 2017

    Abstract: In this work, I aim to show that previous clarification of the role of metaphor in bargaining of meaning is a core element in the make up of philosophy of rhetoric. To acheive this, I refer to the trail-blazing examination performed by... more

     

    Abstract: In this work, I aim to show that previous clarification of the role of metaphor in bargaining of meaning is a core element in the make up of philosophy of rhetoric. To acheive this, I refer to the trail-blazing examination performed by I.A.Richards on the theme of metaphor in the work titled 'The Philosophy of Rhetoric', and I build upon this examination by applying a Wittgensteinian view of language learning

     

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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/60412
    DDC Categories: 100
    Other subjects: (thesoz)Metapher; (thesoz)Bedeutung; (thesoz)Rhetorik; (thesoz)Semantik
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Griot: Revista de Filosofia ; 15 (2017) 1 ; 362-375

  12. A divisão das belas artes: Kant e Hegel

    Abstract: This article discusses a philosophical perspective the relationship between fine arts Division proposed by Kant and Hegel. Aims to clarify the approaches and distances between the Division of fine arts presented by philosophers, pointing... more

     

    Abstract: This article discusses a philosophical perspective the relationship between fine arts Division proposed by Kant and Hegel. Aims to clarify the approaches and distances between the Division of fine arts presented by philosophers, pointing out their similarities and differences. Basing your analysis on 'The Critic of Judgement of 1790 and Aesthetics Courses' (1820-21), respectively prepared by Immanuel Kant and Friedrich Hegel. Performs a comparative analysis between the Division of Kantian and Hegelian fine arts. Features initially the Division of fine arts on Kantian perspective, addressing the concept of beautiful art, your classification and your hierarchy, according to the philosopher of Königsberg. Then, the Division of the arts according to Hegel, introducing the concept of your beautiful, artistic forms of symbolic art, classical and romantic, exposing and analyzing also the private Arts according to the philosopher of Stuttgart. Concludes that, despite the differences betwee

     

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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/60896
    DDC Categories: 100
    Other subjects: (thesoz)Kant, I.; (thesoz)Hegel, G.; (thesoz)bildende Kunst; (thesoz)Ästhetik; genius; private arts
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Griot: Revista de Filosofia ; 18 (2018) 2 ; 198-216

  13. Em torno do nascimento da tragédia: teoria do trágico e intuição estética
    Published: 2018

    Abstract: The present article intends to present an outline of the philosophy of art in Germany, in the eighteenth and nineteenth centuries, focusing on the context in which Nietzsche's birth of tragedy is inserted. For this, we will discuss more... more

     

    Abstract: The present article intends to present an outline of the philosophy of art in Germany, in the eighteenth and nineteenth centuries, focusing on the context in which Nietzsche's birth of tragedy is inserted. For this, we will discuss more specifically the concepts of aesthetic intuition and the principle of individuation, from Schelling and Schopenhauer, respectively

     

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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/60904
    DDC Categories: 100
    Other subjects: (thesoz)Kunst; (thesoz)Philosophie; (thesoz)Ästhetik; (thesoz)Schelling, F.; (thesoz)Schopenhauer, A.; (thesoz)Nietzsche, F.; Aesthetic intuition; Tragedy
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Griot: Revista de Filosofia ; 18 (2018) 2 ; 338-347

  14. Como não esquecer de viver o presente: um ensaio sobre a espiritualidade do amor
    Published: 2018

    Abstract: Pierre Hadot shows us, in his interpretations of Goethe and the tradition of spiritual exercises, that true love has a transforming potential, since it corresponds to an exercise of the spirit capable of revealing the ideal that surrounds... more

     

    Abstract: Pierre Hadot shows us, in his interpretations of Goethe and the tradition of spiritual exercises, that true love has a transforming potential, since it corresponds to an exercise of the spirit capable of revealing the ideal that surrounds and constitutes the reality of lovers. Differently, Foucault explains, by Baudelaire and the culture of the aesthetics of existence, that the transfiguring practice of love propitiates the creation of the present time 'as if through fiction' and not by the presence of the ideal in the real. Therefore, perhaps we can affirm that the spirituality of love, conceived by Hadot, would reside in the eternalization of the present moment and in the universalization of the soul, whose beauty articulates the lovers ideally to the Nature. On the other hand, in the case of the foucauldian aesthetics of existence, the spirituality of love would concern the fictional violation of the condition that binds the self, the others and the world to the nostalgia for th

     

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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/60907
    DDC Categories: 100
    Other subjects: (thesoz)Spiritualität; (thesoz)Liebe; (thesoz)Schönheit; (thesoz)Fiktion
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Griot: Revista de Filosofia ; 18 (2018) 2 ; 375-396

  15. O paradigma estético de Félix Guattari
    Published: 2019

    Abstract: The objective of this text is to address the singularity of what the thinker Felix Guattari called the "aesthetic paradigm." Sometimes also called an ethical-aesthetic or political-aesthetic paradigm, it pretends to function as a... more

     

    Abstract: The objective of this text is to address the singularity of what the thinker Felix Guattari called the "aesthetic paradigm." Sometimes also called an ethical-aesthetic or political-aesthetic paradigm, it pretends to function as a proposition, rather than a proposal, to raise in the most diverse areas, fields and practices the problematic of ethical creation and political re-creation, both inseparable. Thus, it is necessary to investigate what is meantby "aesthetics", what is art and who is the artist of this paradigm. What are the motivations, the landscapes and the conditions of the issues that led Guattari to formulate this idea of a paradigm capable, from art, through ethics, to instituting a new way of thinking politics and to think politically

     

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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/61675
    DDC Categories: 100
    Other subjects: (thesoz)Ästhetik; (thesoz)Ethik; politics; existence
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Griot: Revista de Filosofia ; 19 (2019) 1 ; 1-24

  16. A escrita como autoformação e resistência: Foucault, Nietzsche e a criação de mundos e histórias
    Published: 2019

    Abstract: The fiction corresponds to a style of writing that supports the construction of narratives capable of wrestling the writer from himself in a sense that, through the experiment of language itself, it constitutes aesthetically. When we... more

     

    Abstract: The fiction corresponds to a style of writing that supports the construction of narratives capable of wrestling the writer from himself in a sense that, through the experiment of language itself, it constitutes aesthetically. When we observe the works of Nietzsche, we perceive that there are a plurality of literary styles, often composed by aphorisms that demand another performance: hyperbolic writing. Through artistic writing, Nietzsche creates a world understood as the will to power in which he gives himself as a character among other psychological types. Already in Foucault's philosophy the striking feature of his works is the historical tone with which he approaches his themes. However, as he himself affirms in some interviews, he writes nothing but fictions, selects and organizes historical statements by creating various scenarios, subjects and objects of his speech. This style present in both contacts the outside provoking a repositioning of the reader, which is affected by p

     

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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/61687
    DDC Categories: 100
    Other subjects: (thesoz)Schreiben; (thesoz)Fiktion; (thesoz)Foucault, M.; (thesoz)Nietzsche, F.; (thesoz)Widerstand; Self-creation
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Griot: Revista de Filosofia ; 19 (2019) 1 ; 96-114

  17. Transformação da filosofia
    Publisher:  Ed. Loyola, São Paulo, Brasil

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    Source: Union catalogues
    Contributor: Apel, Karl-Otto
    Language: Portuguese
    Media type: Book
    Format: Print
    DDC Categories: 100
    Series: Leituras filosóficas
    Subjects: Hermeneutik; Philosophie
    Scope: 19 cm
  18. Zwischen Literatur und Philosophie
    Suche nach dem Menschlichen ; Festschrift zum 60. Geburtstag von Víctor Farías
    Contributor: Schidlowsky, David (Herausgeber); Farías, Víctor (Gefeierter)
    Published: 2000
    Publisher:  Wiss. Verl. Berlin, Berlin

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    Source: Union catalogues
    Contributor: Schidlowsky, David (Herausgeber); Farías, Víctor (Gefeierter)
    Language: German; Spanish; Portuguese
    Media type: Book
    Format: Print
    ISBN: 9783932089411; 3932089413
    DDC Categories: 100
    Subjects: Literatur; Philosophie
    Other subjects: Farías, Víctor (1940-); Heidegger, Martin (1889-1976)
    Scope: 351 S., 21 cm
    Notes:

    Beitr. teilw. dt., teilw. span., teilw. portug. - Bibliogr. S. 12 - 16

  19. Textos sobre o belo, o sublime e o trágico
    Published: 1997
    Publisher:  Impr. Nacional, Casa da Moeda, [Lisboa]

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    Source: Union catalogues
    Contributor: Cadete, Teresa Rodrigues (Herausgeber)
    Language: Portuguese
    Media type: Book
    Format: Print
    ISBN: 9722708686
    DDC Categories: 100
    Series: Estudos gerais : Série universitária : Clássicos de filosofia
    Subjects: Ästhetik
    Scope: 296 S., Ill., 24 cm
    Notes:

    Literaturverz. und Bibliogr. S. 285 - 288

  20. Índices do pensamento mítico em Walter Benjamin Indications of mythical thought in Walter Benjamin
    Published: 26.02.2018

    Contestando a suposta superação do mito na modernidade e a validade da dicotomia entre mito e logos, este artigo propõe aproximações entre as categorias do pensamento mítico enumeradas por Ernst Cassirer e a obra de Walter Benjamin, aqui representada... more

     

    Contestando a suposta superação do mito na modernidade e a validade da dicotomia entre mito e logos, este artigo propõe aproximações entre as categorias do pensamento mítico enumeradas por Ernst Cassirer e a obra de Walter Benjamin, aqui representada especialmente pelos textos de juventude do autor que compõem sua filosofia da linguagem. De maneira mais pontual, recorrer-se-á, ademais, a outros ensaios e livros de sua obra, intencionando sugerir a abundância de material do pensador como um campo profícuo para o estudo do mito. While disputing the supposed overcoming of myth in the modern world and the validity of the mythos-logos dichotomy, this paper suggests an approximation between the categories of mythical thought enumerated by Ernst Cassirer and the work of Walter Benjamin, represented here especially by the author's youthful writings, which make up his philosophy of language. More precisely, other essays and books of his will be resorted to in order to suggest this thinker's abundance of material as a profitable field for the study of myth.

     

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    Content information: free
    Source: CompaRe
    Language: Portuguese
    Media type: Article
    Format: Online
    DDC Categories: 100; 830
    Subjects: Benjamin, Walter; Cassirer, Ernst; Mythos; Logos; Dichotomie
    Rights:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  21. O modelo heurístico orgânico na obra de F. W. J. Schelling e sua recepção na Rússia do início do século XIX
    Published: 22.02.2019

    Apresentando um breve histórico da ideia de organismo ao longo do século XVIII, tentaremos delinear a trajetória percorrida por ela até o momento em que se tornaria um elemento fundamental no debate sobre a nacionalidade russa promovido pela elite... more

     

    Apresentando um breve histórico da ideia de organismo ao longo do século XVIII, tentaremos delinear a trajetória percorrida por ela até o momento em que se tornaria um elemento fundamental no debate sobre a nacionalidade russa promovido pela elite letrada do país após as Guerras Napoleônicas. Nesse trajeto, um papel fundamental é ocupado pelas ideias desenvolvidas pelo Romantismo alemão - em particular as dos filósofos J. G. Herder e, sobretudo, F. W. J. Schelling. Assim, buscaremos mostrar como alguns raciocínios oriundos da sua chamada "Filosofia da Identidade", e expressos em obras como "Ideias para uma Filosofia da Natureza" e "Filosofia da Arte", foram imprescindíveis para que intelectuais e escritores russos pudessem propugnar um projeto artístico e cultural característico para o seu próprio país. Presenting a brief history of the idea of organism throughout the eighteenth century, we will try to describe the developments this idea went through before becoming a fundamental element in the debate on the Russian nationality promoted by Russian literate elite after the Napoleonic Wars. In this process, the ideas developed by German romanticism - in particular those of the philosophers J. G. Herder and especially F. W. Schelling - played a fundamental role. We will thus try to show how some of the thoughts from his so-called "Identity Philosophy", expressed in works such as "Ideas for a Philosophy of Nature" and "Philosophy of Art", were essential for Russian intellectuals and writers to advocate a distinctive artistic and cultural project for their own country. In einer kurzen Darstellung der Ideengeschichte des Organismus im 18. Jahrhundert werden wir versuchen, die Entwicklungen dieser Idee zu beschreiben, bis sie zu einem grundlegenden Element in der Debatte über die russische Nationalität wurde, welche die gebildete Elite des Landes nach den Napoleonischen Kriegen anstellte. Dabei spielten die Ideen der deutschen Romantik - insbesondere der Philosophen J. G. Herder und F. W. Schelling - eine wesentliche Rolle. Wir werden versuchen zu zeigen, wie einige Gedanken aus Schellings sogenannter "Identitätsphilosophie", wie sie vor allem in den "Ideen für eine Naturphilosophie" und der "Kunstphilosophie" zum Ausdruck kommen, für russische Intellektuelle und Schriftsteller maßgeblich wurden, um ein unverwechselbares künstlerisches und kulturelles Projekt für ihr eigenes Land zu verteidigen.

     

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    Content information: free
    Source: CompaRe
    Language: Portuguese
    Media type: Article
    Format: Online
    DDC Categories: 100; 830
    Subjects: Schelling, Friedrich Wilhelm Joseph von; Romantik; Organismus; Philosophie; Rezeption; Russland; Nationalismus
    Rights:

    creativecommons.org/licenses/by-nc/4.0/

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    info:eu-repo/semantics/openAccess

  22. Sobre a educação estética do ser humano numa série de cartas e outros textos
    Published: 1993
    Publisher:  Impr. Nacional, Casa da Moeda, [Lisboa]

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    Source: Union catalogues
    Contributor: Cadete, Teresa Rodrigues (Herausgeber)
    Language: Portuguese
    Media type: Book
    Format: Print
    ISBN: 972270561X
    DDC Categories: 100
    Series: Estudos gerais : Série universitária : Clássicos de filosofia
    Subjects: Ästhetik
    Scope: 178 S., 24 cm
  23. Heidegger e a origem da obra de arte
    Published: 1993
    Publisher:  Ed. d'Lira, Juiz de Fora, MG

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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Print
    DDC Categories: 100
    Series: Série Teoria & tema ; vol. 1
    Subjects: Ästhetik
    Other subjects: Heidegger, Martin (1889-1976)
    Scope: 28 S., Ill., 21 cm
  24. Período clássico da hermenêutica filosófica na Alemanha
    Published: 1994
    Publisher:  EDUSP, São Paulo

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    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Print
    ISBN: 8531402115
    DDC Categories: 100
    Series: Coleção Campi ; 16
    Subjects: Hermeneutik; Philosophie
    Other subjects: Dilthey, Wilhelm (1833-1911); Schleiermacher, Friedrich (1768-1834)
    Scope: 92 S., 21 cm
  25. Estética
    Published: 1993
    Publisher:  Guimarães, Lisboa

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    Source: Union catalogues
    Contributor: Ribeiro, Álvaro (Übersetzer); Hegel, Georg Wilhelm Friedrich
    Language: Portuguese
    Media type: Book
    Format: Print
    ISBN: 9726653789
    DDC Categories: 100
    Series: Colecção Filosofia & ensaios
    In folio
    Subjects: Ästhetik
    Scope: XXIII, 677 S., 24 cm