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Paradoxien der Vergänglichkeit ; Über Phantasie und Dauer in der Architektur

Author: Schenkel, Elmar

Published: 2011

Bauen und Sprechen sind der Zeit unterworfen. Wenn Zeit über sie hinweggegangen ist, werden sie zu Zeichen. Und die Gegenwart muss sich fragen, wie sie mit diesen Zeichen umgehen will: als Vorboten ihres eigenen Vergehens oder als Feinden ihrer... more

Full text:	http://www.archimaera.de/2011/lebensdauer/paradoxien_vergaenglichkeit
Link for citation:	https://nbn-resolving.org/urn:nbn:de:0009-21-32316

Bauen und Sprechen sind der Zeit unterworfen. Wenn Zeit über sie hinweggegangen ist, werden sie zu Zeichen. Und die Gegenwart muss sich fragen, wie sie mit diesen Zeichen umgehen will: als Vorboten ihres eigenen Vergehens oder als Feinden ihrer momentanen Befindlichkeit. Bauten, die vorgeben, die Zeiten überdauern und der Ewigkeit nahe sein zu können, sind Verwirklichungen eines utopisch-neuzeitlichen Traumes. Alterslose Perfektion fasziniert, aber sie ist nicht der Inbegriff des Menschlichen. Menschen sind auf das Unfertige ausgelegt, es steht für Vergänglichkeit, aber auch für Heimat und Nähe. Das Vergängliche bewegt mehr als das immer-Gleiche; es kann im Geist neue Projekte erzeugen, neue und andere Bauten, keine Kopien der alten. Doch es muss nicht immer so kommen.

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Source:	BASE Selection for Comparative Literature
Language:	German
Media type:	Undefined
Format:	Online
Parent title:	archimaera ; 2011 , 004
DDC Categories:	720; 100; 800
Subjects:	Architektur; Dauer; Schrift; Vergänglichkeit; Zeichen; Augusteum; Babel; Brasov; Cisnadie; City-Hochhaus; Dauerhaftigkei; Denkmal; Erich Loest; Erick van Egeraat; Gedächtnis; Heltau; Henselmann; Hochhaus; Ideologe; Krise; Kronstadt; kulturelles Gedächtnis; Lebensdauer; Leipzig; Marcel Proust; Marl-Marx-Universität; Monument; Paulinerkirche; Paulinum; Phantasie; Relief; Ruinen; Sinngebung; Sozialismus; Symbol; Turm; Uni-Hochhaus; Universität; Universitätskirche; Utopie; Völkerschlachtdenkmal; Weltanschauung; Zeit; Zerstörung
Rights:	DPPL

Wir reisen nach Jerusalem

Author: Hoff, Kay

Published: 2015

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Full text:	https://d-nb.info/1108280331/34 http://macau.uni-kiel.de/receive/macau_publ_00000660
Link for citation:	https://nbn-resolving.org/urn:nbn:de:gbv:8-publ-6606

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Source:	BASE Selection for Comparative Literature
Language:	German
Media type:	Undefined
Format:	Online
DDC Categories:	810
Subjects:	German literature; Deutsche Literatur; Philosophische Fakultät; Faculty of Arts and Humanities; Jerusalem; Reiseziel; Spiel; Reise nach Jerusalem; Symbol
Rights:	kostenfrei

A symbolic reading of Adrienne Rich's An unsaid word

Author: Kaur, Hardev; Hassan, Mohamad Fleih; Mani, Manimangai

Published: 2016

Abstract: An imitation of the literary styles and modes of expression of the great writers in the post-World War II was the criterion of success for any male or female writer. The conventions of T.S. Eliot and W.H. Auden influenced the poetics and... more

Full text:	https://d-nb.info/1190996227/34 http://www.scipress.com/ILSHS.68.55.pdf https://www.ssoar.info/ssoar/handle/document/56440
Link for citation:	https://doi.org/10.18052/www.scipress.com/ILSHS.68.55 https://nbn-resolving.org/urn:nbn:de:101:1-2019072015200454528474

Abstract: An imitation of the literary styles and modes of expression of the great writers in the post-World War II was the criterion of success for any male or female writer. The conventions of T.S. Eliot and W.H. Auden influenced the poetics and thought of the younger generation poets. For example, Adrienne Rich (1929-2012) was an ardent disciple of these conventions in her early career. She was influenced by the phallogocentric discourse of subject formation. She followed this man-made discourse to be accepted within the literary circle as a successful woman writer, but she realized that this discourse didn’t help women in the expression of their female voices. This study explores the failure of the phallogocentric techniques and modes of writing in the expression of Rich's female voice in An Unsaid Word (1951). The study is conducted in the light of Lacanian Symbolic system of identification. The study concludes that Lacanian system of identification was behind the distortions of meaning

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Source:	BASE Selection for Comparative Literature
Language:	English
Media type:	Undefined
Format:	Online
DDC Categories:	820
Subjects:	Literatur; Symbol; Sprache; Frau; Identifikation; Schriftsteller; Phallogozentrismus

Parody of a life which is elsewhere

Author: Momeni, Javad

Published: 2015

Abstract: Life Is Elsewhere is a reflective introspection into the life of a young poet and of his demanding mother. Kindera depicts the mother as a woman feeling unworthy of love who relishes the fantasy of being Jaromil's ethereal mother in order... more

Full text:	https://d-nb.info/119099691X/34 http://www.scipress.com/ILSHS.55.35.pdf https://www.ssoar.info/ssoar/handle/document/57201
Link for citation:	https://doi.org/10.18052/www.scipress.com/ILSHS.55.35 https://nbn-resolving.org/urn:nbn:de:101:1-2019072015304351742621

Abstract: Life Is Elsewhere is a reflective introspection into the life of a young poet and of his demanding mother. Kindera depicts the mother as a woman feeling unworthy of love who relishes the fantasy of being Jaromil's ethereal mother in order to escape from her actual bodily deprivation and resolve her psychological tensions. On the other hand, Jaromil's portrait as a young poet involves his consonant, in Lacan’s terms, imaginary and symbolic identifications which lead him to an unending alienation in the context of a socialist system. Reading the novel in the light of Bakhtin's ideas on parody and its polyphonic nature illuminates Kundera's parodic treatment of motherhood, poetic, political and historical discourses, and especially his use of parody as a political means to oppose the domineering voice of totalitarianism. However, by giving parody an ontological status, Kundera considers it as the inevitable destiny of a human being who has forgotten his authentic "being" and ignored a

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Source:	BASE Selection for Comparative Literature
Language:	English
Media type:	Undefined
Format:	Online
DDC Categories:	820
Subjects:	Literatur; Satire; Phantasie; Symbol; Identifikation; Totalitarismus; Entfremdung; Sozialismus; Leben; Bakhtin; Being; Fantasy; Identification; Imaginary; Lacan; Parody; Symbolic

Forms and functions of nature representation in Virginia Woolf´s novels: symbols, metaphors and other modes

Author: Moskalenko, Kateryna

Published: 2019

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Full text:	https://d-nb.info/1191094537/34 http://geb.uni-giessen.de/geb/volltexte/2019/14508/
Link for citation:	https://nbn-resolving.org/urn:nbn:de:hebis:26-opus-145080

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Source:	BASE Selection for Comparative Literature
Language:	English
Media type:	Undefined
Format:	Online
DDC Categories:	820
Subjects:	Naturdarstellung; Metapher; Symbol; description; metaphor; symbol
Rights:	kostenfrei

Analysis of system of personages and composition of "The Double, or my Evenings in Malorossia" by А. Pogorelsky

Author: Vorova, T.P

Published: 2016

Abstract: Antony Pogorelsky (1787-1836) (the pseudonym of А. А. Perovsky) was one of the writers active in the early stages of Russian romantic prose, when romanticism, with its new artistic outlook based on rapt attention towards and keen interest... more

Full text:	https://d-nb.info/1191442039/34 http://www.scipress.com/ILSHS.66.113.pdf https://www.ssoar.info/ssoar/handle/document/56466
Link for citation:	https://doi.org/10.18052/www.scipress.com/ILSHS.66.113 https://nbn-resolving.org/urn:nbn:de:101:1-2019072517011788522350

Abstract: Antony Pogorelsky (1787-1836) (the pseudonym of А. А. Perovsky) was one of the writers active in the early stages of Russian romantic prose, when romanticism, with its new artistic outlook based on rapt attention towards and keen interest in the inner world of feelings and emotions of its literary heroes, replaced the literary movement of sentimentalism with its orientation toward the ideas of the enlightenment. The current article is aimed at the investigation of the first book by A. Pogorelsky "The Double, or My Evenings in Malorossia", the novelty of which lies not only in the fact that the book is directly correlated with the traditions of West European romanticism (which was undoubtedly well-known to the writer), but also in the introduction of a new principle of composition into Russian literature (the cycle of several stories united through dialogic framing), which was the first experiment of this kind in the Russian literary environment and would soon become one of the favo

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Source:	BASE Selection for Comparative Literature
Language:	English
Media type:	Undefined
Format:	Online
DDC Categories:	820
Subjects:	Russland; Osteuropa; Romantik; Literatur; Aufklärungszeitalter; Roman; Schriftsteller; Emotionalität; Gefühl; Verhaltensmodell; Bild; Symbol; Mann; Frau; Partnerbeziehung; Liebe

Florescence of revolution in Shafaq's poetry

Author: Kamaladdini, Seied Mohammad Bagher

Published: 2015

Abstract: Blossoms of Persian poetry, although inspired by the pure nature, gradually took the attractive qualities of mysticism. In traditions, the Holy Quran is called the burgeoning of hearts and the greatest prophet (peace be upon him) is... more

Full text:	https://d-nb.info/1191667251/34 http://www.scipress.com/ILSHS.56.116.pdf https://www.ssoar.info/ssoar/handle/document/57026
Link for citation:	https://doi.org/10.18052/www.scipress.com/ILSHS.56.116 https://nbn-resolving.org/urn:nbn:de:101:1-2019072815210725362875

Abstract: Blossoms of Persian poetry, although inspired by the pure nature, gradually took the attractive qualities of mysticism. In traditions, the Holy Quran is called the burgeoning of hearts and the greatest prophet (peace be upon him) is referred to as the burgeoning of souls. Spring in Persian literature is sometimes the symbol of improvement and deliverance and at other times is considered as the symbol of the afterlife. Actually, this is the highest symbol of spring in Persian literature.Desert land of Yazd bears fragrant flowers, in spite of its natural wrath, tickles the taste of souls of the pious people. One of these scented flowers is the deceased Behjati whose pen name is "Shafaq" and spring in his poetry possessed the qualities of revolution. Current study is going to address this concept in his poetry.The article was conducted with an analytical-descriptive method using bibliographic resources

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Source:	BASE Selection for Comparative Literature
Language:	English
Media type:	Undefined
Format:	Online
DDC Categories:	890
Subjects:	Literatur; Iran; Dichtung; Symbol

Vom Spiel mit dem Grotesken

Author: Kobbé, Ulrich

Published: 2008

Abstract: "Der Beitrag kommentiert die 1565 als Songes drolatiques de Pantagruel erschienenen und fälschlich Rabelais zugeschriebene grotesken Holzschnitte. Die karnevalesken Kreaturen erscheinen ob ihrer konvulsiv-monströsen Gestalt(ung) als Antidot... more

Full text:	https://d-nb.info/1192038622/34 http://www.ssoar.info/ssoar/handle/document/32598
Link for citation:	https://nbn-resolving.org/urn:nbn:de:0168-ssoar-325983

Abstract: "Der Beitrag kommentiert die 1565 als Songes drolatiques de Pantagruel erschienenen und fälschlich Rabelais zugeschriebene grotesken Holzschnitte. Die karnevalesken Kreaturen erscheinen ob ihrer konvulsiv-monströsen Gestalt(ung) als Antidot idealisiert-normativer Ästhetik- und eingefrorener Sprachkonventionen. Diskursanalytisch fungieren Sprachbild (Symbolisches) und Bildersprache (Imaginäres) als simulakrum eines traumatischen Kerns (Reales)." (Autorenreferat)

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Source:	BASE Selection for Comparative Literature
Language:	German
Media type:	Undefined
Format:	Online
DDC Categories:	840
Subjects:	Ästhetik; Schönheit; Symbol; Sprache; Karikatur; Rabelais; Songes drolatiques; Groteske

Der Dom von Brixen

Author: Waschgler, Heinrich

Published: 1955

Publisher: Schnell & Steiner, München ; Zürich

München: Bayerische Staatsbibliothek

Location:

Bayerische Staatsbibliothek

Inter-library loan:

Unlimited inter-library loan, copies and loan

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Source:	Union catalogues
Language:	German
Media type:	Book
RVK Categories:	LH 10100
Edition:	1. Aufl.
Series:	Kunstführer ; 625
Subjects:	Dom; Allegorie; Architektur; Mariendarstellung; Illusionismus; Freude; Symbol; Weltuntergang <Motiv>; Ikonographie; Religion; Sieben; Freskomalerei; Lamm Gottes <Motiv>; Christentum
Other subjects:	Jesus Christus; Benedetti, Teodoro (1697-1783); Troger, Paul (1698-1762); Maria von Nazaret, Biblische Person
Scope:	22 Seiten, Illustrationen
Notes:	:

Source:	Union catalogues
Contributor:	Jatho, Heinz (Übers.)
Language:	German
Media type:	Book
ISBN:	3770532732
RVK Categories:	LH 61342 ; LH 70060 ; LH 70000
Series:	Bild und Text
Subjects:	Symbol; Malerei; Schatten <Motiv>; Fotografie; Geschichte; Kunst; Entstehung; Grafik; Schatten; Zeichnung; Wahrnehmung
Scope:	271 S., 110 Ill.

Source:	Digi20
Language:	German
Media type:	Dissertation
Format:	Online
ISBN:	3770532007
Other identifier:	urn: urn:nbn:de:bvb:12-bsb00041048-3
RVK Categories:	GK 4441
Subjects:	Symbol; Symbolik; Allegorie
Other subjects:	Goethe, Johann Wolfgang von (1749-1832)
Scope:	227 S.
Notes:	Online-Ausg.: Zugl.: Habil.-Schr.

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Paradoxien der Vergänglichkeit ; Über Phantasie und Dauer in der Architektur

Wir reisen nach Jerusalem

A symbolic reading of Adrienne Rich's An unsaid word

Parody of a life which is elsewhere

Forms and functions of nature representation in Virginia Woolf´s novels: symbols, metaphors and other modes

Analysis of system of personages and composition of "The Double, or my Evenings in Malorossia" by А. Pogorelsky

Florescence of revolution in Shafaq's poetry

Vom Spiel mit dem Grotesken

Der Dom von Brixen

Untersuchungen zur Sepulkralsymbolik der späteren römischen Kaiserzeit

Eine kurze Geschichte des Schattens

Der Dom von Brixen

Der Dom von Brixen

Goldenes Vlies

Lines

Thèmes et Symboles dans l'oeuvre romanesque de Louis Guilloux

Scriptura sacra est practica: Ansätze zu einer praktisch-theologischen Hermeneutik

Schöpfen aus dem Brunnen

Civitas Veri Sive Morvm Bartholomei Delbene Patricii Florentini Ad Christianissimvm Henricvm III. Francorvm Et Poloniæ Regem Aristotelis de Moribus doctrinam

Tiere als Symbol und Ornament

Orte der Macht im Cantar de Mio Cid

Das Symbolische bei Goethe

Hugo Rahner

<<Die>> Welt als Stadt

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