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  1. The voice in the headphones
    Published: 2020; © 2020
    Publisher:  Duke University Press, Durham ; London

    The voice in the headphones says, "you're rolling" . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording studio. It describes in intricate, prismatic detail one marathon... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    The voice in the headphones says, "you're rolling" . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording studio. It describes in intricate, prismatic detail one marathon day in a recording studio during which an unnamed musician struggles to complete a film soundtrack. The book extends the form of Grubbs's previous volume Now that the audience is assembled, sharing its goal of musicalizing the language of writing about music. Mulling the insight that "studio is the absence of pushback"-now that no audience is assembled-The Voice in the Headphones details one musician's strategies for applying the requisite pressure to the proceedings, for making it count. The Voice in the Headphones is both a literary work and a meditation on sound recording, delivered at a moment in which the commercial recording studio shades into oblivion. It draws upon Grubbs's own history of several decades as a recording artist, and its location could be described as every studio in which he has set foot

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478009092
    Other identifier:
    Subjects: POETRY / American / General; Avant-garde (Music); Avant-garde (Music); Sound recordings; Filmmusik; Schallaufzeichnung; Komposition <Musik>
    Scope: 1 Online-Ressource (146 Seiten)
  2. Stimme des Dichters
    Author: Wagner, Kurt
    Published: 1958
    Publisher:  Akademie der Wissenschaften und der Literatur [u.a.], Mainz [u.a.]

    Universitätsbibliothek Augsburg
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    Staatsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Akademie der Wissenschaften, Bibliothek
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    Deutsches Museum, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: German
    Media type: Book
    RVK Categories: GE 3454
    Series: Abhandlungen der Klasse der Literatur / Akademie der Wissenschaften und der Literatur ; 1958,2
    Subjects: German literature; Sound recordings; Schriftsteller
    Scope: 16 S.
  3. Directory of recorded sound resources in the United Kingdom
    Published: 1989
    Publisher:  British Library, London

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0712305025
    RVK Categories: HD 118
    Subjects: Sound recordings; Englisch; Literatur; Tonträger; Lautarchiv
    Scope: XXII, 173 S.
  4. Goldmine Christmas record price guide
    Author: Neely, Tim
    Published: 1997
    Publisher:  Krause Publ., Iola, WI

    Price guide to the last 50 years of Yuletide recordings; covers 45s, LPs and EPs in all music categories. more

    Bayerische Staatsbibliothek
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    Price guide to the last 50 years of Yuletide recordings; covers 45s, LPs and EPs in all music categories.

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0873415248
    Subjects: Christmas music; Sound recordings; Preisliste; Weihnachten <Motiv>; Schallplatte; Unterhaltungsmusik
    Scope: 416 S., Ill.
  5. And you shall know us by the trail of our vinyl
    Jewish history as told by the records we have loved and lost
    Published: 2008
    Publisher:  Three Rivers Press, New York

    Bayerische Staatsbibliothek
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  6. Illegales Filesharing
    der Reiz am heimlichen Datentausch
    Published: 2008
    Publisher:  Tectum, Marburg

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Max-Planck-Institut für Innovation und Wettbewerb / Max-Planck-Institut für Steuerrecht und Öffentliche Finanzen, Bibliothek
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783828895881
    Other identifier:
    9783828895881
    RVK Categories: MS 7965
    DDC Categories: 300
    Subjects: Gesellschaft; Computer crimes; Peer-to-peer architecture (Computer networks); Piracy (Copyright); Sound recordings; Motivation; Internet; Peer-to-Peer-Netz; Soziologie; Musik; Filesharing-System
    Scope: VII, 185 S., graph. Darst., 21 cm
    Notes:

    Literaturverz. S. 169 - 185

  7. Breathless
    sound recording, disembodiment, and the transformation of lyrical nostalgia
    Published: 2002
    Publisher:  Wesleyan Univ. Press, Middletown, Conn.

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0819565911; 081956592X
    RVK Categories: EC 5410
    Subjects: Dood; Geluidsopnamen; Letterkunde; Sterfelijkheid; Literatur; Death in literature; Literature, Modern; Sound recordings; Tod <Motiv>; Literatur
    Scope: XV, 177 S.
    Notes:

    Includes bibliographical references (p. 165-173) and index

  8. British words on tape 1991
    a directory of spoken word cassettes available in the UK
    Published: 1991
    Publisher:  Meckler, London u.a.

    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0887366198
    RVK Categories: AC 94300
    Subjects: Sound recordings; Talking books; Text; Englisch; Tonkassette
    Scope: X, 161 S.
  9. Recorded poetry and poetic reception from Edna Millay to the circle of Robert Lowell
    Author: Furr, Derek
    Published: 2010
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    Universitätsbibliothek Bielefeld
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    Universitätsbibliothek Paderborn
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230109919
    Other identifier:
    Edition: 1. ed.
    Subjects: American poetry--20th century; Sound recordings
    Scope: VIII, 198 S. : Ill.
  10. Recorded poetry and poetic reception from Edna Millay to the circle of Robert Lowell
    Author: Furr, Derek
    Published: 2010
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    Universitäts- und Landesbibliothek Düsseldorf
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230103771; 0230103774
    Edition: 1. ed.
    Subjects: American poetry--20th century; Sound recordings
    Scope: VIII, 198 S. : Ill.
  11. Critical approaches to the production of music and sound
    Contributor: Bennett, Samantha (Publisher); Bates, Eliot (Publisher)
    Published: 2018
    Publisher:  Bloomsbury Academic, New York NY ; London ; Oxford ; New Delhi ; Sydney

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Bennett, Samantha (Publisher); Bates, Eliot (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781501332050; 9781501355783
    RVK Categories: LR 57790
    Subjects: Sound recordings; Popular music; Interdisziplinarität; Musikproduktion
    Scope: xii, 274 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Paperback edition first published 2019

  12. Breathless
    sound recording, disembodiment, and the transformation of lyrical nostalgia
    Published: c2002
    Publisher:  Wesleyan University Press, Middletown, Conn.

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780819565921; 9780819565914; 9780819572523
    RVK Categories: EC 5410
    Subjects: Death in literature; Literature, Modern; Sound recordings; Tod <Motiv>; Literatur
    Scope: xv, 177 p
    Notes:

    Includes bibliographical references (p. 165-173) and index

  13. Aesthetic technologies of modernity, subjectivity, and nature
    opera, orchestra, phonograph, film
    Published: 2016
    Publisher:  University of California Press, Oakland, California

    "The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed... more

    Bayerische Staatsbibliothek
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    "The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas...-cultural, social, and personal...-associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back"...Provided by publisher

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0520287371; 9780520287372
    RVK Categories: LR 56827 ; LR 57737
    Subjects: Film; Geschichte; Gesellschaft; Musik; Music; Modernism (Music); Opera; Motion pictures; Sound recordings; Nature in music; Nature in motion pictures; Filmästhetik; Film; Schallaufzeichnung; Moderne; Musikästhetik; Ästhetik; Oper; Natur
    Other subjects: Puccini, Giacomo, (1858-1924); Puccini, Giacomo (1858-1924): La fanciulla del West
    Scope: XVI, 351 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

  14. The review as art and communication
    Published: 2013
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443844446; 1443866679; 9781443844444; 9781443866675
    Subjects: LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; Film; Book reviewing; Theater; Television programs; Motion pictures; Sound recordings; Kunstkritik; Literaturkritik
    Other subjects: Skidmore, Max J.
    Scope: 1 online resource (196 pages)
    Notes:

    Description based on print version record

  15. Breathless
    sound recording, disembodiment, and the transformation of lyrical nostalgia
    Published: ©2002
    Publisher:  Wesleyan University Press, Middletown, Conn.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0819565911; 081956592X; 0819572527; 9780819565914; 9780819565921; 9780819572523
    Series: UPCC book collections on Project MUSE.
    Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Literary; Geluidsopnamen; Letterkunde; Dood; Sterfelijkheid; Literatur; Tod <Motiv>; Death in literature; Literature, Modern; Sound recordings; Literatur; Death in literature; Literature, Modern; Sound recordings; Tod <Motiv>; Literatur
    Scope: 1 Online-Ressource (xv, 177 pages)
    Notes:

    Includes bibliographical references (pages 165-173) and index

    Purity of essence -- - Death's murmur -- - Erotic nostalgia and the inscription of desire -- - Narcissistic machines and erotic protheses -- - Libidinous mannerisms and profligate abominations

  16. The voice in the headphones
    Published: 2020; © 2020
    Publisher:  Duke University Press, Durham ; London

    The voice in the headphones says, "you're rolling" . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording studio. It describes in intricate, prismatic detail one marathon... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    The voice in the headphones says, "you're rolling" . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording studio. It describes in intricate, prismatic detail one marathon day in a recording studio during which an unnamed musician struggles to complete a film soundtrack. The book extends the form of Grubbs's previous volume Now that the audience is assembled, sharing its goal of musicalizing the language of writing about music. Mulling the insight that "studio is the absence of pushback"-now that no audience is assembled-The Voice in the Headphones details one musician's strategies for applying the requisite pressure to the proceedings, for making it count. The Voice in the Headphones is both a literary work and a meditation on sound recording, delivered at a moment in which the commercial recording studio shades into oblivion. It draws upon Grubbs's own history of several decades as a recording artist, and its location could be described as every studio in which he has set foot

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478009092
    Other identifier:
    Subjects: POETRY / American / General; Avant-garde (Music); Avant-garde (Music); Sound recordings; Schallaufzeichnung; Filmmusik; Komposition <Musik>
    Scope: 1 Online-Ressource (146 Seiten)
  17. Critical approaches to the production of music and sound
    Contributor: Bennett, Samantha (Publisher); Bates, Eliot (Publisher)
    Published: 2018
    Publisher:  Bloomsbury Academic, New York NY ; London ; Oxford ; New Delhi ; Sydney

    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Contributor: Bennett, Samantha (Publisher); Bates, Eliot (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501332081
    RVK Categories: LR 57790
    Subjects: Sound recordings; Popular music; Musikproduktion; Interdisziplinarität
    Scope: 1 Online-Ressource (xii, 274 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

  18. Critical approaches to the production of music and sound
    Contributor: Bennett, Samantha (Herausgeber); Bates, Eliot (Herausgeber)
    Published: 2018
    Publisher:  Bloomsbury Academic, Oxford

    Universitäts- und Landesbibliothek Bonn
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    Universitätsbibliothek Paderborn
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    Source: Union catalogues
    Contributor: Bennett, Samantha (Herausgeber); Bates, Eliot (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501332050
    RVK Categories: LR 57790
    Subjects: Sound recordings; Popular music
    Scope: xii, 274 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  19. Phonopoetics
    the making of early literary recordings
    Published: 2019
    Publisher:  Stanford University Press, Stanford, California

    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded... more

    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Introduction : audiotextual criticism -- The voice of the phonograph -- Charles Dickens in three minutes or less : early phonographic fiction -- Alfred Tennyson's spectral energy : historical intonation in dramatic recitation -- T.S. Eliot's recorded experiments in modernist verse speaking -- Conclusion : analog, digital, conceptual

     

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  20. Phonopoetics
    The Making of Early Literary Recordings
    Published: [2020]
    Publisher:  Stanford University Press, Stanford, CA

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4.... more

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4. T.S. ELIOT’S RECORDED EXPERIMENTS IN MODERNIST VERSE SPEAKING -- CONCLUSION. Analog, Digital, Conceptual -- NOTES -- INDEX Phonopoetics tells the neglected story of early "talking records" and their significance for literature, from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literary significance of these pre-tape era voice artifacts by analyzing early promotional fantasies about the phonograph as a new kind of speaker and detailing initiatives to deploy it as a pedagogical tool to heighten literary experience. Through historically-grounded interpretations of Dickens impersonators to recitations of Tennyson to T.S. Eliot's experimental readings of "The Waste Land" and of a great variety of voices and media in between, this first critical history of the earliest literary sound recordings offers an unusual perspective on the transition from the Victorian to modern periods and sheds new light on our own digitally mediated relationship to the past

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781503609716
    Other identifier:
    Subjects: English literature; Literature and technology; Oral interpretation; Phonograph; Sound recordings; LITERARY CRITICISM / Poetry
    Scope: 1 Online-Ressource (248 p)
  21. The Voice in the Headphones
    Published: [2020]
    Publisher:  Duke University Press, Durham

    Frontmatter -- The Voice in the Headphones -- Acknowledgments The voice in the headphones says, “you’re rolling” . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording... more

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Universitätsbibliothek Braunschweig
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Frontmatter -- The Voice in the Headphones -- Acknowledgments The voice in the headphones says, “you’re rolling” . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording studio. It describes in intricate, prismatic detail one marathon day in a recording studio during which an unnamed musician struggles to complete a film soundtrack. The book extends the form of Grubbs's previous volume Now that the audience is assembled, sharing its goal of musicalizing the language of writing about music. Mulling the insight that “studio is the absence of pushback”—now that no audience is assembled—The Voice in the Headphones details one musician's strategies for applying the requisite pressure to the proceedings, for making it count. The Voice in the Headphones is both a literary work and a meditation on sound recording, delivered at a moment in which the commercial recording studio shades into oblivion. It draws upon Grubbs's own history of several decades as a recording artist, and its location could be described as every studio in which he has set foot

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478009092
    Other identifier:
    Subjects: Avant-garde (Music); Sound recordings; Avant-garde (Music); POETRY / American / General
    Scope: 1 Online-Ressource (154 p)
  22. The Voice in the Headphones
    Published: [2020]
    Publisher:  Duke University Press, Durham

    Frontmatter -- The Voice in the Headphones -- Acknowledgments The voice in the headphones says, “you’re rolling” . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording... more

    Access:
    Verlag (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- The Voice in the Headphones -- Acknowledgments The voice in the headphones says, “you’re rolling” . . .The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording studio. It describes in intricate, prismatic detail one marathon day in a recording studio during which an unnamed musician struggles to complete a film soundtrack. The book extends the form of Grubbs's previous volume Now that the audience is assembled, sharing its goal of musicalizing the language of writing about music. Mulling the insight that “studio is the absence of pushback”—now that no audience is assembled—The Voice in the Headphones details one musician's strategies for applying the requisite pressure to the proceedings, for making it count. The Voice in the Headphones is both a literary work and a meditation on sound recording, delivered at a moment in which the commercial recording studio shades into oblivion. It draws upon Grubbs's own history of several decades as a recording artist, and its location could be described as every studio in which he has set foot

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478009092
    Other identifier:
    Subjects: Avant-garde (Music); Sound recordings; Avant-garde (Music); POETRY / American / General
    Scope: 1 Online-Ressource (154 p)
  23. Phonopoetics
    The Making of Early Literary Recordings
    Published: [2020]
    Publisher:  Stanford University Press, Stanford, CA

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4.... more

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- FIGURES AND TABLE -- RECORDINGS -- INTRODUCTION. Audiotextual Criticism -- 1. THE VOICE OF THE PHONOGRAPH -- 2. CHARLES DICKENS IN THREE MINUTES OR LESS -- 3. ALFRED, LORD TENNYSON’S SPECTRAL ENERGY -- 4. T.S. ELIOT’S RECORDED EXPERIMENTS IN MODERNIST VERSE SPEAKING -- CONCLUSION. Analog, Digital, Conceptual -- NOTES -- INDEX Phonopoetics tells the neglected story of early "talking records" and their significance for literature, from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literary significance of these pre-tape era voice artifacts by analyzing early promotional fantasies about the phonograph as a new kind of speaker and detailing initiatives to deploy it as a pedagogical tool to heighten literary experience. Through historically-grounded interpretations of Dickens impersonators to recitations of Tennyson to T.S. Eliot's experimental readings of "The Waste Land" and of a great variety of voices and media in between, this first critical history of the earliest literary sound recordings offers an unusual perspective on the transition from the Victorian to modern periods and sheds new light on our own digitally mediated relationship to the past

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781503609716
    Other identifier:
    Subjects: English literature; Literature and technology; Oral interpretation; Phonograph; Sound recordings; LITERARY CRITICISM / Poetry
    Scope: 1 Online-Ressource (248 p)
  24. Aesthetic technologies of modernity, subjectivity, and nature
    opera, orchestra, phonograph, film
    Published: 2016
    Publisher:  University of California Press, Oakland, California

    "The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas...-cultural, social, and personal...-associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back"...Provided by publisher

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0520287371; 9780520287372
    RVK Categories: LR 56827 ; LR 57737
    Subjects: Film; Geschichte; Gesellschaft; Musik; Music; Modernism (Music); Opera; Motion pictures; Sound recordings; Nature in music; Nature in motion pictures; Filmästhetik; Film; Schallaufzeichnung; Moderne; Musikästhetik; Ästhetik; Oper; Natur
    Other subjects: Puccini, Giacomo, (1858-1924); Puccini, Giacomo (1858-1924): La fanciulla del West
    Scope: XVI, 351 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

  25. Critical approaches to the production of music and sound
    Contributor: Bennett, Samantha (Publisher); Bates, Eliot (Publisher)
    Published: 2018
    Publisher:  Bloomsbury Academic, New York NY ; London ; Oxford ; New Delhi ; Sydney

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Universität der Künste Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Bennett, Samantha (Publisher); Bates, Eliot (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781501332050; 9781501355783
    RVK Categories: LR 57790
    Subjects: Sound recordings; Popular music; Interdisziplinarität; Musikproduktion
    Scope: xii, 274 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Paperback edition first published 2019