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Displaying results 1 to 25 of 212.

  1. Trauma cinema
    documenting incest and the Holocaust
    Author: Walker, Janet
    Published: 2005
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0520241746; 0520241754
    RVK Categories: AP 50300
    Subjects: Documentary films; Documentary videos; Holocaust, Jewish (1939-1945), in motion pictures; Incest in motion pictures; Psychic trauma in motion pictures; Memory
    Scope: XXII, 251 S., Ill., 23cm
    Notes:

    Literaturverz. u. Video/Filmogr. S. 223 - 240
  2. French cinema and the Great War
    remembrance and representation
    Contributor: Block, Marcelline (Publisher); Nevin, Barry (Publisher)
    Published: [2016]; © 2016
    Publisher:  Rowman & Littlefield, Lanham

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    Source: Union catalogues
    Contributor: Block, Marcelline (Publisher); Nevin, Barry (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781442260979
    Series: Film and history
    Subjects: World War, 1914-1918; War films; Motion pictures; Psychic trauma in motion pictures; Culture in motion pictures; Collective memory
    Scope: xxiv, 180 Seiten, Illustrationen
  3. Unfinished Business
    Screening the Italian Mafia in the New Millennium
    Author: Renga, Dana
    Published: [2019]; © 2014
    Publisher:  University of Toronto Press, Toronto

    Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy.Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442668317
    Other identifier:
    Subjects: Gangster films; Mafia in motion pictures; Motion pictures and women; Psychic trauma in motion pictures; Film; Mafia <Motiv>
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)
  4. Unspeakable Histories
    Film and the Experience of Catastrophe
    Author: Guynn, William.
    Published: [2017]; © 2016
    Publisher:  Columbia University Press, New York, NY

    In Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and... more

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    In Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and the reality of the past we thought lost can be momentarily rediscovered in its material being. In his readings of seven exceptional works depicting twentieth century atrocities, Guynn explores the emotional resonance that still adheres to traumatic historical events. Guynn considers dimensions of experience that historiography leaves untouched. Yaël Hersonski's A Film Unfinished (2010) deconstructs scenes from the Nazi propaganda film Das Ghetto through the testimony of ghetto survivors. Andrzej Wajda's Katyn (2007) revivifies the murder of the Polish officer corps (in which Wajda's father perished) by Stalin's security forces during the Second World War. Andrei Konchalovsky's Siberiade (1979) reimagines the turbulent history of the Soviet Union from the perspective of an isolated Siberian village. Larissa Shepitko's The Ascent (1977) evokes the existential drama Soviet partisans faced during the Nazi occupation. Patricio Guzmán's Nostalgia for the Light (2011) examines the vestiges of human experience, including the scattered remains of Pinochet's victims, alive in the aridity of the Atacama Desert. Rithy Panh's S-21 (2003) reawakens events of the Cambodian genocide through dramatic confrontation with some of its executioners, and Joshua Oppenheimer's The Act of Killing (2012) films the perpetrators of the Indonesian genocide as they restage scenes of killings and torture. Inspired by the work of Walter Benjamin, Frank Ankersmit, Joseph Mali, and Simon Schama, Guynn argues that the film medium, more immediate than language, is capable of restoring the affective dimension of historical experience, rooted in the deepest reaches of our minds

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231541961
    Other identifier:
    Subjects: Catastrophical, The, in motion pictures; Historical films; Psychic trauma in motion pictures; Film; Massenmord <Motiv>
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
  5. Washed in Blood
    Male Sacrifice, Trauma, and the Cinema
    Author: King, Claire Sisco
    Published: [2011]; © 2011
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Will Smith in I Am Legend. Leonardo DiCaprio in Titanic. Charlton Heston in just about everything. Viewers of Hollywood action films are no doubt familiar with the sacrificial victim-hero, the male protagonist who nobly gives up his life so that... more

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    Will Smith in I Am Legend. Leonardo DiCaprio in Titanic. Charlton Heston in just about everything. Viewers of Hollywood action films are no doubt familiar with the sacrificial victim-hero, the male protagonist who nobly gives up his life so that others may be saved. Washed in Blood argues that such sacrificial films are especially prominent in eras when the nation—and American manhood—is thought to be in crisis. The sacrificial victim-hero, continually imperiled and frequently exhibiting classic symptoms of post-traumatic stress disorder, thus bears the trauma of the nation. Claire Sisco King offers an in-depth study of three prominent cycles of Hollywood films that follow the sacrificial narrative: the early–to–mid 1970s, the mid–to–late 1990s, and the mid–to–late 2000s. From Vietnam-era disaster movies to post-9/11 apocalyptic thrillers, she examines how each film represents traumatized American masculinity and national identity. What she uncovers is a cinematic tendency to position straight white men as America’s most valuable citizens—and its noblest victims

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813552064
    Other identifier:
    Subjects: PERFORMING ARTS / General; Death in motion pictures; Heroes in motion pictures; Psychic trauma in motion pictures; Sacrifice in motion pictures; Heldentod <Motiv>; Opfer <Sozialpsychologie, Motiv>; Film
    Scope: 1 online resource (256 pages), 24
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2020)
  6. Screening war
    perspectives on German suffering
    Published: 2010
    Publisher:  Camden House, Rochester, NY

    Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of... more

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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Universitätsbibliothek Osnabrück
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    Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of Christianity and resistance to national socialism in German cinema / David Clarke -- The rhetoric of victim narratives in West German films of the 1950s / Manuel Köppen -- Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy / Erica Carter -- Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf / Sabine Hake -- Shadowlands: the memory of the Ostgebiete in contemporary German film and television / Tim Bergfelder -- Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode / Rachel Palfreyman -- Resistance of the heart: female suffering and victimhood in DEFA's antifascist films / Daniela Berghahn -- Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA / Brad Prager -- Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement / John E. Davidson -- The politics of feeling: Alexander Kluge on war, film, and emotion / Johannes von Moltke -- Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films / Seán Allan

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1571134379; 9781571134370
    RVK Categories: AP 52700 ; AP 44910
    Series: Screen cultures : German film and the visual
    Subjects: World War, 1939-1945; War films; Suffering in motion pictures; Psychic trauma in motion pictures; Germans in motion pictures
    Scope: vi, 304 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (p. [267]-285) and indexes

    Paul Cooke and Marc Silberman: Introduction: German suffering?

    Jennifer M. Kapczynski: Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film

    David Clarke: German martyrs: images of Christianity and resistance to national socialism in German cinema

    Manuel Köppen: The rhetoric of victim narratives in West German films of the 1950s

    Erica Carter: Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy

    Sabine Hake: Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf

    Tim Bergfelder: Shadowlands: the memory of the Ostgebiete in contemporary German film and television

    Rachel Palfreyman: Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode

    Daniela Berghahn: Resistance of the heart: female suffering and victimhood in DEFA's antifascist films

    Brad Prager: Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA

    John E. Davidson: Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement

    Johannes von Moltke: The politics of feeling: Alexander Kluge on war, film, and emotion

    Seán Allan.: Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films
  7. Unfinished business
    screening the Italian Mafia in the new millennium
    Author: Renga, Dana
    Published: 2013
    Publisher:  University of Toronto Press, Toronto [u.a.]

    "Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga... more

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    "Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished."--pub. desc

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781442647480; 1442647485; 9781442615588; 1442615583
    RVK Categories: AP 59739
    Series: Toronto Italian studies
    Subjects: Mafia in motion pictures; Gangster films; Psychic trauma in motion pictures; Motion pictures and women
    Scope: viii, 256 pages, 23 cm
    Notes:

    Includes bibliographical references and index

    Introduction: Trauma, gender, and recent Italian Mafia cinemaOedipal conflicts in Marco Tullio Giordana's I cento passi -- Honour, shame and vendetta: Pasquale Scimeca's Placido Rizzotto -- Mafia women in a man's world: Roberta Torre's Angela -- The Mafia noir: Paolo Sorrentino's Le conseguenze dell'amore -- Men of honour, man of glass: Stefano Incerti's L'uomo di vetro -- The female mob boss: Edoardo Winspeare's Galantuomini -- Melancholia and the mob weepie: Davide Barletti and Lorenzo Conte's Fine pena mai: Paradiso perduto -- Mourining disavowed: Matteo Garrone's Gomorra -- Recasting Rita Atria in Marco Amenta's La siciliana ribelle -- Trauma postponed: Claudio Cupellini's Una vita tranquilla -- Epilogue: Why must Caesar die?
  8. Mapping generations of traumatic memory in American narratives
    Published: 2014
    Publisher:  Cambridge Scholars Publ., Newcastle upon Tyne

    This volume collects work by several European, North American, and Australian academics who are interested in examining the performance and transmission of post-traumatic memory in the contemporary United States. The contributors depart from the... more

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    This volume collects work by several European, North American, and Australian academics who are interested in examining the performance and transmission of post-traumatic memory in the contemporary United States. The contributors depart from the interpretation of trauma as a unique exceptional event that shatters all systems of representation, as seen in the writing of early trauma theorists like Cathy Caruth, Shoshana Felman, and Dominick LaCapra. Rather, the chapters in this collection are

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 144385672X; 9781443856720
    RVK Categories: HU 1691
    Edition: 1. publ.
    Subjects: American fiction; American fiction; American literature; American literature; Motion pictures; Motion pictures; Psychic trauma in literature; Psychic trauma in motion pictures; Psychic trauma in motion pictures
    Scope: VII, 398 S., Ill.
  9. Trauma im Film
    psychoanalytische Erkundungen
    Contributor: Wollnik, Sabine (HerausgeberIn); Ziob, Brigitte (HerausgeberIn)
    Published: [2010]; @ 2010
    Publisher:  Psychosozial-Verlag, Gießen

    Gute Filme ermöglichen einen genauen Blick auf Zeitströmungen, aktuelle Ängste, auf die Struktur von Beziehungen, auf Veränderungen der Lebensbedingungen und Lebensgewohnheiten. Seit einigen Jahren setzen sich Filmemacher immer häufiger mit... more

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    früher: Ärztekammer Hamburg, Bibliothek des Ärztlichen Vereins
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    Gute Filme ermöglichen einen genauen Blick auf Zeitströmungen, aktuelle Ängste, auf die Struktur von Beziehungen, auf Veränderungen der Lebensbedingungen und Lebensgewohnheiten. Seit einigen Jahren setzen sich Filmemacher immer häufiger mit Extremerfahrungen und immer wiederkehrenden seelischen Verletzungen auseinander. Zugleich befasst sich die Psychoanalyse intensiv mit der Erforschung psychischer Traumata. Damit scheinen beide das Interesse des Publikums zu treffen, das ebenfalls an der Bewältigung von Extremerfahrungen interessiert ist. Das Medium Film gibt dem Zuschauer Gelegenheit, traumatisierendes Geschehen zu verarbeiten und daraus zu lernen. Anhand von Filmen wie "Brokeback Mountain", "Catch Me If You Can", "Das Leben ist schön", "21 Gramm" u.a. erkunden Psychoanalytiker in ihren Beiträgen die Darstellung von Traumatisierungen in Filmen und die Funktion solcher Filme für den Einzelnen und die Gesellschaft. Mit Beiträgen von Thomas Auchter, Isolde Böhme, Rupert Martin, Ingrid Prassel, Angelika Voigt-Kempe, Sabine Wollnik und Brigitte Ziob

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Wollnik, Sabine (HerausgeberIn); Ziob, Brigitte (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783898068628
    RVK Categories: AP 45600 ; CU 2000 ; CU 3040
    Edition: Originalausgabe
    Series: Imago
    Subjects: Psychic trauma in motion pictures; Motion pictures; Psychoanalysis; Motion pictures
    Scope: 258 Seiten, 21 cm
    Notes:

    Literaturangaben
  10. Shell shock cinema
    Weimar culture and the wounds of war
    Author: Kaes, Anton
    Published: 2011
    Publisher:  Princeton Univ. Press, Princeton [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691008509
    RVK Categories: AP 44600 ; AP 48200 ; AP 59710
    Edition: 3. print. and 1. paperback print.
    Subjects: Motion pictures; World War, 1914-1918; World War, 1914-1918; Silent films; Psychic trauma in motion pictures; Culture in motion pictures; Weltkrieg <1914-1918, Motiv>; Psychisches Trauma; Psychisches Trauma <Motiv>; Rezeption; Film; Stummfilm; Kultur; Geschichte 1918-1933; Weltkrieg <1914-1918>
    Scope: XI, 312 S., Ill.
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    Literaturverz. S. 267 - 297
  11. Trauma, dissociation and re-enactment in Japanese literature and film
    Author: Stahl, David C.
    Published: [2018]
    Publisher:  Routledge, London

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138733251
    Series: Routledge contemporary Japan series
    Subjects: Japanese literature; Japanese literature; Psychic trauma in literature; Psychic trauma in motion pictures; Motion pictures; Psychology and literature
    Scope: vii, 238 pages, 24 cm
    Notes:

    Includes bibliographical references and index
  12. Traumatic affect
    Contributor: Atkinson, Meera (HerausgeberIn); Richardson, Michael (HerausgeberIn)
    Published: 2013
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

    Introduction: At the nexus / Meera Atkinson and Michael Richardson -- Part I. Silence -- more

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    Introduction: At the nexus / Meera Atkinson and Michael Richardson -- Part I. Silence --

     
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    Source: Union catalogues
    Contributor: Atkinson, Meera (HerausgeberIn); Richardson, Michael (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1443848670; 9781443848671
    Subjects: Psychic trauma; Psychic trauma in literature; Psychic trauma in motion pictures
    Scope: vi, 300 Seiten
    Notes:

    Literaturverzeichnis: Seiten 271-289
  13. Trauma, dissociation and re-enactment in Japanese literature and film
    Author: Stahl, David C.
    Published: 2018
    Publisher:  Routledge, London ; New York

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781138733251
    Series: Routledge contemporary Japan series
    Subjects: Japanese literature; Japanese literature; Psychic trauma in literature; Psychic trauma in motion pictures; Motion pictures; Psychology and literature; Literatur; Film; Posttraumatisches Stresssyndrom; Dissoziation; Prosa; Japanisch; Trauma <Motiv>; Zwangshandlung
    Other subjects: Imamura, Shōhei (1926-2006); Kawabata, Yasunari (1899-1972); Enchi, Fumiko (1905-1986)
    Scope: vii, 238 Seiten, 24 cm
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    Includes bibliographical references and index
  14. Dislocated screen memory
    narrating trauma in post-Yugoslav cinema
    Author: Jelača, Dijana
    Published: 2016
    Publisher:  Palgrave Macmillan, New York, NY

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    Universitäts- und Landesbibliothek Düsseldorf
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781137515773; 9781349558872; 1349558877
    Other identifier:
    9781349558872
    DDC Categories: 900
    Series: Global cinema
    Subjects: Psychic trauma in motion pictures; Memory in motion pictures; Motion pictures; Jugoslawienkriege <Motiv>; Film; Trauma
    Scope: xii, 275 Seiten, Illustrationen, 22 cm
  15. French cinema and the Great War
    remembrance and representation
    Contributor: Block, Marcelline (Herausgeber)
    Published: 2016
    Publisher:  Rowman & Littlefield, Lanham

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    Universitäts- und Landesbibliothek Bonn
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    Source: Union catalogues
    Contributor: Block, Marcelline (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9781442260979
    Series: Film and history
    Subjects: World War, 1914-1918; War films; Motion pictures; Psychic trauma in motion pictures; Culture in motion pictures; Collective memory; Film; Erster Weltkrieg <Motiv>; Kollektives Gedächtnis
    Scope: xxiv, 180 Seiten, Illustrationen
  16. Social trauma, narrative memory and recovery in Japanese literature and film
    Author: Stahl, David C.
    Published: 2020
    Publisher:  Routledge, London

    This book provides a comprehensive analysis of major works in Japanese literature and film through the interpretive lens of trauma and PTSD studies. Focusing critical attention on the psychodynamics and enduring psychosocial aftereffects of social... more

     

    This book provides a comprehensive analysis of major works in Japanese literature and film through the interpretive lens of trauma and PTSD studies. Focusing critical attention on the psychodynamics and enduring psychosocial aftereffects of social trauma, it also evaluates the themes of dissociation, failed mourning, and psychological defence fantasies. Building on earlier studies, this book emphasizes the role of protagonists in managing to effect partial recovery by composing memoirs in which they transform dissociated traumatic memory into articulate, narrative memory or bring about advanced recovery by pioneering alternative means of orally communicating, working through, and overcoming debilitating personal histories of traumatization and victimization. In so doing, Stahl also demonstrates that what holds true on the individual and microcosmic level, also does so on the collective and macrocosmic level. This new critical approach sheds important new light on canonical Japanese novels and films and enables recognition and appreciation of integral psychosocial aspects of these traumatic narratives. As such, the book will be of huge interest to students and scholars of Japanese film and literature, as well as those of trauma studies

     
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    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781138019362; 1138019364; 9781315103747; 1315103745; 9781351595988; 1351595989; 9781351595995; 1351595997; 9781351596008; 1351596004
    Series: Routledge contemporary Japan series
    Routledge contemporary Japan series ; 81
    Subjects: Psychic trauma in literature; Japanese fiction / 20th century / History and criticism; Motion pictures / Japan / History and criticism; Psychic trauma in motion pictures
    Scope: 1 online resource
  17. Screening war
    perspectives on German suffering
    Contributor: Cooke, Paul (Publisher)
    Published: 2010
    Publisher:  Camden House, Rochester, NY

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    Universitätsbibliothek Augsburg
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    Hochschule für Fernsehen und Film, Bibliothek
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    Source: Union catalogues
    Contributor: Cooke, Paul (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781571134370; 1571134379
    RVK Categories: AP 44910 ; AP 52700
    Edition: 1. publ.
    Series: Screen cultures
    Subjects: World War, 1939-1945 / Motion pictures and the war; War films / Germany / History / 20th century; Suffering in motion pictures; Psychic trauma in motion pictures; Germans in motion pictures; Geschichte; Weltkrieg (1939-1945); Film; Psychisches Trauma <Motiv>; Deutschlandbild; Zweiter Weltkrieg <Motiv>; Opfer <Sozialpsychologie, Motiv>
    Scope: VI, 304 S., Ill.
    Notes:

    Includes bibliographical references and indexes

    Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of Christianity and resistance to national socialism in German cinema / David Clarke -- The rhetoric of victim narratives in West German films of the 1950s / Manuel Köppen -- Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy / Erica Carter -- Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf / Sabine Hake -- Shadowlands: the memory of the Ostgebiete in contemporary German film and television / Tim Bergfelder -- Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode / Rachel Palfreyman -- Resistance of the heart: female suffering and victimhood in DEFA's antifascist films / Daniela Berghahn -- Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA / Brad Prager -- Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement / John E. Davidson -- The politics of feeling: Alexander Kluge on war, film, and emotion / Johannes von Moltke -- Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films / Seán Allan
  18. Shell shock cinema
    Weimar culture and the wounds of war
    Author: Kaes, Anton
    Published: 2009
    Publisher:  Princeton Univ. Press, Princeton [u.a.]

    The war at home. The wounded soldier -- The spirit of 1914 -- Film and nation -- The battle of images -- A medium for deception -- The new empire -- Mental breakdowns -- Notes from the asylum. War neurotics -- Recovering the past -- Phantoms and... more

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    Hochschule für Fernsehen und Film, Bibliothek
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    Institut für Zeitgeschichte München-Berlin, Bibliothek
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    The war at home. The wounded soldier -- The spirit of 1914 -- Film and nation -- The battle of images -- A medium for deception -- The new empire -- Mental breakdowns -- Notes from the asylum. War neurotics -- Recovering the past -- Phantoms and freaks -- From Dr. Charcot to Dr. Caligari -- Madness as resistance -- the Hitler connection -- Shattered space -- The return of the undead. The lost generation -- Mass death -- Dracula revisited -- A community under siege -- Hysteria on the home front -- The allure of the occult -- The work of mourning -- Myth, murder, and revenge. The national project -- Posing for Germany -- The will to form -- The fallen hero -- Excursus: Lang in World War I -- The sacred battle -- The end of violence -- Apocalypse redux. Rise of the machines -- Moloch war -- The American alternative -- The hunger for religion -- The workers&apos; revolt -- Destruction and regeneration -- Aftershocks -- Epilogue

     
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  19. The uses of phobia
    essays on literature and film
    Author: Trotter, David
    Published: 2010
    Publisher:  Wiley-Blackwell, Malden, MA [u.a.]

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781444333848
    RVK Categories: HG 431 ; HG 439
    Edition: 1. publ.
    Series: Critical quarterly
    Subjects: Film; English fiction; Motion pictures; Phobias in literature; Phobias in motion pictures; Psychic trauma in literature; Psychic trauma in motion pictures; Literatur; Englisch; Film; Angst <Motiv>; Phobie
    Scope: 174 S., Ill.
  20. Reframing 9/11
    film, popular culture and the "war on terror"
    Contributor: Birkenstein, Jeff (Publisher)
    Published: 2010
    Publisher:  Continuum, New York, NY [u.a.]

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  21. Firestorm
    American film in the age of terrorism
    Author: Prince, Stephen
    Published: 2009
    Publisher:  Columbia Univ. Press, New York

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780231148702; 9780231148719
    RVK Categories: AP 53400 ; AP 59783
    Subjects: Film; Geschichte; Politik; Motion pictures; September 11 Terrorist Attacks, 2001; Motion pictures; Terrorism in motion pictures; Psychic trauma in motion pictures; War films; Elfter September <Motiv>; Film
    Scope: X, 388 S., Ill.
    Notes:

    Includes bibliographical references and index
  22. Imag(in)ing the war in Japan
    representing and responding to trauma in postwar literature and film
    Published: 2010
    Publisher:  Brill, Leiden [u.a.]

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9789004182981
    Series: Brill's Japanese studies library ; 34
    Subjects: Film; Geschichte; Weltkrieg (1939-1945); Japanese literature; World War, 1939-1945; Motion pictures; World War, 1939-1945; Psychic trauma in literature; Psychic trauma in motion pictures; Literatur; Zweiter Weltkrieg <Motiv>; Film
    Scope: VI, 362 S., Ill.
  23. French cinema and the Great War
    remembrance and representation
    Contributor: Block, Marcelline (HerausgeberIn); Nevin, Barry (HerausgeberIn); Véray, Laurent (VerfasserIn eines Vorworts)
    Published: [2016]
    Publisher:  Rowman & Littlefield, Lanham

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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Block, Marcelline (HerausgeberIn); Nevin, Barry (HerausgeberIn); Véray, Laurent (VerfasserIn eines Vorworts)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781442260979
    RVK Categories: AP 59735 ; AP 50300 ; IH 2000
    Series: Film and history
    Subjects: World War, 1914-1918; War films; Motion pictures; Psychic trauma in motion pictures; Culture in motion pictures; Collective memory
    Scope: xxiv, 180 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  24. Trauma culture
    the politics of terror and loss in media and literature
    Author: Kaplan, Elizabeth Ann
    Published: 2005
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

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    Universitätsbibliothek Augsburg
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  25. Imag(in)ing the war in Japan
    representing and responding to trauma in postwar literature and film
    Published: 2010
    Publisher:  Brill, Leiden

    This study of a series of artistic representations of the Asia Pacific War experience in a variety of Japanese media is premised on Walter Davis' assertion that traumatic events and experiences must be 'constituted' before they can be assimilated,... more

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    This study of a series of artistic representations of the Asia Pacific War experience in a variety of Japanese media is premised on Walter Davis' assertion that traumatic events and experiences must be 'constituted' before they can be assimilated, integrated and understood. Arguing that the contribution of the arts to the constitution, integration and comprehension of traumatic historical events has yet to be sufficiently acknowledged or articulated, the contributors to this volume examine how various Japanese authors and other artists have drawn upon their imaginative powers to create affect-

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004193215
    Other identifier:
    Series: Brill's Japanese studies library ; v. 34
    Brill ebook titles
    Subjects: Japanese literature; World War, 1939-1945; Motion pictures; World War, 1939-1945; Psychic trauma in literature; Psychic trauma in motion pictures; Japanese literature; World War, 1939-1945; Psychic trauma in literature; World War, 1939-1945; Motion pictures; Psychic trauma in motion pictures
    Scope: Online-Ressource (vi, 362 p), ill. (some col.), 25 cm
    Notes:

    Description based upon print version of record

    Contents; Acknowledgments; Introduction; Chapter One Catastrophe, Memory, and Narrative: Teaching Japanese and Jewish Responses to Twentieth-Century Atrocity; Chapter Two Murakami Haruki and the War Inside; Chapter Three To Make Gods and Demons Weep: Witnessing the Sublime in "Death in Midsummer" and "Patriotism"; Chapter Four Writing the Traumatized Self: Tenko in the Literature of Shiina Rinzo; Chapter Five Okuizumi Hikaru and the Mystery of War Memory; Chapter Six Victimization and "Response-ability": Remembering, Representing, and Working Through Trauma in Grave of the Fireflies

    Chapter Seven Fractious Memories in Medoruma Shun's Tales of WarChapter Eight Framing the Ruins: The Documentary Photographs of Yamahata Yosuke (Nagasaki, August 10, 1945); Chapter Nine Responsibility and Japanese Literature of the Atomic Bomb; Chapter Ten Of Brutality and Betrayal: Youthful Fiction and the Legacy of the Asia Pacific War; Chapter Eleven Contesting Traumatic War Narratives: Space Battleship Yamato and Mobile Suit Gundam; Index

    Introduction / David C. Stahl & Mark B. Williams -- Catastrophe, memory, and narrative : teaching Japanese and Jewish responses to twentieth-century atrocity / Alan Tansman -- Murakami Haruki and the war inside / Jay Rubin -- To make gods and demons weep : witnessing the sublime in 'Death in Midsummer' and 'Patriotism' / Dennis Washburn -- Writing the traumatized self : Tenkao in the literature of Shiina Rinzao / Mark Williams -- Okuizumi Hikaru and the mystery of war memory / Angela Yiu -- Victimization and 'response-ability' : remembering, representing, and working through trauma in Grave of the fireflies / David C. Stahl -- Fractious memories in Medoruma Shun's Tales of war / Davinder L. Bhowmik -- Framing the ruins : the documentary photographs of Yamahata Yaosuke (Nagasaki, August 10, 1945) / Mark Silver -- Responsibility and Japanese literature of the atomic bomb / Karen Thornber -- Of brutality and betrayal : youthful fiction and the legacy of the Asia Pacific War / Christine E. Wiley -- Contesting traumatic war narratives : Space Battleship Yamato and Mobile Suit Gundam / William Ashbaugh.

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