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  1. Deutsches Theater-Lexikon, Teil 1, Nachtragsband
    Biographisches und Bibliographisches Handbuch
    Published: 2013
    Publisher:  W. de Gruyter, Berlin

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Bibliotheksverbund Bayern (BVB)

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Bibliotheksverbund Bayern (BVB)
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110285499; 3110285495; 9783110284607
    Subjects: Drama / Bio-bibliography; Opera / Bio-bibliography; Theater / Germany / Bio-bibliography; Theater / Germany / Dictionaries; DRAMA / Continental European; Drama; Opera; Theater; Theater; Theater; Drama; Opera
    Scope: 422 pages
    Notes:

    Includes bibliographical references

    This supplement to the Deutsches Theater-Lexikon [German Lexicon of Theater], which was completed in 2011, amplifies and extends Volumes I-IV (A-T), which first appeared between 1953 and 1998. Articles have been re-edited and expanded with an emphasis on the 20th century, and personalities from the world of German-language theater who were not previously included have been newly added. The lexicon contains bio-bibliographic information about playwrights, composers, theatrical directors, producers, actors, singers, set designers, and costume designers
  2. G - J
    Author: Kosch, Wilhelm
    Published: 2014
    Publisher:  De Gruyter, Berlin

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Bibliotheksverbund Bayern (BVB)

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Bibliotheksverbund Bayern (BVB)
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110287585; 3110287587
    Subjects: Theater / Germany / Bio-bibliography; Drama / Bio-bibliography; Opera / Bio-bibliography; Theater / Germany / Dictionaries; DRAMA / Continental European; Drama; Opera; Theater; Theater; Drama; Opera; Theater
    Scope: 432 pages
    Notes:

    Vorwort; Abkürzungsverzeichnis; G; H; I; J.

    This supplement to the Deutsches Theater-Lexikon amplifies and extends Volumes I-IV (A-T, appeared between 1953 and 1998). Articles have been re-edited with an emphasis on the 20th century, and personalities of German-language theater who were not previously included have been newly added. The lexicon contains bio-bibliographic information about playwrights, composers, theatrical directors, producers, actors, singers, set and costume designers
  3. Deutsches Theater-Lexikon, 38./39. Lieferung, Zedler-Zysset
    biographisches und bibliographisches Handbuch
    Author: Kosch, Wilhelm
    Published: 2011
    Publisher:  De Gruyter, Berlin

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Bibliotheksverbund Bayern (BVB)

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Bibliotheksverbund Bayern (BVB)
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110269017; 3110269015; 3110250918; 9783110250916
    Subjects: DRAMA / Continental European; Drama; Opera; Theater; Theater; Theater; Drama; Opera
    Scope: 1 Online-Ressource
  4. Blackness in opera
    Contributor: André, Naomi Adele (Herausgeber)
    Published: 2012
    Publisher:  Univ. of Illinois Press, Urbana [u.a.]

    Location:
    Folkwang Universität der Künste, Bibliothek
    Link to union catalogue:
    Hochschulbibliothekszentrum des Landes Nordrhein-Westfalen (hbz)
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    Source: Union catalogues
    Contributor: André, Naomi Adele (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9780252036781; 9780252093890
    RVK Categories: LR 56600 ; LR 54172
    Subjects: Blacks in opera; Opera; Schwarze <Motiv>; Oper
    Scope: XII, 289 S., Ill., Notenbeisp.
  5. Opere
    Author: Nievo, Ippolito
    Published: 1952
    Publisher:  Ricciardi, Milano [u.a.]

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Romagnoli, Sergio (Publisher)
    Language: Italian
    Media type: Book
    RVK Categories: IV 2290
    Series: La letteratura italiana ; 57
    Subjects: Italian drama; Opera
    Scope: XXX, 1196 S.
  6. Osmin's rage
    philosophical reflections on opera, drama, and text ; with a new final chapter
    Author: Kivy, Peter
    Published: 1999
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801485894
    RVK Categories: LR 54173
    Edition: 1. print.
    Series: Cornell paperbacks
    Subjects: Opera; Music
    Scope: XIII, 317 S., Ill., Notenbeisp., 23 cm.
    Notes:

    Literaturverz. S. [309] - 312
  7. <<La>> retorica del rituale nel melodramma ottocentesco
    Author: Beghelli, Marco
    Published: 2003
    Publisher:  Istituto Nazionale di Studi Verdiani, Parma

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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 8885065252
    RVK Categories: LP 66390
    Series: Premio internazionale Rotary Club di Parma "Giuseppe Verdi" ; 3
    Subjects: Array; Ritual in opera
    Scope: 626 S., Ill., zahlr. Notenbeisp., 24 cm
  8. At the origins of Classical opera : Carlo Goldoni and the «dramma giocoso per musica»
    Author: Rista, Pervinca
    Published: 2018
    Publisher:  Peter Lang International Academic Publishers, Bern

    <P>Venetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a ‘double life’ as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his... more

     

    Venetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a ‘double life’ as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his famous, and famously controversial, overhaul of the practices of comic theatre, could not
    but push the limits of the standing tradition to open a new chapter in opera history. Goldoni became one of the first to give shape to the dramma giocoso per musica, an innovative, realistic, and enduring new genre with intimate connections to prose comedy that met with overwhelming international success, becoming the foundation for the works of future generations, including W. A. Mozart and his Italian librettist Lorenzo da Ponte. Perhaps because of his stature and influence as a comic playwright, Goldoni has rarely been considered as an innovator in the musical sphere. This study aims to shed new light on his primary role in the evolution of Classical opera, and on the legacy of his innovations in the European musical tradition.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783034335652; 9783034335515
    Other identifier:
    Subjects: Opera; Individual composers & musicians, specific bands & groups; Musical scores, lyrics & libretti; History: specific events & topics
    Other subjects: dramma; Carlo; Classical; giocoso; Goldoni; musica; opera; origins; other; Pervinca; Rista
    Scope: 1 electronic resource (172 p.)
  9. Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance
    Author: Rosenberg, Tiina
    Published: 2016
    Publisher:  Stockholm University Press, Stockholm, Sweden

    This collection of essays investigates elements of the human voice and performance, and their implications for gender and sexuality. The chapters address affect, pleasure, and memory in the enjoyment of musical and theatrical performance. Rosenberg... more

     

    This collection of essays investigates elements of the human voice and performance, and their implications for gender and sexuality. The chapters address affect, pleasure, and memory in the enjoyment of musical and theatrical performance. Rosenberg also examines contemporary feminist performance, anti-racist interventions, activist aesthetics, and political agency especially with regard to feminist and queer interpretations of opera and theatre. She contextualizes her work within broader developments in gender and queer studies, and within the feminist movement by highlighting important contributions of artists who draw from the above to create performance. The book will be welcomed by opera and theatre lovers, students, academics, and the wider public that is interested in the performing arts and its queer feminist potential.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789176350201; 9789176350218; 9789176350225
    Other identifier:
    Subjects: Performance art; Theatre studies; Music; Opera; Lesbian studies
    Other subjects: queer opera; activist performance; feminist performance; feminist theatre; queer diva; voice; Éditions Gallimard; Lohengrin (opera); Tintomara (film)
    Scope: 1 electronic resource (264 p.)
  10. Sea-changes - Melville - Forster - Britten : the story of Billy Budd and its operatic adaptation
    Author: Rochlitz, Hanna,
    Published: 2012
    Publisher:  Universitätsverlag Göttingen

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the... more

     

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the Forsterian creed of salvation through personal relationships. This study presents an extensive exploration of Forster’s involvement in the interpretation, transformation and re-creation of Melville’s text. It situates the story of the Handsome Sailor in the wider context of Forster’s literary oeuvre, his life, and his life writings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melville’s story was changed to fit an archetypal array of plot and character types that is central to Forster’s own storytelling.

     
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  11. Sea-changes : Melville - Forster - Britten : the story of Billy Budd and its operatic adaptation
    Author: Rochlitz, Hanna
    Published: 2012
    Publisher:  Universitätsverlag Göttingen

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the... more

     

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the Forsterian creed of salvation through personal relationships. This study presents an extensive exploration of Forster’s involvement in the interpretation, transformation and re-creation of Melville’s text. It situates the story of the Handsome Sailor in the wider context of Forster’s literary oeuvre, his life, and his life writings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melville’s story was changed to fit an archetypal array of plot and character types that is central to Forster’s own storytelling.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Language; Literature & literary studies; Literature: history & criticism; Classical texts; Opera
    Other subjects: Storytelling; Opera; Melville; Forster; Britten; Novella
  12. Musiktheater im höfischen Raum des frühneuzeitlichen Europa : Hof – Oper – Architektur
    Contributor: Scharrer, Margret (Publisher); Lass, Heiko (Publisher); Müller, Matthias (Publisher)
    Published: 2020
    Publisher:  Heidelberg University Publishing (heiUP), Heidelberg

    The unification of the arts in the "Gesamtkunstwerk" of courtly opera has repeatedly been the subject of musicological research, but so far, for example, the specific spatial-architectural side of courtly opera has hardly been considered. Music... more

     

    The unification of the arts in the "Gesamtkunstwerk" of courtly opera has repeatedly been the subject of musicological research, but so far, for example, the specific spatial-architectural side of courtly opera has hardly been considered. Music theater means scenic performance and architecture alike. Both formed essential components of lordly representation in the 17th and 18th centuries. In the Old Kingdom, therefore, not only the aristocratic nobility arranged music-theatrical performances, but smaller courts also brought ballets and operas on stage. The interdisciplinary contributions of a conference of the Rudolstädter Arbeitskreis zur Residenzkultur deal with the topic in a European perspective and explain the diverse connections that existed between the music theater and the courtly space in the architectural, political-cultural and social sense. Die Vereinigung der Künste im „Gesamtkunstwerk“ der höfischen Oper bildete zwar schon wiederholt den Gegenstand musikwissenschaftlicher Forschungen, doch wurde beispielsweise die spezifisch räumlich-architektonische Seite der höfischen Oper bislang kaum beachtet. Musiktheater meint aber szenische Aufführung und Architektur gleichermaßen. Beide bildeten wesentliche Komponenten herrschaftlicher Repräsentation im 17. und 18. Jahrhundert. Im Alten Reich veranlasste daher nicht nur der reichsständische Adel musiktheatrale Aufführungen, sondern auch kleinere Höfe brachten Ballette und Opern auf die Bühne. Die interdisziplinären Beiträge einer Tagung des Rudolstädter Arbeitskreises zur Residenzkultur widmen sich dem Thema in einer europäischen Perspektive und erläutern die vielfältigen Verbindungen, die zwischen dem Musiktheater und dem höfischen Raum im architektonischen, politisch-kulturellen sowie sozialen Sinn bestanden.

     
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    Source: OAPEN
    Contributor: Scharrer, Margret (Publisher); Lass, Heiko (Publisher); Müller, Matthias (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: History of art & design styles: c 1600 to c 1800; Concert halls, arenas, stadia; Dance; Opera
    Other subjects: art history; architecture; opera; kunstgeschichte; architektur; oper
    Scope: 1 electronic resource (616 p.)
  13. Verdi, opera, women
    Author: Rutherford, Susan
    Published: 2013
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107043824
    RVK Categories: LP 66390
    Edition: 1. publ.
    Series: Cambridge studies in opera
    Subjects: Women in opera; Opera
    Other subjects: Verdi, Giuseppe (1813-1901): Operas
    Scope: XII, 293 S., Ill., Notenbeisp., 26 cm
    Notes:

    Literaturverz. S. 263 - 284
  14. Opera and the political imaginary in old regime France
    Author: Bloechl, Olivia Ashley
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226522753; 9780226522890
    Subjects: Opera; Opera; Opera; Opera
    Scope: xiii, 286 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Literaturverzeichnis: Seite 255-277
  15. Die Operisti als kulturelles Netzwerk: Der Briefwechsel von Franz und Marianne Pirker
    Author: Brandenburg, Daniel; Beier, Mirijam
    Published: 202106
    Publisher:  Verlag der Österreichischen Akademie der Wissenschaften

    A critically annotated edition of the mid-18th century correspondence between the operisti and partners in marriage, Franz and Marianne Pirker. Eine wissenschaftlich-kritische und kommentierte Edition des Briefwechsels des Operisti-Ehepaars Franz und... more

     

    A critically annotated edition of the mid-18th century correspondence between the operisti and partners in marriage, Franz and Marianne Pirker. Eine wissenschaftlich-kritische und kommentierte Edition des Briefwechsels des Operisti-Ehepaars Franz und Marianne Pirker (Mitte 18. Jahrhundert).

     
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  16. Musiktheater im höfischen Raum des frühneuzeitlichen Europa : Hof – Oper – Architektur
    Contributor: Scharrer, Margret (Publisher); Laß, Heiko (Publisher); Müller, Matthias (Publisher)
    Published: 2020
    Publisher:  Heidelberg University Publishing (heiUP), Heidelberg

    The unification of the arts in the "Gesamtkunstwerk" of courtly opera has repeatedly been the subject of musicological research, but so far, for example, the specific spatial-architectural side of courtly opera has hardly been considered. Music... more

     

    The unification of the arts in the "Gesamtkunstwerk" of courtly opera has repeatedly been the subject of musicological research, but so far, for example, the specific spatial-architectural side of courtly opera has hardly been considered. Music theater means scenic performance and architecture alike. Both formed essential components of lordly representation in the 17th and 18th centuries. In the Old Kingdom, therefore, not only the aristocratic nobility arranged music-theatrical performances, but smaller courts also brought ballets and operas on stage. The interdisciplinary contributions of a conference of the Rudolstädter Arbeitskreis zur Residenzkultur deal with the topic in a European perspective and explain the diverse connections that existed between the music theater and the courtly space in the architectural, political-cultural and social sense Die Vereinigung der Künste im „Gesamtkunstwerk“ der höfischen Oper bildete zwar schon wiederholt den Gegenstand musikwissenschaftlicher Forschungen, doch wurde beispielsweise die spezifisch räumlich-architektonische Seite der höfischen Oper bislang kaum beachtet. Musiktheater meint aber szenische Aufführung und Architektur gleichermaßen. Beide bildeten wesentliche Komponenten herrschaftlicher Repräsentation im 17. und 18. Jahrhundert. Im Alten Reich veranlasste daher nicht nur der reichsständische Adel musiktheatrale Aufführungen, sondern auch kleinere Höfe brachten Ballette und Opern auf die Bühne. Die interdisziplinären Beiträge einer Tagung des Rudolstädter Arbeitskreises zur Residenzkultur widmen sich dem Thema in einer europäischen Perspektive und erläutern die vielfältigen Verbindungen, die zwischen dem Musiktheater und dem höfischen Raum im architektonischen, politisch-kulturellen sowie sozialen Sinn bestanden.

     
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    Source: OAPEN
    Contributor: Scharrer, Margret (Publisher); Laß, Heiko (Publisher); Müller, Matthias (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: History of art & design styles: c 1600 to c 1800; Concert halls, arenas, stadia; Dance; Opera
    Other subjects: Art History; Architecture; Opera; Kunstgeschichte; Architektur; Oper
    Scope: 1 electronic resource (616 p.)
  17. The Original Portrayal of Mozart’s Don Giovanni
    Author: Schneider, Magnus Tessing
    Published: 2022
    Publisher:  Taylor & Francis

    The Original Portrayal of Mozart’s Don Giovanni offers an original reading of Mozart’s and Da Ponte’s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766–1825). Although Bassi was coached... more

     

    The Original Portrayal of Mozart’s Don Giovanni offers an original reading of Mozart’s and Da Ponte’s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766–1825). Although Bassi was coached in the role by the composer himself, his portrayal has never been studied in depth before, and this book presents a large number of new sources (first- and second-hand accounts), which allows us to reconstruct his performance scene by scene. The book confronts Bassi’s portrayal with a study of the opera’s early German reception and performance history, demonstrating how Don Giovanni as we know it today was not only created by Mozart, Da Ponte and Luigi Bassi but also by the early German adapters, translators, critics and performers who turned the title character into the arrogant and violent villain we still encounter in most of today’s stage productions. Incorporating discussion of dramaturgical thinking of the late Enlightenment and the difficult moral problems that the opera raises, this is an important study for scholars and researchers from opera studies, theatre and performance studies, music history as well as conductors, directors and singers.

     
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  18. Verdi, opera, women
    Author: Rutherford, Susan
    Published: 2016
    Publisher:  Cambridge University Press, Cambridge

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107043824; 9781316639573
    RVK Categories: LP 66390
    Edition: First paperback edition
    Series: Cambridge studies in opera
    Subjects: Women in opera; Opera
    Other subjects: Verdi, Giuseppe (1813-1901): Operas
    Scope: xii, 293 Seiten, Illustrationen, Notenbeispiele, 26 cm
    Notes:

    Literaturverzeichnis: Seite 263-284
  19. "Così fan tutte"
    Mozart, die Liebe und die Revolution von 1789
    Author: Natošević, Constanze
    Published: 2003
    Publisher:  Bärenreiter, Kassel [u.a.]

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3761816197
    Edition: 2. Aufl.
    Subjects: Array; Array
    Scope: 379 S., Ill., Notenbeisp., 24 cm
    Notes:

    Zugl.: Münster, Univ., Diss., 2001 u.d.T.: Natošević, Constanze: Liebesthematik und kontextueller Hintergrund in Mozarts Oper "Così fan tutte"
  20. Landscape and gender in Italian opera
    the Alpine virgin from Bellini to Puccini
    Author: Senici, Emanuele
    Published: 2005
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521834377; 0521834376; 9780521107785
    RVK Categories: LQ 81606 ; LR 54177
    Edition: 1. publ.
    Series: Cambridge studies in opera
    Subjects: Opera; Opera
    Scope: X, 356 S., Ill., Notenbeisp.
    Notes:

    Hier auch später ersch. unveränd. Nachdr. (2009)

    Literaturverz. S. 327 - 348
  21. <<Die>> Frau, der Mann nicht traut
    così fan tutte: Treueprobe & Liebesverwirrung im (Musik-)Theater ; [Ostersymposion Salzburg, April 2004]
    Contributor: Kronberger, Silvia (Publisher)
    Published: 2005
    Publisher:  Mueller-Speiser, Anif / Salzburg

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    Source: Union catalogues
    Contributor: Kronberger, Silvia (Publisher)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3851450930
    RVK Categories: LP 40428 ; AP 72800 ; AP 67000 ; LR 56610 ; BL 5340
    Series: Wort und Musik ; 57
    Subjects: Opera
    Scope: 245 S., Ill., graph. Darst., 21 cm
    Notes:

    Literaturangaben. - Literaturverz. S. 225 - 237
  22. Voicing gender
    castrati, travesti, and the second woman in early-nineteenth-century Italian opera
    Author: André, Naomi Adele
    Published: [2006]
    Publisher:  Indiana University Press, Bloomington, IN

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0253346444; 025321789X
    Other identifier:
    9780253217899
    RVK Categories: LQ 81605 ; LR 11045 ; LR 54178 ; LR 56615
    Series: Musical meaning and interpretation
    Subjects: Opera; Feminism and music; Heroines in opera
    Scope: xiii, 230 Seiten, Illustrationen, Notenbeispiele, 24 cm
    Notes:

    Literaturverzeichnis: Seite [213] - 222
  23. Narrative Interludes
    Musical Tableaux in Eighteenth-Century French Texts
    Author: Cuillé, Tili Boon
    Published: [2016]; © 2005
    Publisher:  University of Toronto Press, Toronto

    French authors in the eighteenth century traditionally used music to enhance literary love scenes. Jean-Jacques Rousseau considerably expanded contemporary notions of music?s expressive power, yet distinguished between the capacity of different... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    French authors in the eighteenth century traditionally used music to enhance literary love scenes. Jean-Jacques Rousseau considerably expanded contemporary notions of music?s expressive power, yet distinguished between the capacity of different nations and sexes to wield it. Rousseau?s controversial statements led his readers to interrogate the relationship between music, meaning, and morality. They depicted their resistance to his claims in musical tableaux, or musical performances staged for a beholder inscribed within the text. Tili Boon Cuillé?s Narrative Interludes chronicles the emergence of the musical tableau in French literature.Spanning the latter half of the eighteenth century, Cuillé brings the cultural discourse on music and musicians to bear on the works of Diderot, Cazotte, Beaumarchais, Charrière, Cottin, Krüdener, and Staël. She turns attention from the representation of music to its moral repercussions, from aesthetic innovation to social resistance, and from national to gender politics. Juxtaposing pre-eminent and popular writers, Cuillé reads their fictional works in light of their treatises on art and society, exploring the significance of musical tableaux that have previously fallen outside the scope of literary analysis but that revolutionized the form and function of music in the text

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442677524
    Other identifier:
    Series: University of Toronto Romance Series
    Subjects: Geschichte; Aesthetics, French; Art and literature; French literature; Opera; Oper; Französisch; Musik; Buffonistenstreit; Kunst; Ästhetik; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)
  24. Staging Gender - Reflexionen aus Theorie und Praxis der performativen Künste
    Contributor: Lehmann, Irene (Herausgeber); Rost, Katharina (Herausgeber); Simon, Rainer (Herausgeber)
    Published: [2019]; © 2019
    Publisher:  transcript, Bielefeld

    Access:
    Resolving-System (lizenzpflichtig)
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    Location:
    Alice Salomon Hochschule Berlin, Bibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität der Künste Berlin, Universitätsbibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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  25. Osmin's Rage
    Philosophical Reflections on Opera, Drama, and Text
    Author: Kivy, Peter
    Published: [2018]; © 1999
    Publisher:  Cornell University Press, Ithaca, NY

    In his new concluding chapter, Peter Kivy advances his argument on behalf of a distinctive intellectual and musical character of opera before Mozart. He proposes that happy endings were a musical-as opposed to a dramatic-necessity for opera during... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    In his new concluding chapter, Peter Kivy advances his argument on behalf of a distinctive intellectual and musical character of opera before Mozart. He proposes that happy endings were a musical-as opposed to a dramatic-necessity for opera during this period and that Mozart's Idomeneo is properly enjoyed and judged only when listeners are attuned to its seventeenth and eighteenth-century forebears

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501727405
    Other identifier:
    Subjects: Musical Arts & Ethnomusicology; MUSIC / Genres & Styles / Opera; Music; Opera; Oper; Musikästhetik; Ästhetik; Musikphilosophie
    Scope: 1 online resource (336 pages), 4 drawings, 2 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)