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  1. Aspects of early music and performance
    Published: c 2008
    Publisher:  AMS Press, New York

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780404646011
    RVK Categories: LR 12540 ; LR 56000 ; LR 57710
    Series: AMS studies in music ; 1
    Subjects: Vocal music; Music and literature; Performance practice (Music)
    Scope: xi, 218 p, Ill., Notenbeisp, 24 cm
    Notes:

    Includes indexes

    Music and performance: Hildegard of Bingen's Ordo virtutum -- The Cividale Planctus Mariae for modern performance -- Music in the Beauvais Ludus Danielis -- Alma redemptoris mater: the little clergeon's song -- High, clear, and sweet: singing early music -- Palestrina and mannerism -- Five settings of songs attributed to Sir Philip Sidney -- Milton's encomiastic sonnet to Henry Lawes -- George Herbert and the celestial harmony -- The origin and development of quasi-dramatic passion music -- The Roskilde St. John Passion and its suppression -- Vocal production and early music.

  2. Music and the queer body in English literature at the fin de siècle
    Published: 2022
    Publisher:  Cambridge University Press, Cambridge

    Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and... more

     

    Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108989541
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    Series: Cambridge studies in nineteenth-century literature and culture ; 137
    Subjects: English literature; English literature; Music in literature; Homosexuality in literature; Human body in literature; Music and literature; Homosexuality and literature; Homosexuality and music; Music; Queer theory
    Scope: 1 Online-Ressource (ix, 277 Seiten)
    Notes:

    Enthält Literaturverzeichnis auf Seite 247-274

    Music, emotion and the homosexual subject -- Flesh : music, masochism, queerness -- Voice : disembodiment and desire -- Touch : transmission, contact, connection -- Time : backwards listening.

  3. Avec Marcel Proust
    Published: 1977
    Publisher:  Michel, Paris

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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2226005013
    RVK Categories: IH 74361
    Subjects: Geschichte; Music and literature; Novelists, French
    Other subjects: Proust, Marcel <1871-1922>; Benoist-Méchin <1901-1983>; Proust, Marcel <1871-1922>
    Scope: 183 S., Ill.
  4. Multimedia archaeologies
    Gabriele D'Annunzio, Belle époque Paris, and the total artwork
    Published: 2014
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Acknowledgments -- The Decadence of Decadence -- The Verbal: Saint Sebastian, Adonis, and Christ -- The Visual: Aesthetic/Ecstatic -- The Musical: Music for the Eyes -- Multimedia Archaeologies: Gabriele D’Annunzio, Belle... more

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    Preliminary Material -- Acknowledgments -- The Decadence of Decadence -- The Verbal: Saint Sebastian, Adonis, and Christ -- The Visual: Aesthetic/Ecstatic -- The Musical: Music for the Eyes -- Multimedia Archaeologies: Gabriele D’Annunzio, Belle Époque Paris, and the Total Artwork -- Works Cited. Paris, 1910-1915. Artists, intellectuals, and international celebrities crowd the city as never before. Decadent dreams and avant-garde manifestos celebrate the marriage between art and life. Creative experiments and vital joy dance hand in hand—on the edge of the abyss of WWI. Gabriele D’Annunzio is one of the highly influential yet semi-forgotten protagonists of this season and an emblem of its contradictions. A child of the Decadence, but also a forerunner of Modernism, the Italian poet defies the barriers between art forms, languages, and aesthetic practices. Tellingly, some of the period’s major figures across the arts are involved in D’Annunzio’s projects, including Canudo, Bakst, Brooks, Debussy, Montesquiou, and Rubinstein. In particular, in his sacred drama Le Martyre de Saint Sébastien , the poet combines French, Italian, literature, theater, mime, dance, music, painting, and cinema in a way that fuses old and new. D’Annunzio’s hybrid experiments challenge Wagner’s ‘total artwork’ theories, search for a synthesis between pictorial stillness and filmic movement, and anticipate contemporary multimedia experiences. These artistic collaborations end suddenly at the outbreak of the Great War, when Dannunzian total artworks migrate from the stage to the battlefield, generating a controversial legacy that calls for renewed critical investigations

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401210515
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    Series: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; 172
    Subjects: Art and literature; Art and literature; Decadence (Literary movement); Intellectual life; Modernism (Literature); Music and literature; Criticism, interpretation, etc; History
    Other subjects: D'Annunzio, Gabriele (1863-1938); D'Annunzio, Gabriele
    Scope: 1 Online-Ressource (215 pages), illustrations (some color)
    Notes:

    Includes bibliographical references (p. 199-215)

  5. Essays on literature and music, 1985-2013, by Walter Bernhart
    Published: 2015
    Publisher:  Brill/Rodopi, Leiden

    Preliminary Material /Werner Wolf -- Theorie und Praxis der Vertonung in den elisabethanischen Airs [1985] /Werner Wolf -- The Iconic Quality of Poetic Rhythm [1986] /Werner Wolf -- Examples of Byron’s Impact on 19th-Century German and Austrian Music... more

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    Preliminary Material /Werner Wolf -- Theorie und Praxis der Vertonung in den elisabethanischen Airs [1985] /Werner Wolf -- The Iconic Quality of Poetic Rhythm [1986] /Werner Wolf -- Examples of Byron’s Impact on 19th-Century German and Austrian Music [1987] /Werner Wolf -- Setting a Poem: The Composer’s Choice For or Against Interpretation [1988] /Werner Wolf -- Zweimal ‘Johnny’: Der treulose Herzensbrecher bei Brecht/Weill und Auden/Britten [1991] /Werner Wolf -- Prekäre angewandte Opernästhetik: Auden’s ‘sekundäre Welt’ und Hans Werner Henzes Elegie für junge Liebende [1994] /Werner Wolf -- An Exegetic Composer: Benjamin Britten’s Journey of the Magi [1995] /Werner Wolf -- ‘Kalogenetic’ Functions of Prosody: An Exercise in Comparative Poetics [1995] /Werner Wolf -- How Final Can a Theory of Verse Be? Toward a Pragmatics of Metrics [1996] /Werner Wolf -- ‘Proportion’ in Elizabethan Poetry and Music [1996] /Werner Wolf -- Cardillac, the Criminal Artist: A Challenge to Opera as a Musico-Literary Form [1997] /Werner Wolf -- Iconicity and Beyond in “Lullaby for Jumbo”: Semiotic Functions of Poetic Rhythm [1999] /Werner Wolf -- Some Reflections on Literary Genres and Music [1999] /Werner Wolf -- Die Ambivalenz der Unschuld: Benjamin Britten auf der Suche nach dem kindlichen Sein [1999] /Werner Wolf -- A Profile in Retrospect: Calvin S. Brown as a Musico-Literary Scholar [2000] /Werner Wolf -- Typologische Überlegungen zum Melodrama [2000] /Werner Wolf -- Three Types of Song Cycles: The Variety of Britten’s ‘Charms’ [2001] /Werner Wolf -- Parsifal for Our Times: Young Artists Show the Way from Interpretation to Cyberstaging [2001] /Werner Wolf -- The Turn of the Screw: Ein Glanzstück der Literaturoper [2002] /Werner Wolf -- The ‘Destructiveness of Music’: Functional Intermedia Disharmony in Popular Songs [2002] /Werner Wolf -- Peter Grimes: Auf George Crabbes Spuren zwischen Realismus und Romantik [2003] /Werner Wolf -- Masterminding Word and Music Studies: A Tribute to Steven P. Scher [2002] /Werner Wolf -- The Rake’s Progress: Klassizistische Oper zwischen Moralität, Märchen, Mythos und Groteske [2004] /Werner Wolf -- Der ‘postmoderne’ Rosenkavalier [2005] /Werner Wolf -- ‘Die lustigen Weiber’ proben den Aufstand: Transzendiertes Biedermeier in Otto Nicolais Oper [2005] /Werner Wolf -- Narrative Framing in Schumann’s Piano Pieces [2006] /Werner Wolf -- ‘Musikalische Verse’: “Ich weiß nicht, was soll es bedeuten” [2006] /Werner Wolf -- Myth-making Opera: David Malouf’s and Michael Berkeley’s Jane Eyre [2007] /Werner Wolf -- Words and Music as Partners in Song: ‘Perfect Marriage’ – ‘Uneasy Flirtation’ – ‘Coercive Tension’ – ‘Shared Indifference’ – ‘Total Destruction’ [2007] /Werner Wolf -- “Liebling der ganzen Welt”: Sir Walter Scott als Inspiration für die romantische Oper und Donizettis Lucia di Lammermoor [2008] /Werner Wolf -- From Novel to Song via Myth: Wuthering Heights as a Case of Popular Intermedial Adaptation [2008] /Werner Wolf -- What Can Music Do to a Poem? New Intermedial Perspectives of Literary Studies [2008] /Werner Wolf -- “... pour out forgiveness like a wine”: Can Music “say an existence is wrong”? [2009] /Werner Wolf. This volume is dedicated to the musico-literary oeuvre of Walter Bernhart, professor of English literature at Karl-Franzens-Universität Graz/Austria and pioneer in the field of intermedial relations between literature and other arts and media. It renders accessible a wide variety of texts which are sometimes no longer easily retrievable. The 37 texts collected here in chronological order span the period from 1985 to 2013 and thematically range from contributions to opera programmes and the discussion of musical aspects of Romantic and modernist poetry to inquiries into individual operas and composers as well as into theoretical aspects of word and music relations (e. g. the ways of setting poetry to music, musico-literary ‘comparative poetics’, the concept of ‘genre’ in music and literature, iconicity in both media, their narrative as well as metareferential and illusionist capacities). The volume is of relevance to literary scholars and musicologists but also to all those with an interest in intermediality studies in general and in the relations between literature and music in particular

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004302747
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    Series: Word and Music Studies ; v. 14
    Subjects: Music and literature; Music; Literature; Literature; Music; Music and literature; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (xi, 503 pages), illustrations, music
    Notes:

    Includes bibliographical references (p. 491-493) and index

  6. Literature and music
    Published: 2002
    Publisher:  Rodopi, Amsterdam, New York, NY

    Preliminary Material /Michael J. Meyer -- Introduction /Michael J. Meyer -- Music, Desire, and Death in The Magic Mountain /Michael J. Meyer -- Making Her Work Her Life: Music in Willa Cather’s Fiction /Michael J. Meyer -- The Enslaving Power of... more

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    Preliminary Material /Michael J. Meyer -- Introduction /Michael J. Meyer -- Music, Desire, and Death in The Magic Mountain /Michael J. Meyer -- Making Her Work Her Life: Music in Willa Cather’s Fiction /Michael J. Meyer -- The Enslaving Power of Folksong in Jean Toomer’s Cane /Michael J. Meyer -- Samuel Beckett’s Ping and Serialist Music Technique /Michael J. Meyer -- I Gotcha! Signifying and Music in Eudora Welty’s “Powerhouse” /Michael J. Meyer -- “Listening, listening”: Music and Gender in Howards End, Sinister Street and Pilgrimage /Michael J. Meyer -- Ernest J. Gaines and A Lesson Before Dying: The Literary Spiritual /Michael J. Meyer -- A Quartet that is a Quartet: Lawrence Durrell’s Alexandria Quartet /Michael J. Meyer -- Music as a Locus of Social Conflict and Social Connection in Friedrich Torberg’s Süsskind von Trimberg /Michael J. Meyer -- A Defining Moment in Ezra Pound’s Cantos: Musical Scores and Literary Texts /Michael J. Meyer -- Harmonic Dissonance: Steinbeck’s Implementation and Adaptation of Musical Techniques /Michael J. Meyer -- Lady sings the Blues: Gayl Jones’ Corregidora /Michael J. Meyer -- About The Authors /Michael J. Meyer -- Abstracts of Arguments /Michael J. Meyer. This collection of essays centers on musical elements that authors have employed in their work, thus joining heard sounds to a visual perception of their stories. The spectrum of authors represented is a wide one, from Pound to Durrell, from Steinbeck to Cather, from Beckett to Gaines, but even more unusual is the variety of musical type represented. Classical music (the quartet, the fugue, the symphony), Jazz (the jazz riff and jazz improv) and the spiritual all appear along with folk song and so-called random “noise.” Such diversity suggests that there are few limits when readers consider how great writers utilize musical styles and techniques. Indeed, each author seems to realize that it is not the type of music that s/he chooses to employ that is important. Rather, it is the realization that such musical elements as harmony, dissonance, tonal repetition and beat are just as important in prose composition as they are in poetry and song. The essayists have selected some works that may be considered obscure and some that are modern classics. Each one, however, has captured one of the varied ways in which words and music complement and enhance each other

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004334564
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    Series: Rodopi perspectives on modern literature ; 25
    Subjects: Music and literature; Literature, Modern; Literature, Modern; Music and literature; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (238 pages)
    Notes:

    Includes bibliographical references

  7. Cherubino's leap
    in search of the Enlightenment moment
    Published: [2016]; © 2016
    Publisher:  The University of Chicago Press, Chicago

    For the Enlightenment mind, from Moses Mendelssohn's focus on the moment of surprise at the heart of the work of art to Herder's imagining of the seismic moment at which language was discovered, it is the flash of recognition that nails the essence... more

     

    For the Enlightenment mind, from Moses Mendelssohn's focus on the moment of surprise at the heart of the work of art to Herder's imagining of the seismic moment at which language was discovered, it is the flash of recognition that nails the essence of the work, the blink of an eye in which one's world changes. In "Cherubino's Leap", Richard Kramer unmasks such prismatic moments in a range of iconic instrumental works by Emanuel Bach, Haydn, and Mozart; in the musical engagement with the formidable odes of Friedrich Klopstock; and, on the grand stage of opera, at the intense moment of recognition in Gluck's "Iphigenie en Tauride" and the exquisitely introverted phrase that complicates Cherubino's daring escape in Mozart's Figaro. Finally, the tears of the disconsolate Konstanze in Mozart's "Die Entführung aus dem Serail" inspire a reflection on the tragic aspect of the composer's operatic women. Other players from literature and the arts Diderot, Goethe, Lessing among them enrich the landscape of this journey through the Enlightenment imagination. - Richard Kramer is distinguished professor emeritus of music at the CUNY Graduate Center. A fellow of the American Academy of Arts and Sciences, he is the author of the award-winning Distant Cycles: Schubert and the Conceiving of Song, also published by the University of Chicago Press, and Unfinished Music.

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226377896; 9780226384085
    RVK Categories: LP 19504 ; LR 57710
    Subjects: Music; Music; Enlightenment; Music; Music and literature
    Other subjects: Klopstock, Friedrich Gottlieb (1724-1803)
    Scope: XVI, 224 Seiten, Illustrationen, Notenbeispiele, 24 cm
    Notes:

    Literaturverzeichnis: Seite 205-216

  8. Sounding Objects
    Musical Instruments, Poetry, and Art in Renaissance France
    Published: [2016]; © 2007
    Publisher:  University of Toronto Press, Toronto

    Often abstracted by the aesthetic implications of music itself, musical instruments can be seen as physical signifiers apart from the music that they produce. In Sounding Objects, Carla Zecher studies the representation of musical instruments in... more

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    Often abstracted by the aesthetic implications of music itself, musical instruments can be seen as physical signifiers apart from the music that they produce. In Sounding Objects, Carla Zecher studies the representation of musical instruments in French Renaissance poetry and art, arguing that the efficacy of these material objects as literary and pictorial images was derived from their physical characteristics and acoustic properties, as well as from their aesthetic product.Sounding Objects is concerned with ways in which musical culture provided poets with a rich, nuanced vocabulary for reflecting on their own art and its roles in courtly life, the civic arena, and salon society. Poets not only depicted the world of musical practice but also appropriated it, using musical instruments figuratively to establish their literary identities. Drawing on music treatises and archival sources as well as poems, paintings, and engravings, this unique study aims to enrich our understanding of the interplay of poetry, music, and art in this period, and highlights the importance of musical materiality to Renaissance culture. Disclaimer: Images removed at the request of the rights holder

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442628199
    Other identifier:
    Subjects: French literature; Music and literature; Musical instruments in art; Musikinstrument <Motiv>; Musik; Instrumentalmusik; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

  9. Musical Biographies
    The Music of Memory in Post-1945 German Literature
    Published: [2016]; © 2016
    Publisher:  De Gruyter, Berlin ;Boston

    Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they bear witness to and reverberate with traumatic experience that escapes or resists language? In search for an alternative mode of expression and representation, this volume focuses on postwar German and Austrian writers who made use of music in their exploration of the National Socialist past. Their works invoke, however, new questions: What happens when we cross the line between narration and documentation, and between memory and a musical piece? How does identification and fascination affect our reading of the text? What kind of ethical issues do these testimonies raise? As this volume shows, reading these musical biographies is both troubling and compelling since they ‘fail’ to come to terms with the past. In playing the haunting music that does not let us put the matter to rest, they call into question not only the exclusion of personal stories by official narratives, but also challenge writers’ and readers’ most intimate perspectives on an unmasterable past

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110460933; 9783110457957
    Other identifier:
    Series: Interdisciplinary German Cultural Studies ; 20
    Subjects: Erzählwissenschaft; Holocaust; Kultur / Deutschland; Musikalische Poetik; Geschichte; Judenvernichtung; German fiction; Memory in literature; Music and literature; Music and literature; Musik <Motiv>; Nationalsozialismus <Motiv>; Erinnerung <Motiv>; Literatur; Deutsch
    Scope: 1 online resource (181pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Mar. 30, 2016)

  10. Chaucer & His French Contemporaries
    Published: [2016]; © 1991
    Publisher:  University of Toronto Press, Toronto

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442672864
    Other identifier:
    Subjects: Geschichte; English poetry; French poetry; Music and literature; Lyrik; Französisch; Zeitgenossen; Literatur
    Other subjects: Chaucer, Geoffrey (1343-1400)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :

  11. The Vocal Songs in the Plays of Shakespeare
    A Critical History
  12. Geheime Texte
    Jean Paul und die Musik
    Author: Cloot, Julia
    Published: 2001
    Publisher:  De Gruyter, Berlin

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110168952; 9783110882414; 9783111806938
    RVK Categories: GK 4984
    Series: Quellen und Forschungen zur Literatur- und Kulturgeschichte ; 17 (251)
    Subjects: Musik; Wissen; Music and literature; Music in literature; Musik <Motiv>
    Other subjects: Jean Paul (1763-1825); Jean Paul (1763-1825); Electronic books
    Scope: 1 Online-Ressource (IX, 346 S.)
    Notes:

    Includes bibliographical references (pages [317]-339) and index

    Main description: Das vielzitierte Musikalische in Jean Pauls Dichtung - seit 200 Jahren einer der wichtigsten Rezeptionstopoi in der Jean-Paul-Forschung, aber niemals überzeugend rekonstruiert - wird in dieser Arbeit in den Landschaften identifiziert und erstmals systematisch dargestellt. Im ersten Teil ordnet Julia Cloot zunächst Jean Paul in die Kunstästhetik des späten 18. Jahrhunderts genauer ein, während sie im zweiten Teil die als musikalisch empfundenen Erscheinungen im Erzähltext aufspürt und deutet. Dabei geht sie von zwei Thesen aus: zum einen erweisen sich die musikästhetischen Diskurse der Zeit um 1800 als Prätexte für Jean Pauls Romanschaffen, d. h. als geheime Texte, die den Suggestionen erklingender Musik zu unterlegen sind; zum anderen macht Musik in den Romanen Jean Pauls nicht nur die erzählte Zeit als solche erfahrbar, sondern spannt auch imaginäre Räume zwischen den Polen von Nähe und Ferne auf. Damit beschränkt sich Julia Cloot nicht nur auf die Analyse der Erzähltechnik, sondern sie untersucht die Wechselwirkung zwischen Musik und Sprache im Werk Jean Pauls

  13. Nahtstellen
    Strukturelle Analogien der »Kreisleriana« von E.T.A. Hoffmann und Robert Schumann
    Published: [2006]; © 2006
    Publisher:  transcript Verlag, Bielefeld

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839404720
    Other identifier:
    Series: Lettre
    Subjects: Aesthetics; Intermedialität; Music and language; Music and literature; Musik; Ästhetik; Intermedialität
    Other subjects: Hoffmann, E. T. A. (1776-1822): Kreisleriana; Schumann, Robert (1810-1856): Kreisleriana
    Scope: 1 online resource (288 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    :

  14. Who Can Afford to Improvise?
    James Baldwin and Black Music, the Lyric and the Listeners
    Author: Pavlić, Ed
    Published: [2015]; © 2015
    Publisher:  Fordham University Press, New York, NY

    More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet’s skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin’s work and life. The route retraces the full arc of Baldwin’s passage across the pages and stages of his career according to his constant interactions with black musical styles, recordings, and musicians.Presented in three books — or movements — the first listens to Baldwin, in the initial months of his most intense visibility in May 1963 and the publication of The Fire Next Time. It introduces the key terms of his lyrical aesthetic and identifies the shifting contours of Baldwin’s career from his early work as a reviewer for left-leaning journals in the 1940s to his last published and unpublished works from the mid-1980s. Book II listens with Baldwin and ruminates on the recorded performances of Billie Holiday and Dinah Washington, singers whose message and methods were closely related to his developing world view. It concludes with the first detailed account of "The Hallelujah Chorus," a performance from July 1, 1973, in which Baldwin shared the stage at Carnegie Hall with Ray Charles. Finally, in Book III, Pavlić reverses our musically inflected reconsideration of Baldwin’s voice, projecting it into the contemporary moment and reading its impact on everything from the music of Amy Winehouse, to the street performances of Turf Feinz, and the fire of racial oppression and militarization against black Americans in the 21st century.Always with an ear close to the music, and avoiding the safe box of celebration, Who Can Afford to Improvise? enables a new kind of "lyrical travel" with the instructive clarity and the open-ended mystery Baldwin’s work invokes into the world

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823268504
    Other identifier:
    Subjects: African American; Billie Holiday; Black Music; James Baldwin; Lyric; Music; Ray Charles; listeners; MUSIC / History & Criticism; African Americans; Music and literature
    Scope: 1 online resource (352 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  15. Lorca in Tune with Falla
    Literary and Musical Interludes
    Published: [2014]; © 2013
    Publisher:  University of Toronto Press, Toronto

    Federico García Lorca (1889-1936) is widely regarded as the greatest Spanish poet of the twentieth century; Manuel de Falla (1876-1946) is Spain’s most performed composer of the same period. The two were very different – Lorca was gay, liberal, and a... more

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    Federico García Lorca (1889-1936) is widely regarded as the greatest Spanish poet of the twentieth century; Manuel de Falla (1876-1946) is Spain’s most performed composer of the same period. The two were very different – Lorca was gay, liberal, and a member of the avant garde, while Falla was a devout Catholic – yet they had a profound mutual influence. The two developed an intimate friendship, which ended when Lorca was shot by Nationalist forces at the beginning of the Spanish Civil War.Lorca in Tune with Falla is the first book to trace Lorca’s impact on Falla’s music, and Falla’s influence on Lorca’s writings. Nelson R. Orringer explores the music underlying Poem of Deep Song, Gypsy Ballads, and Lament for Ignacio Sánchez Mejías, bringing out the analogous sounds and ideas that emerge in the active, ongoing connection between the artworks of both creators. The book emphasizes how this harmony increases knowledge and appreciation of both artists

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442667747
    Other identifier:
    Subjects: Geschichte; Music and literature; Musik
    Other subjects: García Lorca, Federico (1898-1936); Falla, Manuel de (1876-1946)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

  16. Musique et littérature au XVIIIe siècle
    Published: c1998
    Publisher:  Presses universitaires de France, Paris

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2130488846
    Series: Que sais-je? ; 3336
    Subjects: Music and literature; Music and language; Opera; Music; French literature
    Scope: 127 p, 18 cm
    Notes:

    Includes bibliographical references (p. 125)

  17. Music, language and literature of the Roma and Sinti
    Contributor: Baumann, Max Peter (HerausgeberIn)
    Published: 2000
    Publisher:  VWB, Verlag für Wissenschaft und Bildung, Berlin

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    Source: Staatsbibliothek zu Berlin
    Contributor: Baumann, Max Peter (HerausgeberIn)
    Language: English; German
    Media type: Book
    Format: Print
    ISBN: 3861356422
    RVK Categories: LB 48000 ; LS 20970
    Series: Intercultural music studies ; 11
    Subjects: Folk music; Music and dance; Music and literature; Romanies
    Scope: 528 Seiten, Illustrationen, Notenbeispiele, 22 cm
    Notes:

    Literaturangaben

    Bibliografie zur Musik der Roma und Sinti: Seite 491-528

  18. Schiller and music
    Published: [1966]
    Publisher:  Univ. of North Carolina Press, Chapel Hill

    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    Series: University of North Carolina (Chapel Hill). Studies in the Germanic languages and literatures ; Nr. 54
    Subjects: Music and literature
    Other subjects: Schiller, Friedrich (1759-1805)
    Scope: 201 S
  19. Music in the age of Chaucer
    Published: 1995
    Publisher:  Brewer [u.a.], Woodbridge [u.a.]

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0859914615
    Edition: 2nd ed., with Chaucer songs
    Series: Chaucer studies ; 1
    Subjects: Music; Music and literature; Songs, English (Middle); Part songs, English
    Other subjects: Chaucer, Geoffrey (d. 1400)
    Scope: xiv, 210 p, Ill., Notenbeisp, 29 cm
    Notes:

    Chaucer songs (originally published: Cambridge : D.S. Brewer, 1980 (Chaucer studies ; 4)) for 1-2 voices and unspecified instruments with poems in Middle English by Chaucer fit to French ballades and other forms composed by Machaut, Senleches, Solage, Andrieu, and Deschamps

    Includes bibliographical references (p. [159]) and index

  20. Literatur und Musik
    Form- und Strukturparallelen
    Author: Petri, Horst
    Published: 1964
    Publisher:  Sachse & Pohl, Göttingen

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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    Series: Schriften zur Literatur ; 5
    Subjects: Music and literature
    Scope: 94 S., Notenbeisp.
    Notes:

    Literaturverz. S. 92 - 94

  21. Black chant
    languages of African-American postmodernism
    Published: 1997
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521555108; 0521555264
    Series: Cambridge studies in American literature and culture ; 105
    Subjects: American poetry; American poetry; African Americans; Music and literature; Postmodernism (Literature); Avant-garde (Aesthetics); Modernism (Literature); African Americans in literature; African American arts; Race in literature; Schwarze; Lyrik; Postmoderne
    Scope: XIII, 288 S., Ill., 23 cm
    Notes:

    Literaturverz. S. 267 - 280

  22. Die Oper im Roman
    Erzählkunst und Musik bei Stendhal, Balzac und Flaubert
    Author: Ley, Klaus
    Published: 1995
    Publisher:  Universitätsverlag C. Winter, Heidelberg

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3825302830; 9783825302832
    Series: Studia Romanica ; 83
    Subjects: French fiction; Musical fiction; Music and literature
    Other subjects: Stendhal; Balzac, Honoré de; Flaubert, Gustave
    Scope: 445 Seiten, 22 cm
    Notes:

    Literaturverzeichnis: Seite 431-445

  23. The celestial twins
    poetry and music through the ages
    Published: c1999
    Publisher:  University of Massachusetts Press, Amherst

    The author examines poetry from Latin, Old French, Italian, Anglo-Saxon, modern French, English, and ancient Greek, and espouses the view that "poetry of the highest order has always maintained a respectful distance from music, even while retaining... more

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    The author examines poetry from Latin, Old French, Italian, Anglo-Saxon, modern French, English, and ancient Greek, and espouses the view that "poetry of the highest order has always maintained a respectful distance from music, even while retaining some memory of musical rhythms and organization."--Jacket

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585333890; 9780585333892
    Subjects: Music and literature; Lyric poetry
    Scope: Online-Ressource (328 p)
    Notes:

    Includes bibliographical references (p. 309-317) and index

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction

  24. La musique dans la pensée et dans l'œuvre de Stendhal et de Nerval
    Author: Opiela, Anna
    Published: 2015
    Publisher:  Champion, Paris

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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Dissertation
    Format: Print
    ISBN: 2745328697; 9782745328694
    RVK Categories: IG 7005 ; IG 7255 ; IG 3720
    Series: Romantisme et modernités ; 160
    Subjects: Music and literature
    Other subjects: Stendhal (1783-1842); Nerval, Gérard de (1808-1855)
    Scope: 332 p, 24 cm
    Notes:

    Stendhal (1783-1842); Gérard de Nerval (1808-1855)

    Includes bibliographical references (pages 309) and index

    Zugl.: Warschau, Univ., Diss., 2011

  25. Into the groove
    popular music and contemporary German fiction
    Published: 2015; © 2015
    Publisher:  Camden House, Rochester

    Preludes and returns: popular music, the '68 generation, and the literarization of the jukeboxEnter the double agent: the German popular musician as novelist. Techno-lit: electronica and its impacts on fiction. Analogue is better: rock- and... more

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    1 A 936400
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    Preludes and returns: popular music, the '68 generation, and the literarization of the jukeboxEnter the double agent: the German popular musician as novelist. Techno-lit: electronica and its impacts on fiction. Analogue is better: rock- and pop-centric literature. After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig. The gendering of popular music in the novels of Karen Duve and Kerstin Grether. Conclusion: Out of the groove?.

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781571139184; 1571139184
    RVK Categories: GN 1411 ; GN 3700 ; GO 16013 ; LR 57710
    Series: Studies in German literature, linguistics, and culture
    Subjects: German fiction; German fiction; Music in literature; Music and literature; Paratext
    Scope: 272 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seiten 235-262