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  1. Caesar, Konstantin, Karl und Friedrich
    Published: 2011
    Publisher:  Humboldt-Universität zu Berlin, Philosophische Fakultät II

    Abstract ; Diverse Vorüberlegungen resultieren in der Frage, ob nicht ein der Kaiserchronik inhärentes didaktisches Konzept die Sinnvermittlung bewirken soll. Dazu werden die Lehrinhalte der Kaiserchronik betrachtet. Als ein Neueinsatz in der Weise,... more

     

    Abstract ; Diverse Vorüberlegungen resultieren in der Frage, ob nicht ein der Kaiserchronik inhärentes didaktisches Konzept die Sinnvermittlung bewirken soll. Dazu werden die Lehrinhalte der Kaiserchronik betrachtet. Als ein Neueinsatz in der Weise, wie Historie im literarischen volkssprachigen Medium präsentiert wird, kann die in der Caesargeschichte der Kaiserchronik zu bemerkende Doppelung der Handlung gewertet werden. Am Beispiel der Geschichten Konstantins und Karls kann aufgezeigt werden, wie der Dialog die Struktur und Erzählweise des Textes dominiert. Im Hinblick auf die erste Bayrische Fortsetzung der Kaiserchronik, möchte ich von einem progressiven Intertextualitätsverständnis sprechen, das den Quellenbezug nicht überbewertet, sondern sich auf die Einbettung des von einem Prätext entliehenen Kontexts in den neu zu konzipierenden Text konzentriert. In der Continuatio macht sich dieser progressive Intertextualitätsbegriff insofern bemerkbar, als der Prätext nicht unreflektiert übernommen wird, sondern zuerst an ihm und dann mit ihm weitergearbeitet wird. ; Abstract ; With regard to the construction of sense in the Chronicle of Emperors, an inherent didactic concept can be detected. New presentation techniques of the literary medium of the 12th century like a hero`s two-fold adventure pathway to maturity allow for more complex views of the well-known Caesar tales. On the other hand, dialogue is still dominant as a rhetorical means as structure and narration of the Charlemagne and the Constantine tales disclose. As a final aspect, the Continuatio, the first Bavarian continuation of the Chronicle of Emperors, is under scrutiny. The progressive concept of intertextuality concentrates on the new text, not entirely ignoring the original text, but rather embedding old context in new surroundings.

     

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    Source: BASE Selection for Comparative Literature
    Language: German
    Media type: Undefined
    Format: Online
    DDC Categories: 830
    Subjects: Intertextualität; Deutsches Mittelalter; Chroniken des Mittelalters; German Middle Ages; Medieval Chronicles; Chronicle of Emperors; Intertextuality
  2. Working Towards a Born-Digital Commentary
    Published: 2018

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    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 800
    Subjects: Datenbank; Griechisch; Intertextualität; Lateinisch; Philologie; Posthomerica; Database; Greek; Intertextuality; Latin; Philology
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  3. What Digital Approaches Can Do for the Study of Intertextuality
    Author: Coffee, Neil
    Published: 2018

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    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 870
    Subjects: Griechisch; Intertextualität; Lateinisch; Greek; Intertextuality; Latin
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  4. Citation Practices in Jerome’s Letters as vestigia of Late Antique Identity Construction
    Published: 2018

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    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 870
    Subjects: Hieronymus; Intertextualität; Lateinisch; TEI XML; Text Reuse; Zitate; Citations; Intertextuality; Jerome; Latin
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    kostenfrei

  5. "You cannot evade what is going to happen because, in a sense, it already has happened." Daniel Levines "Hyde": Metafiktion in einem literarischen Spin-off
  6. Ein weites Angebot

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    Language: German
    Media type: Undefined
    Format: Online
    DDC Categories: 830
    Subjects: Bibel; Intertextualität; Realismus; Theodor Fontane; Bible; Intertextuality; Realism
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  7. Roberto Bolaño: Autor und Werk im deutschsprachigen Kontext
    Contributor: Catani, Stephanie (Publisher)
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    Die vielen Figuren deutscher oder deutschsprachiger Herkunft in Roberto Bolaños Gesamtwerk lassen sich ebenso wenig übersehen wie explizite Verweise auf die deutsche Literatur- und Geistesgeschichte. Im Zentrum des Bandes stehen daher Fragen nach... more

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    Die vielen Figuren deutscher oder deutschsprachiger Herkunft in Roberto Bolaños Gesamtwerk lassen sich ebenso wenig übersehen wie explizite Verweise auf die deutsche Literatur- und Geistesgeschichte. Im Zentrum des Bandes stehen daher Fragen nach intertextuellen Bezügen zwischen seinem Werk und der deutschsprachigen Literatur und Geschichte, nach der Rezeption seiner Texte und der Auseinandersetzung mit seiner Person durch den deutschsprachigen Kultur- und Literaturbetrieb sowie nach dem auf den deutschsprachigen Kontext bezogenen »Inventar« seiner Texte (Orte, Räume, Figuren, Motive). Die Beiträger*innen liefern damit einen ersten deutschsprachige Sammelband zu dem chilenischen Schriftsteller und dessen besonderem Deutsch-Bezug

     

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  8. Intertextuality in Seneca's philosophical writings
    Contributor: Garani, Myrto (Publisher); Michalopoulos, Andreas (Publisher); Papaioannou, Sophia (Publisher)
    Published: 2020; © 2020
    Publisher:  Routledge, Abingdon, Oxon ; New York, NY

    "This volume is the first systematic study of Seneca's interaction with earlier literature of a variety of genres and traditions. It examines this interaction and engagement in his prose works, offering interpretative readings that are at once... more

     

    "This volume is the first systematic study of Seneca's interaction with earlier literature of a variety of genres and traditions. It examines this interaction and engagement in his prose works, offering interpretative readings that are at once groundbreaking and stimulating to further study. Focusing on the Dialogues, the Naturales Quaestiones, and the Moral Epistles, the volume includes multi-perspectival studies of Seneca's interaction with all the great Latin epics (Lucretius, Vergil and Ovid), and discussions of how Seneca's philosophical thought is informed by Hellenistic doxography, forensic rhetoric and declamation, the Homeric tradition, Euripidean tragedy and Greco-Roman mythology. The studies analyzes the philosophy behind Seneca's incorporating exact quotations from earlier tradition (including his criteria of selectivity) and Seneca's interaction with ideas, trends and techniques from different sources, in order to elucidate his philosophical ideas and underscore his original contribution to the discussion of established philosophical traditions. They also provide a fresh interpretation of moral issues with particular application to the Roman worldview as fashioned by the mos maiorum. The volume, finally, features detailed discussion of the ways in which Seneca, the author of philosophical prose, puts forward his stance towards poetics and figures himself as a poet. Intertextuality in Seneca's Philosophical Writings will be of interest not only to those working on Seneca's philosophical works, but also to anyone working on Latin literature and intertextuality in the ancient world"--

     

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    Source: Union catalogues
    Contributor: Garani, Myrto (Publisher); Michalopoulos, Andreas (Publisher); Papaioannou, Sophia (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429318153; 0429318154; 9781000037739; 1000037738; 9781000037715; 1000037711; 9781000037692; 100003769X
    Series: Routledge monographs in classical studies
    Routledge monographs in classical studies
    Subjects: Intertextuality
    Other subjects: Seneca, Lucius Annaeus / approximately 4 B.C.-65 A.D. / Criticism and interpretation
    Scope: 1 online resource (xi, 273 pages)
    Notes:

    Description based on online resource; title from digital title page (viewed on April 17, 2020)

  9. Reading Philosophy, Writing Poetry
    Intertextual Modes of Making Meaning in Early Medieval China
    Published: 2018
    Publisher:  BRILL, Leiden

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781684170951; 9780674983823
    Other identifier:
    Series: Harvard University Studies in East Asian Law ; 111
    Harvard University Asia Center E-Book Collection, ISBN: 9789004407077
    Subjects: Chinese poetry; Chinese literature; Intertextuality
    Scope: 1 Online-Ressource
  10. Semiotic encounters
    text, image and trans-nation
    Published: 2009
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Introduction -- Intertextuality: Old Debates in New Contexts /Mary Orr -- Anglophone Transnation, Postcolonial Translation: The Book and the Film as Namesakes /Harish Trivedi -- Migrating Images and Communal Experience /Renate... more

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    Preliminary Material -- Introduction -- Intertextuality: Old Debates in New Contexts /Mary Orr -- Anglophone Transnation, Postcolonial Translation: The Book and the Film as Namesakes /Harish Trivedi -- Migrating Images and Communal Experience /Renate Brosch -- Encountering Darkness: Intertextuality and Polyphony in J.M. Coetzee’s Dusklands (1974) and Matthew Kneale’s English Passengers (2000) /Caroline Lusin -- Affect, Kitsch and Transnational Literature: Azar Nafisi’s “Portable Worlds” /Georgiana Banita -- Washington Irving’s “Rip van Winkle”, A Postcolonial Reading or: In Search of a Usable Past /Walter Göbel -- Echoing Dickens: Three Rewritings of Great Expectations /Irina Bauder-Begerow -- What’s in a Wodehouse? (Non-) Subversive Shakespearean Intertextualities in P.G. Wodehouse’s Jeeves and Wooster Novels /Sarah Säckel -- “No Text Just Comes out Ex Nihilo, It Always Comes out of Other Texts”: Christine Brooke-Rose’s Thru /Ida M. Samperi -- Transcribing Images – Reassembling Cultures: Kazuo Ishiguro’s Japan /Nicola Glaubitz -- Handovers of Empire: Transatlantic Transmissions in Popular Culture /Joachim Frenk and Christian Krug -- Fish and Chips with Marshmallows? Possibilities and Limitations of Trans-Cultural Intermediality /Sonja Fielitz -- Shakespeare in Bollywood? Vishal Bhardwaj’s Omkara /Susanne Gruss -- Text and Pretext: Reading Cultural and Ideological Paradigms in the Hollywood and Egyptian Movie Adaptations of Tolstoy’s Anna Karenina /Amira Nowaira -- Revisiting Transmediality: 9/11 Between Spectacle and Narrative /Noha Hamdy -- “Long Live the New Flesh”? David Cronenberg’s Videodrome and the Limits of Ovidian Metamorphosis /Wolfram R. Keller. Semiotic Encounters: Text, Image and Trans-Nation aims at opening up scholarly debates on the contemporary challenges of intertextuality in its various intersections with postcolonial and visual culture studies. Commencing with three theoretical contributions, which work towards the creation of frameworks under which intertextuality can be (re)viewed today, the volume then explores textual and visual encounters in a number of case studies. While (a) the dimension of the intertextual in the traditional sense (as specified e.g. by Genette) and (b) the widening of the concept towards visual and digital culture govern the structure of the volume, questions of the transnational and/or postcolonial form a recurrent subtext. The volume’s combination of theoretical discussions and case studies, which predominantly deal with ‘English classics’ and their rewritings, film adaptations and/or rereadings, will mainly attract graduate students and scholars working on contemporary literary theory, visual culture and postcolonial literatures

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042027152
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    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 128
    Subjects: Intertextuality; Literature; Intertextuality; Literature ; Theory, etc; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (276 pages), illustrations
    Notes:

    Includes bibliographical references

  11. Women write back
    strategies of response and the dynamics of European literary culture, 1790-1805
    Published: 2009
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Women Write Back -- Gender and Genre: Helen Maria Williams’ Julia, a Novel -- Adventurous Tales: Ellis Cornelia Knight’s Dinarbas; a Tale: Being a Continuation of Rasselas, Prince of Abissinia -- Staging Islam: Karoline von... more

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    Preliminary Material -- Women Write Back -- Gender and Genre: Helen Maria Williams’ Julia, a Novel -- Adventurous Tales: Ellis Cornelia Knight’s Dinarbas; a Tale: Being a Continuation of Rasselas, Prince of Abissinia -- Staging Islam: Karoline von Günderrode’s Mahomed, der Prophet von Mekka -- The Letter and the Body: Julie de Krüdener’s Valérie -- Writing Back, Reading Forward -- Bibliography. Women Write Back explores the late eighteenth- and early nineteenth-century women’s responses to texts written by well-known Enlightment figures. Hilger investigates the authorial strategies employed by Karoline von Günderrode, Ellis Cornelia Knight, Julie de Krüdener, and Helen Maria Williams, whose works engage Voltaire’s Mahomet , Johnson’s Rasselas , Goethe’s Werther , and Rousseau’s Julie . The analysis of these women’s texts sheds light on the literary culture of a period that deemed itself not only enlightened but also egalitarian

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042029057
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    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 124
    Subjects: European literature; European literature; European literature; Intertextuality; European literature; European literature ; Women authors; Intertextuality; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (175 pages)
    Notes:

    Includes bibliographical references (p. 157-175)

  12. The challenge of epic
    allusive engagement in the Dionysiaca of Nonnus
    Published: 2001
    Publisher:  Brill, Leiden

    Preliminary Material -- PREFACE -- INTRODUCTION -- THE CHALLENGE OF EPIC -- THE CYCLE OF DIONYSUS -- THE POET OF DIONYSUS -- THE DIONYSIAC EXPERIENCE -- BIBLIOGRAPHY -- INDEX LOCORUM -- GENERAL INDEX -- SUPPLEMENTS TO MNEMOSYNE. Nonnus once vied with... more

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    Preliminary Material -- PREFACE -- INTRODUCTION -- THE CHALLENGE OF EPIC -- THE CYCLE OF DIONYSUS -- THE POET OF DIONYSUS -- THE DIONYSIAC EXPERIENCE -- BIBLIOGRAPHY -- INDEX LOCORUM -- GENERAL INDEX -- SUPPLEMENTS TO MNEMOSYNE. Nonnus once vied with Homer for popularity; today his Dionysiaca languishes in obscurity. The Challenge of Epic offers a literary critical rehabilitation of Nonnus' fifth-century AD poem. It argues that modern neglect stems from a failure to appreciate the central position of allusion in late-antique poetry. Attention first focuses on intertextual allusion. It is argued that the poet draws on a plethora of allusions to the cycle of Greek mythology in order to imbue his specific narrative with a universal significance. Focus then shifts to metapoetic allusion: the way in which Nonnus alludes self-consciously to the process of writing, and develops parallels between himself and his subject, Dionysus. Through an appreciation of Nonnus' alllusive strategies, the modern reader can again engage with the mind-bending challenge of the Dionysiaca

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004351103
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    Series: Mnemosyne, bibliotheca classica Batava. Supplementum ; 210
    Subjects: Epic poetry, Greek; Epic poetry, Greek; Intertextuality; Allusions in literature; Literature; Criticism, interpretation, etc
    Other subjects: Nonnus of Panopolis: Dionysiaca; Dionysus (Greek deity); Dionysus
    Scope: 1 Online-Ressource (viii, 245 pages)
    Notes:

    Includes bibliographical references (p. 215-227) and indexes

  13. Ein weites Angebot
    Published: 2017
    Publisher:  Humboldt-Universität zu Berlin

    Abstract ; In der vorliegenden Arbeit wird die Funktion verschiedener Bibelbezüge im Romanwerk Theodor Fontanes untersucht. Dabei wird die These vertreten, dass Fontanes Verweise auf biblische Texte nicht etwa bloß als theologische Positionierungen... more

     

    Abstract ; In der vorliegenden Arbeit wird die Funktion verschiedener Bibelbezüge im Romanwerk Theodor Fontanes untersucht. Dabei wird die These vertreten, dass Fontanes Verweise auf biblische Texte nicht etwa bloß als theologische Positionierungen zu lesen seien, sondern dass er die Bibel als Speicher an kulturellem Wissen in Form von Narrativen, Personen, Geflügelten Worten etc. begreift, den er in seiner Leserschaft voraussetzen kann und durch den er Themen wie Normativität und Diskursivität mit einer besonderen Tiefe in der Spannung von Text und Prätext verhandeln kann. Im Zentrum der Untersuchung stehen dabei Verwendungen von Bibelbezügen als hochkommunikative Diskursschablonen für poetologische Selbstreflexionen sowie für politische oder frömmigkeits-praktische Kontroversen. ; Abstract ; The aim of this treatise is to discuss various functions of references to biblical writings which can be observed in Theodor Fontane’s novels. Analyzing various references and allusions (especially in “Grete Minde”, “Quitt” and “Der Stechlin”), it is maintained that Fontane does not use bible-references as theological statements, but with a wide range of scopes and functions: Providing sujés, situations and constellations which are well known by the typical 19th century audience, references to biblical texts can be used to discuss topics like normativity and discursivity as well as to offer a pattern for political and religious discurses or poetological reflections.

     

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    Source: BASE Selection for Comparative Literature
    Language: German
    Media type: Dissertation
    Format: Online
    DDC Categories: 830
    Subjects: Bibel; Intertextualität; Realismus; Theodor Fontane; Bible; Intertextuality; Realism; Deutsche Literatur
    Rights:

    Namensnennung-NichtKommerziell-KeineBearbeitung 3.0 Deutschland ; creativecommons.org/licenses/by-nc-nd/3.0/de/

  14. Rhetoric online
    persuasion and politics on the World Wide Web
    Published: 2007
    Publisher:  Lang, New York, NY

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780820488028; 082048802X
    Other identifier:
    9780820488028
    RVK Categories: ET 785
    DDC Categories: 400
    Series: Frontiers in political communications ; 12
    Subjects: Rhetoric; Internet; Persuasion (Rhetoric); Intertextuality
    Scope: VIII, 160 S., Ill., graph. Darst., 230 mm x 160 mm
    Notes:

    Literaturverz. S. [139] - 152

  15. <<Das>> ästhetische Spiel von Text, Leser und Autor
    Intertextualität neu gedacht an Adolf Muschgs Parzival-Rezeption Der Rote Ritter ; eine Geschichte von Parzival am Beispiel der Frauenfiguren
    Published: 2004
    Publisher:  Lang, Frankfurt am Main

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3631528450
    Other identifier:
    9783631528457
    RVK Categories: GN 7885
    DDC Categories: 830
    Series: Europäische Hochschulschriften : Reihe 1, Deutsche Sprache und Literatur ; 1899
    Subjects: Perceval (Legendary character); Intertextuality; Reader-response criticism; Women in literature
    Scope: 316 S., graph. Darst., 21 cm
    Notes:

    Zugl.: Magdeburg, Univ., Diss., 2004

  16. Poiesis poieseos
    Alexandrinische Dichtung kata lepton in strukturaler und humanethologischer Deutung. Kall. fr. 254 - 268 C SH, Theokr. 1, 32 - 54, Theokr. 7, Theokr. 11, Theokr. '25
    Published: 1997
    Publisher:  B.G. Teubner, Stuttgart ; Leipzig

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110951158
    Other identifier:
    RVK Categories: FE 3220 ; FE 4149
    Series: Beiträge zur Altertumskunde ; Band 102
    Subjects: Intertextualitet; Poesi - Alexandria; Semiotik; Textlingvistik; Greek poetry, Hellenistic -- History and criticism; Rhetoric, Ancient; Intertextuality; Griechisch; Hellenismus; Lyrik; Intertextualität
    Other subjects: Kallimachos <ca 305-ca 240 f. Kr>; Theocritus <200-talet f.Kr>; Callimachus -- Criticism and interpretation; Theocritus -- Criticism and interpretation; Theocritus (ca. v4./3.Jh.); Callimachus (ca. v300-v240); Theocritus (ca. v4./3.Jh.): Carmina; Electronic books
    Scope: 1 Online-Ressource (263 Seiten)
    Notes:

    Poiesis Poieseos: Alexandrinische Dichtung Kata Lepton in Strukturaler Und Humanethologischer Deutung. Kall. Fr. 254 - 268 C Sh, Theokr. (Beitrage Zur Altertumskunde)

    Dissertation, Universität Zürich, 1995/96

  17. »Es gibt für mich keine Zitate«
    Intertextualität im dichterischen Werk Ingeborg Bachmanns
    Published: 2002
    Publisher:  De Gruyter, Berlin

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783484181656; 9783110910537; 9783111836447
    RVK Categories: GN 2949
    Series: Studien zur deutschen Literatur ; 165
    Subjects: Intertextuality; Intertextualität; Zitat
    Other subjects: Bachmann, Ingeborg (1926-1973); Bachmann, Ingeborg (1926-1973): Das dreißigste Jahr; Bachmann, Ingeborg (1926-1973): Ausfahrt; Bachmann, Ingeborg (1926-1973); Bachmann, Ingeborg (1926-1973): Malina; Electronic books
    Scope: 1 Online-Ressource (IX, 505 S.)
    Notes:

    Includes bibliographical references (pages 463-494) and indexes. - Originally published as the author's thesis (doctoral)--Universität Göttingen, 2001

    Main description: Relations between texts (intertextuality) are one of the pet themes of recent (linguistic and literary) research. But they are more frequently asserted than demonstrated. The study develops the methodological equipment required to test such theses. This is then used to examine texts by Ingeborg Bachmann (1926-1973), from her earliest poems to her late prose. The analysis is able to correct some cherished 'myths' in the recent research on Bachmann, notably the relationship between Bachmann and Celan, Bachmann's so-called 'musical poetology', and the influence of Adorno, Heidegger, and others

    Main description: Text-Text-Beziehungen (Intertextualität) sind ein Lieblingsthema der jüngeren Forschung. Sie werden jedoch häufiger behauptet als eindeutig nachgewiesen. Die Untersuchung entwickelt das methodische Rüstzeug, solche Thesen zu prüfen. Auf dieser Grundlage werden Texte Ingeborg Bachmanns (1926-1973) von den frühesten Gedichten bis zur späten Prosa analysiert. Dabei kann die Untersuchung einige "Mythen" der jüngeren Bachmann-Forschung korrigieren, etwa zum Verhältnis von Bachmann und Celan, zu ihrer "musikalischen Poetologie" oder zum Einfluß von Adorno, Heidegger und anderer

  18. Playwrights and Plagiarists in Early Modern England
    Gender, Authorship, Literary Property
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for men, for amateurs than for professionals, and for playwrights than for other authors. Rosenthal explores distinctions between legitimate and illegitimate forms of literary appropriation in drama from 1650 to 1730. In considering the alleged plagiarists Margaret Cavendish (the Duchess of Newcastle), Aphra Behn, John Dryden, Colley Cibber, and Susanna Centlivre, Rosenthal maintains that accusations had less to do with the degree of repetition in texts than with the gender of the authors and the cultural location of the plays. Questions of literary property, then, became not just legal matters but part of a discourse aimed at conferring or withholding cultural authority. Struggles over literary property must be seen in the context of competing conceptions of property in general, Rosenthal asserts, and she shows how both Filmerian and Lockean models gender the position of the owner. Drawing on feminist theory and from scholarship in history, philosophy, and political science, Rosenthal debates the relationship between women and property in modern England. Gender and class, she contends, continue to influence judgments as to what stories a playwright can own or use, as to whom critics praise as heirs to Shakespeare and Jonson, and as to whom they damn as plagiarists

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744808
    Other identifier:
    Subjects: Performing Arts & Drama; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Authorship; Authorship; English drama; English drama; English drama; Intertextuality; Literature and society; Plagiarism; Plagiarism; Playwriting; Theater; Women and literature; Plagiat; Englisch; Drama
    Scope: 1 online resource (272 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)

  19. The Mask of Comedy
    Aristophanes and the Intertextual Parabasis
    Published: [2019]; © 2013
    Publisher:  Cornell University Press, Ithaca, NY

    A choral interlude distinctive to Greek Old Comedy, the parabasis treats a variety of literary and political topics that critics have generally considered tangential to the themes of the play in which it appears. Reading closely each of Aristophanes'... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    A choral interlude distinctive to Greek Old Comedy, the parabasis treats a variety of literary and political topics that critics have generally considered tangential to the themes of the play in which it appears. Reading closely each of Aristophanes' comedies, Thomas K. Hubbard here demonstrates that, far from being a digression or a relic of long-forgotten rituals, the parabasis provides a critical link between the identities of the poet, chorus, and protagonist, and between the play and its audience.The parabasis, according to Hubbard, offers an interesting theoretical problem: the seeming intrusion of autobiographical allusion and literary dogma into the poetic text. He argues that the parabasis is not in fact intrusive, but presents the poet's role and identity as a paradigm for the satirical concerns of the play. After a review of ancient theories of the comic and their modern counterparts, Hubbard examines the parabasis within the framework of Greek traditions of poetic self-awareness and self-citation.He shows that the function of the parabasis is primarily "intertextual," echoing not only other poets but also the comic poet himself. Hubbard maintains that the parabases of Aristophanes' plays, taken together, form an important autobiographical subtext, which allows readers to trace the poet's career as he wished it to be seen. The poet, in his various struggles with Athenian society, is himself revealed to be a comic hero on a par with many of his protagonists. Analyzing Aristophanes' plays sequentially through the lens of the parabasis, The Mask of Comedy gives us a new perspective on the significance of his entire dramatic corpus. It will be welcomed by classicists and by comparatists and literary theorists interested in the development of comedy

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801466915
    Other identifier:
    Series: Cornell Studies in Classical Philology ; 51
    Subjects: LITERARY CRITICISM / Ancient & Classical; Drama; Drama; Greek drama (Comedy); Intertextuality; Literature and society; Social problems in literature; Griechisch; Chor; Komödie; Parabase
    Other subjects: Aristophanes (v445-v385)
    Scope: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)

  20. Reading the Allegorical Intertext
    Chaucer, Spenser, Shakespeare, Milton
    Published: [2010]; © 2010
    Publisher:  Fordham University Press, New York, NY

    Judith H. Anderson conceives the intertext as a relation between or among texts that encompasses both Kristevan intertextuality and traditional relationships of influence, imitation, allusion, and citation. Like the Internet, the intertext is a... more

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    Judith H. Anderson conceives the intertext as a relation between or among texts that encompasses both Kristevan intertextuality and traditional relationships of influence, imitation, allusion, and citation. Like the Internet, the intertext is a state, or place, of potential expressed in ways ranging from deliberate emulation to linguistic free play. Relatedly, the intertext is also a convenient fiction that enables examination of individual agency and sociocultural determinism. Anderson’s intertext is allegorical because Spenser’s Faerie Queene is pivotal to her study and because allegory, understood as continued or moving metaphor, encapsulates, even as it magnifies, the process of signification. Her title signals the variousness of an intertext extending from Chaucer through Shakespeare to Milton and the breadth of allegory itself. Literary allegory, in Anderson’s view, is at once a mimetic form and a psychic one—a process thinking that combines mind with matter, emblem with narrative, abstraction with history. Anderson’s first section focuses on relations between Chaucer’s Canterbury Tales and Spenser’s The Faerie Queene, including the role of the narrator, the nature of the textual source, the dynamics of influence, and the bearing of allegorical narrative on lyric vision. The second centers on agency and cultural influence in a variety of Spenserian and medieval texts. Allegorical form, a recurrent concern throughout, becomes the pressing issue of section three. This section treats plays and poems of Shakespeare and Milton and includes two intertextually relevant essays on Spenser.How Paradise Lost or Shakespeare’s plays participate in allegorical form is controversial. Spenser’s experiments with allegory revise its form, and this intervention is largely what Shakespeare and Milton find in his poetry and develop. Anderson’s book, the result of decades of teaching and writing about allegory, especially Spenserian allegory, will reorient thinking about fundamental critical issues and the landmark texts in which they play themselves out

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823238132
    Other identifier:
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English literature; Influence (Literary, artistic, etc.); Intertextuality; Symbolism in literature
    Scope: 1 online resource (452 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  21. Intertextuality in Flavian Epic Poetry
    Contemporary Approaches
    Contributor: Coffee, Neil (Publisher); Forstall, Christopher W. (Publisher); Galli Milić, Lavinia (Publisher); Nelis, Damien (Publisher)
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Boston

    This collection of essays reaffirms the central importance of adopting an intertextual approach to the study of Flavian epic poetry and shows, despite all that has been achieved, just how much still remains to be done on the topic. Most of the... more

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    This collection of essays reaffirms the central importance of adopting an intertextual approach to the study of Flavian epic poetry and shows, despite all that has been achieved, just how much still remains to be done on the topic. Most of the contributions are written by scholars who have already made major contributions to the field, and taken together they offer a set of state of the art contributions on individual topics, a general survey of trends in recent scholarship, and a vision of at least some of the paths work is likely to follow in the years ahead. In addition, there is a particular focus on recent developments in digital search techniques and the influence they are likely to have on all future work in the study of the fundamentally intertextual nature of Latin poetry and on the writing of literary history more generally

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Coffee, Neil (Publisher); Forstall, Christopher W. (Publisher); Galli Milić, Lavinia (Publisher); Nelis, Damien (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110602203
    Other identifier:
    Series: Trends in Classics - Supplementary Volumes ; Band 64
    Subjects: Digital Humanities; Flavian epic poetry; Flavische Epik; Intertextuality; Intertextualität; Römische Epik; epic tradition; LITERARY CRITICISM / Ancient & Classical; Digitaltechnik; Epos; Intertextualität
    Other subjects: Flavier Dynastie : 69-96; Valerius Flaccus Setinus Balbus, Gaius (-90): Argonautica; Silius Italicus, Tiberius Catius Asconius (ca. 26-101 n. Chr.): Punica; Statius, Publius Papinius (45-96): Thebais
    Scope: 1 online resource (IX, 476 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Dez 2019)

  22. Roberto Bolaño: Autor und Werk im deutschsprachigen Kontext
    Contributor: Catani, Stephanie (Publisher)
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    Die vielen Figuren deutscher oder deutschsprachiger Herkunft in Roberto Bolaños Gesamtwerk lassen sich ebenso wenig übersehen wie explizite Verweise auf die deutsche Literatur- und Geistesgeschichte. Im Zentrum des Bandes stehen daher Fragen nach... more

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    Alice Salomon Hochschule Berlin, Bibliothek
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    Die vielen Figuren deutscher oder deutschsprachiger Herkunft in Roberto Bolaños Gesamtwerk lassen sich ebenso wenig übersehen wie explizite Verweise auf die deutsche Literatur- und Geistesgeschichte. Im Zentrum des Bandes stehen daher Fragen nach intertextuellen Bezügen zwischen seinem Werk und der deutschsprachigen Literatur und Geschichte, nach der Rezeption seiner Texte und der Auseinandersetzung mit seiner Person durch den deutschsprachigen Kultur- und Literaturbetrieb sowie nach dem auf den deutschsprachigen Kontext bezogenen »Inventar« seiner Texte (Orte, Räume, Figuren, Motive). Die Beiträger*innen liefern damit einen ersten deutschsprachige Sammelband zu dem chilenischen Schriftsteller und dessen besonderem Deutsch-Bezug

     

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  23. Panthea's children
    Hellenistic novels and medieval Persian romances
    Author: Davis, Dick
    Published: 2002
    Publisher:  Bibliotheca Persica Press, New York, NY

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2003 A 21305
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    8: IIb 711
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0933273657
    RVK Categories: G:gr S:lh Z:14
    Series: Biennial Yarshater lecture series ; 3
    Subjects: Persian literature; Greek fiction, Hellenistic; Comparative literature; Comparative literature; Influence (Literary, artistic, etc.); Intertextuality
    Scope: 113 S
    Notes:

    Includes bibliographical references and index

    Introduction and acknowledgements -- The veil in the rock -- Obstacles to love -- Stealing the bride -- The fires of chastity -- An epilogue: "the virtuous woman whose husband went on a journey

  24. Elsa Morante e l'eredità proustiana
    Published: 1998
    Publisher:  Cadmo, Fiesole

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 357210
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    IV 36121 L931
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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 8879231391
    Series: Polímnia ; 2
    Subjects: Intertextuality
    Other subjects: Morante, Elsa (ca. 1912-1985); Morante, Elsa (ca. 1912-1985): Menzogna e sortilegio; Proust, Marcel (1871-1922)
    Scope: IX, 199 S
    Notes:

    Bibliogr. S. [185] - 195

  25. Fremdsprachenunterricht als Spiel der Texte und Kulturen
    Intertextualität als Paradigma einer kulturwissenschaftlichen Didaktik
    Published: 2002
    Publisher:  WVT, Wiss. Verl. Trier, Trier

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    A 10.9.-54
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    M 20/10091
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    2003/4921
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3884765434
    RVK Categories: HD 219 ; HD 214
    Series: ELCH ; 6
    Subjects: Intertextuality; Language and languages
    Scope: XIV, 295 S., Ill., graph. Darst., 21 cm
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    Literaturverz. S. 273 - 295

    Zugl.: Lüneburg, Univ., Diss., 2002