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Displaying results 1 to 25 of 1686.

  1. Shakespeare and Emotional Expression
    Finding Feeling through Colour.
    Author: Phillips, Bríd
    Published: 2022
    Publisher:  Routledge, [Place of publication not identified] ; Taylor & Francis Group, London

    Shakespeare and Emotional Expression offers an exciting new way of considering emotional transactions in Shakespearean drama. The book is significant in its scope and originality as it uses the innovative medium of colour terms and references to... more

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    Shakespeare and Emotional Expression offers an exciting new way of considering emotional transactions in Shakespearean drama. The book is significant in its scope and originality as it uses the innovative medium of colour terms and references to interrogate the early modern emotional register. By examining contextual and cultural influences, this work explores the impact these influences have on the relationship between colour and emotion and argues for the importance of considering chromatic references as a means to uncover emotional significances. Using a broad range of documents, it offers a wider understanding of affective expression in the early modern period through a detailed examination of several dramatic works. Although colour meanings fluctuate, by paying particular attention to contextual clues and the historically specific cultural situations of Shakespeare's plays, this book uncovers emotional significances that are not always apparent to modern audiences and readers. Through its examination of the nexus between the history of emotions and the social and cultural uses of colour in early modern drama, Shakespeare and Emotional Expression adds to our understanding of the expressive and affective possibilities in Shakespearean drama

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003198246; 1003198244; 9781000556322; 1000556328; 9781000556391; 1000556395
    Edition: First edition
    Series: Routledge Studies in Shakespeare
    Subjects: Emotions in literature; DRAMA / Shakespeare; LITERARY CRITICISM / General; LITERARY CRITICISM / Shakespeare
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (192 pages)
  2. Affective geographies
    Cervantes, emotion, and the literary Mediterranean
    Author: Johnson, Paul Michael
    Published: [2020]
    Publisher:  University of Toronto Press, Toronto

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487536398; 9781487536404
    Other identifier:
    Series: Toronto Iberic
    Subjects: Emotions in literature; LITERARY CRITICISM / European / Spanish & Portuguese
    Other subjects: Blue Humanities.; Don Quixote.; Fernand Braudel.; Golden Age literature.; Mediterranean.; Miguel de Cervantes.; Moorish.; Moriscos.; Oceanic Studies.; Spain.; affect.; early modern Spanish literature.; emotion.; sentiment.
    Scope: 1 Online-Ressource (xiv, 307 Seiten), Illustrationen, Karten
    Notes:

    Literaturverzeichnis: Seite [251]-288
  3. Great books by German women in the age of emotion, 1770-1820
    Author: Daley, Margaretmary
    Published: 2022
    Publisher:  Camden House, Rochester, New York

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781640140974
    Series: Women and gender in German studies
    Subjects: German fiction; German fiction; German fiction; Women in literature; Emotions in literature; Literary criticism
    Scope: x, 299 Seiten
    Notes:

    enthält Literaturangaben
  4. Joys and sorrows of imaginary persons
    on literary emotions
    Author: Wesling, Donald
    Published: 2008
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- On Literary Emotions -- Joys and Sorrows of Imaginary Persons -- A Feeling of and, a Feeling of if : Emotion as Relation -- A Theory of Literary Emotion -- Pity, Fear, and Arrangement in W.C. Williams and Shakespeare -- The... more

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    Preliminary Material -- On Literary Emotions -- Joys and Sorrows of Imaginary Persons -- A Feeling of and, a Feeling of if : Emotion as Relation -- A Theory of Literary Emotion -- Pity, Fear, and Arrangement in W.C. Williams and Shakespeare -- The Wide Net of Storytelling -- The Story of One Story -- A Role for Literature -- Bibliography -- Index. Joys and Sorrows of Imaginary Persons is a literary approach to consciousness where Donald Wesling denies that emotion is the scandal or handmaid of reason—rather emotion is the co-creator with reason of human life in the world. Discoveries in neuro-science in the 1990s Decade of the Brain have proven that thinking and feeling are wrapped with each other, and regulate and fulfill each other. Accepting this co-creative equality, we reveal a new role for literature, or a traditional role we’ve repressed: literature as a set of processes in time where we’ve thought feeling through stories about the lives of imaginary persons. We need these stories in order to practice emotions for when we return to the world from reading. Donald Wesling argues that to be more accurate in our dealings with stories, we require a grammar of this new recognition, where we build up traditional stylistics by a more careful tracking of emotion-states as these are set into writing. The first half of Joys and Sorrows of Imaginary Persons offers a creative stock-taking of the current state of scholarship on emotion, based on wide reading in several fields. The second half gives three focused studies, rich in examples, of emotion as cognition, as story, and as historical structure of feeling

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401205795
    Other identifier:
    Series: Consciousness, literature & the arts ; 16
    Subjects: Emotions in literature; Literature, Modern; Emotions in literature; Literature, Modern; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (221 pages)
    Notes:

    Includes bibliographical references (p. 201-215) and index
  5. Certain, lively episodes
    the articulation of passion in eighteenth-century prose
    Author: MacKenzie, Alan T.
    Published: 1990
    Publisher:  Univ. of Georgia Pr., Athens, Ga. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0820311677
    RVK Categories: HK 1091
    Edition: 1. [print.]
    Subjects: Array; Psychological aspects; Array; Emotions in literature
    Scope: 265 S., Ill.
  6. Verfehlte Gefühle
    Wissen - Begehren - Darstellen bei Kleist und Rousseau
    Author: Moser, Christian
    Published: 1993
    Publisher:  Königshausen & Neumann, Würzburg

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3884797611
    RVK Categories: GK 5164
    Series: Epistemata : Reihe Literaturwissenschaft ; 94
    Subjects: Emotions in literature
    Scope: 261 S.
    Notes:

    Zugl.: Bonn, Univ., Diss., 1991
  7. The Emotions of the Ancient Greeks
    Studies in Aristotle and Classical Literature
    Author: Konstan, David
    Published: [2016]; © 2006
    Publisher:  University of Toronto Press, Toronto

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442674370
    Other identifier:
    Series: Robson Classical Lectures
    Subjects: Emotions (Philosophy); Emotions in literature; Greek literature; Gefühl; Gefühl <Motiv>; Philosophie
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  8. Proust and Emotion
    The Importance of Affect in "A la recherche du temps perdu"
    Author: Wimmers, Inge Crosman
    Published: [2016]; © 2003
    Publisher:  University of Toronto Press, Toronto

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442678866
    Other identifier:
    Series: University of Toronto Romance Series
    Subjects: Emotions in literature; Reader-response criticism; Gefühl
    Other subjects: Proust, Marcel (1871-1922): À la recherche du temps perdu
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  9. The Imperfect Friend
    Emotion and Rhetoric in Sidney, Milton and Their Conexts
    Author: Olmsted, Wendy
    Published: [2016]; © 2008
    Publisher:  University of Toronto Press, Toronto

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442688315
    Other identifier:
    Subjects: Emotions in literature; English literature; Identity (Psychology) in literature; Self in literature; Freundschaft <Motiv>
    Other subjects: Sidney, Philip (1554-1586); Milton, John (1608-1674)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  10. Göttliches Empfinden
    sanfte Melancholie in der englischen und deutschen Literatur der Aufklärung
    Author: Battenfeld, Katja
    Published: 2013
    Publisher:  De Gruyter, Berlin [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110307245; 9783110307412
    Other identifier:
    Series: Hallesche Beiträge zur europäischen Aufklärung ; 49
    Subjects: Emotions in literature; English literature; Enlightenment; Enlightenment; German literature; Melancholy in literature; Melancholie <Motiv>; Gefühl <Motiv>; Englisch; Literatur; Deutsch
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (IX, 318 S.)
    Notes:

    Includes bibliographical references and index

    Main description: Diese Studie literaturwissenschaftlicher Emotionsforschung widmet sich der Kultivierung sanfter Melancholie, um einer allein repressiven Melancholie der Aufklärung positive Effekte zur Seite zu stellen. Emotionalisierungsstrategien englischer und deutscher Texte zeigen eine Melancholie, die Sprachfähigkeit über Phänomene geben und schließlich emotionale Autonomie bekräftigen konnte

    Main description: This work of academic literary research on emotion addresses the cultivation of gentle melancholy during the Enlightenment era to indicate its positive effects alongside the primarily repressive melancholy of the times. The emotionalization strategies in English and German texts reveal a kind of melancholy that facilitated the ability to speak about emotional phenomena and ultimately served to strengthen emotional autonomy

    Univ., Diss.--Marburg, 2010
  11. Affekt und Ausdruck
    Zur Umwandlung der literarischen Rede im 17. und 18. Jahrhundert
    Author: Campe, Rüdiger
    Published: 1990
    Publisher:  De Gruyter, Berlin

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783484181076; 9783110945591; 9783111838106
    Series: Studien zur deutschen Literatur ; 107
    Subjects: Deutsch; Emotions in literature; German language; German literature; German literature; Semiotics and literature; Affekt; Poetik; Geschichte; Literatur; Deutsch; Literarischer Stil; Hermeneutik; Rhetorik; Affektenlehre
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (XXIV, 586 S.)
    Notes:

    Includes bibliographical references (pages 555-578) and index
  12. Orgolh--umil
    Untersuchungen zur lexikalischen Ausprägung des Altokzitanischen im Sinnbereich des Selbstgefühls
    Author: Babin, Malte-Ludolf
    Published: 1993
    Publisher:  Niemeyer, Tübingen

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3484522518; 9783484522510; 9783110941234
    Other identifier:
    Series: Beihefte zur Zeitschrift für romanische Philologie ; Bd. 251
    Subjects: Civilization, Medieval, in literature; Emotions in literature; Provençal language; Provençal language; Provençal poetry; Wortfeld; Altokzitanisch; Selbstgefühl
    Scope: 1 Online-Ressource (xi, 459 p)
    Notes:

    Includes bibliographical references
  13. Affekt und Ausdruck
    Zur Umwandlung der literarischen Rede im 17. und 18. Jahrhundert
    Author: Campe, Rüdiger
    Published: 1990
    Publisher:  Niemeyer, Tübingen

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110945591; 9783111838106
    Other identifier:
    RVK Categories: EC 5163 ; GE 3227 ; GE 3720 ; GH 1205 ; GH 1531
    Series: Studien zur deutschen Literatur ; 107
    Subjects: Germanic Languages; Linguistics, Communication Studies; Deutsch; Emotions in literature; German language; German literature; German literature; Semiotics and literature; Affekt; Poetik; Geschichte; Literatur; Deutsch; Literarischer Stil; Hermeneutik; Rhetorik; Affektenlehre
    Scope: 1 Online-Ressource (XXIV, 586 S.)
    Notes:

    Includes bibliographical references (pages 555-578) and index

    De Gruyter

    Zugl.: Freiburg (Breisgau), Univ., Diss., 1987
  14. Zwischen Verstand und Gefühl
    Romanheldinnen des 18. und 19. Jahrhunderts
    Author: Kestner, Dana
    Published: 2013
    Publisher:  De Gruyter, Berlin [u.a.]

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan
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    Gemeinsamer Bibliotheksverbund (GBV)

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110331288; 9783110331479
    Other identifier:
    RVK Categories: EC 5167 ; EC 5177 ; EC 6795
    Series: Communicatio ; 45
    Subjects: Emotions in literature; European fiction; Gender identity in literature; Heroines in literature; Verführung <Motiv>; Heldin; Französisch; Bildungsroman; Frauenroman; Deutsch; Englisch; Geschlechterrolle <Motiv>
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (XI, 389 S.)
    Notes:

    Includes bibliographical references and index

    Main description: Die Arbeit fragt nach der Gültigkeit des Geschlechtscharakterdiskurses im 19. Jahrhundert. Anhand ausgewählter Romane der deutschen, englischen und französischen Literatur des 18. und 19. Jahrhunderts wird der These eines spezifisch weiblichen Konflikts zwischen Verstand und Gefühl nachgegangen. Im Vergleich mit zeitgenössischen Erziehungsratgebern wird der westeuropäische Roman in seinen diskursgeschichtlichen Kontexten exploriert

    Main description: This work examines the validity of 19th century gender discourses. Using a selection of novels from the German, English, and French literature of the 18th and 19th centuries, it explores the thesis that there is a specifically feminine conflict between understanding and emotion. Using contemporary instructional manuals for comparison, it undertakes a historical exploration of the contextual place of the Western European novel in gender discourse

    This work examines the validity of 19th century gender discourses. Using a selection of novels from the German, English, and French literature of the 18th and 19th centuries, it explores the thesis that there is a specifically feminine conflict between understanding and emotion. Using contemporary instructional manuals for comparison, it undertakes a historical exploration of the contextual place of the Western European novel in gender discourse

    Univ., Diss.--Siegen, 2011
  15. The Spatiality of Emotion in Early Modern China
    From Dreamscapes to Theatricality
    Author: Lam, Ling Hon
    Published: [2018]; © 2018
    Publisher:  Columbia University Press, New York, NY

    Emotion takes place. Rather than an interior state of mind in response to the outside world, emotion per se is spatial, at turns embedding us from without, transporting us somewhere else, or putting us ahead of ourselves. In this book, Ling Hon Lam... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Emotion takes place. Rather than an interior state of mind in response to the outside world, emotion per se is spatial, at turns embedding us from without, transporting us somewhere else, or putting us ahead of ourselves. In this book, Ling Hon Lam gives a deeply original account of the history of emotions in Chinese literature and culture centered on the idea of emotion as space, which the Chinese call "emotion-realm" (qingjing).Lam traces how the emotion-realm underwent significant transformations from the dreamscape to theatricality in sixteenth- to eighteenth-century China. Whereas medieval dreamscapes delivered the subject into one illusory mood after another, early modern theatricality turned the dreamer into a spectator who is no longer falling through endless oneiric layers but pausing in front of the dream. Through the lens of this genealogy of emotion-realms, Lam remaps the Chinese histories of morals, theater, and knowledge production, which converge at the emergence of sympathy, redefined as the dissonance among the dimensions of the emotion-realm pertaining to theatricality.The book challenges the conventional reading of Chinese literature as premised on interior subjectivity, examines historical changes in the spatial logic of performance through media and theater archaeologies, and ultimately uncovers the different trajectories that brought China and the West to the convergence point of theatricality marked by self-deception and mutual misreading. A major rethinking of key terms in Chinese culture from a comparative perspective, The Spatiality of Emotion in Early Modern China develops a new critical vocabulary to conceptualize history and existence

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231547581
    Other identifier:
    Subjects: Chinese drama; Emotions in literature; Space perception in literature; Aufführung; Chinesisch; Gefühl <Motiv>; Drama; Raum <Motiv>; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Sep 2018)
  16. Malicious Objects, Anger Management, and the Question of Modern Literature
    Author: Kreienbrock, Jörg
    Published: [2012]; © 2012
    Publisher:  Fordham University Press, New York, NY

    Why do humans get angry with objects? Why is it that a malfunctioning computer, a broken tool, or a fallen glass causes an outbreak of fury? How is it possible to speak of an inanimate object’s recalcitrance, obstinacy, or even malice? When things... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Why do humans get angry with objects? Why is it that a malfunctioning computer, a broken tool, or a fallen glass causes an outbreak of fury? How is it possible to speak of an inanimate object’s recalcitrance, obstinacy, or even malice? When things assume a will of their own and seem to act out against human desires and wishes rather than disappear into automatic, unconscious functionality, the breakdown is experienced not as something neutral but affectively—as rage or as outbursts of laughter. Such emotions are always psychosocial: public, rhetorically performed, and therefore irreducible to a "private" feeling.By investigating the minutest details of life among dysfunctional household items through the discourses of philosophy and science, as well as in literary works by Laurence Sterne, Jean Paul, Friedrich Theodor Vischer, and Heimito von Doderer, Kreienbrock reconsiders the modern bourgeois poetics that render things the way we know and suffer them

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823245314
    Other identifier:
    Subjects: Agency; German Literature; Humor; Network-Actor Theory; Phenomenology; Psychoanalysis; Technology of the Self; Thing Theory; LITERARY CRITICISM / European / German; Anger in literature; Anger; Emotions in literature; Emotions
    Scope: 1 online resource (328 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  17. The Sentimental Touch
    The Language of Feeling in the Age of Managerialism
    Author: Ritzenberg, Aaron
    Published: [2012]; © 2012
    Publisher:  Fordham University Press, New York, NY

    Between 1850 and 1940, with the rise of managerial capitalism in the United States, the most powerful businesses ceased to be family owned, instead becoming sprawling organizations controlled by complex bureaucracies. Sentimental literature—work... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Between 1850 and 1940, with the rise of managerial capitalism in the United States, the most powerful businesses ceased to be family owned, instead becoming sprawling organizations controlled by complex bureaucracies. Sentimental literature—work written specifically to convey and inspire deep feeling—does not seem to fit with a swiftly bureaucratizing society. Surprisingly, though, sentimental language persisted in American literature, even as a culture of managed systems threatened to obscure the power of individual affect.The Sentimental Touch explores the strange, enduring power of sentimental language in the face of a rapidly changing culture. Analyzing novels by Harriet Beecher Stowe, Mark Twain, Sherwood Anderson, and Nathanael West, the book demonstrates that sentimental language changes but remains powerful, even in works by authors who self-consciously write against the sentimental tradition. Sentimental language has an afterlife, enduring in American literature long after authors and critics declared it dead, insisting that human feeling can resist a mechanizing culture and embodying, paradoxically, the way that literary conventions themselves become mechanical and systematic

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823245550
    Other identifier:
    Subjects: American literature; Body in literature; Business and literature; Capitalism and feeling; Emotion in literature; Feeling in literature; Managerialism; Modernism; Realism; Sentimentalism; LITERARY CRITICISM / American / General; American literature; American literature; Emotions in literature
    Scope: 1 online resource (192 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  18. Transformation of Rage
    Mourning and Creativity in George Eliot's Fiction
    Author: Johnstone, Peggy Fitzhugh
    Published: [1994]; © 1994
    Publisher:  New York University Press, New York, NY

    George Eliot has been widely praised both for the richness of her prose and the universality of her themes. In this compelling study, Peggy Fitzhugh Johnstone goes beyond these traditional foci to examine the role of aggression in Eliot's fiction and... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    George Eliot has been widely praised both for the richness of her prose and the universality of her themes. In this compelling study, Peggy Fitzhugh Johnstone goes beyond these traditional foci to examine the role of aggression in Eliot's fiction and to find its source in the author's unconscious sense of loss stemming from traumatic family separations and deaths during her childhood and adolescence. Johnstone demonstrates that Eliot's creative work was a constructive response to her sense of loss and that the repeating patterns in her novels reflect the process of release from her state of mourning for lost loved ones

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780814743973
    Other identifier:
    Subjects: LITERARY CRITICISM / General; Anger in literature; Characters and characteristics in literature; Creativity in literature; Emotions in literature; Grief in literature; Psychoanalysis and literature; Psychoanalysis and literature; Psychological fiction, English; Psychological fiction, English
    Scope: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jun 2020)
  19. Unfelt
    the language of affect in the British enlightenment
    Author: Noggle, James
    Published: [2020]; © 2020
    Publisher:  Cornell University Press, Ithaca ; London

    Unfelt offers a new account of feeling during the British Enlightenment, finding that the passions and sentiments long considered as preoccupations of the era depend on a potent insensibility, the secret emergence of pronounced emotions that only... more

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    Unfelt offers a new account of feeling during the British Enlightenment, finding that the passions and sentiments long considered as preoccupations of the era depend on a potent insensibility, the secret emergence of pronounced emotions that only become apparent with time. Surveying a range of affects including primary sensation, love and self-love, greed, happiness, and patriotic ardor, James Noggle explores literary evocations of imperceptibility and unfeeling that pervade and support the period's understanding of sensibility.Each of the four sections of Unfelt-on philosophy, the novel, historiography, and political economy-charts the development of these idioms from early in the long eighteenth century to their culmination in the age of sensibility. From Locke to Eliza Haywood, Henry Fielding, and Frances Burney, and from Dudley North to Hume and Adam Smith, Noggle's exploration of the insensible dramatically expands the scope of affect in the period's writing and thought.Drawing inspiration from contemporary affect theory, Noggle charts how feeling and unfeeling flow and feed back into each other, identifying emotional dynamics at their most elusive and powerful: the potential, the incipient, the emergent, the virtual

     
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    ISBN: 9781501747137
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    Subjects: England; Philosophy; affect, British, Enlightenment, Hume, insensibly; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Emotions in literature; English prose literature; Enlightenment; Gefühl <Motiv>; Englisch; Literatur
    Scope: 1 Online-Ressource (xi, 266 Seiten), Diagramme
  20. The grammar rules of affection
    passion and pedagogy in Sidney, Shakespeare, and Jonson
    Author: Knecht, Ross
    Published: [2021]; © 2021
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    Renaissance writers habitually drew upon the idioms and images of the schoolroom in their depictions of emotional experience. Memorable instances of this tendency include the representation of love as a schoolroom exercise conducted under the... more

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    Renaissance writers habitually drew upon the idioms and images of the schoolroom in their depictions of emotional experience. Memorable instances of this tendency include the representation of love as a schoolroom exercise conducted under the disciplinary gaze of the mistress, melancholy as a process of gradual decline like the declension of the noun, and courtship as a practice in which the participants are arranged like the parts of speech in a sentence. The Grammar Rules of Affection explores this synthesis of the affective and the pedagogical in Renaissance literature, analysing examples from major texts by Philip Sidney, William Shakespeare, and Ben Jonson. Drawing on philosophical approaches to emotion, theories of social practice, and the history of education, this book argues that emotions appear in Renaissance literature as conventional, rule-guided practices rather than internal states. This claim represents a novel intervention in the historical study of emotion, departing from the standard approaches to emotions as either corporeal phenomena or mental states. Combining linguistic philosophy and theory of emotion, The Grammar Rules of Affection works to overcome this dualistic crux by locating emotion in the expressions and practices of everyday life

     
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    ISBN: 9781487538323; 9781487538330
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    Subjects: LITERARY CRITICISM / Modern / 17th Century; Education, Humanistic, in literature; Emotions in literature; English literature; Figures of speech in literature
    Scope: 1 Online-Ressource (viii, 180 Seiten)
  21. Affective geographies
    Cervantes, emotion, and the literary Mediterranean
    Author: Johnson, Paul Michael
    Published: [2021]; © 2020
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    For Miguel de Cervantes, to narrate a Mediterranean experience is to necessarily speak of an emotional experience. Affective Geographies takes as its point of departure the premise that literature is as influential in constructing the Mediterranean... more

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    For Miguel de Cervantes, to narrate a Mediterranean experience is to necessarily speak of an emotional experience. Affective Geographies takes as its point of departure the premise that literature is as influential in constructing the Mediterranean as are its geographic, climatic, or economic features. As the writer with the most vast and varied Mediterranean experience of his era, Cervantes is exceptionally well-suited for the critical task of recovering the literary Mediterranean. Engaging with the interdisciplinary fields of Mediterranean studies, affect theory, and the history of emotion, Paul Michael Johnson reads Cervantes's texts alongside the affective structures that inscribe the Mediterranean as a space of conflict, commerce, expansion, and empire. In particular, he argues that Cervantes's writing, with its uncommon focus on the Moorish, Islamic, and North African experience, can serve to realign misconceptions about the Mediterranean we have inherited today. Affective Geographies proposes that, with a more than four-hundred-year history of impacting the hearts and minds of readers, Cervantes's works constitute a literary longue durée, ramifying beyond fiction to alter the popular imaginary and long-term cultural landscape

     
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    Language: English
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    ISBN: 9781487536398; 9781487536404
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    Series: Toronto Iberic ; 55
    Subjects: LITERARY CRITICISM / European / Spanish & Portuguese; Emotions in literature; Mittelmeerraum <Motiv>; Gefühl <Motiv>
    Other subjects: Cervantes Saavedra, Miguel de (1547-1616)
    Scope: 1 Online-Ressource (xiv, 307 pages), Illustrationen, Karte
  22. Handbuch Literatur & Emotionen
    Contributor: Zumbusch, Cornelia (HerausgeberIn); Koppenfels, Martin von (HerausgeberIn)
    Published: [2016]; ©2016
    Publisher:  De Gruyter, Berlin

    Ohne Emotionen lässt sich Literatur weder schreiben noch lesen. Anders als die aktuelle Rede vom ‚emotional turn‘ suggeriert, steht das Nachdenken über Dichtung schon seit der Antike im Zeichen einer Reflexion über Pathos, Gefühl etc. Dieses Handbuch... more

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    Ohne Emotionen lässt sich Literatur weder schreiben noch lesen. Anders als die aktuelle Rede vom ‚emotional turn‘ suggeriert, steht das Nachdenken über Dichtung schon seit der Antike im Zeichen einer Reflexion über Pathos, Gefühl etc. Dieses Handbuch liefert eine zusammenfassende Darstellung, die diese lange Reflexionstradition in Bezug zu theoretischen Ansätzen des 20. und 21. Jahrhunderts setzt und an konkreten Fallstudien anschaulich macht

     
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    Contributor: Zumbusch, Cornelia (HerausgeberIn); Koppenfels, Martin von (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110303247; 9783110387933
    Other identifier:
    RVK Categories: EC 2430
    Series: Handbücher zur kulturwissenschaftlichen Philologie ; Band 4
    Subjects: Emotions in literature; European literature
    Scope: 1 Online-Ressource (VI, 643 Seiten), Illustrationen
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    :
  23. Emotionalität
    zur Geschichte der Gefühle
    Contributor: Benthien, Claudia (HerausgeberIn)
    Published: 2000
    Publisher:  Böhlau, Köln [u.a.]

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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Benthien, Claudia (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3412088994; 9783412088996
    RVK Categories: LC 59000 ; LB 31950 ; EC 1050 ; LC 58000 ; CC 6600 ; NK 4940 ; CP 3000 ; CP 3200 ; DF 4500 ; LB 31000 ; NK 4930
    Series: Array ; 16
    Subjects: Emotions; Emotions in literature; Culture; Gefühl; Kultur; Geschichte; Aufsatzsammlung
    Scope: 237 Seiten, Ill, 21 cm
  24. Wort und Begriff humour in der elisabethanischen Komödie
    Author: Schäfer, Jürgen
    Published: 1966
    Publisher:  Aschendorff, Münster

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    Series: Neue Beiträge zur englischen Philologie ; Bd. 6
    Subjects: English drama; English drama (Comedy); Emotions in literature
    Scope: XV, 226 S, 24 cm
    Notes:

    Mit Bibliogr
  25. Emotionen im "Tristan"
    Untersuchungen zu ihrer Paradigmatik
    Author: Eming, Jutta
    Published: [2015]; © 2015
    Publisher:  V & R unipress, Göttingen

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783847104452
    Other identifier:
    9783847104452
    RVK Categories: GF 3999 ; GF 3994
    Series: Berliner Mittelalter- und Frühneuzeitforschung ; Band 20
    Subjects: Emotions in literature
    Other subjects: Gottfried von Strassburg (active 13th century): Tristan
    Scope: 234 Seiten, 8 Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis: Seite [217]-234

    Einleitung -- Paradigma, emotionsgeschichtlich -- Heterogenität der Emotionsdarstellungen an der Schnittstelle von innen und aussen -- Methodischer Ansatz und Anlage der Untersuchung -- Zum emotionstheoretischen Ansatz -- kein künec sd werder was als er : die Marke-Figur im Horizont paradigmatischen Erzählens -- Zur narrativen Konstruktion von Gottfrieds Tristan -- Der junge Herrscher : Emotionen als Atmosphären -- Charismatische Freundschaft -- Marke als Zweifler -- Faszination und Begehren -- Zerrüttungsprozess? -- Affekt und Inkommensurabilität. Mittelalterliche Affektenlehren als Bildner exzeptioneller Liebe in der Minnetrank-Episode -- Traditionen des Affektbegriffs und seiner Verwendung -- Affektgewalt und asynchrone Temporalität bei Eilhart -- Seelenbewegung und Affektkontrolle -- Emotion und Gender-Differenz -- Gefühlsdiffusion und Sich-Verlieben : Riwalin und Blanscheflur -- Paradigmen der Entstehung von Liebe in Gottfrieds Tristan -- Affektausbruch und Rache : der Mordanschlag auf Brangäne, das Gottesurteil und Isoldes Zorn auf Tristan -- Gewalt und Reue im Mordanschlag auf Brangäne -- Die Gestaltung der Episode bei Eilhart : Reue und Vergebung -- Die Episode bei Gottfried : Erzählen als Camouflage -- Ritualisierte Konfliktbewältigung in der Episode um das Gottesurteil -- Heldenepische und höfische Erzähllogiken am Beispiel von Zorn und Rache -- Eruptiver, verflüchtigter und verwandelter Affekt -- Atmosphäre in der Baumgartenszene -- Räume und Emotionen -- Räumlichkeit von Emotionen und Atmosphären -- Naturraum als Kulturraum bei Markes Maifest -- Dinglicher Charakter von Atmosphären und Affizierung -- Szenische Einrichtung des Baumgartens und emotionale Involvierung Brangänes -- Gegenständlichkeit von Emotionen und Affizierung : Bedrückende Stille und lastende Angst -- Neue Phänomenologie und literarische Texte des Mittelalters -- Visualität im Zeichen des Wunderbaren : die Petitcreiu-Episode -- Farbspiele -- Zum Kontext der Visualitätsforschung -- Petitcreiu als Element des Wunderbaren -- Das Wunderbare als Paradigma von Emotionalität -- Petitcreiu als Gegenstand ästhetischer Erfahrung -- Dissonanzen -- Zum Status des Wunderbaren in Gottfrieds Roman -- Abschied, Trennung und trüren -- Abschied als Modus von trüren -- Die Abschiedsszene bei Thomas von Britannien -- Die Abschiedsmonologe bei Gottfried -- Performanz, ideelle Bindung und Kontinuität des Erzählens -- Spaltung von Körper und Emotion bei Thomas -- Isolde Weisshand als paradoxes therapeutisches Prinzip -- Temporalität und Varianz der Trauer, Fragmentarik und Paradigmatik des Erzählens -- Abbildungen -- Literaturverzeichnis -- Quellen -- Sekundärliteratur.