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Displaying results 1 to 25 of 27.

  1. The Cambridge introduction to theatre and literature of the absurd
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    Ruhr-Universität Bochum, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107284265
    Other identifier:
    Series: Cambridge introductions to literature
    Subjects: Drama / 20th century / History and criticism; Theater of the absurd; Absurd (Philosophy) in literature; Absurde Literatur; Absurdes Drama
    Scope: 1 Online-Ressource (x, 163 Seiten)
  2. The darkness we carry
    the drama of the Holocaust
    Published: 1988
    Publisher:  University of Wisconsin Press, Madison, Wis.

    Universitätsbibliothek der RWTH Aachen
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0299116646
    RVK Categories: HN 1101 ; EC 5410
    Series: ACLS Humanities E-Book
    Subjects: Drama / 20th century / History and criticism; Holocaust, Jewish (1939-1945), in literature; Jews in literature
  3. The continental drama of to-day
    outlines for its study, suggestions, questions, biographies, and bibliographies for use in connection with the study of the more important plays
    Published: 1915
    Publisher:  Holt, New York

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Edition: 2. ed., rev
    Subjects: Drama / 19th century / History and criticism; Drama / 20th century / History and criticism; Drama; Drama
    Scope: VIII, 252 S.
    Notes:

    Includes index

    Bibliography: S. 233 - 238

  4. Shakespeare, adaptation, modern drama
    essays in honour of Jill L. Levenson
    Contributor: Levenson, Jill L.
    Published: 2011
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Universitätsbibliothek Bamberg
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  5. Kitsch et théâtralité
    effets et affects
    Published: 2012
    Publisher:  Éd. Univ. de Dijon, Dijon

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9782364410107
    Other identifier:
    9782364410107
    RVK Categories: EC 8780
    Series: Collection Écritures
    Subjects: Theater / 20th century / Criticism; Drama / 20th century / History and criticism; Theater / History / 20th century; Kitsch in literature; Aesthetics, Modern / 20th century; Geschichte; Kitsch; Drama
    Scope: 223 S., [4] Bl., Ill., 23 cm
    Notes:

    Notes bibliogr. et webliogr.

  6. Tom Stoppard in context
    Contributor: Kornhaber, David (Publisher); Loehlin, James N. (Publisher)
    Published: [2021]; © 2021
    Publisher:  Cambridge University Press, Cambridge

    Tom Stoppard's work as a playwright and screenwriter has always been notable for mixing ideas with entertainment. From the early success of Rosencrantz and Guildenstern Are Dead to masterpieces like Arcadia, from radio plays about modern art to the... more

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    Tom Stoppard's work as a playwright and screenwriter has always been notable for mixing ideas with entertainment. From the early success of Rosencrantz and Guildenstern Are Dead to masterpieces like Arcadia, from radio plays about modern art to the Oscar-winning screenplay for Shakespeare in Love, Stoppard has challenged and delighted audiences with the intellectual and cultural richness of his writing. Tom Stoppard in Context provides multiple perspectives on both the life and works of one of the most important modern playwrights. This collection covers biographical and historical topics, as well as the broad array of intellectual, aesthetic, and political concerns with which Stoppard has engaged. More than thirty essays on subjects ranging from science to screenwriting help illuminate Stoppard's rich body of work

     

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    Source: Union catalogues
    Contributor: Kornhaber, David (Publisher); Loehlin, James N. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108303736
    Other identifier:
    RVK Categories: HN 8225
    Series: Literature in context
    Subjects: Drama / 20th century / History and criticism; Dramatists, English / 20th century / Biography; English literature / 20th century / History and criticism
    Other subjects: Stoppard, Tom / Criticism and interpretation; Stoppard, Tom (1937-)
    Scope: 1 Online-Ressource (xxvi, 269 Seiten)
  7. <<The>> darkness we carry
    the drama of the Holocaust
    Published: 1988
    Publisher:  University of Wisconsin Press, Madison, Wis.

    Universitätsbibliothek der RWTH Aachen
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0299116646
    RVK Categories: EC 5410 ; HN 1101
    Series: ACLS Humanities E-Book
    Subjects: Drama / 20th century / History and criticism; Holocaust, Jewish (1939-1945), in literature; Jews in literature
  8. The playwright as thinker
    Published: 2010
    Publisher:  University of Minnesota Press, Minneapolis

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0816672954; 9780816672950
    Edition: 4th ed., 1st University of Minnesota Press ed
    Subjects: Drama / 19th century / History and criticism; Drama / 20th century / History and criticism; Drama
    Other subjects: Ibsen, Henrik (1828-1906); Brecht, Bertolt (1898-1956); Shaw, Bernard (1856-1950); Strindberg, August (1849-1912); Sartre, Jean-Paul (1905-1980)
    Scope: 1 Online-Ressource (xxiii, 392 p)
    Notes:

    Includes bibliographical references and index

  9. The Cambridge introduction to theatre and literature of the absurd
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    Michael Y. Bennett's accessible Introduction explains the complex, multidimensional nature of the works and writers associated with the absurd - a label placed upon a number of writers who revolted against traditional theatre and literature in both... more

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    Michael Y. Bennett's accessible Introduction explains the complex, multidimensional nature of the works and writers associated with the absurd - a label placed upon a number of writers who revolted against traditional theatre and literature in both similar and widely different ways. Setting the movement in its historical, intellectual and cultural contexts, Bennett provides an in-depth overview of absurdism and its key figures in theatre and literature, from Samuel Beckett and Harold Pinter to Tom Stoppard. Chapters reveal the movement's origins, development and present-day influence upon popular culture around the world, employing the latest research to this often challenging area of study in a balanced and authoritative approach. Essential reading for students of literature and theatre, this book provides the necessary tools to interpret and develop the study of a movement associated with some of the twentieth century's greatest and most influential cultural figures

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107284265
    Other identifier:
    RVK Categories: EC 7805
    Series: Cambridge introductions to literature
    Subjects: Drama / 20th century / History and criticism; Theater of the absurd; Absurd (Philosophy) in literature; Absurdes Drama; Absurde Literatur
    Scope: 1 online resource (x, 163 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 01 Feb 2016)

  10. A history of modern drama, Volume II
    1960-2000
    Published: 2016
    Publisher:  Wiley Blackwell, West Sussex

    Universitätsbibliothek Bamberg
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    Technische Hochschulbibliothek Rosenheim
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781118893241; 1118893247; 9781118893203; 1118893204
    Other identifier:
    Subjects: Criticism, interpretation, etc; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Drama; Drama / 20th century / History and criticism; Drama / 21st century / History and criticism
    Scope: 1 Online-Ressource (iv, 590 Seiten)
  11. Fields of play in modern drama
    Published: 1977; © 1977
    Publisher:  Princeton University Press, Princeton, New Jersey

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400871773; 1400871778; 9780691607726; 0691607729
    Series: Princeton legacy library
    Subjects: Drama / 19th century / History and criticism; Drama / 20th century / History and criticism; PERFORMING ARTS / Theater / History & Criticism; Drama; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Array; Identifikation; Drama; Rolle
    Scope: 1 online resource (200 pages)
    Notes:

    Includes index

    Description based on print version record

    Starting from the assumption that all theater is at least implicitly participatory, Professor Whitaker approaches thirteen plays, from Ibsen's Rosmersholm to Beckett's Endgame and Stoppard's Rosencrantz and Guildenstern Are Dead. He asks the reader to commit himself to a variety of points of view-those of witnesses, actors, directors, and characters-as a series of ""critical fictions"" lead him toward the experience of each play in performance. The author supplies detailed readings of the plays in various modes. The styles of the chapters vary according to the issues dominant in the plays d

  12. Essays and scripts on how mothers are portrayed in the theatre
    a neglected frontier of feminist scholarship
    Published: ©2010
    Publisher:  Edwin Mellen Press, Lewiston, N.Y.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0773430210; 9780773430211; 9780773437791; 0773437797
    Subjects: Drama / 20th century / History and criticism; Drama / Women authors / History and criticism; Motherhood in literature; Mothers in literature; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Drama; Drama / Women authors; Feminism and literature; Motherhood; Motherhood in literature; Mothers; Mothers in literature; Women and literature; Drama; Drama; Mothers in literature; Motherhood in literature; Feminism and literature; Women and literature; Mothers; Motherhood
    Scope: v, 330 pages
    Notes:

    Collection consists of two parts: contributions to the discourses of performance scholarship, gender/feminist scholarship, and mother scholarship; and scripts that portray the image of mother and mother perspectives on the stage

    Includes bibliographical references

    ESSAYS AND SCRIPTS ON HOW MOTHERS ARE PORTRAYED IN THE THEATRE: A Neglected Frontier of Feminist Scholarship; Copyright Page; Dedication; Table of Contents; Foreword; Acknowledgements; Introduction: Beth Osnes and Jennifer Popple; Hispanic Mothers on Stage: Women Playwrights Undermining Masculinist Values; Monstrous Girls and Their Monstrous Mothers; Italian Mammas and Suffering Madonnas: The Strategic Deployment of Maternal Stereotypes in theTheatre of Franca Rame; Motherhood Displaced: Rachel Crothers' The Three of Us and A Man's World

    The Abject of My Affection: The Erotics of Stepmotherhood in Sarah Kane's Phaedra's Love and the Wooster Group's To You, The Birdie (Phedre)""She watches us watching her"": The Theatre of Maternity and the Performance of Maternal Failure in O'Neill's Long Day's Journey Into Night; Not So Sainted: Mothers on the Contemporary Irish Stage; What Kind of Mother Are You? Catholic Mothers in Contemporary American Drama; Julie and Manta Rose: The Musical Theatre Mother; The Mother Load: A One-woman Theatrical Performance; scenes from afterbirth: A One-woman Poetry Slam/ HipHop Performance

    This collection examines the nexus of mothering, feminism, and theatre. The work examines the portrayals of mothers in literature and on the performance stage, and makes a contribution to studies in dramatic literature, women?s studies, feminist theory, and theatre history

  13. Patient 12
    Published: 2014
    Publisher:  Currency Press, Sydney

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781925004700; 1925004708
    Subjects: Australia / History / 1901-1922 / Drama; Drama / 20th century / History and criticism; Military hospitals / Australia / Melbourne (Vic.) / Drama; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Military hospitals; Military participation / Australian; Geschichte; Weltkrieg (1914-1918); Military hospitals; World War, 1914-1918
    Scope: 82 pages
    Notes:

    Title Page; Playwright's Biography; Playwright's Note; First Production Details; Characters; Setting; Style and Design; Music; Copyright Page

    Patient 12 is set in an office in a Melbourne military hospital, in the years immediately following World War I. The play examines a neglected period of Australia's history through the prism of the kith and kin of those who went to war and either failed to return, or came back physically and/or emotionally scarred

  14. Antigone
    Author: Carson, Anne
    Published: 2015
    Publisher:  OBERON Books Ltd, London

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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  15. Holocaust drama
    the theater of atrocity
    Published: 2009
    Publisher:  Cambridge University Press, Cambridge

    The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an... more

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    The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an examination of the theatre of the Holocaust. Including thorough critical analyses of more than thirty plays, this book explores the seminal twentieth-century Holocaust dramas from the United States, Europe, and Israel. Biographical information about the playwrights, production histories of the plays, and pertinent historical information are provided, placing the plays in their historical and cultural contexts

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511576591
    Other identifier:
    RVK Categories: EC 7507 ; HU 1771
    Series: Cambridge studies in modern theatre
    Subjects: Geschichte; Psychologie; Drama / 20th century / History and criticism; Theater / History / 20th century; Holocaust, Jewish (1939-1945), in literature; Atrocities in literature; Jews in literature; Memory in literature; Holocaust, Jewish (1939-1945) / Psychological aspects; Judenvernichtung <Motiv>; Drama
    Scope: 1 online resource (vi, 447 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction -- Staging the banality of evil -- Culture and the Holocaust -- The Holocaust as literature of the body -- Transcending the Holocaust -- Marxism and the Holocaust -- Aryan responsibility during the Holocaust, I -- Aryan responsibility during the Holocaust, II -- Heroism and moral responsibility in the ghettoes -- Dignity in the concentration camps -- Holocaust survivors in the United States and Israel -- The survivor syndrome and the effects of the Holocaust on survivor families -- Holocaust survivor memory -- The Holocaust and collective memory

  16. The dark comedy
    the development of modern comic tragedy
    Author: Styan, J. L.
    Published: 1968
    Publisher:  Cambridge University Press, Cambridge

    Much of twentieth-century drama defies the traditional pigeon-holes of tragedy and comedy: the heroes are not straightforwardly heroic; the subject-matter seems at some times grimly realistic and at others nearer to pure fantasy. Professor Styan... more

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    Much of twentieth-century drama defies the traditional pigeon-holes of tragedy and comedy: the heroes are not straightforwardly heroic; the subject-matter seems at some times grimly realistic and at others nearer to pure fantasy. Professor Styan explains and illuminates the nature of this dark, paradoxical comedy. He reminds us, first, that this is not a purely modern phenomenon: many great plays of the past have similarly defied classification and have called for an equally vacillating response from their audience. But nonetheless this dramatic genre has had its clearest expression in the last sixty years: we are shown in detail how its techniques have developed from Ibsen and Chekhov to Pirandello, Brecht and contemporary playwrights such as Ionesco, Beckett, Tennessee Williams and Pinter. The author brings us to realize that the playwright, by creating complex tensions in the action of the play between the actor and the audience and within the individual spectator, is able to explore new areas of human feeling and response. In this second edition of The Dark Comedy Professor Styan has brought the book up to date in relation to recent plays and theatrical developments. He has modified some earlier judgements and added detailed analyses of scenes from Brecht's Mother Courage and from Beckett's Waiting for Godot. Anyone who takes an intelligent interest in theatre-going will find profit and stimulus in this book. It covers a wide range of subject-matter; but its underlying theme is clear, forceful and unified

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511554254
    Other identifier:
    RVK Categories: EC 7595 ; HG 600
    Edition: Second edition
    Subjects: Drama / 20th century / History and criticism; Tragicomedy / History and criticism; Tragikomödie
    Scope: 1 online resource (viii, 311 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    On tears and laughter -- Naturalistic shading -- Towards tragic inversion -- Counterpoint and hysteria -- The dark comedy

  17. Verbal violence in contemporary drama
    from Handke to Shepard
    Published: 1992
    Publisher:  Cambridge University Press, Cambridge

    In this book, Jeanette Malkin considers a broad spectrum of post-war plays in which characters are created, coerced and destroyed by language. The playwrights examined include Handke, Pinter, Bond, Albee, Mamet and Shepard, as well as Vaclav Havel... more

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    In this book, Jeanette Malkin considers a broad spectrum of post-war plays in which characters are created, coerced and destroyed by language. The playwrights examined include Handke, Pinter, Bond, Albee, Mamet and Shepard, as well as Vaclav Havel and two of his plays: The Garden Party and The Memorandum. These playwrights portray language's power within our political, social and interpersonal worlds. The violence that language does, the 'tyranny of words', grabs centre stage in their plays. Characters are manipulated and defined through language, their actions and identity limited by verbal options, in order to reveal the links between language and power. The book will be of interest to students and scholars of drama, theatre history, American and European literature, and comparative literature

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511597800
    Other identifier:
    RVK Categories: EC 4740 ; EC 7507
    Subjects: Drama / 20th century / History and criticism; Dialogue; Violence in literature; Drama; Gewalt; Gewalt <Motiv>; Sprache <Motiv>; Dramengestalt; Fremdbestimmung; Sprache; Dialog
    Scope: 1 online resource (ix, 245 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  18. Home on the stage
    domestic spaces in modern drama
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing... more

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    As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139939607
    Other identifier:
    RVK Categories: EC 7905 ; HG 620
    Subjects: Domestic drama / History and criticism; Drama / 20th century / History and criticism; Drama / 21st century / History and criticism; Home in literature; Families in literature; Privatheit <Motiv>; Bühnenwerk; Haus <Motiv>; Zuhause <Motiv>; Drama
    Scope: 1 online resource (x, 242 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base

  19. Modern drama
    a very short introduction
    Published: 2016
    Publisher:  Oxford University Press, [Oxford]

    This work tells the story of modern drama through its seminal, groundbreaking plays and performances, and the artistic diversity that these represent. Exploring the new note of artistic hostility between dramatists and their audience, Shepherd-Barr... more

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    This work tells the story of modern drama through its seminal, groundbreaking plays and performances, and the artistic diversity that these represent. Exploring the new note of artistic hostility between dramatists and their audience, Shepherd-Barr draws on a range of theories and performances to reveal what makes modern drama 'modern'

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191785269
    Other identifier:
    RVK Categories: EC 7506
    Series: Very short introductions
    Subjects: Drama / 20th century / History and criticism; Drama / 21st century / History and criticism; Drama
    Scope: 1 Online-Ressource (152 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

  20. Rain Petitioning and Step Child
    Plays
    Published: 2013
    Publisher:  Langaa RPCIG, Oxford

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789956790470; 9956790478
    Subjects: Drama / 19th century / History and criticism; Drama / 20th century / History and criticism; Drama; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Drama; Drama; Drama; Drama
    Scope: 1 online resource (82 pages)
    Notes:

    Print version record

    Cover; Title page; Copyright page; Acknowledgement; Contents; Characters; Rain Petitioning; Scene 1; Stage 1; Stage II; Stage III; Scene 2; Stage I; Stage II; Stage III; Step-child; Characters; Scene 1; Stage I; Stage II; Stage III; Scene 2; Stage I; Stage II; Back cover

    In Nzarayaperaís village, famine and hunger strike as rain could not fall. The sky remains blue with scorching heat that leaves no creature desiring to move on with life. Chief Nzarayapera and his councillors believe this scourge is a curse from the ancestors. They think of holding a ceremony to mollify the ancestors and petition rain. The ceremony is held, but nothing happens except that hunger and famine strike even harder. This sets a fertile ground for conflict between traditionalists, Christians and scientists who lay blame on one another and take turns to intercede for the people. What c

  21. <<The>> Cambridge introduction to theatre and literature of the absurd
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    Ruhr-Universität Bochum, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107284265
    Other identifier:
    Series: Cambridge introductions to literature
    Subjects: Drama / 20th century / History and criticism; Theater of the absurd; Absurd (Philosophy) in literature
    Scope: 1 Online-Ressource (x, 163 Seiten)
  22. Theatre & prison
    Published: 2011
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230247932
    RVK Categories: AP 69600
    Series: Theatre &
    Subjects: Drama / 20th century / History and criticism; Drama / 21st century / History and criticism; Imprisonment in literature; Prisons in literature
    Scope: XII, 92 S.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

  23. Artaud on theatre
    Published: 2001; 2020
    Publisher:  Methuen Drama, London, England ; Bloomsbury Publishing

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350054721
    Other identifier:
    RVK Categories: EC 7506 ; IH 12640
    Edition: Revised edition. with new material
    Subjects: Theater; Experimental theater; Drama / 20th century / History and criticism; Theatre studies
    Other subjects: Artaud, Antonin / 1896-1948 / Correspondence; Theatre; France
    Scope: 1 online resource (xxxvi, 246 pages, 8 unnumbered pages of plates), illustrations
    Notes:

    Originally published in 1989 by Methuen Drama

    Includes bibliographical references (pages 235-237) and index

    Also published in print

  24. A history of modern drama, Volume II
    1960-2000
    Published: 2016
    Publisher:  Wiley Blackwell, West Sussex

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781118893241; 1118893247; 9781118893203; 1118893204
    Other identifier:
    Subjects: Criticism, interpretation, etc; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Drama; Drama / 20th century / History and criticism; Drama / 21st century / History and criticism
    Scope: 1 Online-Ressource (iv, 590 Seiten)
  25. Drama des Skandals und der Angst im 20. Jahrhundert
    Edward Albee, Harold Pinter, Eugène Ionesco, Jean Genet
    Author: Krause, Mine
    Published: ©2010
    Publisher:  P. Lang, Frankfurt am Main

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783653003246; 3653003245
    Series: Bayreuther Beiträge zur Literaturwissenschaft ; 32
    Subjects: Drama / 20th century / History and criticism; Absurd (Philosophy) in literature; Anxiety in literature; Scandals in literature; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Absurd (Philosophy) in literature / (OCoLC)fst00794784; Anxiety in literature / (OCoLC)fst00810987; Drama / (OCoLC)fst00897468; Scandals in literature / (OCoLC)fst01106365
    Other subjects: Albee, Edward / 1928- / Criticism and interpretation; Pinter, Harold / 1930-2008 / Criticism and interpretation; Ionesco, Eugène / Criticism and interpretation; Genet, Jean / 1910-1986 / Criticism and interpretation; Albee, Edward / 1928-; Pinter, Harold / 1930-2008; Ionesco, Eugène; Genet, Jean / 1910-1986; Albee, Edward / 1928- / (OCoLC)fst00044544; Genet, Jean / 1910-1986 / (OCoLC)fst00036640; Ionesco, Eugène / (OCoLC)fst00034545; Pinter, Harold / 1930-2008 / (OCoLC)fst01732308
    Scope: 1 online resource (218 pages)
    Notes:

    Originally presented as the author's thesis (doctoral)--Universität Bayreuth, 2009

    Print version record

    Includes bibliographical references (pages 209-218)

    INHALTSVERZEICHNIS; Einleitung 13; 1. Zerfall der bestehenden Ordnung 31; 1.1. Zusammenbruch der staatlichen Ideologien: "L'ordre du monde est si anodin que tout y est permis -- ou presque tout." 31; 1.1.1. Die Idealisten 32; 1.1.2. Die Revoltierenden 34; 1.1.3. Die Revolutionäre 40; 1.2. Untergang der traditionellen "family of security": "We're strangers[.]" 43; 1.2.1. Revolte gegen patriarchale und matriarchale Strukturen 44; 1.2.2. Erfolgreiche Entmachtung des Familienoberhauptes 46; 1.2.3. Auflösung der Ehe: Geliebte als Begleiter bis ans Totenbett 48

    1.3. Die Abwesenheit Gottes: "[C]'est un rien qui nous représenterait le mieux." 531.3.1. Doppelmoral: Der Sieg des Opportunismus über die Tugend 54; 1.3.2. Vom Glaubenszweifel zur Blasphemie 58; 1.3.3. Atheismus: Der Mensch als sein eigener Gott 61; 2. Allgegenwart des metaphysischen Skandals 67; 2.1. Zerbröckeln der Identität: "What makes you think you exist?" 67; 2.1.1. Multiple Identität 68; 2.1.2. Versinken in der Namenlosigkeit 76; 2.1.3. Der Eindringling als Bedrohung für die identitätsstiftende Umgebung 86

    2.2. Sinnlosigkeit des Daseins in Anbetracht des allgegenwärtigen Todes: "L'existence est vaine! A quoi bon tout, à quoi bon tout si ce n'est que pour en arriver là?" 972.2.1. Unfruchtbarkeit als Zeichen von Sterblichkeit 97; 2.2.2. Alter und Einsamkeit 104; 2.2.3. Unausweichlichkeit des Todes 112; 3. Die existentielle Angst vor der freien Wahl 125; 3.1. Angstreaktionen auf die Wahl der Identität: "And being man, we have invented choice, and have, indeed, gone further, and have catalogued the underpinnings of choice. But we do not know. Anything." 125

    3.1.1. Mitläufertum: Flucht in die Masse 1263.1.2. Suche nach einem Identitätsräuber 131; 3.1.3. Aufbau einer Illusionswelt zur Bewältigung der Anonymität 137; a) Vorgetäuschte Identität in Rollenspielen 137; b) Wahnsinn: Abgeben der Verantwortung für die Selbstgestaltung 142; c) Alkohol als Betäubungsmittel bei gescheiterter Identitätsfindung 145; 3.1.4. Körperliche und verbale Gewalt im Umgang mit Identitätslosigkeit 148; 3.1.5. Selbstmord nach gescheiterter Selbstfindung 151

    3.2. Angstreaktionen auf die Wahl der Lebensgestaltung angesichts der Vergänglichkeit: "La mort est présente et nous guette!" 1553.2.1. Suche nach einem Sündenbock für die eigene Endlichkeit 155; 3.2.2. Aufbau einer Illusionswelt zum Verdrängen des Todes 159; a) Rollenspiele: Festhalten an einem Weiterleben in der Erinnerung 159; b) Ertränken der Sinnlosigkeit des Lebens im Alkohol 161; 3.2.3. Körperliche und verbale Gewalt: Protest gegen die schwindenden Kräfte 163; 3.2.4. Selbstmord als Demonstration der Macht über den Tod 166