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  1. Ästhetik und Geschichte
    geschichtstheoretische Untersuchung zum Begründungszusammenhang von Kunst, Gesellschaft und Wissenschaft
    Published: 1976
    Publisher:  Metzler, Stuttgart

    Universität der Bundeswehr München, Universitätsbibliothek
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  2. Man made
    Thomas Eakins and the construction of Gilded Age manhood
    Published: 2000
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.]

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Media type: Book
    Format: Print
    ISBN: 0520222083; 0520222091
    RVK Categories: LI 27900
    Series: Men and masculinity ; 6
    Subjects: Art and society; Gender identity in art; Masculinity in art
    Other subjects: Eakins, Thomas <1844-1916>
    Scope: XV, 167 S, 43 Abb., 8 Taf. (farb.), 8[grad]
  3. Painting as medicine in early modern Rome
    Giulio Mancini and the efficacy of art
    Published: [2016]; © 2016
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    "Through a study of the writings of the papal physician and art critic Giulio Mancini, explores early modern art collecting in Italy. Argues that art within domestic contexts was understood to create healthy bodies, minds, and societies through the... more

     

    "Through a study of the writings of the papal physician and art critic Giulio Mancini, explores early modern art collecting in Italy. Argues that art within domestic contexts was understood to create healthy bodies, minds, and societies through the mechanism of the imagination" (Provided by publisher)

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780271071039
    RVK Categories: LN 84755
    Subjects: Geschichte; Kunst; Art; Art; Art; Art; Art and society; Art and society; Christian art and symbolism; Painting, Renaissance
    Other subjects: Mancini, Giulio (1558-1630)
    Scope: xiv, 228 Seiten, Illustrationen, 26 cm
    Notes:

    Literaturverzeichnis: Seite [186]-209

  4. Artists respond
    American art and the Vietnam War, 1965-1975
    Published: [2019]; © 2019
    Publisher:  Smithsonian American Art Museum, Washington, DC ; Princeton University Press, Princeton

    "By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home--between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war,... more

     

    "By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home--between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy US Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Illustrated in color throughout, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691191188
    RVK Categories: LO 94030 ; LH 60230 ; LH 49470 ; LH 61100 ; LH 60200
    Subjects: Vietnam War, 1961-1975; Art; Art, American; Art and war; Art and society; ART / Art & Politics; ART / American / General; ART / History / Contemporary (1945-); ART / Popular Culture; HISTORY / Military / Vietnam War; ART / Mixed Media; Art, American; Art and society; Art and war; 1900-1999; Exhibition catalogs; History
    Scope: xvi, 396 Seiten, 31 cm
    Notes:

    "Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019. The exhibition will tour to the Minneapolis Institute of Art from September 28, 2019 to January 5, 2020"--Title page verso

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  5. German art 1907 - 1937
    modernism and modernisation
    Published: 2007
    Publisher:  Lang, Oxford

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783039109005; 3039109006
    Other identifier:
    9783039109005
    RVK Categories: LK 10350
    DDC Categories: 700
    Series: German linguistic and cultural studies ; 19
    Subjects: Art, German; Art and society; Art and technology; Art
    Scope: 350 S., Ill., 150 mm x 225 mm
    Notes:

    Literaturverz. S. 329 - 341

  6. Vase painting, gender, and social identity in archaic Athens
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521853187; 0521853184
    RVK Categories: LG 4200
    Edition: 1. publ.
    Subjects: Vase-painting, Greek; Vases, Ancient; Spectators in art; Sex role in art; Art and society
    Scope: XIV, 316 S., zahlr. Ill., graph. Darst.
    Notes:

    Literaturverz. S. 297 - 310

  7. <<The>> black figure in the European imaginary
    Published: [2017]; © 2017
    Publisher:  The Cornell Fine Arts Museum, Rollins College, Winter Park, Florida ; Giles, London

    "With forty major loans, including paintings, engravings, lithographs, watercolors, sculpture, and decorative arts, this new volume studies the way in which the visual arts in Europe perceived, or imagined, the black figure during the "long"... more

     

    "With forty major loans, including paintings, engravings, lithographs, watercolors, sculpture, and decorative arts, this new volume studies the way in which the visual arts in Europe perceived, or imagined, the black figure during the "long" nineteenth century (ca.1750-1914)"...

     

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  8. Death, torture and the broken body in European art, 1300-1650
    Contributor: Decker, John R. (Publisher); Kirkland-Ives, Mitzi (Publisher)
    Published: 2017
    Publisher:  Routledge, Taylor & Francis Group, London

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    Source: Union catalogues
    Contributor: Decker, John R. (Publisher); Kirkland-Ives, Mitzi (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138307414; 9781472433671
    RVK Categories: LH 65600 ; LH 65720
    Edition: First issued in paperback
    Series: Visual culture in early modernity
    <<An>> Ashgate Book
    Subjects: Art and society; Art, European; Death in art; Human beings in art; Torture in art; Wounds and injuries in art
    Scope: XIV, 264 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite [233]-259

    First published 2015 by Ashgate Publishing

  9. Maßlose Bilder
    visuelle Ästhetik der Transgression
    Contributor: Reichle, Ingeborg (Publisher)
    Published: 2009
    Publisher:  Fink, München

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    Source: Union catalogues
    Contributor: Reichle, Ingeborg (Publisher)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783770548019
    RVK Categories: AP 14800 ; LH 61040
    Subjects: Art and society; Communication and culture; Visual communication; Visual perception
    Scope: 418 S., zahlr. Ill., graph. Darst., Kt., 24 cm
  10. Kampfzone Körper
    Mode, Masse, Macht, Malör
    Contributor: Kleijenberg, Eric <<van den>> (Publisher)
    Published: 2008
    Publisher:  Ed. Minerva, München

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    Source: Union catalogues
    Contributor: Kleijenberg, Eric <<van den>> (Publisher)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783938832448
    Other identifier:
    9783938832448
    RVK Categories: LC 12000
    DDC Categories: 700; 390
    Subjects: Fashion and art; Art and society
    Scope: 277 S., überw. Ill., 31 cm
  11. Beyond "The great wave"
    the Japanese landscape print, 1727 - 1960
    Author: King, James
    Published: 2010
    Publisher:  Lang, Bern

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783034303170
    Other identifier:
    9783034303170
    RVK Categories: LH 71150 ; LH 71430 ; LO 89900
    DDC Categories: 760
    Series: Nature, science and the arts ; 2
    Subjects: Landscape prints, Japanese; Art and society
    Scope: XII, 232 S., Ill., 24 cm
    Notes:

    Literaturverz. S. 213 - 219

  12. Women and visual replication in Roman imperial art and culture
    Published: 2011
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521825153
    Other identifier:
    9780521825153
    RVK Categories: LG 2500 ; NH 8575
    Edition: 1. publ.
    Series: Greek culture in the Roman world
    Subjects: Portrait sculpture, Greco-Roman; Women in art; Identity (Philosophical concept) in art; Social status in art; Art and society
    Scope: XI, 486 S., Ill., Kt., 26 cm
    Notes:

    Literaturverz. S. 457 - 482

  13. Bodybuilding
    reforming masculinities in British art 1750 - 1810
    Published: 2005
    Publisher:  Yale Univ. Press, New Haven, Conn. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0300110057
    RVK Categories: LO 50080
    Subjects: Masculinity in art; Heroes in art; Art, British; Art and society
    Scope: VII, 384 S., zahlr. Ill., 26 cm
    Notes:

    Literaturverz. S. [370] - 373

  14. Bruegel's peasants
    art and audience in the Northern Renaissance
    Published: 1994
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521441501
    RVK Categories: LI 19543
    Edition: 1. publ.
    Subjects: Array; Array; Peasants in art
    Scope: X, 198 S., Ill.
    Notes:

    Literaturverz. S. 180 - 190

  15. Cannibal culture
    art, appropriation and the commodification of difference
    Published: 1996
    Publisher:  Westview Press, Boulder, Colo. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0813320887
    RVK Categories: LH 60200
    Subjects: Art and society
    Scope: XV, 239 S., Ill., 23 cm
    Notes:

    Literaturverz. S. 219 - 224

  16. Peasant scenes and landscapes
    the rise of pictorial genres in the Antwerp art market
    Published: 2006
    Publisher:  Univ. of Pennsylvania Press, Philadelphia, Pa.

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0812238680; 9780812238686
    RVK Categories: LO 34464
    Subjects: Genre painting, Flemish; Landscape painting, Flemish; Art; Art and society
    Scope: XVII, 373 S., Ill., 26 cm
    Notes:

    Literaturverz. S. 317 - 351

  17. Industrialisierung der Phantasie
    der Aufbau des modernen Italien und das Mediensystem der Künste ; 1875 - 1900
    Published: 2006
    Publisher:  Dt. Kunstverl., München [u.a.]

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783422064539; 3422064532
    RVK Categories: LN 10290
    Series: Kunstwissenschaftliche Studien ; 127
    Subjects: Array; Industrialization in art; Politics in art; Array; Array; Array
    Scope: 424 S., Ill., 33 cm
    Notes:

    Literaturverz. S. 406 - 421

  18. Ästhetik und Geschichte
    geschichtstheoretische Untersuchung zum Begründungszusammenhang von Kunst, Gesellschaft und Wissenschaft
    Published: 1976
    Publisher:  Metzler, Stuttgart

    Archiv der Akademie der Künste, Bibliothek
    Unlimited inter-library loan, copies and loan
    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    TU Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Universität der Künste Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    ISBN: 3476003426
    RVK Categories: CC 8000 ; LH 61020 ; MS 8000 ; NB 3300
    Subjects: Art et société; Esthétique; Estética; Histoire - Philosophie; Historia - Filosofía; Geschichte; Philosophie; Ästhetik; Aesthetics; Art and society; History; Geschichtstheorie; Ästhetik; Geschichtsphilosophie; Kunstbetrachtung; Kunstsoziologie
    Scope: VIII, 135 S.
    Notes:

    Literaturverz. S. 127 - 133.

  19. Art and the German Bourgeoisie
    Alfred Lichtwark and Modern Painting in Hamburg, 1886-1914
    Author: Kay, Carolyn
    Published: [2016]; © 2002
    Publisher:  University of Toronto Press, Toronto

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442671027
    Other identifier:
    Subjects: Geschichte; Art and society; Painting, German; Painting, German; Ästhetik; Bürgertum; Malerei
    Other subjects: Lichtwark, Alfred (1852-1914); Petersen, Carl (1868-1933); Liebermann, Max (1847-1935)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

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  20. Industry and Intelligence
    Contemporary Art Since 1820
    Published: [2016]; © 2016
    Publisher:  Columbia University Press, New York, NY

    The conceptual artist Liam Gillick writes a holistic genealogy of contemporary art, arguing that we need to appreciate its engagement with history, even when it seems apathetic or blind to current events. Rather than focus on dominant works or... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    The conceptual artist Liam Gillick writes a holistic genealogy of contemporary art, arguing that we need to appreciate its engagement with history, even when it seems apathetic or blind to current events. Rather than focus on dominant works or special cases, Gillick takes a broad view of artistic creation from 1820 to today, underscoring the industry and intelligence of artists as they have responded to incremental developments in science, politics, and technology

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231540964
    Other identifier:
    Subjects: Art and society; Art, Modern; Politik; Technischer Fortschritt; Kunst; Ästhetik; Wissenschaft
    Scope: 1 online resource (xviii, 140 Seiten), 50 b&w illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Mar. 30, 2016)

  21. Art, Agency and Living Presence
    From the Animated Image to the Excessive Object
    Published: [2015]
    Publisher:  De Gruyter, Berlin/Boston

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110345414; 9783110345568; 9783110345575
    Other identifier:
    RVK Categories: LH 61045
    Series: Studien aus dem Warburg-Haus ; 16
    Subjects: Art and society; Art appreciation; Künste, Bildende Kunst allgemein; Kunst; Psychologie; Art; Rezeption; Verlebendigung; Kunst; Kunstwerk; Plastik; Rezeptionsästhetik
    Scope: 1 Online-Ressource (274p.)
    Notes:

    Throughout history, and all over the world, viewers have treated works of art as if they are living beings: speaking to them, falling in love with them, kissing or beating them. This book is a contribution towards an understanding of such responses, by drawing on ancient rhetoric and the theories of Aby Warburg and Alfred Gell, and by retracing the history of attempts to understand - or even excite - such response

  22. The Idea of Art as Propaganda in France, 1750-1799
    A Study in the History of Ideas
    Author: Leith, James
    Published: [1964]; © 1964
    Publisher:  University of Toronto Press, Toronto

    One of the most modern features of the French Revolution was its intention of shaping a new kind of citizen by exposing him from childhood to inspirational messages and behavioral models. In this effort to regenerate the masses the French... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    One of the most modern features of the French Revolution was its intention of shaping a new kind of citizen by exposing him from childhood to inspirational messages and behavioral models. In this effort to regenerate the masses the French Revolutionaries sought to employ not only schools, but newspapers, festivals, dramas, poems, songs, paintings, statues, and engravings as well. At the peak of the Terror, French leaders brough tthe West to the threshold of the totalitarian state in the fullest sense of the world: they established a single party state, directed a regimented economy, created a mass army, and sought to mobilize all the media capable of influencing the human mind. In was an interest in both art and the Revolution which led Professor Leith to explore the groth of the idea of using art as one instrument of propaganda. The idea proved to have deep roots in western civilization, going back to classical thinkers, medieval churchmen, and the art officials of such monarchs as Louis XIV. But following the hedonistic rococo art of the first half of the eighteenth century, this idea of didactic art took on a new lease of life, reaching a crescendo during the Terror. This book analyses the contribution of the philosophes, the Encyclopedists, royal officials, art critics, and revolutionary leaders to the resurgence of the idea; it also probes the peculiar psychological assumptions which led eighteeneth-century thinkers to believe in the efficacy of visual propaganda. The outcome of this idea of art as an ideological weapon was involved in the fate of the Revolution itself, yet it was also affected by certain curious tensions already evident in the minds of its advocates under the Old Régime. Lingering interest in purely aesthetic values,k affirmation of the need for creative freedom, and determination to maintain French cultural hegemony, all complicated the effort to turn art into a vehicle of civic instruction. The final chapter examines the rôle of these tensions in the dénouement of the idea in the closing phase of the Revolution.This book should appeal not only to those interested in French civilization, the age of Enlightment, and they French Revolution, but to those concerned with the rôle of art and the artist in modern society as well

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487585914
    Other identifier:
    Series: Heritage
    Subjects: Art and society; Politik; Allegorie; Kunst; Kunstsoziologie; Französische Revolution <Motiv>; Bildnis; Ästhetik; Französische Revolution; Propaganda
    Other subjects: Marat, Jean-Paul (1743-1793); Latude, Henri Masers de (1725-1805); Diderot, Denis (1713-1784); Chalier, Joseph (1747-1793)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)

  23. Art to come
    histories of contemporary art
    Author: Smith, Terry
    Published: [2019]; © 2019
    Publisher:  Duke University Press, Durham ; London

    In Art to Come Terry Smith-who is widely recognized as one of the world's leading historians and theorists of contemporary art-traces the emergence of contemporary art and further develops his concept of contemporaneity. Smith shows that embracing... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    In Art to Come Terry Smith-who is widely recognized as one of the world's leading historians and theorists of contemporary art-traces the emergence of contemporary art and further develops his concept of contemporaneity. Smith shows that embracing contemporaneity as both a historical concept and a condition of the globalized world allows us to grasp how contemporary art exists in a fluid space of increasing interdependencies, multiple contemporaneous modernities, and persistent inequalities. Throughout these essays, Smith offers systematic proposals for writing contemporary art's histories while assessing how curators, critics, philosophers, artists, and art historians are currently doing so. Among other topics, Smith examines the intersection of architecture with other visual arts, Chinese art since the Cultural Revolution, how philosophers are theorizing concepts associated with the contemporary, Australian Indigenous art, and the current state of art history. Art to Come will be essential reading for artists, art students, curators, gallery workers, historians, critics, and theorists

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478003472
    Other identifier:
    Subjects: ART / Criticism; Art and globalization; Art and society; Art, Modern; Art, Modern; Decolonization in art; Postcolonialism and the arts; Postkolonialismus; Kunst; Ästhetik; Kunstsoziologie
    Scope: 1 Online-Ressource (xv, 440 Seiten), 84 illustrations
  24. The place of many moods
    Udaipur's painted lands and India's eighteenth century
    Author: Khera, Dipti
    Published: [2020]; © 2020
    Publisher:  Princeton University Press, Princeton ; Oxford

    A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of that era. In the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India,... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of that era. In the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur’s artworks—monumental court paintings, royal portraits, Jain letter scrolls, devotional manuscripts, cartographic artifacts, and architectural drawings—represent the period’s major aesthetic, intellectual, and political shifts. Dipti Khera shows that these immersive objects powerfully convey the bhava—the feel, emotion, and mood—of specific places, revealing visions of pleasure, plenitude, and praise. These memorialized moods confront the ways colonial histories have recounted Oriental decadence, shaping how a culture and time are perceived.Illuminating the close relationship between painting and poetry, and the ties among art, architecture, literature, politics, ecology, trade, and religion, Khera examines how Udaipur’s painters aesthetically enticed audiences of courtly connoisseurs, itinerant monks, and mercantile collectives to forge bonds of belonging to real locales in the present and to long for idealized futures.

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9780691209111
    Other identifier:
    Subjects: Agra; AnaSagar Lake; Aurangzeb; British East India Comapny; Cynthia Talbot; Francesca Orsini; Kai Singh; Lake Pichola; Maharana Amar Singh; Mewar; Mughal empire; Norbert Peabody; Raj Singh; Rajput; Rajsamand Lake; Ramya Sreenivasan; Salivahana; Sangram Singh; Shah Janan; Sisodia Rajputs; The Intelligence of Tradition in Rajput Court Painting;Molly Emma Aitken;From Stone to Paper;Chanchal Dadlani;Under the Banyan Tree;Romita Ray;Climate Change and the Art of Devotion;Sugata Ray;Princes and Painters in Mughal Delhi;William Dalrymple;Yuthika Sharma;Garden and Cosmos;Debra Diamond;Wasteland a History;Vittoria Di Palma;Mimesis across Empires;Natasha Eaton;Mapping an Empire;Matthew Edney;The City's Pleasures;Shirine Hamadeh;Mobilizing Krishna's World;Heidi Pauwels;Frederic Church;Jennifer Raab;Court Painting at Udaipur;Andrew Topsfield;Poetry of Kings;Allison Busch;More than Real;David Dean Shulman;Monsoon Feelings;Imke Rajamani;Katherine Butler Schofield;Margrit Pernau;Mughal;British India;court painting;Jodhpur;Krishna;late Mughal;South India;Mughal India;art history;art and religion;art and empire;Rajasthan;land of kings;Jagniwas lake palace;South Asian art;Indian painting;early modern art;history of landscape;history of early modern South Asian art;global eighteenth century;sensory histories;aesthetics;Indian aesthetics;Indian artistic practices;Mughal India;eighteenth-century India;Objects of Translation;Barry Flood;James Tod; William Hodges; letter-scrolls; long eighteenth century; monsoons; political imaginary; precolonial South Asia; tamasa; tamasha; thakurs; ART / Asian / Indian & South Asian; Art and society; Painting; Landschaft <Motiv>; Malerei; Gebäude <Motiv>
    Scope: 1 Online-Ressource (xii, 218 Seiten), Illustrationen
    Notes:

    Dissertation, Columbia University, 2013

  25. Realism, representation, and the arts in nineteenth-century literature
    Published: 1997
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:1998:1189
    No inter-library loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 322451
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    Universitätsbibliothek Braunschweig
    2782-5792
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    Universitätsbibliothek Greifswald
    310/HL 1132 B993
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    98 A 21720
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    HL 1132 101
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 1998/11875
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    Universitätsbibliothek Kiel, Zentralbibliothek
    Pg 3445-12
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    Universität Potsdam, Universitätsbibliothek
    HL 1132 BYE
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    152603 - A
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521581168
    RVK Categories: HL 1132
    Series: Cambridge studies in nineteenth-century literature and culture ; 12
    Subjects: English fiction; Art and literature; Art and society; Aesthetics, British; Realism in literature; Mimesis in literature; Arts, Victorian; Arts, British
    Scope: X, 231 S, Ill
    Notes:

    Literaturverz. S. 210 - 226

    Hier auch später erschienene, unveränderte Nachdrucke