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  1. 'Anzichè allargare, dilaterai!' : allegory and mimesis from Dante's "Comedy" to Pier Paolo Pasolini's "La Divina Mimesis"
    Author: Luglio, Davide
    Published: 2019

  2. The Cort d'Amor. A thirteenth-century allegorical art of love
    Contributor: Jones, Lowanne E. (Hrsg.)
    Published: 1977
    Publisher:  Univ. of North Carolina Pr, Chapel Hill

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    cr 1212
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    Source: Union catalogues
    Contributor: Jones, Lowanne E. (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0807891851
    Series: North Carolina studies in the romance languages and literatures ; Nr. 185
    Subjects: Didactic literature, French; Courtly love; Allegory
    Scope: 227 S
    Notes:

    Mit Bibliogr
  3. In search of "Kynde Knowynge"
    Piers Plowman and the origin of allegory
    Author: Kasten, Madeleine
    Published: 2007
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- ACKNOWLEDGEMENTS -- INTRODUCTION -- ‘SUCH STUFF AS DREAMS ARE MADE ON’: ALLEGORY AND DREAM POETRY -- ‘MUSYNGE ON THIS METELS’: THE RHETORIC OF ALLEGORICAL DYNAMICS -- ‘THE SEAL OF THE ALL-TOO-EARTHLY’: WALTER BENJAMIN AND THE... more

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    Universitätsbibliothek Leipzig
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    Preliminary Material -- ACKNOWLEDGEMENTS -- INTRODUCTION -- ‘SUCH STUFF AS DREAMS ARE MADE ON’: ALLEGORY AND DREAM POETRY -- ‘MUSYNGE ON THIS METELS’: THE RHETORIC OF ALLEGORICAL DYNAMICS -- ‘THE SEAL OF THE ALL-TOO-EARTHLY’: WALTER BENJAMIN AND THE DIALECTIC OF THE ALLEGORICAL SIGN -- PIERS PLOWMAN: LIFE OF A TEXT -- ‘SPECHE, THAT SPIRE IS OF GRACE’: PIERS PLOWMAN AND THE MAGIC OF LANGUAGE -- PIERS PLOWMAN – THE SECOND DREAM -- PIERS PLOWMAN – THE FOURTH AND FIFTH DREAMS -- PIERS PLOWMAN – THE SIXTH, SEVENTH, AND EIGHTH DREAMS -- AFTERWORD: THE WILL TO ‘KYNDE KNOWYNGE’ -- APPENDIX -- ABBREVIATIONS -- BIBLIOGRAPHY -- INDEX OF NAMES. Readers today no longer relish sustained allegorical narratives the way they did in the Middle Ages, when the art of ‘other-speaking’ was as dominant in poetic discourse as it was elsewhere. Yet we live in an age which, following the postmodernist dictum that any sign can only refer to other signs, has declared all language liable to the ‘allegorical condition’. This paradox has led the author to question the epistemological assumptions underlying allegories composed in an era which, conversely, favoured the oblique form of expression while professing its belief in the divine Logos as the ultimate ground of all meaning. If art and doctrine appear so divided on the subject of allegory in our own day, then might not the relationship between allegorical writing and interpretation in the Middle Ages have been more complex than is often assumed? How solid are the grounds on which Michel Foucault has based his distinction between early modernity and its past - a time when, he claims, the languages of the world were still perceived to make up “the image of the truth”? The present study addresses these and related questions through a heuristic comparison between historically and culturally different approaches to narrative allegory. In her analysis of the late-fourteenth century dream poem Piers Plowman by William Langland, Kasten sets up a critical dialogue between this extraordinary work and Walter Benjamin's study of German baroque allegory, The Origin of German Tragic Drama . Far from serving the narrow purposes of didacticism, she contends, Piers Plowman invites a reconsideration of the very grounds on which (post-) modernity has tried to distance itself from its cultural past

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401204149
    Other identifier:
    Series: Costerus ; new ser., 168
    Subjects: Allegory; Dreams in literature; Dreams; Visions; Christian pilgrims and pilgrimages; Christian poetry, English (Middle); Allegory; Christian pilgrims and pilgrimages; Christian poetry, English (Middle); Dreams; Dreams in literature; Visions; Poetry
    Other subjects: Langland, William (1330?-1400?): Piers Plowman
    Scope: 1 Online-Ressource (257 pages)
    Notes:

    "Originated in a dissertation project ..."--Page [9]

    Includes bibliographical references (p. 235-249) and index
  4. Allegories of war
    language and violence in old English poetry
    Author: Hermann, John P.
    Published: 1989
    Publisher:  Univ. of Michigan Pr., Ann Arbor, Mich.

  5. Personification and the Sublime
    Milton to Coleridge
    Author: Knapp, Steven
    Published: [1985]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674181670; 9780674181663
    Other identifier:
    Subjects: English poetry / History and criticism; Englische Literatur; Personification in literature; Allegory; Sublime, The, in literature; English poetry; Technique; Literatur; Personifikation; Personifikation; Das Erhabene; Literatur; Lyrik; Englisch
    Other subjects: Wordsworth, William (1770-1850); Milton, John (1608-1674); Collins, William (1721-1759); Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 Online-Ressource (178p.)
    Notes:

    Eighteenth-century and Romantic readers had a peculiar habit of calling personified abstractions "sublime." This has always seemed mysterious, since the same readers so often expressed a feeling that there was something wrong with turning ideas into people--or, worse, turning people into ideas. In this wide-ranging, carefully argued study, Knapp explains the connection between personification and the aesthetics of the sublime

    Eighteenth-century and Romantic readers had a peculiar habit of calling personified abstractions "sublime." This has always seemed mysterious, since the same readers so often expressed a feeling that there was something wrong with turning ideas into people--or, worse, turning people into ideas. In this wide-ranging, carefully argued study, Steven Knapp explains the connection between personification and the aesthetics of the sublime. Personifications, such as Milton's controversial figures of Sin and Death in Paradise Lost, were seen to embody a unique combination of imaginative power and overt fictionality, and these, Knapp shows, were exactly the conflicting requirements of the sublime in general. He argues that the uneasiness readers felt toward sublime personifications was symptomatic of broader ambivalences toward archaic beliefs, political and religious violence, and poetic fiction as such. Drawing on recent interpretations of Romanticism, allegory, and the sublime, Knapp provides important new readings of Coleridge, Wordsworth, Kant, and William Collins. His provocative thesis sheds new light on the relationship between Romanticism and the eighteenth century
  6. Mirrors of Celestial Grace
    Patristic Theology in Spenser's Allegory
    Author: Weatherby, Harold L.
    Published: [2019]; © 1994
    Publisher:  University of Toronto Press, Toronto

    Much has been written about Spenser's theological allegory and its sources but, until now, no one has suggested sustained patristic influence. Harold Weatherby argues that taking patristic theology as a measure for certain episodes in The Faerie... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Much has been written about Spenser's theological allegory and its sources but, until now, no one has suggested sustained patristic influence. Harold Weatherby argues that taking patristic theology as a measure for certain episodes in The Faerie Queene affords more convincing evidence than the familiar (usually Protestant) references. He shows that sixteenth-century editions of the works of the principal Fathers were available to Spenser, and that, in addition, there appeard to be considerable interest in the Fathers at Spenser's college, Pembroke. With the additional evidence of the poem itself, Weatherby introduces the theory that patristic theology affected the poet's understanding of Christianity. To demonstrate, the author examines seven allegorical episodes in The Faerie Queene, each of which has had extensive pervious interpretive attention, quite different from the approach taken here. He looks closely at the dragon fight and the figure of St George; the subsequent nuptial celebration with Una and Red Crosse; the role of Belphoebe as an emblem of temperance (as the Fathers conceive temperance); Guyon's descent into Mammon's cave; Guyon's encounter with Mordant, Amavia, and Ruddymane, and his futile effort to cleanse the child's hands; Arthur's defeat of Maleger; and the presentation of Dame Nature. In each of these episodes, patristic thought is seen to have significantly shaped the allegory. The epilogue suggest how patristic thought influenced Spenser's presentation of eros in Books III and IV, introducting a new hypothesis about these books and about Spenser's conception of chastity

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487584818
    Other identifier:
    Series: Heritage
    Subjects: RELIGION / Theology; Allegory; Christian poetry, English; Christianity and literature; Epic poetry, English; Religion in literature; Theology, Doctrinal, in literature; Patristik; Kirchenväter; Allegorie; Vätertheologie
    Other subjects: Spenser, Edmund (1552-1599); Spenser, Edmund (1552-1599): The faerie queene
    Scope: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019)
  7. The Language of Allegory
    Defining the Genre
    Author: Quilligan, Maureen
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    This lively and innovative work treats a body of literature not previously regarded as a unified genre. Offering comparative readings of a number of texts that are traditionally called allegories and that cover a wide time span, Maureen Quilligan... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    This lively and innovative work treats a body of literature not previously regarded as a unified genre. Offering comparative readings of a number of texts that are traditionally called allegories and that cover a wide time span, Maureen Quilligan formulates a vocabulary for talking about the distinctive generic elements they share. The texts she considers range from the twelfth-century De planctu naturae to Pynchon's Gravity's Rainbow, and include such works as Le Roman de la Rose, Langland's Piers Plowman, Hawthorne's Scarlet Letter, Melville's Confidence Man, and Spenser's Faerie Queene. Whether or not readers agree with this book, they will enjoy and profit from it

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501724480
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    Subjects: American Studies; LITERARY CRITICISM / Comparative Literature; Allegory; American literature; English literature; Sprache; Allegorie
    Scope: 1 online resource (312 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  8. Political Allegory in Late Medieval England
    Author: Astell, Ann W.
    Published: [2002]; © 2002
    Publisher:  Cornell University Press, Ithaca, NY

    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet—offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions.Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman, which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801474651
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    Subjects: LITERARY CRITICISM / Medieval; Allegory; English literature; Invention (Rhetoric); Political poetry, English (Middle); Politics and literature; Rhetoric, Medieval; Mittelenglisch; Politik; Allegorie; Geschichte; Literatur
    Scope: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  9. In Dante's Wake
    Reading from Medieval to Modern in the Augustinian Tradition
    Author: Freccero, John
    Published: [2015]; © 2015
    Publisher:  Fordham University Press, New York, NY

    Waking to find himself shipwrecked on a strange shore before a dark wood, the pilgrim of the Divine Comedy realizes he must set his sights higher and guide his ship to a radically different port. Starting on the sand of that very shore with Dante,... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Waking to find himself shipwrecked on a strange shore before a dark wood, the pilgrim of the Divine Comedy realizes he must set his sights higher and guide his ship to a radically different port. Starting on the sand of that very shore with Dante, John Freccero begins retracing the famous voyage recounted by the poet nearly 700 years ago.Freccero follows pilgrim and poet through the Comedy and then beyond, inviting readers both uninitiated and accomplished to join him in navigating this complex medieval masterpiece and its influence on later literature. Perfectly impenetrable in its poetry and unabashedly ambitious in its content, the Divine Comedy is the cosmos collapsed on itself, heavy with dense matter and impossible to expand. Yet Dante’s great triumph is seen in the tiny, subtle fragments that make up the seamless whole, pieces that the poet painstakingly sewed together to form a work that insinuates itself into the reader and inspires the work of the next author. Freccero magnifies the most infinitesimal elements of that intricate construction to identify self-similar parts, revealing the full breadth of the great poem.Using this same technique, Freccero then turns to later giants of literature— Petrarch, Machiavelli, Donne, Joyce, and Svevo—demonstrating how these authors absorbed these smallest parts and reproduced Dante in their own work. In the process, he confronts questions of faith, friendship, gender, politics, poetry, and sexuality, so that traveling with Freccero, the reader will both cross unknown territory and reimagine familiar faces, swimming always in Dante’s wake

     
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    Source: Union catalogues
    Contributor: Callegari, Danielle (Publisher); Swain, Melissa (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823264308
    Other identifier:
    Subjects: Allegory; Consciousness; Dante; Novel; Theology; conversion; epic; medieval; poetics; poetry; LITERARY CRITICISM / Medieval
    Scope: 1 online resource (286 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  10. Memory and Complicity
    Migrations of Holocaust Remembrance
    Author: Sanyal, Debarati
    Published: [2015]; © 2015
    Publisher:  Fordham University Press, New York, NY

    Since World War II, French and Francophone literature and film have repeatedly sought not to singularize the Holocaust as the paradigm of historical trauma but rather to connect its memory with other memories of violence, namely that of colonialism.... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Since World War II, French and Francophone literature and film have repeatedly sought not to singularize the Holocaust as the paradigm of historical trauma but rather to connect its memory with other memories of violence, namely that of colonialism. These works produced what Debarati Sanyal calls a "memory-in-complicity" attuned to the gray zones that implicate different regimes of violence across history as well as those of different subject positions such as victim, perpetrator, witness, and reader/spectator. Examining a range of works from Albert Camus, Primo Levi, Alain Resnais, and Jean-Paul Sartre to Jonathan Littell, Assia Djebar, Giorgio Agamben, and Boualem Sansal, Memory and Complicity develops an inquiry into the political force and ethical dangers of such implications, contrasting them with contemporary models for thinking about trauma and violence and offering an extended meditation on the role of aesthetic form, especially allegory, within acts of transhistorical remembrance. What are the political benefits and ethical risks of invoking the memory of one history in order to address another? What is the role of complicity in making these connections? How does complicity, rather than affect based discourses of trauma, shame and melancholy, open a critical engagement with the violence of history? What is it about literature and film that have made them such powerful vehicles for this kind of connective memory work?As it offers new readings of some of the most celebrated and controversial novelists, filmmakers, and playwrights from the French-speaking world, Memory and Complicity addresses these questions in order to reframe the way we think about historical memory and its political uses today

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823265503
    Other identifier:
    Subjects: Algeria; Allegory; Memory; complicity; ethics; france; transculturual; transnational; trauma; violence; witness; LITERARY CRITICISM / Comparative Literature; Art; Collective memory; Collective memory; Colonization; Holocaust, Jewish (1939-1945); Holocaust, Jewish (1939-1945), in literature; Holocaust, Jewish (1939-1945), in motion pictures; Violence
    Scope: 1 online resource (352 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  11. Light and Death
    Figuration in Spenser, Kepler, Donne, Milton
    Author: Anderson, Judith H.
    Published: [2017]; © 2017
    Publisher:  Fordham University Press, New York, NY

    Light figures being; darkness, death. Bridging mathematical science, semantics, rhetoric, grammar, and major poems, Judith H. Anderson seeks to negotiate writings from multiple disciplines in the shared terms of poiesis and figuration rather than as... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Light figures being; darkness, death. Bridging mathematical science, semantics, rhetoric, grammar, and major poems, Judith H. Anderson seeks to negotiate writings from multiple disciplines in the shared terms of poiesis and figuration rather than as cultural opposites. Analogy, a type of metaphor, has always been the connector of the known to the unknown, the sensible to the infinite. Anderson’s study moves from the figuration of light and death to the history of analogy and its pertinence to light in physics and metaphysics, from Kepler to Donne, Spenser, and Milton. Topics proliferate: creativity, optics, the relation of literature to science, the methodology of thought and argument, and the processes of narrative, discovery, and interpretation

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823272808
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    Subjects: Analogy; Death; Donne; Kepler; Light; Literature and science; Milton; Optics; Spenser; metaphor; SCIENCE / Philosophy & Social Aspects; Allegory; Analogy in literature; Death in literature; English literature; English literature--Early modern, 1500-1700--History and criticism; Metaphor in literature
    Scope: 1 online resource (328 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  12. Lives of the Dead Poets
    Keats, Shelley, Coleridge
    Author: Swann, Karen
    Published: [2019]; © 2019
    Publisher:  Fordham University Press, New York, NY

    Any reader engaging the work of Keats, Shelley, or Coleridge must confront the role biography has played in the canonization of each. Each archive is saturated with stories of the life prematurely cut off or, in Coleridge’s case, of promise wasted in... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Any reader engaging the work of Keats, Shelley, or Coleridge must confront the role biography has played in the canonization of each. Each archive is saturated with stories of the life prematurely cut off or, in Coleridge’s case, of promise wasted in indolence. One confronts reminiscences of contemporaries who describe subjects singularly unsuited to this world, as well as still stranger materials—death masks, bits of bone, locks of hair, a heart—initially preserved by circles and then circulating more widely, often in tandem with bits of the literary corpus.Especially when it centers on the early deaths of Keats and Shelley, biographical interest tends to be dismissed as a largely Victorian and sentimental phenomenon that we should by now have put behind us. And yet a line of verse by these poets can still trigger associations with biographical detail in ways that spark pathos or produce intimations of prolepsis or fatality, even for readers suspicious of such effects. Biographical fascination—the untoward and involuntary clinging of attention to the biographical subject—is thus "posthumous" in Keats’s evocative sense of the term, its life equivocally sustained beyond its period.Lives of the Dead Poets takes seriously the biographical fascination that has dogged the prematurely arrested figures of three romantic poets. Arising in tandem with a sense of the threatened end of poetry’s allotted period, biographical fascination personalizes the precariousness of poetry, binding poetry, the poet-function, and readers to an irrecuperable singularity. Reading romantic poets together with the modernity of Benjamin and Baudelaire, Swann shows how poets’ afterlives offer an opening for poetry’s survival, from its first nineteenth-century death sentences into our present

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823284207
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    Series: Lit Z
    Subjects: Allegory; Biography; Coleridge, Samuel Taylor; Commodity; Keats, John; Poet; Posthumous life; Shelley, Percy Bysshe; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English poetry; Poets, English
    Scope: 1 online resource (272 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  13. Voltaire, Raynal, Rousseau, Allégorie
    Published: 2003
    Publisher:  Voltaire Foundation, Oxford

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 501044
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2003 A 22974
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    ZS
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    A/365199
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    (Zs 6007 : 2003,7)
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    X 8186-2003,7
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    Universitätsbibliothek Osnabrück
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    HJU 5028-962 2
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    Herzog August Bibliothek Wolfenbüttel
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    F8° 1995:2003,7
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    Source: Staatsbibliothek zu Berlin
    Language: English; French
    Media type: Book
    Format: Print
    ISBN: 0729408264
    RVK Categories: AZ 25150 ; CF 7517 ; CF 9215 ; IG 1040
    Series: Studies on Voltaire and the eighteenth century ; 2003,7
    Subjects: French literature; Allegory; Allegorie; Französisch; Kongress; Literatur; Geschichte <1700-1800>
    Other subjects: Voltaire (1694-1778); Raynal abbé (1713-1796); Rousseau, Jean-Jacques (1712-1778)
    Scope: V, 490 S, Ill
  14. Musik als Bild
    allegorische "Verbildlichungen" im 17. Jahrhundert
    Author: Gutknecht, Dieter
    Published: 2003
    Publisher:  Rombach, Freiburg im Breisgau

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2003:4401
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 470726
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    Staats- und Universitätsbibliothek Bremen
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    01.r.0526
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    247065
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2004 A 18626
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    D-F 328/410
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3793093522
    RVK Categories: LH 84360 ; LH 81240 ; LR 57704
    Edition: 1. Aufl.
    Series: Array ; 21
    Subjects: Music in art; Allegory; Graphic arts; Muziek; Allegoriee͏̈n; Grafische kunst; Geschichte 1600-1700
    Scope: 143 Seiten, Illustrationen, Notenbeisp., 20 cm
    Notes:

    Literaturverz. S. 139 - 143
  15. Charles d'Orléans and the allegorical mode
    Author: Harrison, Ann Tukey
    Published: 1975
    Publisher:  U. N. C. Department of Romance Languages, Chapel Hill

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    Source: Union catalogues
    Language: English
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    ISBN: 0884380300
    Series: North Carolina studies in the Romance languages and literatures ; Nr. 150
    Subjects: Rhetoric, Medieval; Allegory
    Other subjects: Array
    Scope: 124 S
    Notes:

    Mit Bibliogr
  16. "Der geistliche Streit"
    synoptischer Abdruck der Fassungen A, C, B und D ; Kommentar und Motivgeschichte
    Author: Naser, Christian
    Published: 1995
    Publisher:  Königshausen & Neumann, Würzburg

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
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    ISBN: 3826010353
    Series: Texte und Wissen ; Bd. 2
    Subjects: Christian poetry, German; Allegory; Virtues in literature; Deadly sins in literature
    Scope: 252 S., 24 cm
    Notes:

    Zugl.: Würzburg, Univ., Diss., 1993
  17. On allegory
    some medieval aspects and approaches
    Published: 2008
    Publisher:  Cambridge Scholars Publ., Newcastle

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    Source: Staatsbibliothek zu Berlin
    Language: English
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    ISBN: 1847184006; 9781847184009
    RVK Categories: HH 4033
    Subjects: Allegory; Literature, Medieval
    Scope: [IX], 269 S., Ill, 22cm
    Notes:

    Includes bibliographical references and index
  18. Poetic machinations
    allegory, surrealism, and postmodern poetic form
    Author: Golston, Michael
    Published: [2015]; © 2015
    Publisher:  Columbia University Press, New York

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
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    ISBN: 9780231164306; 9780231538633
    RVK Categories: HU 1769
    Subjects: American poetry; Allegory; Surrealism (Literature); Poetics
    Scope: xvi, 247 Seiten, Illustration, 24 cm
    Notes:

    Literaturverzeichnis Seite 231-243. Index
  19. Thinking allegory otherwise
    Published: c2010
    Publisher:  Stanford Univ. Press, Stanford, Calif.

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    Source: Staatsbibliothek zu Berlin
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    ISBN: 9780804763806
    RVK Categories: EC 3755
    Subjects: Allegory
    Scope: XI, 276 S., Ill., 24 cm
    Notes:

    Originates from a conference held at Stanford University in February 2005

    Includes bibliographical references and index

    Angus J.S. Fletcher: Allegory without ideas

    Jody Enders: Memories and allegories of the death penalty : back to the medieval future?

    Daniel Selcer: The mask of Copernicus and the mark of the compass : Bruno, Galileo, and the ontology of the page

    Blair Hoxby: The function of allegory in baroque tragic drama : what Benjamin got wrong

    Gordon Teskey: Paris and primitive art : the colonial exhibition and its legacy

    Richard Wittman: Monuments and space as allegory : town planning proposals in eighteenth-century Paris

    Maureen Quilligan: Allegory and female agency

    Catherine Gimelli Martin: Eliding absence and regaining presence : the materialist allegory of good and evil in Bacon's fables and Milton's epic of evil in Milton's Baconian epic

    Stephen Orgel: What knights really want

    Karen Feldman: On vitality, figurality and orality in Hannah Arendt

    James J. Paxson.: Allegory and science : from Euclid to the search for fundamental structures in modern physics
  20. Allegory
    Author: Tambling, Jeremy
    Published: 2010
    Publisher:  Routledge, London [u.a.]

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    Source: Staatsbibliothek zu Berlin
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    ISBN: 0415340055; 0415340063; 9780415340052; 9780415340069
    RVK Categories: EC 3755 ; HG 107
    Edition: 1. ed.
    Series: The new critical idiom
    Subjects: Allegory
    Scope: [VIII], 192 S.
    Notes:

    Literaturverz. S. [180] - 189
  21. Depicting Dante in Anglo-Italian literary and visual arts
    allegory, authority and authenticity
    Author: Lehner, Christoph
    Published: 2017
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781443899352
    RVK Categories: HH 4008 ; HH 4033 ; HH 4050 ; IT 5934 ; IT 6022 ; LO 50000
    Subjects: Allegory
    Other subjects: Dante Alighieri, 1265-1321; Dante Alighieri, 1265-1321; Dante Alighieri, 1265-1321
    Scope: xv, 216 Seiten, Illustrationen, 21 cm
  22. In altre parole
    forme dell'allegoria nei testi medioevali
    Contributor: Serra, Patrizia (HerausgeberIn)
    Published: [2015]; © 2015
    Publisher:  FrancoAngeli, Milano, Italy

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    Source: Staatsbibliothek zu Berlin
    Contributor: Serra, Patrizia (HerausgeberIn)
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788891714091
    Series: Metodi e prospettive ; 12
    Subjects: French literature; Allegory; Literature, Medieval
    Scope: 207 Seiten, 23 cm
    Notes:

    Collected essays

    Includes bibliographical references (pages 197-201) and index
  23. Roman de la Rose
    A Study in Allegory and Iconography
    Author: Fleming, John V.
    Published: [2015]; ©1969
    Publisher:  Princeton University Press, Princeton, NJ

    Since the Roman de la Rose had tremendous influence on the poetry of the fourteenth century, particularly on the works of Deschamps, Machaut, Froissart, and Chaucer, Professor Fleming maintains that it is important for the modern reader to understand... more

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    Since the Roman de la Rose had tremendous influence on the poetry of the fourteenth century, particularly on the works of Deschamps, Machaut, Froissart, and Chaucer, Professor Fleming maintains that it is important for the modern reader to understand what this influential moral satire meant to readers of the medieval period. Basing his interpretation in part on iconographic analysis of the illuminations found in more than one hundred manuscript copies of the poem, he advances a “medieval” reading of the poem. Other tools used by Mr. Fleming to get at the meaning of the poem include a study of the mythographic tradition, a logical and rhetorical analysis of the text, and an examination of formal exegetical documents of the late Middle Ages, especially the Old French commentary on the Echecs Amoureux. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400878871
    Other identifier:
    Series: Princeton Legacy Library
    Subjects: Allegory; Romances; Courtly love in literature; Romances; Allegory; Courtly love in literature; Allegory.; Courtly love in literature.; Romances.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Preface -- -- Contents -- -- Illustrations -- -- CHAPTER ONE. Text and Glose -- -- CHAPTER TWO. The Hortus Deliciarum -- -- CHAPTER THREE. Love's Preceptors -- -- CHAPTER FOUR. Natural and Unnatural Nature -- -- INDEX
  24. Spenser's Allegory of Justice in Book Five of the Fairie Queen
    Author: Dunseath, T. K.
    Published: [2015]; ©1968
    Publisher:  Princeton University Press, Princeton, NJ

    “The importance of Dunseath’s study is that it proposes an original interpretation of the allegory of The Faerie Queene, Book V, and a fresh theory of its poetic function.... It brings new material into play, and offers a sensible, integrated reading... more

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    “The importance of Dunseath’s study is that it proposes an original interpretation of the allegory of The Faerie Queene, Book V, and a fresh theory of its poetic function.... It brings new material into play, and offers a sensible, integrated reading of many of the poem’s most important passages, so that it may well prove a pace-setter for this kind of Spenserian study.”—Alastair Fowler, Brasenose College, Oxford.Originally published in 1968.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400879120
    Other identifier:
    Series: Princeton Legacy Library
    Subjects: Allegory; Justice in literature; Epic poetry, English; Justice in literature; Allegory; Epic poetry, English; Allegory.; Epic poetry, English.; Justice in literature.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Acknowledgments -- -- Contents -- -- Introduction -- -- CHAPTER I. Character and Theme -- -- CHAPTER II. Humility and Wisdom -- -- CHAPTER III. Desire and Love -- -- CHAPTER IV. Justice and Peace -- -- Index
  25. The Court Comedies of John Lyly
    A Study in Allegorical Dramaturgy
    Author: Saccio, Peter
    Published: [2016]; ©1969
    Publisher:  Princeton University Press, Princeton, NJ

    The nature of Renaissance allegory has been the subject of much investigation, notably by Spenserian scholars. The subject is now enlarged through a study of the plays of the Elizabethan Court dramatists of the 1580’s and early 1590’s, particularly... more

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    The nature of Renaissance allegory has been the subject of much investigation, notably by Spenserian scholars. The subject is now enlarged through a study of the plays of the Elizabethan Court dramatists of the 1580’s and early 1590’s, particularly the comedies of John Lyly. Mr. Saccio rejects the older “topical readings” of Lyly; by extensive interpretation of particular plays he describes three distinct kinds of allegorical operation apparent in successive phases of Lyly’s career and suggests that they form an important paradigm of the development of English drama itself.Originally published in 1969.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400876181
    Other identifier:
    Series: Princeton Legacy Library
    Subjects: Comedy; English drama (Comedy); Courts and courtiers in literature; Allegory; English drama (Comedy); Comedy; Allegory; Courts and courtiers in literature; Allegory.; Comedy.; Courts and courtiers in literature.; English drama (Comedy).
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- ACKNOWLEDGMENTS -- -- CONTENTS -- -- INTRODUCTION -- -- I. A STAGE FOR ALLEGORY -- -- I I . THE WORLD OF CAMPASPE -- -- III . THE GODS OF GALLATHEA -- -- IV. CUPIDS, COURTS, AND THE QUEEN -- -- V. TRANSITION TO NARRATIVE -- -- APPENDIX -- -- INDEX