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Displaying results 1 to 15 of 15.

  1. Gestures of testimony
    torture, trauma, and affect in literature
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

    " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound problem for literature: torturous pain and its traumatic aftermath have long been held to destroy language, shatter experience, and refuse representation. Challenging accepted thinking, Gestures of Testimony: Torture, Trauma, and Affect in Literature asks how literature might bear witness to the tortures of a war waged against fear itself. Bringing the vibrant field of affect theory to bear on theories of torture and power, Richardson adopts an interdisciplinary approach to show how testimony founded in affect can bear witness to torture and its traumas. Grounded in provocative readings of fiction by George Orwell, Franz Kafka, Arthur Koestler, Anne Michaels and Janette Turner Hospital, poems by Guantanamo detainees, memoirs of interrogators and detainees, contemporary films, and the Torture Memos of the Bush Administration, the analysis traverses politics, law and cinema to re-think literary testimony. Drawing upon some of the most influential thinkers of recent times on power, affect, trauma and torture, the book does more than critique culture and literature: it proposes new practices of literary witnessing. Gestures of Testimony gives shape to a mode of gestural testimony, a reaching beyond the page in the writing of torture in fiction that reveals the shape, depth and intensity of violent trauma-even as it embodies its veiling. "...

     

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  2. Gestures of testimony
    torture, trauma, and affect in literature
    Published: 2016
    Publisher:  Bloomsbury Academic, New York, New York

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501315824
    Subjects: Torture in literature; Psychic trauma in literature; Affect (Psychology) in literature; Torture in motion pictures; Psychic trauma in motion pictures; Affect (Psychology) in motion pictures; Literature, Modern; Motion pictures; Torture
    Scope: 1 Online-Ressource (231 pages)
    Notes:

    Description based on print version record

  3. The tender gaze
    compassionate encounters on the German screen, page, and stage
    Contributor: Cormican, Muriel (Publisher); William, Jennifer Marston (Publisher)
    Published: 2021
    Publisher:  Camden House, Rochester, NY

    "The gaze, understood as a way of looking at others that involves contemplation and the operation of power, has an extensive history of iterations such as the male gaze (Mulvey), the oppositional gaze (hooks), and the post-colonial gaze (Said). This... more

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    "The gaze, understood as a way of looking at others that involves contemplation and the operation of power, has an extensive history of iterations such as the male gaze (Mulvey), the oppositional gaze (hooks), and the post-colonial gaze (Said). This essay collection develops a supplemental theory of what Muriel Cormican has coined the "tender gaze" and traces its occurrence in German film, theater, and literature. More than qualifying the primarily voyeuristic, narcissistic, and sexist impetus of the male gaze, the tender gaze also allows for a differentiated understanding of the role identification plays in reception, and it highlights various means of eliciting a sociopolitical critique in works of art. Emphasizing the humanizing potential of the tender gaze, the contributors argue that far from simply exciting emotional contagion, affect in art promotes an altruistic, rational, and fundamentally ethical relationship to the other. The tender gaze elucidates how perspective-taking operates in art to foster empathy and prosocial behaviors. Though the contributors identify instances of the tender gaze in artistic production since the early nineteenth century, they focus on its pervasiveness in contemporary works, corresponding to twenty-first-century concerns with implicit bias and racism"--

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Cormican, Muriel (Publisher); William, Jennifer Marston (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787447981
    Other identifier:
    Series: Women and gender in German studies
    Subjects: Arts and society / Germany / History / 21st century; Affect (Psychology) in motion pictures; Affect (Psychology) in literature; Gaze in art; Literatur; Deutsch; Film; Blick <Motiv>; Perspektive; Theater
    Scope: 1 Online-Ressource (vi, 232 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 07 Oct 2022)

    Toward a Theory of the Tender Gaze: Affect, Critical Insight, and Empathy in Contemporary German Cinema / Muriel Cormican -- The Tender and Transgressive Beast within: Escape Narratives in Films by Krebitz, Stuber, and Speckenbach / Mary-Elizabeth O'Brien -- The Sociohistorical and Gendered Implications of Gazing Tenderly in Ludwig Tieck's "Liebeszauber" / Joseph Rockelmann

  4. Making worlds
    affect and collectivity in contemporary European cinema
    Published: [2020]; © 2020
    Publisher:  Columbia University Press, New York

    The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends.Breger offers nuanced readings of major contemporary films such as Michael Haneke’s The White Ribbon, Alejandro González Iñárritu’s Biutiful, Fatih Akın’s The Edge of Heaven, Asghar Farhadi’s A Separation, and Aki Kaurismäki’s refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others’ present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231550697
    Other identifier:
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Affect (Psychology) in motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Politik <Motiv>; Gesellschaft <Motiv>; Film
    Scope: 1 Online-Ressource (336 Seiten), Illustrationen
  5. Gestures of testimony
    torture, trauma, and affect in literature
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

    " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound... more

    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan

     

    " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound problem for literature: torturous pain and its traumatic aftermath have long been held to destroy language, shatter experience, and refuse representation. Challenging accepted thinking, Gestures of Testimony: Torture, Trauma, and Affect in Literature asks how literature might bear witness to the tortures of a war waged against fear itself. Bringing the vibrant field of affect theory to bear on theories of torture and power, Richardson adopts an interdisciplinary approach to show how testimony founded in affect can bear witness to torture and its traumas. Grounded in provocative readings of fiction by George Orwell, Franz Kafka, Arthur Koestler, Anne Michaels and Janette Turner Hospital, poems by Guantanamo detainees, memoirs of interrogators and detainees, contemporary films, and the Torture Memos of the Bush Administration, the analysis traverses politics, law and cinema to re-think literary testimony. Drawing upon some of the most influential thinkers of recent times on power, affect, trauma and torture, the book does more than critique culture and literature: it proposes new practices of literary witnessing. Gestures of Testimony gives shape to a mode of gestural testimony, a reaching beyond the page in the writing of torture in fiction that reveals the shape, depth and intensity of violent trauma-even as it embodies its veiling. "-- "Brings together theories of affect, trauma and power to propose new practices of bearing literary witness to the torture of the war on terror"--

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    RVK Categories: EC 5410
    Subjects: Torture in literature; Psychic trauma in literature; Affect (Psychology) in literature; Torture in motion pictures; Psychic trauma in motion pictures; Affect (Psychology) in motion pictures; Literature, Modern / History and criticism; Motion pictures / Social aspects; Torture / Moral and ethical aspects; Folter <Motiv>; Zeugnis; Literatur; Trauma <Motiv>
    Scope: 1 Online-Ressource (x, 222 Seiten)
    Notes:

    Includes bibliographical references and index

    Machine generated contents note: -- Acknowledgments -- Introduction: Gesturing the Unrepresentable -- Chapter 1: Tortured Bodies -- Chapter 2: Reading Torture -- Chapter 3: Seeing Torture -- Chapter 4: Writing Trauma -- Chapter 5: Witnessing and the Poetics of Trauma -- Chapter 6: Writing Torturous Affect -- Conclusion: Speaking Beyond Words -- Endnotes -- Bibliography -- Index

  6. Gestures of Testimony
    Torture, Trauma, and Affect in Literature
    Published: 2018
    Publisher:  Bloomsbury Academic, New York

    " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound... more

    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan

     

    " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound problem for literature: torturous pain and its traumatic aftermath have long been held to destroy language, shatter experience, and refuse representation. Challenging accepted thinking, Gestures of Testimony: Torture, Trauma, and Affect in Literature asks how literature might bear witness to the tortures of a war waged against fear itself. Bringing the vibrant field of affect theory to bear on theories of torture and power, Richardson adopts an interdisciplinary approach to show how testimony founded in affect can bear witness to torture and its traumas. Grounded in provocative readings of fiction by George Orwell, Franz Kafka, Arthur Koestler, Anne Michaels and Janette Turner Hospital, poems by Guantanamo detainees, memoirs of interrogators and detainees, contemporary films, and the Torture Memos of the Bush Administration, the analysis traverses politics, law and cinema to re-think literary testimony. Drawing upon some of the most influential thinkers of recent times on power, affect, trauma and torture, the book does more than critique culture and literature: it proposes new practices of literary witnessing. Gestures of Testimony gives shape to a mode of gestural testimony, a reaching beyond the page in the writing of torture in fiction that reveals the shape, depth and intensity of violent trauma-even as it embodies its veiling. "...

     

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  7. Gestures of testimony
    torture, trauma, and affect in literature
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

    Machine generated contents note: -- Acknowledgments -- Introduction: Gesturing the Unrepresentable -- Chapter 1: Tortured Bodies -- Chapter 2: Reading Torture -- Chapter 3: Seeing Torture -- Chapter 4: Writing Trauma -- Chapter 5: Witnessing and the... more

    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Machine generated contents note: -- Acknowledgments -- Introduction: Gesturing the Unrepresentable -- Chapter 1: Tortured Bodies -- Chapter 2: Reading Torture -- Chapter 3: Seeing Torture -- Chapter 4: Writing Trauma -- Chapter 5: Witnessing and the Poetics of Trauma -- Chapter 6: Writing Torturous Affect -- Conclusion: Speaking Beyond Words -- Endnotes -- Bibliography -- Index " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound problem for literature: torturous pain and its traumatic aftermath have long been held to destroy language, shatter experience, and refuse representation. Challenging accepted thinking, Gestures of Testimony: Torture, Trauma, and Affect in Literature asks how literature might bear witness to the tortures of a war waged against fear itself. Bringing the vibrant field of affect theory to bear on theories of torture and power, Richardson adopts an interdisciplinary approach to show how testimony founded in affect can bear witness to torture and its traumas. Grounded in provocative readings of fiction by George Orwell, Franz Kafka, Arthur Koestler, Anne Michaels and Janette Turner Hospital, poems by Guantanamo detainees, memoirs of interrogators and detainees, contemporary films, and the Torture Memos of the Bush Administration, the analysis traverses politics, law and cinema to re-think literary testimony. Drawing upon some of the most influential thinkers of recent times on power, affect, trauma and torture, the book does more than critique culture and literature: it proposes new practices of literary witnessing. Gestures of Testimony gives shape to a mode of gestural testimony, a reaching beyond the page in the writing of torture in fiction that reveals the shape, depth and intensity of violent trauma-even as it embodies its veiling. "-- "Brings together theories of affect, trauma and power to propose new practices of bearing literary witness to the torture of the war on terror"--

     

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  8. Gestures of testimony
    torture, trauma, and affect in literature
    Published: 2016
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Brings together theories of affect, trauma and power to propose new practices of bearing literary witness to the torture of the war on terror"-- " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitätsbibliothek Leipzig
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    Universität Potsdam, Universitätsbibliothek
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    "Brings together theories of affect, trauma and power to propose new practices of bearing literary witness to the torture of the war on terror"-- " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound problem for literature: torturous pain and its traumatic aftermath have long been held to destroy language, shatter experience, and refuse representation. Challenging accepted thinking, Gestures of Testimony: Torture, Trauma, and Affect in Literature asks how literature might bear witness to the tortures of a war waged against fear itself. Bringing the vibrant field of affect theory to bear on theories of torture and power, Richardson adopts an interdisciplinary approach to show how testimony founded in affect can bear witness to torture and its traumas. Grounded in provocative readings of fiction by George Orwell, Franz Kafka, Arthur Koestler, Anne Michaels and Janette Turner Hospital, poems by Guantanamo detainees, memoirs of interrogators and detainees, contemporary films, and the Torture Memos of the Bush Administration, the analysis traverses politics, law and cinema to re-think literary testimony. Drawing upon some of the most influential thinkers of recent times on power, affect, trauma and torture, the book does more than critique culture and literature: it proposes new practices of literary witnessing. Gestures of Testimony gives shape to a mode of gestural testimony, a reaching beyond the page in the writing of torture in fiction that reveals the shape, depth and intensity of violent trauma-even as it embodies its veiling. "-- Machine generated contents note: -- Acknowledgments -- Introduction: Gesturing the Unrepresentable -- Chapter 1: Tortured Bodies -- Chapter 2: Reading Torture -- Chapter 3: Seeing Torture -- Chapter 4: Writing Trauma -- Chapter 5: Witnessing and the Poetics of Trauma -- Chapter 6: Writing Torturous Affect -- Conclusion: Speaking Beyond Words -- Endnotes -- Bibliography -- Index

     

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  9. Gestures of testimony
    torture, trauma, and affect in literature
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

  10. Making worlds
    affect and collectivity in contemporary European cinema
    Published: [2020]; © 2020
    Publisher:  Columbia University Press, New York

    The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that... more

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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends.Breger offers nuanced readings of major contemporary films such as Michael Haneke’s The White Ribbon, Alejandro González Iñárritu’s Biutiful, Fatih Akın’s The Edge of Heaven, Asghar Farhadi’s A Separation, and Aki Kaurismäki’s refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others’ present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231550697
    Other identifier:
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Affect (Psychology) in motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Politik <Motiv>; Gesellschaft <Motiv>; Film
    Scope: 1 Online-Ressource (336 Seiten), Illustrationen
  11. Gestures of testimony
    torture, trauma, and affect in literature
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

    " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound problem for literature: torturous pain and its traumatic aftermath have long been held to destroy language, shatter experience, and refuse representation. Challenging accepted thinking, Gestures of Testimony: Torture, Trauma, and Affect in Literature asks how literature might bear witness to the tortures of a war waged against fear itself. Bringing the vibrant field of affect theory to bear on theories of torture and power, Richardson adopts an interdisciplinary approach to show how testimony founded in affect can bear witness to torture and its traumas. Grounded in provocative readings of fiction by George Orwell, Franz Kafka, Arthur Koestler, Anne Michaels and Janette Turner Hospital, poems by Guantanamo detainees, memoirs of interrogators and detainees, contemporary films, and the Torture Memos of the Bush Administration, the analysis traverses politics, law and cinema to re-think literary testimony. Drawing upon some of the most influential thinkers of recent times on power, affect, trauma and torture, the book does more than critique culture and literature: it proposes new practices of literary witnessing. Gestures of Testimony gives shape to a mode of gestural testimony, a reaching beyond the page in the writing of torture in fiction that reveals the shape, depth and intensity of violent trauma-even as it embodies its veiling. "...

     

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  12. Gestures of testimony
    torture, trauma, and affect in literature
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

    " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan

     

    " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound problem for literature: torturous pain and its traumatic aftermath have long been held to destroy language, shatter experience, and refuse representation. Challenging accepted thinking, Gestures of Testimony: Torture, Trauma, and Affect in Literature asks how literature might bear witness to the tortures of a war waged against fear itself. Bringing the vibrant field of affect theory to bear on theories of torture and power, Richardson adopts an interdisciplinary approach to show how testimony founded in affect can bear witness to torture and its traumas. Grounded in provocative readings of fiction by George Orwell, Franz Kafka, Arthur Koestler, Anne Michaels and Janette Turner Hospital, poems by Guantanamo detainees, memoirs of interrogators and detainees, contemporary films, and the Torture Memos of the Bush Administration, the analysis traverses politics, law and cinema to re-think literary testimony. Drawing upon some of the most influential thinkers of recent times on power, affect, trauma and torture, the book does more than critique culture and literature: it proposes new practices of literary witnessing. Gestures of Testimony gives shape to a mode of gestural testimony, a reaching beyond the page in the writing of torture in fiction that reveals the shape, depth and intensity of violent trauma-even as it embodies its veiling. "-- "Brings together theories of affect, trauma and power to propose new practices of bearing literary witness to the torture of the war on terror"--

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    RVK Categories: EC 5410
    Subjects: Torture in literature; Psychic trauma in literature; Affect (Psychology) in literature; Torture in motion pictures; Psychic trauma in motion pictures; Affect (Psychology) in motion pictures; Literature, Modern / History and criticism; Motion pictures / Social aspects; Torture / Moral and ethical aspects; Folter <Motiv>; Zeugnis; Literatur; Trauma <Motiv>
    Scope: 1 Online-Ressource (x, 222 Seiten)
    Notes:

    Includes bibliographical references and index

    Machine generated contents note: -- Acknowledgments -- Introduction: Gesturing the Unrepresentable -- Chapter 1: Tortured Bodies -- Chapter 2: Reading Torture -- Chapter 3: Seeing Torture -- Chapter 4: Writing Trauma -- Chapter 5: Witnessing and the Poetics of Trauma -- Chapter 6: Writing Torturous Affect -- Conclusion: Speaking Beyond Words -- Endnotes -- Bibliography -- Index

  13. Gestures of testimony
    torture, trauma, and affect in literature
    Published: 2016
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Brings together theories of affect, trauma and power to propose new practices of bearing literary witness to the torture of the war on terror"-- " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Brings together theories of affect, trauma and power to propose new practices of bearing literary witness to the torture of the war on terror"-- " After 9/11, the United States became a nation that sanctioned torture. Detainees across the globe were waterboarded, deprived of sleep, beaten by guards, blasted with deafening music and forced into obscene acts. Their torture presents a profound problem for literature: torturous pain and its traumatic aftermath have long been held to destroy language, shatter experience, and refuse representation. Challenging accepted thinking, Gestures of Testimony: Torture, Trauma, and Affect in Literature asks how literature might bear witness to the tortures of a war waged against fear itself. Bringing the vibrant field of affect theory to bear on theories of torture and power, Richardson adopts an interdisciplinary approach to show how testimony founded in affect can bear witness to torture and its traumas. Grounded in provocative readings of fiction by George Orwell, Franz Kafka, Arthur Koestler, Anne Michaels and Janette Turner Hospital, poems by Guantanamo detainees, memoirs of interrogators and detainees, contemporary films, and the Torture Memos of the Bush Administration, the analysis traverses politics, law and cinema to re-think literary testimony. Drawing upon some of the most influential thinkers of recent times on power, affect, trauma and torture, the book does more than critique culture and literature: it proposes new practices of literary witnessing. Gestures of Testimony gives shape to a mode of gestural testimony, a reaching beyond the page in the writing of torture in fiction that reveals the shape, depth and intensity of violent trauma-even as it embodies its veiling. "-- Machine generated contents note: -- Acknowledgments -- Introduction: Gesturing the Unrepresentable -- Chapter 1: Tortured Bodies -- Chapter 2: Reading Torture -- Chapter 3: Seeing Torture -- Chapter 4: Writing Trauma -- Chapter 5: Witnessing and the Poetics of Trauma -- Chapter 6: Writing Torturous Affect -- Conclusion: Speaking Beyond Words -- Endnotes -- Bibliography -- Index

     

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  14. Gestures of testimony
    torture, trauma, and affect in literature
    Published: 2016
    Publisher:  Bloomsbury Academic, New York, New York

    Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction: Gesturing the Unrepresentable -- 1. Tortured Bodies -- 2. Reading Torture -- 3. Seeing Torture -- 4. Writing Trauma -- 5. Witnessing and the Poetics of Trauma... more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction: Gesturing the Unrepresentable -- 1. Tortured Bodies -- 2. Reading Torture -- 3. Seeing Torture -- 4. Writing Trauma -- 5. Witnessing and the Poetics of Trauma -- 6. Writing Torturous Affect -- Conclusion: Speaking Beyond Words -- Notes -- Bibliography -- Index.

     

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  15. The tender gaze
    compassionate encounters on the German screen, page, and stage
    Contributor: Cormican, Muriel (Herausgeber); William, Jennifer Marston (Herausgeber)
    Published: 2021
    Publisher:  Camden House, Rochester, NY ; Cambridge University Press, Cambridge, UK

    "The gaze, understood as a way of looking at others that involves contemplation and the operation of power, has an extensive history of iterations such as the male gaze (Mulvey), the oppositional gaze (hooks), and the post-colonial gaze (Said). This... more

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    "The gaze, understood as a way of looking at others that involves contemplation and the operation of power, has an extensive history of iterations such as the male gaze (Mulvey), the oppositional gaze (hooks), and the post-colonial gaze (Said). This essay collection develops a supplemental theory of what Muriel Cormican has coined the "tender gaze" and traces its occurrence in German film, theater, and literature. More than qualifying the primarily voyeuristic, narcissistic, and sexist impetus of the male gaze, the tender gaze also allows for a differentiated understanding of the role identification plays in reception, and it highlights various means of eliciting a sociopolitical critique in works of art. Emphasizing the humanizing potential of the tender gaze, the contributors argue that far from simply exciting emotional contagion, affect in art promotes an altruistic, rational, and fundamentally ethical relationship to the other. The tender gaze elucidates how perspective-taking operates in art to foster empathy and prosocial behaviors. Though the contributors identify instances of the tender gaze in artistic production since the early nineteenth century, they focus on its pervasiveness in contemporary works, corresponding to twenty-first-century concerns with implicit bias and racism"--

     

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    Source: Union catalogues
    Contributor: Cormican, Muriel (Herausgeber); William, Jennifer Marston (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787447981
    Series: Women and gender in German studies
    Subjects: Film; Drama; Theater; Literatur; Perspektive; Blick <Motiv>; Affekt <Motiv>; Einfühlung <Motiv>; Erzählperspektive; Arts and society; Affect (Psychology) in motion pictures; Affect (Psychology) in literature; Gaze in art
    Scope: 1 Online-Ressource (vi, 232 pages)