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Displaying results 1 to 25 of 3361.

  1. Ästhetik im Widerstreit
    Interventionen zum Werk von Jean-François Lyotard
    Contributor: Welsch, Wolfgang (Publisher)
    Published: 1991
    Publisher:  VCH, Weinheim

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Jüdische Gemeinde zu Berlin, Bibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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    Universität der Künste Berlin, Universitätsbibliothek
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Fachhochschule Potsdam, Hochschulbibliothek
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  2. Het sculpturale denken
    de esthetica van Frans Hemsterhuis
    Author: Sonderen, Peter C.
    Published: 2000
    Publisher:  Uitg. DAMON, Leende

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Media type: Dissertation
    Format: Print
    ISBN: 9055730696
    RVK Categories: CF 4317
    Subjects: Hemsterhuis, François <1721-1790>; Aesthetics, Modern; Sculpture
    Scope: 320 S, 58 Abb, 8[grad]
    Notes:

    Zugl.: Amsterdam, Univ., Diss, 2000
  3. Baroque visual rhetoric
    Author: Minor, Vernon Hyde
    Published: [2016]; © 2016
    Publisher:  University of Toronto Press, Toronto

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  4. Apollinaire on the edge
    modern art, popular culture, and the avant-garde
    Author: Bohn, Willard
    Published: 2010
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- List of illustrations -- Acknowledgments -- Introduction -- Contemplating The Bestiary -- Apollinaire and the Whatnots -- Apollinaire and Children’s Rhymes -- The Mammaries of Tiresias -- Conclusion -- Bibliography -- Index.... more

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    Universitätsbibliothek Leipzig
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    Südwestdeutscher Bibliotheksverbund (SWB)

     

    Preliminary Material -- List of illustrations -- Acknowledgments -- Introduction -- Contemplating The Bestiary -- Apollinaire and the Whatnots -- Apollinaire and Children’s Rhymes -- The Mammaries of Tiresias -- Conclusion -- Bibliography -- Index. The title of the present study refers to the fact that Apollinaire consistently worked at the cutting edge of modern aesthetics. The volume seeks to rehabilitate four experimental genres in particular that have received relatively little attention. The first chapter examines a charming artist’s book entitled The Bestiary , which features illustrations by Raoul Dufy. The second is concerned with a group of poems that celebrate ordinary, everyday life. The next chapter considers Apollinaire’s little-known debt to children’s rhymes. The final chapter discusses an avant-garde drama that was destined to play a key role in the evolution of modern French theater. This book will be of interest to anyone interested in avant-garde aesthetics. It will appeal not only to scholars of twentieth-century poetry but also to devotees of modern art and modern theater

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042031098
    Other identifier:
    Series: Faux titre ; 355
    Subjects: Aesthetics, Modern; Aesthetics, Modern; Criticism, interpretation, etc
    Other subjects: Apollinaire, Guillaume (1880-1918); Apollinaire, Guillaume
    Scope: 1 Online-Ressource (143 pages), illustrations
    Notes:

    Includes bibliographical references (p. 129-139) and index
  5. <<The>> art of philosophy
    visual thinking in Europe from the late Renaissance to the early Enlightenment
    Author: Berger, Susanna
    Published: [2017]; © 2017
    Publisher:  Princeton University Press, Princeton

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691172279
    RVK Categories: CC 6700
    Subjects: Art and Philosophy; Aesthetics, Modern; Aesthetics, Modern; Visual communication in art; Art, Renaissance; Art, Modern
    Scope: XIV, 317 Seiten, 2 Faltblätter, Illustrationen, 29 cm
    Notes:

    Literaturverzeichnis: Seite 293-302
  6. Self/image
    technology, representation, and the contemporary subject
    Author: Jones, Amelia
    Published: 2006
    Publisher:  Routledge, London [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415345219; 0415345227; 9780415345217; 9780415345224
    Edition: 1. publ.
    Subjects: Self-perception in art; Subjectivity in art; Technology and the arts; Arts, Modern; Aesthetics, Modern
    Scope: XXII, 258 S., zahlr. Ill., 24 cm
    Notes:

    Literaturangaben
  7. Dithyrambiker des Untergangs
    Gnostizismus in Ästhetik und Philosophie der Moderne
    Author: Pauen, Michael
    Published: [1994]
    Publisher:  De Gruyter, Berlin

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783050070599; 9783050026596; 9783050070605
    Other identifier:
    Subjects: Philosophie; Gnosticism; Aesthetics, Modern; Geistesgeschichte; Rezeption; Moderne; Geistesgeschichte; Ästhetik; Gnosis
    Scope: 1 Online-Ressource (449p.)
    Notes:

    Die Arbeit verfolgt den Gnostizismus in der Philosophie und Ästhetik der Moderne. Im Mittelpunkt stehen Ludwig Klages, der junge Bloch, Heidegger und Adorno, deren Werke strukturelle Verwandschaften mit gnostischem Denken erkennen lassen
  8. John Ruskin and Aesthetic Thought in America, 1840–1900
    Author: Stein, Roger B.
    Published: [1967]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674436312; 9780674436305
    Other identifier:
    Subjects: Aesthetics, Modern / 19th century; Ästhetik; Philosophie; Aesthetics, American; Aesthetics; Aesthetics, Modern; Influence (Literary, artistic, etc.); Ästhetik; Entwicklung; Kunstbetrachtung; Ästhetik
    Other subjects: Ruskin, John (1819-1900)
    Scope: 1 Online-Ressource (xviii,321p.)
    Notes:

    8 schw.-w. Abb
  9. Reflecting senses
    perception and appearance in literature, culture, and the arts
    Published: 1995
    Publisher:  W. de Gruyter, Berlin ;New York

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 3110145804; 9783110145809; 9783110889444
    Other identifier:
    Subjects: Aesthetics, Modern; Illusion (Philosophy); Illusion in literature; Information theory in aesthetics; Representation (Philosophy); Methode; Erscheinung; Illusion; Ästhetik; Kunstpsychologie; Geschichte; Literatur; Ästhetische Wahrnehmung; Illusion <Motiv>
    Scope: 1 Online-Ressource (vi, 369 p)
    Notes:

    Includes bibliographical references (p. [315]-341) and index
  10. Pathos, Ausdruck und Bewegung
    Zur Ästhetik des Weimarer Klassizismus 1796-1806
    Author: Dönike, Martin
    Published: 2005
    Publisher:  De Gruyter, Berlin ;New York

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Location:
    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3110182378; 9783110182378; 9783110907124
    Other identifier:
    RVK Categories: GK 1971
    Series: Quellen und Forschungen zur Literatur- und Kulturgeschichte ; 34 (268)
    Subjects: Geschichte; Aesthetics, German; Aesthetics, Modern; Classicism; Niobiden; Kunst; Klassizismus; Ästhetik; Das Erhabene
    Other subjects: Canova, Antonio (1757-1822); Raffael (1483-1520); Laokoon; Goethe, Johann Wolfgang von (1749-1832); Schiller, Friedrich (1759-1805); Goethe, Johann Wolfgang von (1749-1832): Weimarische Kunstausstellungen und Preisaufgaben; Carstens, Asmus Jakob (1754-1798); Meyer, Heinrich (1760-1832); Fernow, Carl Ludwig (1763-1808); Hirt, Aloys Ludwig (1759-1837)
    Scope: 1 Online-Ressource (xiii, 430 p., [59] p. of plates)
    Notes:

    Based on the author's thesis (doctoral)--Humbold-Universität zu Berlin, 2002. - Includes bibliographical references (p. [387]-418) and indexes

    Biographical note: Martin Dönike ist Wissenschaftlicher Mitarbeiter beim Sonderforschungsbereich "Transformationen der Antike" an der Humboldt-Universität zu Berlin und Mitherausgeber des Frankfurter Nachlasses Wilhelm Heinses

    Main description: The innovative study examines the art theory of Weimarian Classicism, which was also of meaningful importance for the literary aesthetics of, for example, Goethe and his Weimarian friends. The book is a highly relevant fundamental work about the history of Weimarian Classicism for literature specialists as well as art historians, and discusses the central problems in the depiction of European Neoclassicism

    Main description: Ziel und Anliegen der Arbeit ist es, einen neuen Blick auf die Kunsttheorie der "Weimarer Klassik" zu werfen, um hinter dem Klischee einer in "edler Einfalt und stiller Größe" versteinerten Kunstlehre eine flexible und dynamische Ästhetik erkennbar werden zu lassen, für die die Darstellung von Pathos, Ausdruck und Bewegung keineswegs ausgeschlossen, sondern konstitutiver Bestandteil klassizistischer Kunst ist

    Review text: "[...] weil dadurch ein auf profunder Kenntnis der Gegenstände basierendes Standardwerk entstanden ist, das mit seiner Darstellung eines komplexeren, in dynamischer Auseinandersetzung mit dem Gegenstrebigen hervorgegangenen Weimarer Klassizismus Maßstäbe setzt."Sabine Schneider in: Goethe-Jahrbuch 2007 "What emerges in just under four hundered pages or rich, erudite, and pleasingly readable prose (Dönike is clearly at home not just with aesthetic theory, but also with art and literature; the bibliography alone is nearly worth the price of admisson) is a mesh of very fine weave and significant density."Peter J. Schwartz in: Monatshefte 4/2007 "Dönike legt mit seiner Dissertation eine beeindruckende Studie vor, die die Forderung nach einer grundlegenden Erweiterung des literar- und kunsthistorischen Begriffs vom ›Klassischen‹ – weit über Winckelmannsstereotype Formel von ›edler Einfalt und stiller Größe‹ hinaus – plausibilisieren kann.

    Der Band ist in einer ausgezeichnet lesbaren Diktion vorbildlich, ebenso darin, daß er den Ausgangspunkt immer wieder in der intensiven Erarbeitung der Texte und Rhetorizität sucht; Dönike verfügt über eine große kunstgeschichtliche Expertise und ausgezeichnete bildinterpretatorische Kompetenz, die Arbeit verblüfft duch ihren Quellenreichtum, gleichsam eine wissenschaftliche ›Schatzgräbermentalität‹, deren Nachvollzug beim Lesen große Freude macht und fasziniert."Benedikt Jeßling in: Jahrbuch der Jean-Paul-Gesellschaft 2007 "Gewalt ist Teil des Lebens und kann nicht per Dekret aus der Kunst verbannt werden, das zeigt die vorliegende Studie eindrucksvoll."Christoph Schmälzle in: Frankfurter Allgemeine Zeitung, 08/2007 "[...] eine virtuose Studie zu einem Kernbereich der deutschen Literatur- und Kunstgeschichte,

    die mit einem neuen Blick auf die Schlüsseltexte des Klassizismus eindrucksvoll den Beweis für die Dynamik der Theoriebildung und die Aktualität der ästhetischen Debatten um 1800 für die Moderne erbringt."Reinhard Wegern in: sehepunkte 11/2006
  11. Kants Ästhetik im Zeitalter der Photographie
    Analysen zwischen Sprache und Bild
    Author: Richtmeyer, Ulrich
    Published: [2009]; © 2009
    Publisher:  transcript Verlag, Bielefeld

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839410790
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    Series: Edition Moderne Postmoderne
    Subjects: Aesthetics, Modern; Aesthetics; Fotografie; Geschmack (Ästhetik); Philosophie; Photographie; Photography, Artistic; Philosophie; Ästhetik; Aesthetics, Modern; Photography; Fotografie; Geschmack <Ästhetik>; Ästhetik
    Other subjects: Kant, Immanuel (1724-1804)
    Scope: 1 online resource (250 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    :
  12. The Topography of Modernity
    Karl Philipp Moritz and the space of autonomy
    Author: Schreiber, Elliott
    Published: [2012]; © 2012
    Publisher:  Cornell University Press, Ithaca, N.Y.

    Karl Philipp Moritz (d. 1793) was one of the most innovative writers of the late Enlightenment in Germany. A novelist, travel writer, editor, and teacher he is probably best known today for his autobiographical novel Anton Reiser (1785-90) and for... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Karl Philipp Moritz (d. 1793) was one of the most innovative writers of the late Enlightenment in Germany. A novelist, travel writer, editor, and teacher he is probably best known today for his autobiographical novel Anton Reiser (1785-90) and for his treatises on aesthetics, foremost among them Über die bildende Nachahmung des Schönen (On the Formative Imitation of the Beautiful), published in 1788. In this treatise, Moritz develops the concept of aesthetic autonomy, which became widely known after Goethe included a lengthy excerpt of it in his own Italian Journey (1816-17). It was one of the foundational texts of Weimar classicism, and it became pivotal for the development of early Romanticism.In The Topography of Modernity, Elliott Schreiber gives Moritz the credit he deserves as an important thinker beyond his contributions to aesthetic theory. Indeed, he sees Moritz as an incisive early observer and theorist of modernity. Considering a wide range of Moritz's work including his novels, his writings on mythology, prosody, and pedagogy, and his political philosophy and psychology, Schreiber shows how Moritz's thinking developed in response to the intellectual climate of the Enlightenment and paved the way for later social theorists to conceive of modern society as differentiated into multiple, competing value spheres

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801466014
    Other identifier:
    Series: Signale: Modern German Letters, Cultures, and Thought
    Subjects: Philosophie; Aesthetics, Modern; Arts, Modern; German literature; Ästhetik
    Other subjects: Moritz, Karl Philipp (1756-1793)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
  13. Modernity, Aesthetics, and the Bounds of Art
    Author: McCormick, Peter J.
    Published: [2019]; © 1990
    Publisher:  Cornell University Press, Ithaca, NY

    Illuminating the tensions between theory, history, and interpretation in contemporary aesthetics, Peter McCormick traces here the intellectual history of our understanding of the relationship between philosophy and the arts more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Illuminating the tensions between theory, history, and interpretation in contemporary aesthetics, Peter McCormick traces here the intellectual history of our understanding of the relationship between philosophy and the arts

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501746086
    Other identifier:
    Subjects: ART / History / General; Aesthetics, Modern; Aesthetics, Modern; Ästhetik
    Scope: 1 online resource, 2 charts
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019)
  14. Dionysus Reborn
    Play and the Aesthetic Dimension in Modern Philosophical and Scientific Discourse
    Author: Spariosu, Mihai
    Published: [2019]; © 1989
    Publisher:  Cornell University Press, Ithaca, NY

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501746284
    Other identifier:
    Subjects: Ancient History & Classical Studies; Performing Arts & Drama; PHILOSOPHY / History & Surveys / Ancient & Classical; Aesthetics, Modern; Play (Philosophy); Science; Philosophie; Spiel; Wissenschaft; Ästhetik
    Scope: 1 online resource (352 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  15. Origins and the Enlightenment
    Aesthetic Epistemology from Descartes to Kant
    Author: Labio, Catherine
    Published: [2018]; © 2004
    Publisher:  Cornell University Press, Ithaca, NY

    What epistemic assumptions framed eighteenth-century thinkers' speculations regarding origins? What, if anything, connected these speculations? The best way to understand the Enlightenment's obsession with origins is to study it in conjunction with... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    What epistemic assumptions framed eighteenth-century thinkers' speculations regarding origins? What, if anything, connected these speculations? The best way to understand the Enlightenment's obsession with origins is to study it in conjunction with the contemporary conceptualization of originality as a criterion of aesthetic value, Catherine Labio maintains. Her expansive survey of the era's thought places special emphasis on epistemology and is genuinely interdisciplinary, drawing on such fields as anthropology, geometry, historiography, literary criticism, and political economy. One of the most striking facets of Enlightenment thought, according to Labio, is the emergence of aesthetics as a master discourse that enabled its users to make sense of worlds ostensibly unrelated to the arts. In particular, once knowledge became defined as knowledge of things made by human beings, originality became valued not only for its novelty but also as a guarantee of epistemological certainty.Labio analyzes the views held by a variety of European thinkers-including Baumgarten, Condillac, Descartes, Kant, Locke, Rousseau, Adam Smith, Vico, and Edward Young-on the origins of ideas, languages, nations, nature, and wealth. Throughout, the author deals with a wide range of primary and secondary materials

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501727436
    Other identifier:
    Subjects: Aesthetics, Modern; Knowledge, Theory of; Origin (Philosophy); Originality (Aesthetics); Ursprung <Philosophie>; Ästhetik
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)
  16. Quaint, Exquisite
    Victorian Aesthetics and the Idea of Japan
    Author: Lavery, Grace
    Published: [2019]; © 2019
    Publisher:  Princeton University Press, Princeton, NJ

    From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of this dramatic encounter, showing how the rise of Japan led to a major transformation of Western aesthetics at the dawn of globalization.Drawing on philosophy, psychoanalysis, queer theory, textual criticism, and a wealth of in-depth archival research, Grace Lavery provides a radical new genealogy of aesthetic experience in modernity. She argues that the global popularity of Japanese art in the late nineteenth century reflected an imagined universal standard of taste that Kant described as the "subjective universal" condition of aesthetic judgment. The book features illuminating cultural histories of Gilbert and Sullivan’s Mikado, English derivations of the haiku, and retellings of the Madame Butterfly story, and sheds critical light on lesser-known figures such as Winnifred Eaton, an Anglo-Chinese novelist who wrote under the Japanese pseudonym Onoto Watanna, and Mikimoto Ryuzo, a Japanese enthusiast of the Victorian art critic John Ruskin. Lavery also explains the importance and symbolic power of such material objects as W. B. Yeats’s prized katana sword and the "Japanese vellum" luxury editions of Oscar Wilde.Quaint, Exquisite provides essential insights into the modern understanding of beauty as a vehicle for both intimacy and violence, and the lasting influence of Japanese forms today on writers and artists such as Quentin Tarantino

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691189963
    Other identifier:
    Subjects: LITERARY CRITICISM / Comparative Literature; Aesthetics, Japanese; Aesthetics, Modern; Art, Japanese; Rezeption; Ästhetik
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019)
  17. Art as Language
    Wittgenstein, Meaning, and Aesthetic Theory
    Author: Hagberg, G. L.
    Published: [2018]; © 1998
    Publisher:  Cornell University Press, Ithaca, NY

    "[Art as Language] is in itself extremely valuable as an example of the still largely unappreciated relevance of Wittgenstein's work to traditional philosophical issues.... This book, as a more or less encyclopedic critique of aesthetic theories from... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    "[Art as Language] is in itself extremely valuable as an example of the still largely unappreciated relevance of Wittgenstein's work to traditional philosophical issues.... This book, as a more or less encyclopedic critique of aesthetic theories from a Wittgensteinian perspective, will be enlightening to aesthetic theorists who want to know, not what Wittgenstein said about art, but what the relevance of his work is to their use of language as a point of reference for interpreting art."—Choice"In a series of acute arguments, Hagberg dismantles the region of grand aesthetic theory that defines art in the terms philosophy has traditionally used to define language.... Written with excellence in argumentation, judiciousness, and a capacious knowledge of Wittgenstein."—Daniel Herwitz, Common Knowledge"A clear and intelligent book. Hagberg's strategy is to show the consequences of holding a Wittgensteinian view of language and mind for aesthetic theories which are either based on, or analogous to, other non-Wittgensteinian positions about language and mind. This is an important project."—Stanley Bates, Middlebury College

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501725432
    Other identifier:
    Subjects: PHILOSOPHY / Individual Philosophers; Aesthetics, Modern; Sprachphilosophie; Ästhetik
    Other subjects: Wittgenstein, Ludwig (1889-1951)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019)
  18. The Vast Design
    Patterns in W.B. Yeats's Aesthetic
    Author: Engelberg, Edward
    Published: [2019]; © 1964
    Publisher:  University of Toronto Press, Toronto

    In recent years Yeats has been receiving a great deal of critical attention from many aspects. Professor Engelberg here makes a distinctive contribution to the new studies by bringing under discussion the kind of aesthetic views developed by Yeats in... more

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    In recent years Yeats has been receiving a great deal of critical attention from many aspects. Professor Engelberg here makes a distinctive contribution to the new studies by bringing under discussion the kind of aesthetic views developed by Yeats in order to rationalize his own practice as poet and dramatist. Yeats was pragmatic in his approach and therefore not concerned about formulating a tight critical theory. Recognizing this, the author at the same time skilfully guides the reader through the opinions expressed in the critical essays to meaningful patterns and shows how Yeats's aesthetic views developed, often in relation to his study of Balzac, Blake, Spenser, Shelley, Morris, and the Irish theatre of his own day. Throughout the stress is fittingly on the originality of Yeats, and the reader will be impressed always with his great critical perceptiveness

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442631861
    Other identifier:
    Series: Heritage
    Subjects: LITERARY CRITICISM / Modern / 20th Century; Aesthetics, Modern; Poetics; Literaturkritik; Ästhetik
    Other subjects: Yeats, William Butler (1865-1939)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
  19. Surface and Depth
    Dialectics of Criticism and Culture
    Author: Shusterman, Richard
    Published: [2018]; © 2002
    Publisher:  Cornell University Press, Ithaca, NY

    A paradox of surface and depth pervades the field of aesthetics. How can art's surface meanings and qualities be properly appreciated without understanding the cultural context that shapes their creation and perception? But exploring such underlying... more

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    A paradox of surface and depth pervades the field of aesthetics. How can art's surface meanings and qualities be properly appreciated without understanding the cultural context that shapes their creation and perception? But exploring such underlying cultural conditions challenges the perception of thosequalities and meanings of aesthetic surface that constitute the captivating power of art. If aesthetics deals with both surface and depth, impassioned immediacy yet also critical distance of judgment, how can this doubleness be held together in one philosophical vision?In his new book, Richard Shusterman explores the dialectics of surface and depth by examining key issues in the philosophy of art and culture—from the logic of interpretation and evaluation to the roots of taste and convention, from the meanings of aesthetic purity and immediacy to the role of nature, theory, and history in our experience and understanding of art. In treating these topics, Shusterman combines the methods of analytic philosophy, critical theory, and poststructualism to arrive at new positions, displaying the philosophical versatility, originality of vision, and graceful, accessible writing that have become his trademark. Surface and Depth is crowned by a new definition of art as dramatization

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501718151
    Other identifier:
    Subjects: PHILOSOPHY / Aesthetics; Aesthetics; Aesthetics, Modern; Analysis (Philosophy); Kritik; Ästhetik
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
  20. The Insistence of Art
    Aesthetic Philosophy after Early Modernity
    Contributor: Kottman, Paul A. (Publisher)
    Published: [2017]; © 2017
    Publisher:  Fordham University Press, New York, NY

    Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the... more

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    Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addresses that gap, elaborating the extent to which artworks and practices of the fifteenth through the eighteenth centuries were accompanied by an immense range of discussions about the arts and their relation to one another.Rather than take art as a stand-in for or reflection of some other historical event or social phenomenon, this book treats art as a phenomenon in itself. The contributors suggest ways in which artworks and practices of the early modern period make aesthetic experience central to philosophical reflection, while also showing art’s need for philosophy

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Kottman, Paul A. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823275823
    Other identifier:
    Subjects: Aesthetics; Art; Early Modern; German; Philosophy; Renaissance; PHILOSOPHY / Aesthetics; Aesthetics, Modern; Art
    Scope: 1 online resource (304 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  21. Neoplatonism and Western aesthetics
    Published: c 2002
    Publisher:  State University of New York Press, Albany, NY

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0791452794; 0791452808
    RVK Categories: CD 3950 ; CC 6700 ; CC 6900
    Series: Studies in Neoplatonism: ancient and modern ; v. 12
    Subjects: Neoplatonism; Aesthetics, Modern; Kongress
    Scope: xi, 254 p, ill, 24 cm
    Notes:

    Includes bibliographical references and index
  22. Naturwissenschaft und Ästhetik
    1750 - 1810
    Author: Bierbrodt, Johannes
    Published: 2000
    Publisher:  Königshausen & Neumann, Würzburg

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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3826016874
    RVK Categories: CC 3500 ; LH 61100 ; TB 6300
    Series: Array ; 279
    Subjects: Ästhetik; Naturwissenschaften; Naturwissenschaften; Ästhetik; Aesthetics, Modern; Science
    Scope: 371 S, 24 cm
    Notes:

    Quellenverz. S. 340 - 362. - Literaturverz. S. 363 - 371

    Zugl.: Bochum, Univ., Diss., 1998
  23. Vers une synthèse esthétique et sociale
    Author: Baugniet, Marcel-Louis
    Published: [1986]
    Publisher:  Labor, Bruxelles

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    Ce 302ck
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2804001903
    RVK Categories: CC 6700 ; CC 6900
    Series: Archives du futur ; [13]
    Subjects: Art, Modern; Design; Aesthetics, Modern; Art ; Philosophie ; 20e siècle; Design industriel; Design; Esthétique ; 20e siècle
    Scope: VII, 135 S., Ill.
  24. Le sirene del Barocco
    il nuovo spazio dell'estetico nel dibattito barocco italiano su dialettica e retorica
    Author: Tedesco, Salvatore
    Published: 2003
    Publisher:  Centro Internazionale Studi di Estetica, Palermo

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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    RVK Categories: CC 6900 ; CF 1100
    Series: Array ; 68
    Subjects: Aesthetics, Italian; Aesthetics, Modern; Rhetoric
    Scope: 81 S
  25. Texte, Bilder, Kontexte
    interdisziplinäre Beiträge zu Literatur, Kunst und Ästhetik der Neuzeit
    Published: 2000
    Publisher:  Winter, Heidelberg

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    C-1 112:36
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3825310817
    RVK Categories: EC 1030 ; EC 3000 ; EC 2440 ; CC 6900 ; EC 1880 ; GB 1724
    Series: Beihefte zum Euphorion ; 36
    Subjects: Aesthetics, Modern; Kongress
    Scope: 395 S, Ill, 24 cm