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  1. Spettacolo
    Geschichte(n) von Theater, Fest und Ephemerem in Giorgio Vasaris »Viten« von 1568
    Author: Kreutzer, Tanja
    Published: [2019]; © 2019
    Publisher:  transcript, Bielefeld

    Die Zweitausgabe von Giorgio Vasaris »Viten« von 1568 ist um umfangreiche Schilderungen religiöser und profaner Feste sowie der damit verbundenen theatralen Aufführungsformen und ihrer Ausstattung ergänzt. Erstmalig werden diese Passagen in diesem... more

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    Die Zweitausgabe von Giorgio Vasaris »Viten« von 1568 ist um umfangreiche Schilderungen religiöser und profaner Feste sowie der damit verbundenen theatralen Aufführungsformen und ihrer Ausstattung ergänzt. Erstmalig werden diese Passagen in diesem Band im Hinblick auf die ihnen zugrundeliegenden kunsttheoretischen und historiografischen Argumentationsmuster analysiert. Im Abgleich mit der zeitgenössischen Tanz-, Theater- und Musiktheorie sowie mit Städtelob, Stadtgeschichtsschreibung und Biografik belegt Tanja Kreutzer die essentielle Rolle des Ephemeren für das Narrativ der zweiten Vitenfassung - als Paradebeispiel für ein breites Diffundieren der Künste auf ihrem Höchststand und mögliche Perspektive für den Fortgang der Kunstentwicklung nach Michelangelos Tod Frontmatter -- Inhalt -- Einleitung -- 1. Neue Lebensbeschreibungen und thematische Erweiterungen: Ein Abgleich der Fassungen von 1550 und 1568 -- 2. Theater und Ephemeres in der Vitenausgabe von 1568: Dimensionen und Konzepte -- 2.1 ‚Bauanleitungen‘ für den späteren Nachvollzug: Die technischen ingegni von Brunelleschi, Cecca und Tribolo -- 2.2 Festliche Bräuche, szenische Abläufe und deren memoria -- 2.3 Theatrale Begebenheiten und das Modell der uomini illustri: Ephemere Arbeiten als besondere Verdienste zum Wohle des Staates und die Ausdehnung des Modells auf weitere, am Theater beteiligte Personenkreise -- 2.4 Politische Anlässe und mediceisches Primat festlicher wie theatraler (Re-)Präsentation -- 2.5 Kunstvolle Schaugerichte und szenisch gestaltete Bankette: Die Vita Giovanfrancesco Rusticis, italienische Novellistik und die Spieltradition des 16. Jahrhunderts -- 2.6 Aus der Warte eines Anderen: Vasaris eigene Theaterarbeiten und die Hochzeitsfeierlichkeiten von 1565 -- 3. Der Einbezug von Theater und Fest in die „Viten“ im Kontext: Staatstheorie, Utopie, Städtelob und Historiografie -- 3.1 Vita amoena und bene comune: Tanz, Musik, Theater und Fest in der Tradition von Staatstheorie, Städtelob und Stadtbeschreibung -- 3.2 Theater, Fest und Spektakel in der Geschichtsschreibung: Florentiner Chroniken, Annalen und Diarii vom 14. bis 16. Jahrhundert sowie Paolo Giovios „Elogia“ -- 4. Theater und Fest in der Geschichtserzählung der „Viten“: Das Goldene Zeitalter und seine rinascita -- 4.1 Die dritte Epoche innerhalb des Geschichtsmodells der „Viten“ von 1568: Überwundene Klimax innerhalb des Zyklus oder potentiell ewiges ‚Endzeitalter‘? -- 4.2 Theater als ‚Kunst‘: Gesellschaftliche Idealzustände erreicht durch künstlerische und theatrale Überhöhung -- 4.3 Die rinascita von Theater und Fest in den „Viten“ -- Fazit -- Literaturverzeichnis -- Abbildungsverzeichnis -- Tabellen -- Appendix: Textstellen aus den „Viten“ von 1568 -- Dank

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839445969
    Other identifier:
    Series: Image ; Band 145
    Subjects: ART / History / General
    Scope: 1 Online-Ressource (445 Seiten), Illustrationen
    Notes:

    Dissertation, Ludwig-Maximilians-Universität München, 2017
  2. Patronage in the Renaissance
    Published: [1982]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400855919
    Other identifier:
    Subjects: Geschichte Europas; Renaissance / Congresses; Art patronage / Europe / History / Congresses; HISTORY / Europe / Western; ART / History / General; Art patronage; Renaissance; Geschichte; Literatur; Renaissance; Patronage; Kunst; Mäzenatentum; Kunstsoziologie
    Scope: 1 Online-Ressource (392p.)
    Notes:

    The fourteen essays in this collection explore the dominance of patronage in Renaissance politics, religion, theatre, and artistic life.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  3. Renaissance Perspectives in Literature and the Visual Arts
    Author: Roston, Murray
    Published: [1990]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400858460
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    Subjects: Englische Literatur; English literature / Early modern, 1500-1700 / History and criticism; English literature / Middle English, 1100-1500 / History and criticism; Creation (Literary, artistic, etc.); Visual perception in literature; Art and literature / Europe; Renaissance; Perspective; ART / History / General; Art and literature; English literature / Early modern; English literature / Middle English; Geschichte; Darstellende Kunst; Literatur; Mittelenglisch; Renaissance; Englisch; Kunst; Ikonographie
    Scope: 1 Online-Ressource (400p.)
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    Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture, exploring by a close reading of the texts and the artistic works the insights such comparison offers.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  4. Ornament, Fantasy, and Desire in Nineteenth-Century French Literature
    Author: Gordon, Rae Beth
    Published: [1992]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400862665
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    Subjects: Französische Literatur; French literature / 19th century / History and criticism; French language / 19th century / Figures of speech; Psychoanalysis and literature / France; Fantasy in literature; Desire in literature; ART / History / General; French language / Figures of speech; French literature; Psychoanalysis and literature; Französisch; Geschichte; Französisch; Ornament; Kunst; Kunstpsychologie; Literatur
    Scope: 1 Online-Ressource (316p.)
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    In this examination of the role of ornament in nineteenth-century French literature, Rae Beth Gordon shows that ornament, far from being a simple accessory, raises problems that are at the very heart of aesthetic experience: limits and their transgression, illusion and seduction, pleasure and tension, harmony and confusion, excess and marginality. After placing texts by Nerval, Gautier, Mallarm, Huysmans, and Rachilde within the context of the history and techniques of the decorative arts, she reveals in these works the powerful role played by decorative figurations of syntax, diction, and composition. Gordon's detailed textual analyses yield spatial parallels with specific ornamental configurations (interlace, arabesque, decorative frame, horror vacui, trompe l'oeil). These patterns are then studied in relation to a dynamics of desire. Ornament, taken as the site of desire and illuminated by the theories of Charcot, Clrambault, Freud, Winnicott, and Lacan, highlights important differences between romanticism, symbolism, and decadence. Not only does the author relate ornament to artistic representations of the sublime, the grotesque, and hysteria, but she also reveals that the function of ornament in literature anticipated psychiatric and aesthetic research on decorative form in the fin de sicle.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  5. Changing Perspectives in Literature and the Visual Arts, 1650-1820
    Author: Roston, Murray
    Published: [1992]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400860913
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    Subjects: Englische Literatur; English literature / Early modern, 1500-1700 / History and criticism; English literature / 18th century / History and criticism; Visual perception in literature; Art and literature / Europe; Renaissance; Perspective; ART / History / General; Art and literature; English literature; English literature / Early modern; Geschichte; Darstellende Kunst; Perspektive; Literatur; Kunstbetrachtung; Englisch; Kunst
    Scope: 1 Online-Ressource (472p.)
    Notes:

    Continuing with the theme of his work Renaissance Perspectives in Literature and the Visual Arts, Murray Roston applies to a later period the same critical principle: that for each generation there exists a central complex of inherited ideas and urgent contemporary concerns to which each creative artist and writer responds in his or her own way. Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture. "A sumptuous book. . . . Clearly and gracefully written and cogently argued, Roston's admirable achievement is of paramount significance to literary studies, to cultural and art history, and to aesthetics. . . . Outstanding."--ChoiceOriginally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  6. Ordering of the Arts in Eighteenth-Century England
    Author: Lipking, Lawrence I.
    Published: [2015]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400870073
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    Subjects: ART / History / General; Arts, English; Künste, Bildende Kunst allgemein; Geschichte; Aesthetics, British; Arts, English; Poetik; Ästhetik; Literatur; Musik; Englisch; Kunst; Geistesgeschichte
    Scope: 1 Online-Ressource (522p.)
    Notes:

    By the end of the eighteenth century, the arts had been surveyed by an unprecedented series of major works on literature, music, and painting of which the author or this book provides a rich and comprehensive analysis.Originally published in 1970.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  7. The Gothic Visionary Perspective
    Author: Nolan, Barbara
    Published: [2015]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400870554
    Other identifier:
    Subjects: ART / History / General; Apocalyptic art; Art apocalyptique; Art gothique; Arts, Gothic; Künste, Bildende Kunst allgemein; Geschichte; Christian art and symbolism; Christian art and symbolism; Weltuntergang <Motiv>; Apokalyptik; Ikonographie
    Other subjects: Dante Alighieri (1265-1321)
    Scope: 1 Online-Ressource (310p.)
    Notes:

    Barbara Nolan contends that attitudes toward the meaning of history, prophecy, and vision developed by religious writers of the twelfth and early thirteenth centuries fundamentally affected the shape of literary narrative and religious art for two centuries. In these essays, she explores some of the most important moments in this Gothic visionary perspective.The author first follows the history of Apocalypse commentaries from Bede to Alexander of Bremen, focusing particularly on twelfth-century interpretation of Revelation as a spiritual guidebook for the contemporary Christian. She shows that innovative interpretations in these texts have parallels in the cathedral art of St.-Denis and Chartres, the illuminations for later medieval illustrated Apocalypses, and the invention of new "anagogical" literary modes. Professor Nolan's close study of the Vita Nuova indicates that in his earliest work Dante used a prophetic voice and a graded series of visions to shape his conventional love story into a book of revelation. Examination of the thirteenth-century spiritual quest reveals that French writers, transforming older monastic forms, gave new importance to the process of conversion by way of vision. Pearl and Piers Plowman participate in the tradition of the spiritual quest even as Piers marks a final moment in its history.Originally published in 1977.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  8. Modernity, Aesthetics, and the Bounds of Art
    Author: McCormick, Peter J.
    Published: [2019]; © 1990
    Publisher:  Cornell University Press, Ithaca, NY

    Illuminating the tensions between theory, history, and interpretation in contemporary aesthetics, Peter McCormick traces here the intellectual history of our understanding of the relationship between philosophy and the arts more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Illuminating the tensions between theory, history, and interpretation in contemporary aesthetics, Peter McCormick traces here the intellectual history of our understanding of the relationship between philosophy and the arts

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501746086
    Other identifier:
    Subjects: ART / History / General; Aesthetics, Modern; Aesthetics, Modern; Ästhetik
    Scope: 1 online resource, 2 charts
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019)
  9. Experimental Selves
    Person and Experience in Early Modern Europe
    Author: Braider, Christopher
    Published: [2019]; © 2018
    Publisher:  University of Toronto Press, Toronto

    Drawing on the generous semantic range the term enjoyed in early modern usage, Experimental Selves argues that 'person,' as early moderns understood this concept, was an 'experimental' phenomenon-at once a given of experience and the self-conscious... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Drawing on the generous semantic range the term enjoyed in early modern usage, Experimental Selves argues that 'person,' as early moderns understood this concept, was an 'experimental' phenomenon-at once a given of experience and the self-conscious arena of that experience. Person so conceived was discovered to be a four-dimensional creature: a composite of mind or 'inner' personality; of the body and outward appearance; of social relationship; and of time. Through a series of case studies keyed to a wide variety of social and cultural contexts, including theatre, the early novel, the art of portraiture, pictorial experiments in vision and perception, theory of knowledge, and the new experimental science of the late-seventeenth and eighteenth centuries, the book examines the manifold shapes person assumed as an expression of the social, natural, and aesthetic 'experiments' or experiences to which it found itself subjected as a function of the mere contingent fact of just having them

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487518509
    Other identifier:
    Subjects: aesthetics; agency; art; experience; experiment; nature; person; sovereignty; ART / History / General; Self in literature; Self-knowledge, Theory of; Self-perception in art; Individuum; Selbstbewusstsein; Selbst
    Scope: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019)
  10. Only Connect
    Art and the Spectator in the Italian Renaissance
    Author: Shearman, John K.G.
    Published: [2019]; © 2019
    Publisher:  Princeton University Press, Princeton, NJ

    John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those... more

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    John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. He takes the lead from texts and artists of the period, for these artists reveal themselves as spectators. Among modern historiographical techniques, Reception Theory is closest to the author's method, but Shearman's concern is mostly with anterior relationships with the viewer--that is, relationships conceived and constructed as part of the work's design, making, and positioning.Shearman proposes unconventional ways in which works of art may be distinguished one from another, and in which spectators may be distinguished, too, and enlarges the accepted field of artistic invention. Furthermore, His argument reflects on the Renaissance itself. What is created in this period tends to be regarded as conventional, or inherent in the nature of painting and sculpture: he maintains that this is a careless, disengaged view that has overlooked the process of discovery by immensely inventive and visually intelllectual artists.John Shearman is William Door Boardman Professor of Fine Arts at Harvard University. Among his works are Mannerism (Hardmondsworth/Penguin), Raphael's Cartoons in the Collection of Her Majesty the Queen and the Tapestries for the Sistine Chapel (Phaidon), The Early Italian Paintings in teh Collection of Her Majesty the Queen (Cambridge). and Funzione e Illusione (il Saggiatore).The A.W. Mellon Lectures in the Fine Arts, 1988Bollingen Series XXXV: 37Originally Publsihed in 1992The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691200774
    Other identifier:
    Series: Princeton Legacy Library ; 5579
    Subjects: ART / History / General; Zuschauer; Bildbetrachtung; Kunstpsychologie; Renaissance; Malerei; Kunstbetrachtung; Kunst; Plastik; Rezeptionsästhetik
    Scope: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  11. Problems of Style
    Foundations for a History of Ornament
    Author: Riegl, Alois
    Published: [2018]; © 2018
    Publisher:  Princeton University Press, Princeton, NJ

    Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Reigl's Stilfragen represented a turning point in defining art and understanding the sources of tis inspiration. Demonstrating an uninterrupted continunity in the... more

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    Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Reigl's Stilfragen represented a turning point in defining art and understanding the sources of tis inspiration. Demonstrating an uninterrupted continunity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge minifests itself in both "great art" and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate.His discovery of infinite variation in the restatement of several decorative motifs--the palmette, rosette, tendril--led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundowrk for his famous concept of Kunstwollen, or artistic intention."Something that the translation will, I hope, convey, is the passion invsted in Riegl's enterprise. We are mde to feel that the issues he discussed mattered vitally to him; it was the very nature of art and its relation to human life that were at stake, art as an absolute necessity." --From the preface of Henri ZernerAlois Reigl (1858-1905) was Curator of Textiles at the Museum of Art and Industry in Vienna during most of his career and wrote many influential works on the histoyr of art, including Spatromische Kunstgeschichte. Evelyn Kain is Associate Professor of Art History at Ripon College, Ripon, Wisconsin. David Castriota is Assistant Professor of Art History at Sarah Lawrence College.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

     
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    Contributor: Castriota, David (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691193960
    Other identifier:
    Series: Princeton Legacy Library ; 5231
    Subjects: ART / History / General; Decoration and ornament; Ornament; Pflanzenornament; Ästhetik; Geschichte; Arabeske; Altertum
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019)
  12. Construction as depicted in Western art
    from antiquity to the photograph
    Author: Tutton, Michael
    Published: [2021]; © 2021
    Publisher:  Amsterdam University Press, Amsterdam

    The Art of Building has captured the interest of artists from the Roman period to today. The process of construction appears in western art in all its details, trades, and operations. Michael Tutton investigates the representation of building... more

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    The Art of Building has captured the interest of artists from the Roman period to today. The process of construction appears in western art in all its details, trades, and operations. Michael Tutton investigates the representation of building processes and materials through an examination of paintings, illuminated manuscripts, watercolours, prints, drawings and sculpture. Technical terms are explained and detailed interpretations of each work are provided, with insights into the artists' inspiration and themes. Even paintings not wholly or principally devoted to construction sites may give tantalising glimpses of building activity. How do these images convey meaning? How much is imagined; how much is authentic? Fully referenced endnotes, bibliography, and glossary complement the text and captions, informing not only the architectural and construction historian, but also those simply interested in art

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048532599
    Other identifier:
    RVK Categories: LH 67220 ; LH 67210
    Subjects: Art and Material Culture; Diachronic; History; Science and Technology; ART / History / General; Architecture in art; Building in art; Motiv; Baukonstruktion; Kunst
    Scope: 1 Online-Ressource (295 Seiten), Illustrationen
  13. A Tokyo Anthology
    Literature from Japan's Modern Metropolis, 1850-1920
    Contributor: Charles Shirō, Inouye (Publisher); Futabatei, Shimei (Publisher); Inouye, Charles Shirō (Publisher); Ishikawa, Takuboku (Publisher); Iwano, Hōmei (Publisher); Izumi, Kyōka (Publisher); Jones, Sumie (Publisher); Kanagaki, Robun (Publisher); Kanbara, Ariake (Publisher); Kawakami, Otojirō (Publisher)
    Published: [2020]; © 2017
    Publisher:  University of Hawaii Press, Honolulu

    The city of Tokyo, renamed after the Meiji Restoration, developed an urban culture that was a dynamic integration of Edo's highly developed traditions and Meiji renovations, some of which reflected the influence of Western culture. This wide-ranging... more

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    The city of Tokyo, renamed after the Meiji Restoration, developed an urban culture that was a dynamic integration of Edo's highly developed traditions and Meiji renovations, some of which reflected the influence of Western culture. This wide-ranging anthology-including fictional and dramatic works, essays, newspaper articles, political manifestos, and cartoons-tells the story of how the city's literature and arts grew out of an often chaotic and sometimes paradoxical political environment to move toward a consummate Japanese "modernity."Tokyo's downtown audience constituted a market that demanded visuality and spectacle, while the educated uptown favored written, realistic literature. The literary products resulting from these conflicting consumer bases were therefore hybrid entities of old and new technologies. A Tokyo Anthology guides the reader through Japanese literature's journey from classical to spoken, pictocentric to logocentric, and fantastic to realistic-making the novel the dominant form of modern literature. The volume highlights not only familiar masterpieces but also lesser known examples chosen from the city's downtown life and counterculture.Imitating the custom of creative artists of the Edo period, scholars from the United States, Canada, England, and Japan have collaborated in order to produce this intriguing sampling of Meiji works in the best possible translations. The editors have sought out the most reliable first editions of texts, also reproducing most of their original illustrations. With few exceptions the translations presented here are the first in the English language. This rich anthology will be welcomed by students and scholars of Japan studies and by a wide general audience interested in Japan's popular culture, media culture, and literature in translation

     
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    Source: Union catalogues
    Contributor: Charles Shirō, Inouye (Publisher); Futabatei, Shimei (Publisher); Inouye, Charles Shirō (Publisher); Ishikawa, Takuboku (Publisher); Iwano, Hōmei (Publisher); Izumi, Kyōka (Publisher); Jones, Sumie (Publisher); Kanagaki, Robun (Publisher); Kanbara, Ariake (Publisher); Kawakami, Otojirō (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780824855932
    Other identifier:
    Subjects: ART / History / General
    Scope: 1 online resource (536 pages), 10 color, 89 b&w illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
  14. Edvard Munch
    Author: Munch, Edvard
    Published: 2005
    Publisher:  Sirrocco, London, Eng.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  15. Remembering the present
    painting and popular history in Zaire
    Author: Fabian, Johannes
    Published: ©1996
    Publisher:  University of California Press, Berkeley

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520917323; 0520917324; 0585129223; 9780585129228; 0520203755; 0520203763
    Subjects: ART / History / General; Geschichte; Geschichte <Motiv>; Malerei; Historienmalerei; Demokratische Republik Kongo <Motiv>
    Other subjects: Tshibumba Kanda Matulu; Tshibumba Kanda Matulu; Tshibumba Kanda Matulu; Tshibumba Kanda Matulu (ca. 20.Jh.)
    Scope: 1 Online-Ressource (xv, 348 pages, [16] pages of plates)
    Notes:

    Includes bibliographical references (pages 329-335) and indexes

    pt. 1. The history of Zaire as painted and told by Tshibumba Kanda Matulu -- pt. 2. All was lost : ethnographic essays on Tshibumba's History of Zaire
  16. Constellations of a contemporary romanticism
    Contributor: Khalip, Jacques (Herausgeber); Pyle, Forest (Herausgeber)
    Published: [2016]; © 2016
    Publisher:  Fordham University Press, New York

    "This collection takes its point of departure from Walter Benjamin's concept of the historical constellation, a concept which puts "contemporary" as well as "Romanticism" in play as period designations and critical paradigms. The book regards... more

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    "This collection takes its point of departure from Walter Benjamin's concept of the historical constellation, a concept which puts "contemporary" as well as "Romanticism" in play as period designations and critical paradigms. The book regards Romanticism as a thought experiment that poses questions for our own "now" time"...

     
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    Source: Union catalogues
    Contributor: Khalip, Jacques (Herausgeber); Pyle, Forest (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9780823271030; 9780823271047
    Edition: First edition
    Series: Lit Z
    Subjects: Romanticism; LITERARY CRITICISM / General; ART / History / General; PHILOSOPHY / Aesthetics; Ästhetik; Romantik
    Other subjects: Benjamin, Walter (1892-1940); Benjamin, Walter (1892-1940)
    Scope: vi, 333 Seiten, Illustrationen
  17. Art, Agency and Living Presence
    From the Animated Image to the Excessive Object
    Author: Eck, Caroline van
    Published: c 2015; ©2015.
    Publisher:  de Gruyter, Boston ; Leiden University Press, Berlin

    Throughout history, and all over the world, viewers have treated works of art as if they are living beings: speaking to them, falling in love with them, kissing or beating them. This book is a contribution towards an understanding of such responses,... more

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    Throughout history, and all over the world, viewers have treated works of art as if they are living beings: speaking to them, falling in love with them, kissing or beating them. This book is a contribution towards an understanding of such responses, by drawing on ancient rhetoric and the theories of Aby Warburg and Alfred Gell, and by retracing the history of attempts to understand - or even excite - such response

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110345575; 9783110345568; 9783110380354; 9789400602205; 9789400602212
    Other identifier:
    RVK Categories: LH 61045
    Series: Studien aus dem Warburg-Haus ; Band 16
    Reihe "Kunst und Wirkmacht - art and agency"
    De Gruyter eBook-Paket Kunst, Architektur und Design
    Subjects: Art; Art appreciation; Art and society; Art; Art.; ART / History / General
    Scope: 1 Online-Ressource (274 Seiten), Illustrationen
    Notes:

    Also available in print edition.

    Electronic reproduction; Mode of access: World Wide Web

    FrontmatterContentsAcknowledgementsIntroductionEnargeiaAgencyMemoryIdolatryFetishismAesthetic AmbivalenceFarming, Staging and Acting Living PresenceThe Afterlife of ArtEpilogue: From the Animated Image to the Excessive ObjectNotesBibliographyList of IllustrationsIndexBackmatter.
  18. Art of the gold rush
    Author: Driesbach, Janice Tolhurst
    Published: ©1998
    Publisher:  University of California Press, Berkeley, Calif.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520935150; 0520935152; 0585176485; 9780585176482; 0520214315; 0520214323; 9780520214316; 9780520214323
    Subjects: Art, American / California / Exhibitions; Art, Modern / California / 19th century / Exhibitions; ART / History / General; HISTORY / United States / State & Local / West (AK, CA, CO, HI, ID, MT, NV, UT, WY); Geschichte; Art, American; Gold mines and mining in art; Art, Modern; Kunst; Goldrausch <Motiv>; Goldrausch
    Scope: 1 Online-Ressource (xv, 148 pages)
    Notes:

    Catalog of an exhibition held at the Oakland Museum of California, Oakland, Calif., Jan. 24-May 31, 1998; Crocker Art Museum, Sacramento, Calif., June 20-Sept. 13, 1998; National Museum of American Art, Smithsonian Institution, Washington, D.C., Dec. 30, 1998- Mar. 7, 1999

    Includes bibliographical references (pages 138-139) and index

    The California Gold Rush captured the get-rich dreams of people around the world more completely than almost any event in American history. This catalog, published in celebration of the sesquicentennial of the 1848 discovery of gold at Sutter's Mill, shows the vitality of the arts in the Golden State during the latter nineteenth century and documents the dramatic impact of the Gold Rush on the American imagination. Among the throngs of gold-seekers in California were artists, many self-taught, others formally trained, and their arrival produced an outpouring of artistic works

    Foreword - Stephen C. McGough and Dennis M. Power -- - Acknowledgments - Harvey L. Jones, Janice T. Driesbach and Katherine C. Holland -- - Map of the gold country -- - Introduction - The lure of gold - Janice T. Driesbach -- - First in the field: Thomas A. Ayres and E. Hall Martin - Janice T. Driesbach and Harvey L. Jones -- - Scenes of mining life: John Prendergast, Augusto Ferran, William Mcilvaine, W. Taber, William Birch Mcmurtrie, Harrison Eastman, Samuel Stillman Osgood, A.G., John Henry Dunnel, Washington F. Friend, John Woodhouse Audubon, Francis Samuel Marryat, and E. Godchaux - Janice T. Driesbach -- - Portrait painter to the elite: William Smith Jewett - Janice T. Driesbach -- - The Hessian party: Charles Christian Nahl, Arthur Nahl, and August Wenderoth - Harvey L. Jones -- - Souvenirs of the mother lode: Ernest Narjot and George Henry Burgess - Harvey L. Jones -- - Mining the picturesque: A.D.O. Browere - Janice T. Driesbach
  19. Scheitern als Performance
    Vom Versagen und seiner politischen Relevanz in der Videokunst
    Author: Alber, Nicole
    Published: [2021]; © 2021
    Publisher:  transcript Verlag, Bielefeld

    Frontmatter -- Inhalt -- Dank -- Einleitung -- I. Materialien zu einer kritischen Theorie des Scheiterns -- 1. Die Soziologie als Handlungswissenschaft -- 2. Einige Wesenszüge des Scheiterns als gesellschaftliches Phänomen -- II. Glückseligkeit,... more

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    Frontmatter -- Inhalt -- Dank -- Einleitung -- I. Materialien zu einer kritischen Theorie des Scheiterns -- 1. Die Soziologie als Handlungswissenschaft -- 2. Einige Wesenszüge des Scheiterns als gesellschaftliches Phänomen -- II. Glückseligkeit, Flexibilität, Affektivität -- Drei sozialphilosophische Perspektiven auf das Scheitern -- 1. Disziplin der Glückseligkeit: Pascal Bruckner, Sara Ahmed -- 2. Der flexible Mensch: Richard Sennett -- 3. Der öffentliche Gefühlsgestus: Eva Illouz -- III. Kurzer Abriss des Scheiterns als künstlerisches Motiv -- Einleitung -- 1. Zeitgenössische Kunst, klassische Mythen -- 2. Der Schiffbruch als Daseinsmetapher -- IV. Ikonografie des Scheiterns in der Videoperformance -- Einleitung -- 1. Bas Jan Ader -- 2. Cathy Sisler -- 3. Francis Alÿs -- Schluss -- Verzeichnis der Kunstwerke -- Abbildungsnachweis -- Abkürzungsverzeichnis -- Literaturverzeichnis Das Scheitern ist ein besonders sensibler Punkt im gesellschaftlichen Zusammenspiel. An der Schnittstelle von Kunst- und Sozialwissenschaft sucht Nicole Alber nach seinen Repräsentationen und Bedeutungen in der bildenden Kunst: Ausgewählte Werke der Videoperformance sollen Aufschluss über die politische Dimension von Motiven wie dem Fall oder dem Schiffbruch geben. Dabei wird deutlich: Bas Jan Ader, Cathy Sisler und Francis Alÿs setzen das Scheitern exzessiv, ironisch oder subversiv in Szene, um es radikal zu hinterfragen und inhaltlich neu zu besetzen. Sie lehren uns, das Scheitern anders zu denken, und eröffnen neue Handlungsräume

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839458181
    Other identifier:
    Series: Image ; Band 198
    Subjects: Bild; Fortschrittskritik; Gesellschaft; Kulturtheorie; Kunst; Kunstgeschichte; Kunstsoziologie; Kunstwissenschaft; Medienkunst; Metapher; Mythologie; Philosophie; Politische Ästhetik; Scheitern; Soziologie; Zeitkonzepte; Ästhetik; ART / History / General; Cathy Sisler; Francis Alÿs; Performance; Bas Jan Ader
    Other subjects: Aesthetics; Criticism of Capitalism; Failure; Fine Arts; Art History; Image; Media Art; Metaphor; Mythology; Art; Society; Sociology of Art; Time
    Scope: 1 Online-Ressource (300 Seiten)
    Notes:

    Dissertation erschienen unter dem Titel: Sometimes doing something leads to nothing: Metaphern des Scheiterns in der Videoperformance als politische Gesten

    Dissertation, Universität Innsbruck, 2019
  20. Rahmen und frames
    Dispositionen des Visuellen in der Kunst der Vormoderne
    Contributor: Wagner, Daniela (HerausgeberIn); Conrad, Fridericke (HerausgeberIn)
    Published: [2018]; © 2018
    Publisher:  De Gruyter, Berlin

    Der Rahmen ist in der Kunstgeschichte mittlerweile mehr als die Einfassung eines Bildwerks: Ins Zentrum des Interesses ist gerückt, dass rahmende Strukturen Wahrnehmung steuern, Kommunikationsstrukturen etablieren und damit auch konzeptuelle frames... more

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    Der Rahmen ist in der Kunstgeschichte mittlerweile mehr als die Einfassung eines Bildwerks: Ins Zentrum des Interesses ist gerückt, dass rahmende Strukturen Wahrnehmung steuern, Kommunikationsstrukturen etablieren und damit auch konzeptuelle frames erzeugen. Ausgehend von diesem Verständnis des Rahmens als multifunktionales Element, versammelt der Band Fallstudien aus Architektur, Malerei und Skulptur, die das funktionale, ästhetische und reflexive Potential von Rahmungen erörtern. Die einzelnen Beiträge umspannen den Zeitraum zwischen dem 4. und dem 18. Jahrhundert und zeigen, dass der durch das Zusammenwirken von Form, Struktur und Inhalt gebildete frame ein epochen- und medienunabhängiges künstlerisches Konzept darstellt.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Wagner, Daniela (HerausgeberIn); Conrad, Fridericke (HerausgeberIn)
    Language: German
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783110474107; 9783110474398
    Other identifier:
    RVK Categories: LH 79310
    Corporations / Congresses: Rahmen-frames. Funktionsbestimmungen in der Vormoderne (2016, Hamburg)
    Series: Hamburger Forschungen zur Kunstgeschichte ; 11
    Subjects: Bilderrahmen; Malerei; ART / History / General
    Scope: 1 Online-Ressource (VI, 166 Seiten)
    Notes:

    Wagner, Daniela / Conrad, Fridericke --: Frontmatter -- ; Inhalt -- ; Dank -- ; Visuelle Dispositionen. Zu Rahmen und frames in Kunst und Kunstgeschichte

    Augart, Isabella --: Räume der Rahmung. Zu Francesco Botticinis Hieronymus-Altar

    Conrad, Fridericke --: Rahmen und Ränder. Funktionsbestimmung und medienreflexive Techniken rahmender Elemente in der Buchmalerei um 1500

    Hofmann, Henriette --: Vom Überblick zum Augenblick. Das dynamische Verhältnis von Bild, Rahmung und Rezipienten im Bildsystem der Hildesheimer Bronzetür

    Loos, Roxanne --: Across the Frame. The Painted Proscenium Arch in Renaissance Frescoes as a Place to Connect Fiction to Reality

    Noga-Banai, Galit --: Strategien der Rahmung und Serialisierung in Architektur und Kunst im frühchristlichen Rom

    O’Neill, Harriet --: Old Frames for New. The Operation of Frames as Objects and Concepts at the National Gallery, c. 1850–1940

    Roberts, Daniela --: Transformative Rahmenwerke. Neurahmungen von Tafelbildern des Trecento und Quattrocento im Florenz des 15. Jahrhunderts

    Wagner, Daniela --: Konfigurationen der Wahrnehmung. Die Prozession als Stifter narrativer Ambivalenz in den Wundern des Wahren Kreuzes der Scuola Grande di San Giovanni Evangelista

    Zieke, Lars --: Verhüllungen – Enthüllungen. Stoffe als Rahmungen von Landschaftsausblicken in Gemälden Giovanni Bellinis
  21. WohnSeiten
    visuelle Konstruktionen des Wohnens in Zeitschriften
    Contributor: Nierhaus, Irene (HerausgeberIn); Heinz, Kathrin (HerausgeberIn); Umbach, Rosanna (HerausgeberIn)
    Published: 2021; © 2021
    Publisher:  transcript, Bielefeld

    Frontmatter -- Inhalt -- Seiten des Wohnens: Wohnen im medialen und gesellschaftlichen Display von Zeitschriften -- GeWOHNte Seiten: Blättern, Einrichten, Kombinieren. Gestaltung als Wissenspraxis -- Zum Buch -- I. AN-ORDNUNG: Die Strukturierung von... more

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    Frontmatter -- Inhalt -- Seiten des Wohnens: Wohnen im medialen und gesellschaftlichen Display von Zeitschriften -- GeWOHNte Seiten: Blättern, Einrichten, Kombinieren. Gestaltung als Wissenspraxis -- Zum Buch -- I. AN-ORDNUNG: Die Strukturierung von Wohnen und Gesellschaft im Display der Zeitschrift -- Zur Publizistik des ‚schönen Heims‘ im späten 19. Jahrhundert -- Early Interior Design Magazines in Germany, 1890–1914 -- Medienclash und Modehandeln – Ikonotextualität im Magazin -- „Wir leben nicht, um zu wohnen.“ Soziale Kritik des Wohnens in der Bauhaus-Zeitschrift -- Die Hausfrau als Richterin über Gut und Böse. Vergleichendes Sehen als ideologisches Instrument in Wohnratgebern der NS-Zeit -- Einrichtung einer guten Gegenwart. Zeigestrategie und Ordnungsbehauptung im Bilderbuch des Deutschen Werkbundes für junge Leute (1958) -- II. EIN-RICHTUNG: Handelnde Subjekte und ihre Wohndinge in Serie -- „Mehr Demokratie ins Wohnzimmer!“ Die Uwnordnung der Wohnverhältnisse im Schöner-Wohnen-Magazin der 1960er und 1970er Jahre -- Präsentationsfläche Tisch. Angeleitetes Anordnen in Serie auf den Titelblättern der Schöner Wohnen zwischen 1980 und 1999 -- Glossy paper is elsewhere. Moderne Klassiker für alle? 50 Jahre Zeitschriften in der Bundesrepublik Deutschland, durchgeblättert -- Home Computer: Wohnen mit dem Computer in Einrichtungszeitschriften -- Gespaltene Einstellung: Messie-Sendungen im Detail -- III. BE-HAUSUNG: Medialisierte Möblierung von Zuhause und Nation -- „The House in Good Taste“. Zur Rolle von Period Rooms und historistischen Wohneinrichtungen in US-amerikanischen Wohnzeitschriften der 1920er bis 1950er Jahre -- From Mass Housing to Celebrity Homes: Socialist Domesticities in Yugoslav Popular Magazines -- Behaglichkeit im Kalten Krieg? Anleitungen, Transmissionen und Kontinuitäten im Bereich von Wohnen und Arbeiten in Deutschland, 1930 bis 1960 -- Kultur im Heim. Die Sphärendynamik des ‚Wohnens‘ in Wohnzeitschriften der DDR -- Schöner wohnen? Das Eigenheim in populären Architekturdiskursen der westdeutschen Nachkriegszeit -- Einrichten in der Apokalypse. Prepper-Wohnfantasien im Zeitschriftenformat -- Biografien Wohnzeitschriften zeigen Seite für Seite ideale Wohnräume, Möbel und Dinge, sie vermitteln Einrichtungstipps und liefern Anleitungen zum vermeintlich richtigen Wohnen. Dabei wird Wohnen als erlern- und stetig optimierbar vorgeführt und gleichzeitig Teil gesellschaftlicher und politischer Prozesse und Zuschreibungen. Die Beiträger*innen des Bandes untersuchen hierzu die grundlegende Bedeutung von Zeitschriften als Diskursformation. Historische und zeitgenössische Zeitschriften, Journale und mediale Verbünde mit einem Fokus auf Wohnpraktiken stehen dabei mit ihrer seriellen, auf ein didaktisches Programm ausgerichteten Ästhetik im Fokus. Durch spezifische Zeigestrategien werden ihre Leser*innen als sozial und politisch Agierende, vergeschlechtlichte und konsumierende Subjekte in ihren Wohnweisen adressiert und zum Handeln aufgefordert

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Nierhaus, Irene (HerausgeberIn); Heinz, Kathrin (HerausgeberIn); Umbach, Rosanna (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839454046
    Other identifier:
    Series: wohnen+/-ausstellen ; Band 8
    Subjects: Bildwissenschaft; Diskurs; Geschlecht; Gesellschaft; Kunst; Kunstgeschichte; Kunstwissenschaft; Lebensstil; Medien; Medienästhetik; Schöner Wohnen; Visuelle Kultur; Wohnpraktik; Zeitschrift; Zuhause; Architektur; ART / History / General; Design; Display
    Other subjects: Art; Architecture; Discourse; Art History; Fine Arts; Gender; Home; Housing Practice; Lifestyle; Live Better; Magazin; Media Aesthetics; Media; Society; Visual Culture; Visual Studies
    Scope: 1 Online-Ressource (491 Seiten), Illustrationen
  22. "Global art history"
    transkulturelle Verortungen von Kunst und Kunstwissenschaft
    Contributor: Allerstorfer-Hertel, Julia (HerausgeberIn); Leisch-Kiesl, Monika (HerausgeberIn)
    Published: [2017]
    Publisher:  transcript, Bielefeld

    Der kontrovers diskutierte Begriff einer globalen Kunstgeschichte, »Global Art History«, wird in diesem Band zum übergreifenden Thema gemacht.Die Beiträge international renommierter KunsthistorikerInnen fokussieren jeweils spezifische Regionen und... more

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    Der kontrovers diskutierte Begriff einer globalen Kunstgeschichte, »Global Art History«, wird in diesem Band zum übergreifenden Thema gemacht.Die Beiträge international renommierter KunsthistorikerInnen fokussieren jeweils spezifische Regionen und künstlerische Praxen, die in globalen und transkulturellen Zusammenhängen differenziert betrachtet werden. Es geht um Standortbestimmungen, theoretische Fundierungen und methodische Klärungen - und nicht zuletzt darum, wie Kunstgeschichten außerhalb euro-amerikanischer Kontexte gedacht und geschrieben werden.

     
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    Source: Union catalogues
    Contributor: Allerstorfer-Hertel, Julia (HerausgeberIn); Leisch-Kiesl, Monika (HerausgeberIn)
    Language: German; English
    Media type: Ebook
    Format: Online
    ISBN: 9783839440612
    Other identifier:
    RVK Categories: LH 65000 ; LH 61020
    Series: Linzer Beiträge zur Kunstwissenschaft und Philosophie ; Band 8
    Subjects: Art and globalization; Art; Art History,Transculturality,Postcolonialism,Contemporary Art,Cultural History,Art,Global History,Fine Arts; Gegenwartskunst; Globalgeschichte; Kulturgeschichte; Kunstgeschichte; Regionalität; Transkulturalität; Kunstwissenschaft; Postkolonialismus; Globalisierung; Interkulturalität; ART / History / General
    Scope: 1 Online-Ressource (301 Seiten), Illustrationen
    Notes:

    Allerstorfer, Julia / Leisch-Kiesl, Monika --: Frontmatter -- ; Inhalt -- ; Vorwort

    Allerstorfer, Julia / Leisch-Kiesl, Monika --: Foreword

    Leisch-Kiesl, Monika --: Einführung -- ; Kunstwissenschaft in globaler Perspektive. Westliche Kunstgeschichtsschreibung und Ansätze inter- bzw. transkultureller Blicke

    Allerstorfer, Julia --: The West and the Rest? De- und postkoloniale Perspektiven auf Kunst und Kunstgeschichte(n)

    Leisch-Kiesl, Monika / Allerstorfer, Julia --: Kunstwissenschaft perspektivisch / Universitäre Forschungslandschaft Österreich

    Allerstorfer, Julia / Leisch-Kiesl, Monika --: Being a ‘Global Artist’?: Ekaterina Shapiro-Obermair, Daichi Misawa, Golzar Hazfi and Mara Niang

    Juneja, Monica --: Zugänge -- ; Alternative, Peripheral or Cosmopolitan? Modernism as a Global Process

    Naef, Silvia --: Writing the History of Modern Art in the Arab World: Documents, Theories and Realities

    Keshmirshekan, Hamid --: Parameters of “Modern” and “Contemporary” Art from the Middle East: An Alternative Art Historical Account

    Koch, Ebba --: The Intellectual and Artistic Climate of Tolerance at Akbar’s Court

    Hopfener, Birgit --: What Do You Think What I Am Doing Here? A Transcultural Analysis of Ai Weiwei’s “Iconoclastic” Works

    Kravagna, Christian --: Painting the Global History of Art: Hale Woodruff’s The Art of the Negro

    Ulz, Melanie --: Afrikanische Kunst in Europa. Kulturelle Aneignung und musealer Umgang am Beispiel der höfischen Kunst aus Benin

    Hochleitner, Martin --: Fremdes ausstellen. Künstlerische und kuratorische Konzepte für mehr Gerechtigkeit?! Ein Erfahrungsbericht

    Kastner, Jens --: Didactics of Liberation? Kunst- und kulturtheoretische Debatten in Lateinamerika

    Zimmermann, Tanja --: Disparaging Images Turned into Pride. Artistic Strategies of Reversal and Over-Identification in Eastern Europe and the Balkans in a Global Dialogue
  23. »nicht, weil wir es für schön halten«
    Zur Rolle des Schönen in der Denkmalpflege
    Author: Herold, Stephanie
    Published: [2018]; ©2018
    Publisher:  transcript-Verlag, Bielefeld

    An analysis of the ambivalent relationship of the preservation of historical monuments and beauty - and therefore a basis for the potential reconciliation between both Das Schöne wird seit den Anfängen denkmaltheoretischer Überlegungen als... more

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    An analysis of the ambivalent relationship of the preservation of historical monuments and beauty - and therefore a basis for the potential reconciliation between both Das Schöne wird seit den Anfängen denkmaltheoretischer Überlegungen als wertstiftende Kategorie explizit ausgeklammert. Gleichzeitig wird es implizit ständig verhandelt, sei es im theoretischen Kontext oder in der Auseinandersetzung um das »schöne« Denkmal in der Praxis.Ausgehend von dieser Diskrepanz untersucht Stephanie Herold die Rolle des Schönen in der Denkmalpflege von deren Anfängen im 19. Jahrhundert bis in die heutige Zeit. Dabei geht sie nicht nur möglichen historischen Gründen für das ambivalente Verhältnis der Denkmalpflege zum Schönen nach, sondern fragt zudem, ob ein anderer Umgang mit dem Thema möglich ist, um neue Potenziale zu erschließen

     
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  24. Horace Walpole
    Author: Lewis, Wilmarth Sheldon
    Published: [2023]; © 1961
    Publisher:  Princeton University Press, Princeton, NJ

    An illuminating biographical study of the eighteenth-century English man of letters and patron of the artsHorace Walpole (1717-1797) was a collector, printer, novelist, arbiter of taste, and renowned writer of letters. In this book, eminent scholar... more

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    An illuminating biographical study of the eighteenth-century English man of letters and patron of the artsHorace Walpole (1717-1797) was a collector, printer, novelist, arbiter of taste, and renowned writer of letters. In this book, eminent scholar Wilmarth Sheldon Lewis provides an unprecedented look at the life and work of one of England's greatest men of letters. Lewis sheds light on Walpole's relationships with his family and friends, his politics, his writings and printmaking activities, and his correspondence. Featuring portraits of Walpole, his relatives, and friends; images of Walpole's sketches and manuscripts; pages from books printed at Walpole's Strawberry Hill Press; and views and plans of Strawberry Hill, the house, its rooms and furnishings, and its grounds, and accompanied by Lewis's extensive annotations, this book provides an invaluable history of an extraordinary man

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691252070
    Other identifier:
    Series: The A. W. Mellon Lectures in the Fine Arts ; 35
    Subjects: ART / History / General; Authors, English; Printmakers
    Scope: 1 Online-Ressource (244 pages), 72 b/w illus
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)
  25. Radikale Universität
    Universitäten in Zeiten globaler Umbrüche. Die Angewandte und Rektor Gerald Bast
    Published: [2023]; © 2023
    Publisher:  De Gruyter, Berlin ; Boston

    Die Zukunft der Universität Das Buch dokumentiert nicht nur das Symposium "Radikale Universität", das die gesellschaftsbildende Kraft der Universität, die Interdisziplinarität und den Dialog zwischen Kunst und Wissenschaft im Spannungsfeld sozialer... more

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    Die Zukunft der Universität Das Buch dokumentiert nicht nur das Symposium "Radikale Universität", das die gesellschaftsbildende Kraft der Universität, die Interdisziplinarität und den Dialog zwischen Kunst und Wissenschaft im Spannungsfeld sozialer Relevanz und Verantwortung beleuchtete. Es würdigt auch das Wirken von Rektor Gerald Bast an der Universität für angewandte Kunst Wien: Mit der Einrichtung zahlreicher neuer interdisziplinärer Studien, der Annäherung von Kunst und Wissenschaft und einer klaren gesellschaftspolitischen Haltung setzte er wichtige Impulse. Die Publikation untersucht drei Kernthemen: Kunst und Wissenschaft, den Ausbau der Universität zum Campus und die Bildungsreform. Alle Texte verhandeln die Zukunft der Bildung in Zeiten radikaler Veränderung, um radikale Perspektiven auf die Institution Universität zu entwickeln. Über Herausforderungen für Universitäten und Bildung im 21. Jahrhundert Beiträge von Aleida Assmann, Klaus Bollinger, Brigitte Felderer, Olga Grjasnowa, Daniela Hammer-Tugendhat, Lisz Hirn, Anab Jain, Judith Kohlenberger, Meinhard Lukas, Helga Nowotny, Ferdinand Schmatz u. a. Mit Fotografien und Renderings von Marlene Mautner The future of the university This book serves not only to document the symposium "Radical University," which highlighted the contribution of the university to social development, it also discusses interdisciplinarity and dialogue between art and science in relation to social relevance and responsibility. Furthermore, it pays tribute to the work of Rector Gerald Bast at the University of Applied Arts Vienna. By establishing several new programs of interdisciplinary study, particularly pertaining to the convergence of art and science, and by taking a clear sociopolitical stance, he laid down important markers for the university. This publication explores three core themes: art and science; the development of a campus university; and educational reform. All of the texts in this book discuss the future of education in times of radical change, revealing radical perspectives on the university as an institution. On the challenges faced by universities in the 21st century Contributions by Aleida Assmann, Klaus Bollinger, Brigitte Felderer, Olga Grjasnowa, Daniela Hammer-Tugendhat, Lisz Hirn, Anab Jain, Judith Kohlenberger, Meinhard Lukas, Helga Nowotny, Ferdinand Schmatz, and others With photographs and renderings by Marlene Mautner

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783111341675
    Other identifier:
    Series: Edition Angewandte
    Subjects: Bildungspolitik; Forschung; Fotografie; Interdisziplinarität; Kulturpolitik; Künstlerische Forschung; Lehre; Universität; ART / History / General
    Scope: 1 Online-Ressource (308 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)