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Religion and the artifice of Jacobean and Caroline drama
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<<The>> independent woman in the restoration comedy of manners
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<<The>> theatre of praise
the panegyric tradition in seventeenth-century English drama -
Lothario's corpse
libertine drama and the long-running Restoration, 1700-1832 -
Staging harmony
music and religious change in late medieval and early modern English drama -
Broken boundaries
women & feminism in Restoration drama -
Comic character in restoration drama
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The Spanish plays of neoclassical England
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The ethos of Restoration comedy
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The influence of Molière on restoration comedy
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The restoration rake-hero
transformations in sexual understanding in 17th-century England -
The hieroglyphic king
wisdom and idolatry in the seventeenth-century masque -
Theatrical legitimation
allegories of genius in seventeenth-century England and France -
Wild civility
the English comic spirit on the Restoration stage -
Renaissance dramatists
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Images of love and religion
Queen Henrietta Maria and court entertainments -
Two-edg'd weapons
style and ideology in the comedies of Etherege, Wycherley and Congreve -
The prostituted muse
images of women & women dramatists, 1642 - 1737 -
The prostituted muse
images of women & woman dramatists 1642 - 1737 -
The independent woman in the restoration comedy of manners
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A rhetorical analysis of the restoration prologue and epilogue
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The king in Tudor drama
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Religion and the artifice of Jacobean and Caroline drama
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Perilous balance
The tragic genius of Swift, Johnson, and Sterne -
Players' scepters
fictions of authority in the restoration