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  1. <<Die>> postnukleare Endzeitvision im Film der achtziger Jahre
    Author: Leppin, Ralf
    Published: 1997
    Publisher:  Leppin, Köln

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 398043804X
    RVK Categories: AP 50300 ; AP 44900
    Series: Filmwissenschaft ; 1
    Subjects: Film; Atomkrieg <Motiv>; Weltuntergang <Motiv>; Geschichte 1980-1990;
    Scope: 123 S., 21 cm
    Notes:

    Zugl.: Köln, Univ., veränd. Magisterarbeit, 1988
  2. Postcolonial film
    history, empire, resistance
    Published: 2014
    Publisher:  Routledge, New York [u.a.]

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization... more

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    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. "--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415716147
    RVK Categories: AP 44900
    Series: Routledge advances in film studies ; 30
    Subjects: Politics in motion pictures; Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures
    Scope: X, 316 S., Ill.
    Notes:

    Literaturangaben

    Nicholas HarrisonThe Sound of Broken Memory: Assia Djebar's The Nuba of the Women of Mount Chenoua (1977) / Sarah E. Mosher: New Readings of Twentieth Century Anti-Colonial Resistance Narratives. Yesterday's Mujahiddin: Gillo Pontecorvo's The Battle of Algiers (1966)

    Jerod Ra' Del Hollyfield: Approximate Others: Peter Weir's The Last Wave (1977)

    Stephen Spence: Life as an Ocean: Hou Hsiao-hsien's The Puppetmaster (1993)

    Jehanne-Marie Gavarini: Millennial Tropes of NeoEmpire. Shifting Sands, Imaginary Space, and National Identity: Cédric Klapisch's Peut-être (1999)

    Meredith Robinson: No Chains on Feet or Mind: Jean-Claude Flamand Barny's Nèg Maron (2005)

    Corinn Columpar: A Cinema of Conviviality: Ray Lawrence's Jindabyne (2006)

    Cynthia Sugars: Déjà vu All Over Again: Guy Maddin's My Winnipeg (2007)

    Vuslat Demirkoparan: New Imaginations of Neo-Postcolonialism. Identity and The Politics of Space: Fatih Akin's The Edge of Heaven (2007)

    Yu-wen Fu: Space and Cultural Memory: Te-Shen Wei's Cape No.7 (2008)

    Rebecca Weaver-Hightower: The Postcolonial Hybrid: Neill Blomkamp's District 9 (2009)

    Henry Schwarz: The Marginal Interventionist Cinema of Budhan Theatre: Dakxin Bajrange Chhara's The Lost Water (2008/2010)

    Ella Shohat and Robert Stam.: Afterword: History, Empire, Resistance
  3. Transnationale Medienlandschaften
    Populärer Film zwischen World Cinema und postkolonialem Europa
    Contributor: Ritzer, Ivo (HerausgeberIn); Steinwender, Harald (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  Springer VS, Wiesbaden

    Der Band vereint Studien zu transnationalen Medienlandschaften, die das Erkenntnisinteresse auf kinematographische Vernetzungen jenseits fixer Zentren richten. Im Fokus steht eine Analyse populärer Traditionen aus postkolonialer Perspektive, die... more

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    Der Band vereint Studien zu transnationalen Medienlandschaften, die das Erkenntnisinteresse auf kinematographische Vernetzungen jenseits fixer Zentren richten. Im Fokus steht eine Analyse populärer Traditionen aus postkolonialer Perspektive, die transnationalen Film in den Kontext einer globalen Medienkultur setzt, wobei europäischen Koproduktionen und reziproken Austauschbeziehungen mit lateinamerikanischen, asiatischen und afrikanischen Kinematographien besondere Aufmerksamkeit zukommt. Der Inhalt Postkolonalität und Postkontinentalität.- Postnationalität und Kulturtransfer.- Transnationale Werkstätten. Die Zielgruppen Dozierende und Studierende der Medien- und Kulturwissenschaft Die Herausgeber Prof. Dr. Ivo Ritzer ist Professor für Medienwissenschaft an der BIGSAS der Universität Bayreuth. Dr. Harald Steinwender ist Mitarbeiter und freier Redakteur im Programmbereich Spiel-Film-Serie beim Bayerischen Rundfunk, Redaktion Kinofilm Einleitende Texte zum europäischen Populärfilm -- Fallstudien zu innereuropäischen Koproduktionen -- Fallstudien zu Koproduktionen über die europäischen Grenzen hinaus -- Werkstattbericht aus der Praxis / Filmpraktiker und ihr Zugang zum Populärkino

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Ritzer, Ivo (HerausgeberIn); Steinwender, Harald (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783658126858
    Other identifier:
    RVK Categories: AP 44900
    Series: Neue Perspektiven der Medienästhetik
    Subjects: Social sciences; Performing arts; Cultural studies; Communication; Sociology; Mass media
    Scope: 1 Online-Ressource (VII, 383 Seiten), 156 Illustrationen
  4. Reverse shots
    indigenous film and media in an international context
    Contributor: Pearson, Wendy Gay (Hrsg.)
    Published: c 2015
    Publisher:  Wilfrid Laurier University Press, Waterloo, Ont.

    Globalizing indigenous films and media -- He who dreams : reflections on an indigenous life in film -- Speakin' out Blak : new and emergent aboriginal filmmakers finding their voices -- Taking pictures b[l]ack : the work of Tracey Moffatt -- The... more

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    IX | 778 | PEA | Rev
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    Globalizing indigenous films and media -- He who dreams : reflections on an indigenous life in film -- Speakin' out Blak : new and emergent aboriginal filmmakers finding their voices -- Taking pictures b[l]ack : the work of Tracey Moffatt -- The journals of Knud Rasmussen : Arctic history as post/colonial cinema -- Australian indigenous short film as a pedagogical devices : introducing Wayne Blair's The Djarn Djarns and Black talk -- "Once upon a time in a land far, far away" : representations of the pre-colonial world in Atanarjuat, Ofelas, and 10 canoes -- Ka Whawhai Tonu Matou : indigenous television in Aotearoa/New Zealand -- Superhighway across the sky ... aboriginal new media arts in Australia : a remix and email conversation between Adam Szymanski and Jenny Fraser -- On collectivity and the limits of collaboration : caching Igloolik video in the south -- The Prince George Métis Elders documentary project : matching product with process in new forms of documentary -- "Whacking the indigenous funny bone" : native humour and its healing powers in Drew Hayden Taylor's Redskins, tricksters, and puppy stew -- Situating indigenous knowledges : the talking back of Alanis Obomsawin and Shelley Niro -- "I want to say how beautiful we are" : cultural politics in Loretta Todd's Hands of history -- Filming indigeneity as Flânerie : dialectic and subtext in Terrance Odette's Heater -- Playing with land issues : subversive hybridity in The Price of milk

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Pearson, Wendy Gay (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781554583355
    RVK Categories: AP 44900 ; AP 50300
    Series: Film and media series
    Subjects: Indigenous peoples in motion pictures; Indigenous films; Indigenous peoples and mass media
    Scope: XII, 372 S., Ill., 23 cm
    Notes:

    Literaturverz. S. 319 - 344
  5. Postcolonial film
    history, empire, resistance
    Contributor: Weaver-Hightower, Rebecca (Herausgeber); Hulme, Peter (Herausgeber)
    Published: 2014
    Publisher:  Routledge, New York ; London

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization... more

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    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. "..

     
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    Content information
    Source: Union catalogues
    Contributor: Weaver-Hightower, Rebecca (Herausgeber); Hulme, Peter (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9780415716147
    RVK Categories: AP 44900
    Series: Routledge advances in film studies ; 30
    Subjects: Politics in motion pictures; Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures; ART / Film & Video; SOCIAL SCIENCE / Media Studies; POLITICAL SCIENCE / Colonialism & Post-Colonialism; Postkolonialismus; Film; Kolonialismus
    Scope: x, 316 Seiten, Illustrationen
  6. Spuren eines Dritten Kinos
    Zu Ästhetik, Politik und Ökonomie des World Cinema
    Published: [2014]; ©2013
    Publisher:  transcript-Verlag, Bielefeld

    Das aktuelle Filmschaffen aus Nigeria, Algerien/Frankreich, Brasilien, China und den Philippinen knüpft in je unterschiedlicher Weise an die politischen und ästhetischen Voraussetzungen des so genannten »Third Cinema« an. Die diskursive Klammer... more

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    Das aktuelle Filmschaffen aus Nigeria, Algerien/Frankreich, Brasilien, China und den Philippinen knüpft in je unterschiedlicher Weise an die politischen und ästhetischen Voraussetzungen des so genannten »Third Cinema« an. Die diskursive Klammer indes, wie sie die Rede von einer »Dritten Welt« einst zur Verfügung stellte, hat heute an Evidenz eingebüßt.Dieses Buch will nicht die Klammer, aber doch den Diskurs wieder aufgreifen und fragt dafür nach der historischen Bedingtheit des zeitgenössischen Weltkinos ebenso wie nach seiner prekären Gegenwart und Zukunft auf heimischen Märkten und internationalen Filmfestivals

     
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839420614
    Other identifier:
    RVK Categories: AP 44900
    Edition: 1. Aufl
    Series: Film
    Other subjects: Cultural Studies; Dritte Welt; Drittes Kino; Filmgeschichte; Globalisierung; Globalization; Media Studies; Medienwissenschaft; Postcolonialism; Postkolonialismus; World Cinema; Film; Moderne; SOCIAL SCIENCE / Sociology / General
    Scope: 1 online resource
  7. Die postnukleare Endzeitvision im Film der achtziger Jahre
    Author: Leppin, Ralf
    Published: 1997
    Publisher:  Leppin, Köln

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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 398043804X
    RVK Categories: AP 44900 ; AP 50300
    Series: Filmwissenschaft ; 1
    Subjects: Apocalypse in motion pictures; Nuclear warfare in motion pictures; Weltuntergang <Motiv>; Atomkrieg <Motiv>; Film
    Scope: 123 S.
    Notes:

    Zugl.: Köln, Univ., veränd. Magisterarbeit, 1988
  8. Aktualitäten
    Published: 1997
    Publisher:  Stroemfeld/Roter Stern, Basel ; Frankfurt am Main

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: German; English
    Media type: Book
    ISBN: 3878777868
    RVK Categories: AP 40100 ; AP 44400 ; AP 44900
    Series: KINtop ; 6
    Subjects: Actualiteit; Films; Film; Geschichte; Documentary films; Motion pictures; Kurzfilm; Zeitgeschichte <Motiv>; Film; Dokumentarfilm; Wochenschau
    Scope: 213 S., Ill.
    Notes:

    Beitr. teilw. dt., teilw. engl.
  9. Bilder der Endlichkeit
    Author: Engell, Lorenz
    Published: 2005
    Publisher:  VDG, Verl. und Datenbank für Geisteswiss., Weimar

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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3897394898
    RVK Categories: AP 44900 ; AP 50300 ; AP 51800 ; EC 2410
    DDC Categories: 791
    Series: Serie moderner Film ; 5
    Subjects: Film; Motion pictures; Film; Zeit; Erzähltechnik
    Scope: 185 S.
  10. Realismus
    das Kino und die Politik des Ästhetischen
    Author: Kappelhoff, Hermann
    Published: 2008
    Publisher:  Vorwerk 8, Berlin

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    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783940384027; 394038402X
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    9783940384027
    RVK Categories: AP 45400 ; AP 54600 ; AP 44900 ; EC 2410
    DDC Categories: 791
    Subjects: Ästhetik; Aesthetics; Realism in motion pictures; Filmästhetik; Realismus
    Scope: 248 S., zahlr. Ill.
  11. Transnationale Medienlandschaften
    Populärer Film zwischen World Cinema und postkolonialem Europa
    Contributor: Ritzer, Ivo (HerausgeberIn); Steinwender, Harald (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  Springer VS, Wiesbaden

    Der Band vereint Studien zu transnationalen Medienlandschaften, die das Erkenntnisinteresse auf kinematographische Vernetzungen jenseits fixer Zentren richten. Im Fokus steht eine Analyse populärer Traditionen aus postkolonialer Perspektive, die... more

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    Der Band vereint Studien zu transnationalen Medienlandschaften, die das Erkenntnisinteresse auf kinematographische Vernetzungen jenseits fixer Zentren richten. Im Fokus steht eine Analyse populärer Traditionen aus postkolonialer Perspektive, die transnationalen Film in den Kontext einer globalen Medienkultur setzt, wobei europäischen Koproduktionen und reziproken Austauschbeziehungen mit lateinamerikanischen, asiatischen und afrikanischen Kinematographien besondere Aufmerksamkeit zukommt. Der Inhalt Postkolonalität und Postkontinentalität.- Postnationalität und Kulturtransfer.- Transnationale Werkstätten. Die Zielgruppen Dozierende und Studierende der Medien- und Kulturwissenschaft Die Herausgeber Prof. Dr. Ivo Ritzer ist Professor für Medienwissenschaft an der BIGSAS der Universität Bayreuth. Dr. Harald Steinwender ist Mitarbeiter und freier Redakteur im Programmbereich Spiel-Film-Serie beim Bayerischen Rundfunk, Redaktion Kinofilm Einleitende Texte zum europäischen Populärfilm -- Fallstudien zu innereuropäischen Koproduktionen -- Fallstudien zu Koproduktionen über die europäischen Grenzen hinaus -- Werkstattbericht aus der Praxis / Filmpraktiker und ihr Zugang zum Populärkino

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Ritzer, Ivo (HerausgeberIn); Steinwender, Harald (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783658126858
    Other identifier:
    RVK Categories: AP 44900
    Series: Neue Perspektiven der Medienästhetik
    Subjects: Social sciences; Performing arts; Cultural studies; Communication; Sociology; Mass media
    Scope: 1 Online-Ressource (VII, 383 Seiten), 156 Illustrationen
  12. The Film Photonovel
    A Cultural History of Forgotten Adaptations
    Author: Baetens, Jan
    Published: [2021]; © 2019
    Publisher:  University of Texas Press, Austin

    Discarded by archivists and disregarded by scholars despite its cultural impact on post-World War II Europe, the film photonovel represents a unique crossroads. This hybrid medium presented popular films in a magazine format that joined film stills... more

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    Discarded by archivists and disregarded by scholars despite its cultural impact on post-World War II Europe, the film photonovel represents a unique crossroads. This hybrid medium presented popular films in a magazine format that joined film stills or set pictures with captions and dialogue balloons to re-create a cinematic story, producing a tremendously popular blend of cinema and text that supported more than two dozen weekly or monthly publications. Illuminating a long-overlooked 'lowbrow' medium with a significant social impact, The Film Photonovel studies the history of the format as a hybrid of film novelizations, drawn novels, and nonfilm photonovels. While the field of adaptation studies has tended to focus on literary adaptations, this book explores how the juxtaposition of words and pictures functioned in this format and how page layout and photo cropping could affect reading. Finally, the book follows the film photonovel's brief history in Latin America and the United States. Adding an important dimension to the interactions between filmmakers and their audiences, this work fills a gap in the study of transnational movie culture

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781477318232; 9781477318249
    Other identifier:
    RVK Categories: AP 44900 ; AP 53000 ; NK 4930 ; EC 6750
    Series: World comics and graphic nonfiction series
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Film adaptations; Fotonovelas; Motion pictures and literature
    Scope: 1 Online-Ressource (x, 186 Seiten), Illustrationen
  13. Postcolonial film
    history, empire, resistance
    Published: 2014
    Publisher:  Routledge, New York [u.a.]

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization... more

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    Universitätsbibliothek Bayreuth
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    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. "..

     
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  14. Transnationale Medienlandschaften
    populärer Film zwischen World Cinema und postkolonialem Europa
    Contributor: Ritzer, Ivo (Publisher); Steinwender, Harald (Publisher)
    Published: [2017]; © 2017
    Publisher:  Springer VS, Wiesbaden

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Ritzer, Ivo (Publisher); Steinwender, Harald (Publisher)
    Language: German
    Media type: Book
    ISBN: 3658126841; 9783658126841
    Other identifier:
    9783658126841
    RVK Categories: AP 44900
    DDC Categories: 300
    Edition: 1. Auflage
    Series: Neue Perspektiven der Medienästhetik
    Subjects: Globalisierung; Interkulturalität; Postkolonialismus; Transnationalisierung; Kulturvermittlung; Unterhaltungsfilm; Koproduktion
    Other subjects: JFD; AS; JFC; Europäische Film- und Mediengeschichte; Genretheorie; Medien- und Kulturwissenschaft; Populärer Film; Postcolonial Studies; Transnationales Kino
    Scope: 383 Seiten, 156 Illustrationen, 21 cm x 14.8 cm
    Notes:

    Literaturangaben
  15. Gebrochene Sprache
    Filmautoren und Schriftsteller des Exils : Cinefest, XIII. Internationales Festival des Deutschen Film-Erbes
    Author: Bock, Hans-Michael
    Published: [2016]
    Publisher:  [Edition Text+Kritik im Richard Boorberg Verlag GmbH & Co KG], [München]

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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Source: Union catalogues
    Contributor: Brill, Olaf (Publisher); Schöning, Jörg (Publisher); Blom, Ivo
    Language: German
    Media type: Conference proceedings
    ISBN: 9783869165608; 386916560X
    Other identifier:
    9783869165608
    RVK Categories: AP 44900
    DDC Categories: 791
    Edition: [1. Auflage]
    Corporations / Congresses: CineFest, 13. (2016-2017, Hamburg)
    Subjects: Exil <Motiv>; Autor; Exil; Film; Deutsche
    Scope: 162 Seiten, Illustrationen, 21 x 21 cm
  16. Transnationale Medienlandschaften
    populärer Film zwischen World Cinema und postkolonialem Europa
    Contributor: Ritzer, Ivo (Publisher); Steinwender, Harald (Publisher)
    Published: [2017]
    Publisher:  Springer VS, Wiesbaden

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    Hochschulbibliothek Ansbach
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  17. Postcolonial film
    history, empire, resistance
    Contributor: Weaver-Hightower, Rebecca (Publisher); Hulme, Peter (Publisher)
    Published: 2018
    Publisher:  Routledge, London ; New York

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization... more

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    Universitätsbibliothek der LMU München
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    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. "..

     
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    Source: Union catalogues
    Contributor: Weaver-Hightower, Rebecca (Publisher); Hulme, Peter (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781138548497; 9780415716147
    RVK Categories: AP 44900
    Edition: First issued in paperback
    Series: Routledge advances in film studies ; 30
    Subjects: ART / Film & Video; SOCIAL SCIENCE / Media Studies; POLITICAL SCIENCE / Colonialism & Post-Colonialism; Film; Politik; Politics in motion pictures; Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures; ART / Film & Video; SOCIAL SCIENCE / Media Studies; POLITICAL SCIENCE / Colonialism & Post-Colonialism; Postkolonialismus; Kolonialismus; Film
    Scope: X, 316 Seiten, Illustrationen
    Notes:

    Literaturangaben
  18. Spuren eines Dritten Kinos
    Zu Ästhetik, Politik und Ökonomie des World Cinema
    Author: Foerster, Lukas; Perneczky, Nikolaus; Tietke, Fabian
    Published: 2013
    Publisher:  transcript Verlag

    Das aktuelle Filmschaffen aus Nigeria, Algerien/Frankreich, Brasilien, China und den Philippinen knüpft in je unterschiedlicher Weise an die politischen und ästhetischen Voraussetzungen des so genannten »Third Cinema« an. Die diskursive Klammer... more

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    Das aktuelle Filmschaffen aus Nigeria, Algerien/Frankreich, Brasilien, China und den Philippinen knüpft in je unterschiedlicher Weise an die politischen und ästhetischen Voraussetzungen des so genannten »Third Cinema« an. Die diskursive Klammer indes, wie sie die Rede von einer »Dritten Welt« einst zur Verfügung stellte, hat heute an Evidenz eingebüßt.Dieses Buch will nicht die Klammer, aber doch den Diskurs wieder aufgreifen und fragt dafür nach der historischen Bedingtheit des zeitgenössischen Weltkinos ebenso wie nach seiner prekären Gegenwart und Zukunft auf heimischen Märkten und internationalen Filmfestivals

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839420614
    RVK Categories: AP 44900 ; AP 44903
    Series: Film
    Subjects: Globalisierung; Filmgeschichte; Medienwissenschaft; Globalization; Dritte Welt; Postkolonialismus; Cultural studies; Postcolonialism; Media Studies; Drittes Kino; World Cinema; Film
    Scope: 1 Online-Ressource
  19. Film and colonialism in the sixties
    Author: Cowans, Jon
    Published: 2020
    Publisher:  Routledge, London ; New York

    Colonial adventure films of the early 1960s -- Westerns of the early 1960s -- Spotlighting decolonization : the United States and Britain -- Spotlighting decolonization : France -- The anti-colonialist turn in Europe -- The anti-colonialist turn in... more

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    Colonial adventure films of the early 1960s -- Westerns of the early 1960s -- Spotlighting decolonization : the United States and Britain -- Spotlighting decolonization : France -- The anti-colonialist turn in Europe -- The anti-colonialist turn in Hollywood -- Revisionist westerns, 1967-1973 -- France and the second Algeria cycle, 1970-1973 "Relations between Western nations and their colonial subjects changed dramatically in the second half of the twentieth century. As nearly all of the West's colonies gained their independence by 1975, attitudes toward colonialism in the West also changed, and terms such as empire and colonialism, once used with pride, became strongly negative. While colonialism has become discredited, precisely when or how that happened remains unclear. This book explores changing Western attitudes toward colonialism and decolonization by analyzing American, British, and French popular cinema and its reception from 1960 to 1973"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367582357
    RVK Categories: AP 44900
    Edition: First isseud in paperback
    Series: <<The>> Routledge global 1960s and 1970s series
    Subjects: Englisch; Französisch; Film; Kolonialismus <Motiv>; Entkolonialisierung <Motiv>; Geschichte 1960-1973
    Scope: 292 Seiten
    Notes:

    Literaturangaben
  20. Der lange Arm der Ufa
    Filmische Bilderwanderung zwischen Deutschland, Japan und China 1923-1949
    Author: Sierek, Karl
    Published: [2018]; © 2018
    Publisher:  Springer VS, Wiesbaden

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783658190385; 365819037X; 9783658190378
    Other identifier:
    9783658190378
    RVK Categories: AP 44900
    Subjects: Weimarer Republik; Film; Filmwirtschaft; Filmtechnik; Kulturbeziehungen; Wahrnehmung; Wirkung; Massenmedien; Ästhetik; Propaganda; Medienpolitik
    Scope: XVI, 588 Seiten, lllustrationen, 24 cm x 16.8 cm
  21. Postcolonial film
    history, empire, resistance
    Contributor: Weaver-Hightower, Rebecca (Herausgeber); Hulme, Peter (Herausgeber)
    Published: 2014
    Publisher:  Routledge, New York

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization... more

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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. ".

     
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    Source: Union catalogues
    Contributor: Weaver-Hightower, Rebecca (Herausgeber); Hulme, Peter (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415716147
    RVK Categories: AP 44900
    Series: Routledge advances in film studies ; 30
    Subjects: Politics in motion pictures; Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures; ART / Film & Video; SOCIAL SCIENCE / Media Studies; POLITICAL SCIENCE / Colonialism & Post-Colonialism
    Scope: x, 316 Seiten, Illustrationen
  22. Transnationale Medienlandschaften
    populärer Film zwischen World Cinema und postkolonialem Europa
    Contributor: Ritzer, Ivo (Publisher); Steinwender, Harald (Publisher)
    Published: [2017]
    Publisher:  Springer VS, Wiesbaden

    Location:
    Alice Salomon Hochschule Berlin, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
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    Hochschule für Wirtschaft und Recht, Hochschulbibliothek, Campus Schöneberg
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    TU Berlin, Universitätsbibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Fachhochschule Potsdam, Hochschulbibliothek
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Technische Hochschule Wildau, Hochschulbibliothek
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    Content information
    Volltext (URL des Erstveröffentlichers)
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Ritzer, Ivo (Publisher); Steinwender, Harald (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783658126858
    Other identifier:
    RVK Categories: AP 44900
    DDC Categories: 300
    Series: Neue Perspektiven der Medienästhetik
    Subjects: Social sciences; Performing arts; Cultural studies; Communication; Sociology; Mass media; Social Sciences; Media Research; Cultural Studies; Performing Arts; Massenmedien; Sozialwissenschaften; Globalisierung; Transnationalisierung; Koproduktion; Unterhaltungsfilm; Postkolonialismus; Interkulturalität; Kulturvermittlung
    Other subjects: JFD; AS; JFC; Europäische Film- und Mediengeschichte; Genretheorie; Medien- und Kulturwissenschaft; Populärer Film; Postcolonial Studies; Transnationales Kino
    Scope: 1 Online Ressource (VII, 383 Seiten), Illustrationen
  23. Transnationale Medienlandschaften
    populärer Film zwischen World Cinema und postkolonialem Europa
    Contributor: Ritzer, Ivo (Publisher); Steinwender, Harald (Publisher)
    Published: [2017]; © 2017
    Publisher:  Springer VS, Wiesbaden

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität der Künste Berlin, Universitätsbibliothek
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Contributor: Ritzer, Ivo (Publisher); Steinwender, Harald (Publisher)
    Language: German
    Media type: Book
    ISBN: 3658126841; 9783658126841
    Other identifier:
    9783658126841
    RVK Categories: AP 44900
    DDC Categories: 300
    Edition: 1. Auflage
    Series: Neue Perspektiven der Medienästhetik
    Subjects: Globalisierung; Interkulturalität; Postkolonialismus; Transnationalisierung; Kulturvermittlung; Unterhaltungsfilm; Koproduktion
    Other subjects: JFD; AS; JFC; Europäische Film- und Mediengeschichte; Genretheorie; Medien- und Kulturwissenschaft; Populärer Film; Postcolonial Studies; Transnationales Kino
    Scope: 383 Seiten, 156 Illustrationen, 21 cm x 14.8 cm
    Notes:

    Literaturangaben
  24. Gebrochene Sprache
    Filmautoren und Schriftsteller des Exils : Cinefest, XIII. Internationales Festival des Deutschen Film-Erbes
    Author: Bock, Hans-Michael
    Published: [2016]
    Publisher:  [Edition Text+Kritik im Richard Boorberg Verlag GmbH & Co KG], [München]

    Location:
    Archiv der Akademie der Künste, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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    Stiftung Deutsches Historisches Museum, Bibliothek
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Brill, Olaf (Publisher); Schöning, Jörg (Publisher); Blom, Ivo
    Language: German
    Media type: Conference proceedings
    ISBN: 9783869165608; 386916560X
    Other identifier:
    9783869165608
    RVK Categories: AP 44900
    DDC Categories: 791
    Edition: [1. Auflage]
    Corporations / Congresses: CineFest, 13. (2016-2017, Hamburg)
    Subjects: Exil <Motiv>; Autor; Exil; Film; Deutsche
    Scope: 162 Seiten, Illustrationen, 21 x 21 cm
  25. Der lange Arm der Ufa
    Filmische Bilderwanderung zwischen Deutschland, Japan und China 1923-1949
    Author: Sierek, Karl
    Published: [2018]; © 2018
    Publisher:  Springer VS, Wiesbaden

    Location:
    Bibliothek des Bundesarchivs
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783658190385; 365819037X; 9783658190378
    Other identifier:
    9783658190378
    RVK Categories: AP 44900
    Subjects: Weimarer Republik; Film; Filmwirtschaft; Filmtechnik; Kulturbeziehungen; Wahrnehmung; Wirkung; Massenmedien; Ästhetik; Propaganda; Medienpolitik
    Scope: XVI, 588 Seiten, lllustrationen, 24 cm x 16.8 cm