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  1. Closure in the Novel
    Author: Torgovnick, Marianna
    Published: [2017]; © 2017
    Publisher:  Princeton University Press, Princeton, NJ

    Drawing on a wide range of nineteenth- and twentieth-century English, French, American, and Russian novels, Marianna Torgovnick demonstrates the variety and complexity of the process by which a work reaches an appropriate conclusion.Originally... more

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    Drawing on a wide range of nineteenth- and twentieth-century English, French, American, and Russian novels, Marianna Torgovnick demonstrates the variety and complexity of the process by which a work reaches an appropriate conclusion.Originally published in 1981.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400886616
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    Series: Princeton Legacy Library
    Subjects: Closure (Rhetoric); Fiction; Fiction; Fiction; Romanschluss
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Jul 2017)
  2. Closure in the Novel
    Author: Torgovnick, Marianna
    Published: 2017; ©2017
    Publisher:  Princeton University Press, Princeton, NJ

    Drawing on a wide range of nineteenth- and twentieth-century English, French, American, and Russian novels, Marianna Torgovnick demonstrates the variety and complexity of the process by which a work reaches an appropriate conclusion.Originally... more

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    Drawing on a wide range of nineteenth- and twentieth-century English, French, American, and Russian novels, Marianna Torgovnick demonstrates the variety and complexity of the process by which a work reaches an appropriate conclusion.Originally published in 1981.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400886616
    Other identifier:
    Series: Princeton Legacy Library
    Subjects: Fiction; Closure (Rhetoric); Fiction; Fiction; Closure (Rhetoric); Fiction; Fiction; Fiction; Closure (Rhetoric).; Fiction.; Fiction.; Fiction.
    Scope: 1 Online-Ressource
    Notes:

    Frontmatter -- -- ACKNOWLEDGMENTS -- -- CONTENTS -- -- INTRODUCTION -- -- ONE. George Eliot and the “Finale” of Middlemarch -- -- TWO. Closure in Bleak House -- -- THREE. “Open” and “Closed” Form in War and Peace -- -- FOUR. Communal Themes and the Outer Frame of The Scarlet -- -- FIVE. Discomforting the Reader: The Confrontational Endings of Vanity Fair and L'Education sentimentale -- -- SIX. James's Sense of an Ending: the Role Played in its Development by James's Ideas about Nineteenth-Century Endings -- -- SEVEN. Gesture and the Ending of The Golden Bowl -- -- EIGHT. Story-Telling as Affirmation at the End of Light in August -- -- NINE. Virginia Woolf, the Vision of The Waves, and the Novel's Double Ending -- -- CONCLUSION -- -- NOTES -- -- BIBLIOGRAPHY -- -- INDEX
  3. The visual arts, pictorialism, and the novel
    James, Lawrence, and Woolf
    Author: Torgovnick, Marianna
    Published: 1985
    Publisher:  Princeton Univ. Press, Princeton, NJ

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0691040311
    Subjects: Kunst; Kunst; Kunst
    Scope: XII, 267 S., Ill.
    Notes:

    Literaturverz. S. [249] - 257
  4. Gone primitive
    savage intellects, modern lives
    Author: Torgovnick, Marianna
    Published: 1990
    Publisher:  Univ. of Chicago Press, Chicago u.a.

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  5. Closure in the novel
    Author: Torgovnick, Marianna
    Published: 1981
    Publisher:  Princeton Univ. Press, Princeton, NJ

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  6. Crossing ocean parkway
    Author: Torgovnick, Marianna
    Published: 1996
    Publisher:  Univ. of Chicago Press, Chicago [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226808307; 0226808300
    RVK Categories: HU 9800
    Edition: With a new afterword
    Subjects: Italienerin; Italiener; Literatur
    Scope: X, 187 S.
  7. Crossing ocean parkway
    readings by an Italian American daughter
    Author: Torgovnick, Marianna
    Published: 1994
    Publisher:  Univ. of Chicago Press, Chicago u.a.

    Growing up as an Italian American in Bensonhurst, Marianna De Marco longed for college, culture, and upward mobility. Her daydreams circled around WASP heroes on television - like Robin Hood and the Cartwright family - but in Brooklyn she never... more

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    Growing up as an Italian American in Bensonhurst, Marianna De Marco longed for college, culture, and upward mobility. Her daydreams circled around WASP heroes on television - like Robin Hood and the Cartwright family - but in Brooklyn she never encountered any. So she associated moving up with Ocean Parkway, a street that divides the working-class Italian neighborhood where she was born from the middle-class Jewish neighborhood into which she married This book is Torgovnick's unflinching account of crossing cultural boundaries in American life, of what it means to be an Italian American woman who became a scholar and literary critic At the start, Torgovnick goes home to Bensonhurst soon after the shocking racial murder of Yusuf Hawkins. The first essay describes life in "the neighborhood" as viewed from the present, with clarity, empathy, and tough critique. The title essay, "Crossing Ocean Parkway," revisits the famous Brooklyn thoroughfare as a symbol of culture that gradually lost its luster

     
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  8. The war complex
    World War II in our time
    Author: Torgovnick, Marianna
    Published: 2005
    Publisher:  Univ. of Chicago Press, Chicago [u.a.]

    "Marianna Torgovnick argues that we have lived since the end of World War II, under the power of a war complex - a set of repressed ideas and impulses that stems from our unresolved attitudes toward the technological acceleration of mass death. This... more

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    "Marianna Torgovnick argues that we have lived since the end of World War II, under the power of a war complex - a set of repressed ideas and impulses that stems from our unresolved attitudes toward the technological acceleration of mass death. This complex has led to gaps and hesitations in public discourse about atrocities committed during war itself. And it remains an enduring wartime consciousness, one most recently animated on September 11, 2001." "Showing how different events from World War II became prominent in American cultural memory while others go forgotten or remain hidden in plain sight. The War Complex moves from war films and historical works to television specials and popular magazines to define the image and influence of World War II in our time. Torgovnick also explores the 1961 trial of Adolf Eichmann, the emotional legacy of the Holocaust, and the treatment of World War II's missing history by writers such as W. G. Sebald to reveal the unease we feel at our dependence on those who hold the power of total war."--BOOK JACKET.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0226808556
    Subjects: Guerre mondiale, 1939-1945 - Aspect psychologique; Guerre mondiale, 1939-1945 - Aspect social; Guerre mondiale, 1939-1945 - Littérature et guerre; Mémoire collective; Gesellschaft; Psychologie; Weltkrieg (1939-1945); World War, 1939-1945; World War, 1939-1945; Memory; World War, 1939-1945; Vergangenheitsbewältigung; Kollektives Gedächtnis; Judenvernichtung; Literatur; Zweiter Weltkrieg <Motiv>; Rezeption; Wahrnehmung; Zweiter Weltkrieg
    Scope: XXI, 209 S., Ill.
    Notes:

    Includes bibliographical references and index

    D-Day -- Eichmann's ghost -- Citizens of the Holocaust: the vernacular of growing up after World War II -- Unexploded bombs -- "They are ever returning to us, the dead" : the novels of W.G. sebald -- Toward an ethics of identification.
  9. The visual arts, pictorialism, and the novel
    James, Lawrence, and Woolf
    Author: Torgovnick, Marianna
    Published: 1985
    Publisher:  Princeton Univ. Press, Princeton, New Jersey

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0691040311; 0691066442
    RVK Categories: AM 53800 ; BC 2600 ; HG 680 ; HT 5855 ; LH 72310
    Subjects: Kunst; Malerei; Roman
    Other subjects: Woolf, Virginia (1882-1941); Lawrence, D. H. (1885-1930); James, Henry (1843-1916)
    Scope: XII, 267 S., Ill.
    Notes:

    Bibliogr.
  10. The war complex
    World War II in our time
    Author: Torgovnick, Marianna
    Published: 2005
    Publisher:  University of Chicago Press, Chicago

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0226808556; 0226808793; 9780226808550; 9780226808796
    Subjects: History; Guerre mondiale, 1939-1945 / Aspect social; Guerre mondiale, 1939-1945 / Aspect psychologique; Mémoire collective; Guerre mondiale, 1939-1945 / Littérature et guerre; HISTORY / Military / World War II.; Collective memory; Psychological aspects; Social aspects; War and literature; Geschichte; Gesellschaft; Psychologie; Weltkrieg (1939-1945); World War, 1939-1945; World War, 1939-1945; Collective memory; World War, 1939-1945; Literatur; Zweiter Weltkrieg <Motiv>; Rezeption; Wahrnehmung; Judenvernichtung; Zweiter Weltkrieg; Kollektives Gedächtnis; Vergangenheitsbewältigung
    Scope: 1 Online-Ressource (xxi, 209 pages)
    Notes:

    Includes bibliographical references (pages 149-193) and index

    D-Day -- Eichmann's ghost -- Citizens of the Holocaust : the vernacular of growing up after World War II -- Unexploded bombs -- "They are ever returning to us, the dead" : the novels of W.G. Sebald -- Toward an ethics of identification

    "Marianna Torgovnick argues that we have lived since the end of World War II, under the power of a war complex - a set of repressed ideas and impulses that stems from our unresolved attitudes toward the technological acceleration of mass death. This complex has led to gaps and hesitations in public discourse about atrocities committed during war itself. And it remains an enduring wartime consciousness, one most recently animated on September 11, 2001." "Showing how different events from World War II became prominent in American cultural memory while others go forgotten or remain hidden in plain sight. The War Complex moves from war films and historical works to television specials and popular magazines to define the image and influence of World War II in our time. Torgovnick also explores the 1961 trial of Adolf Eichmann, the emotional legacy of the Holocaust, and the treatment of World War II's missing history by writers such as W.G. Sebald to reveal the unease we feel at our dependence on those who hold the power of total war."--Jacket
  11. The war complex
    World War II in our time
    Author: Torgovnick, Marianna
    Published: 2005
    Publisher:  University of Chicago Press, Chicago

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0226808556
    Subjects: Gesellschaft; Psychologie; Weltkrieg (1939-1945); World War, 1939-1945; World War, 1939-1945; Collective memory; World War, 1939-1945; Kollektives Gedächtnis; Rezeption; Zweiter Weltkrieg <Motiv>; Judenvernichtung; Wahrnehmung; Vergangenheitsbewältigung; Zweiter Weltkrieg; Literatur
    Scope: xxi, 209 p.
    Notes:

    Includes bibliographical references (p. [149]-193) and index

    D-Day -- Eichmann's ghost -- Citizens of the Holocaust : the vernacular of growing up after World War II -- Unexploded bombs -- "They are ever returning to us, the dead" : the novels of W.G. Sebald -- Toward an ethics of identification
  12. Closure in the novel
    Author: Torgovnick, Marianna
    Published: 1981
    Publisher:  Princeton Univ. Pr., Princeton, NJ

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0691064644
    RVK Categories: EC 4630
    Subjects: Romanschluss; Geschichte 1800-1960
    Scope: 238 S.
  13. Crossing Ocean Parkway
    Author: Torgovnick, Marianna
    Published: [1996]; © 1996
    Publisher:  University of Chicago Press, Chicago, Ill.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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  14. The Visual Arts, Pictorialism, and the Novel
    James, Lawrence, and Woolf
    Author: Torgovnick, Marianna
    Published: [1985]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400857586
    Other identifier:
    Subjects: Englische Literatur; English fiction / 20th century / History and criticism; Art and literature / Great Britain / History / 20th century; Description (Rhetoric) / History / 20th century; Visual perception in literature; Ut pictura poesis (Aesthetics); LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Art; Art and literature; English fiction; Geschichte; Kunst; Malerei; Kunst; Roman
    Other subjects: Lawrence, D. H. (1885-1930); Woolf, Virginia (1882-1941); James, Henry (1843-1916)
    Scope: 1 Online-Ressource (280p.)
    Notes:

    Marianna Torgovnick maintains that it is worthwhile to think about novels in terms of the visual arts--in part because major novelists like James, Lawrence, and Woolf did so, and did so fruitfully, as they were influenced by their perceptions of artistic movements.Originally published in 1985.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  15. Closure in the Novel
    Author: Torgovnick, Marianna
    Published: [2017]; © 2017
    Publisher:  Princeton University Press, Princeton, NJ

    Drawing on a wide range of nineteenth- and twentieth-century English, French, American, and Russian novels, Marianna Torgovnick demonstrates the variety and complexity of the process by which a work reaches an appropriate conclusion.Originally... more

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    Drawing on a wide range of nineteenth- and twentieth-century English, French, American, and Russian novels, Marianna Torgovnick demonstrates the variety and complexity of the process by which a work reaches an appropriate conclusion.Originally published in 1981.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400886616
    Other identifier:
    Series: Princeton Legacy Library
    Subjects: Closure (Rhetoric); Fiction; Fiction; Fiction; Romanschluss
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Jul 2017)
  16. Crossing Back
    Books, Family, and Memory without Pain
    Author: Torgovnick, Marianna
    Published: [2021]
    Publisher:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Prologue -- Acknowledgments -- Introduction -- Part I. Facing Grief -- 1. Living Tissue -- 2. Imagining Disaster -- 3. Mother’s Day -- Part II. Sustaining Things -- 4. Second Chances -- 5. College Teaching and Culture Wars... more

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    Frontmatter -- Contents -- Prologue -- Acknowledgments -- Introduction -- Part I. Facing Grief -- 1. Living Tissue -- 2. Imagining Disaster -- 3. Mother’s Day -- Part II. Sustaining Things -- 4. Second Chances -- 5. College Teaching and Culture Wars or: What Really Happened at Duke -- 6. Elephants: A Meditation on Mortality -- Part III. Memory without Pain -- 7. Food as Anthropological Lens -- 8. Real Estate / Unreal Estate -- The Stark but Familiar Allure of Empty Cities: An Epilogue -- Notes -- Index From the award-winning author of Crossing Ocean Parkway, a personal memoir about adjusting to loss through books, meditation, and the process of memory itselfMarianna De Marco Torgovnick experienced the rupture of two of her life’s most intimate relations when her mother and brother died in close proximity. Mourning rocked her life, but it also led to the solace and insight offered by classic books and the practice of meditation. Her resulting journey into the past imagines a viable future and raises questions acute for Italian Americans but pertinent to everyone, about the nature of memory and the meanings of home at a time, like ours, marked by cultural disruption and wartime. Crossing Back: Books, Family, and Memory without Pain presents a personal perspective on death, mourning, loss, and renewal.A sequel to her award-winning and much-anthologized Crossing Ocean Parkway, Crossing Back is about close familial ties and personal loss, written after the death of her remaining birth family, who had always been there, and now were not. After their loss, she entered a spiritual and psychological state of “transcendental homelessness”: the feeling of being truly at home nowhere, of being spiritually adrift. In a grand act of symbolic reenactment, she found herself moving apartments repeatedly, not realizing she did so subconsciously to keep busy, to stave off grief. By reading and studying great books, she opened up to mourning, a process she constitutionally resisted as somehow shameful. Over time, she discovered that a third death colored and prolonged her feelings of grief: her first child’s death in infancy, which, in the course of a happier lifetime, had never been adequately acknowledged. Her new losses led her finally to take stock of her son’s death too. Reading and meditating, followed by writing, became daily her healing rituals.A warm and intimate user’s guide to books, family, and memory in the mourning process, the end-point being memory without pain, Crossing Back is a wide-ranging memoir about growing older and learning to ride the waves of change. Lively and conversational, Torgovnick is masterful at tracking the moment-to moment, day-to-day challenges of sudden or protracted grief and the ways in which the mind and the body seem to search for—and sometimes find—solutions

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823297801
    Other identifier:
    Subjects: Authors, American; Books and reading; Grief; Italian American women; BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs
    Scope: 1 Online-Ressource (144 p)
  17. Closure in the novel
    Author: Torgovnick, Marianna
    Published: 1981
    Publisher:  Princeton University Press, Princeton, N.J.

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0691064644
    RVK Categories: EC 4630
    Subjects: Fiction; Closure (Rhetoric); Fiction; Fiction; Englisch; Roman; Ende; Roman; Ende; Roman; Ende; Roman; Ende; Roman; Ende; Roman; Ende; Roman; Ende
    Other subjects: Eliot, George (1819-1880); Dickens, Charles (1812-1870); Hawthorne, Nathaniel (1804-1864); James, Henry (1843-1916); Hemingway, Ernest (1899-1961); Woolf, Virginia (1882-1941)
    Scope: X, 238 S
    Notes:

    Bibliography: p. [225]-231

    Includes index
  18. Closure in the novel
    Author: Torgovnick, Marianna
    Published: 1981
    Publisher:  Princeton Univ. Pr., Princeton, NJ

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0691064644
    RVK Categories: EC 4630
    Subjects: Romanschluss
    Scope: 238 S.
  19. Tarzan, dem Affenmenschen auf der Spur!
    = Tarzan, aux sources du mythe
    Contributor: De Young, Robert; Lambert, Christopher; Dibie, Pascal; Torgovnick, Marianna; Griffin, Scott Tracy; Dien, Casper van; Yates, David; O'Sullivan, Maureen; Hudson, Hugh; Ely, Ron
    Published: 2017
    Publisher:  Arte, [Straßburg]

    "Tarzan wurde 1912 von Edgar Rice Burroughs geschaffen und war erst Protagonist eines US-Zeitungsfeuilletons, dann eines Romans. Der Erfolg war durchschlagend, es folgten rund 20 weitere Bände. 1918 wurde Tarzan zum Helden eines Stummfilms, wenig... more

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    "Tarzan wurde 1912 von Edgar Rice Burroughs geschaffen und war erst Protagonist eines US-Zeitungsfeuilletons, dann eines Romans. Der Erfolg war durchschlagend, es folgten rund 20 weitere Bände. 1918 wurde Tarzan zum Helden eines Stummfilms, wenig später wurden ihm die ersten Comics gewidmet. Der Durchbruch kam jedoch 1932: Johnny Weissmüller, US-amerikanischer Wassersportchampion, verkörperte einen naiv-beherzten Tarzan auf der Großleinwand. In dem Film spielte erstmals auch Jane, die im Roman eher im Hintergrund blieb, eine tragende Rolle. Der Film war erfolgreich, löste wegen der halbnackten Figuren und ihrer außerehelichen Beziehung aber dennoch einen Skandal aus. Die Folge war eine strenge Zensur, die Tarzan und Jane zu mehr Stoff und weniger sexueller Freiheit zwang. In Frankreich wurde ein Tarzan-Comic als jugendgefährdend eingestuft und verboten. Erst als die Sitten freier wurden, durfte Tarzan die Teenies wieder zum Träumen bringen. 1984 stellte "Greystoke – Die Legende von Tarzan, Herr der Affen" mit Christopher Lambert den Dschungelbewohner als Tierschützer vor, und 2016 thematisierte "Legend of Tarzan" auch den Kolonialismus und die problematische Ausbeutung von Rohstoffen und Menschen in Afrika. Die Dokumentation erforscht den Ursprung des Phänomens Tarzan und die Wandlungen, die er von 1912 bis heute durchmachte. [...]" [arte.tv/de]

     
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    Source: Union catalogues
    Contributor: De Young, Robert; Lambert, Christopher; Dibie, Pascal; Torgovnick, Marianna; Griffin, Scott Tracy; Dien, Casper van; Yates, David; O'Sullivan, Maureen; Hudson, Hugh; Ely, Ron
    Language: Arabic
    Media type: Book
    Subjects: Comic; Literatur
    Other subjects: Tarzan
    Scope: 1 DVD-Video (52 min), farbig, 12 cm
    Notes:

    Fernsehmitschnitt: Arte 28.04.2017
  20. The war complex
    World War II in our time
    Author: Torgovnick, Marianna
    Published: 2005
    Publisher:  Univ. of Chicago Press, Chicago [u.a.]

    "Marianna Torgovnick argues that we have lived since the end of World War II, under the power of a war complex - a set of repressed ideas and impulses that stems from our unresolved attitudes toward the technological acceleration of mass death. This... more

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    "Marianna Torgovnick argues that we have lived since the end of World War II, under the power of a war complex - a set of repressed ideas and impulses that stems from our unresolved attitudes toward the technological acceleration of mass death. This complex has led to gaps and hesitations in public discourse about atrocities committed during war itself. And it remains an enduring wartime consciousness, one most recently animated on September 11, 2001." "Showing how different events from World War II became prominent in American cultural memory while others go forgotten or remain hidden in plain sight. The War Complex moves from war films and historical works to television specials and popular magazines to define the image and influence of World War II in our time. Torgovnick also explores the 1961 trial of Adolf Eichmann, the emotional legacy of the Holocaust, and the treatment of World War II's missing history by writers such as W. G. Sebald to reveal the unease we feel at our dependence on those who hold the power of total war."--BOOK JACKET.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0226808556
    Subjects: Guerre mondiale, 1939-1945 - Aspect psychologique; Guerre mondiale, 1939-1945 - Aspect social; Guerre mondiale, 1939-1945 - Littérature et guerre; Mémoire collective; Gesellschaft; Psychologie; Weltkrieg (1939-1945); World War, 1939-1945; World War, 1939-1945; Memory; World War, 1939-1945; Vergangenheitsbewältigung; Kollektives Gedächtnis; Judenvernichtung; Literatur; Zweiter Weltkrieg <Motiv>; Rezeption; Wahrnehmung; Zweiter Weltkrieg
    Scope: XXI, 209 S., Ill.
    Notes:

    Includes bibliographical references and index

    D-Day -- Eichmann's ghost -- Citizens of the Holocaust: the vernacular of growing up after World War II -- Unexploded bombs -- "They are ever returning to us, the dead" : the novels of W.G. sebald -- Toward an ethics of identification.
  21. The war complex
    World War II in our time
    Author: Torgovnick, Marianna
    Published: 2005
    Publisher:  University of Chicago Press, Chicago

    "Marianna Torgovnick argues that we have lived since the end of World War II, under the power of a war complex - a set of repressed ideas and impulses that stems from our unresolved attitudes toward the technological acceleration of mass death. This... more

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    "Marianna Torgovnick argues that we have lived since the end of World War II, under the power of a war complex - a set of repressed ideas and impulses that stems from our unresolved attitudes toward the technological acceleration of mass death. This complex has led to gaps and hesitations in public discourse about atrocities committed during war itself. And it remains an enduring wartime consciousness, one most recently animated on September 11, 2001." "Showing how different events from World War II became prominent in American cultural memory while others go forgotten or remain hidden in plain sight. The War Complex moves from war films and historical works to television specials and popular magazines to define the image and influence of World War II in our time. Torgovnick also explores the 1961 trial of Adolf Eichmann, the emotional legacy of the Holocaust, and the treatment of World War II's missing history by writers such as W.G. Sebald to reveal the unease we feel at our dependence on those who hold the power of total war."--Jacket

     
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  22. The visual arts, pictorialism, and the novel
    James, Lawrence, and Woolf
    Author: Torgovnick, Marianna
    Published: 1985
    Publisher:  Princeton Univ. Press, Princeton, NJ

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0691066442; 0691040311
    RVK Categories: HG 680 ; HT 5855
    Subjects: Kunst; Kunst; Kunst
    Scope: XII, 267 S., Ill.
    Notes:

    Literaturverz. S. [249] - 257
  23. Gone primitive
    savage intellects, modern lives
    Author: Torgovnick, Marianna
    Published: [19]97
    Publisher:  Univ. of Chicago Press, Chicago [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0226808327
    Edition: [Nachdr.]
    Subjects: Primitivismus; Kunst; Kunstpsychologie; Anthropologie;
    Scope: XI, 328 S
  24. Crossing Ocean Parkway
    Author: Torgovnick, Marianna
    Published: 2008
    Publisher:  University of Chicago Press, Chicago ; ProQuest, Ann Arbor, Michigan

    Growing up an Italian-American in the Bensonhurst neighborhood of New York city, Marianna De Marco longed for college, culture, and upward mobility. Her daydreams circled around WASP (White Anglo Saxon Protestant) heroes on television-like Robin Hood... more

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    Growing up an Italian-American in the Bensonhurst neighborhood of New York city, Marianna De Marco longed for college, culture, and upward mobility. Her daydreams circled around WASP (White Anglo Saxon Protestant) heroes on television-like Robin Hood and the Cartwright family-but in Brooklyn she never encountered any. So she associated moving up with Ocean Parkway, a street that divides the working-class Italian neighborhood where she was born from the middle-class Jewish neighborhood into which she married. This book is Torgovnick's unflinching account of crossing cultural boundaries in American life, of what it means to be an Italian American woman who became a scholar and literary critic.Included are autobiographical moments interwoven with engrossing interpretations of American cultural icons from Dr. Dolittle to Lionel Trilling, The Godfather to Camille Paglia. Her experiences allow her to probe the cultural tensions in America caused by competing ideas of individuality and community, upward mobility and ethnic loyalty, acquisitiveness and spirituality.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226148366
    Scope: 1 Online-Ressource (200 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  25. The visual arts, pictorialism, and the novel
    James, Lawrence, and Woolf
    Author: Torgovnick, Marianna
    Published: 1985
    Publisher:  Princeton University Press, Princeton, N.J. ; EBSCO Industries, Inc., Birmingham, AL, USA

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400857586; 1400857589
    Scope: 1 Online-Ressource (xii, 267 pages, [16] pages of plates), Illustrations
    Notes:

    Includes bibliographical references (pages 249-257) and index