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  1. The coloniality of modern taste
    a critique of gastronomic thought
    Published: 2023
    Publisher:  Routledge, London ; New York

    This book analyzes the coloniality of the concept of taste that gastronomy constructed and normalized as modern. It shows how gastronomy's engagement with rationalist and aesthetic thought, and with colonial and capitalist structures, led to the... more

    Institut für Afrikanistik und Ägyptologie, Abteilung Afrikanistik, Bibliothek
    419/HU/14
    No inter-library loan

     

    This book analyzes the coloniality of the concept of taste that gastronomy constructed and normalized as modern. It shows how gastronomy's engagement with rationalist and aesthetic thought, and with colonial and capitalist structures, led to the desensualization, bureaucratization and racialization of its conceptualization of taste. The Coloniality of Modern Taste provides an understanding of gastronomy that moves away from the usual celebratory approach. Through a discussion of nineteenth-century gastronomic publications, this book illustrates how the gastronomic notion of taste was shaped by a number of specifically modern constraints. It compares the gastronomic approach to taste to conceptualizations of taste that emerged in other geographical and philosophical contexts to illustrate that the gastronomic approach stands out as particularly bereft of affect. The book argues that the understanding of taste constructed by gastronomic texts continues to burden the affective experience of taste, while encouraging patterns of food consumption that rely on an exploitative and unsustainable global food system. This book will appeal to students and scholars interested in cultural studies, decoloniality, affect theory, sensory studies, gastronomy and food studies

     

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  2. Projecting American studies
    essays on theory, method, and practice
    Contributor: Kelleter, Frank (Publisher); Starre, Alexander (Publisher)
    Published: [2018]
    Publisher:  Universitätsverlag Winter, Heidelberg

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: Kelleter, Frank (Publisher); Starre, Alexander (Publisher)
    Language: English
    Media type: Conference proceedings
    ISBN: 9783825368470; 3825368475
    Other identifier:
    9783825368470
    RVK Categories: AK 17830 ; HD 270
    DDC Categories: 420
    Corporations / Congresses: Conference "Looking Forward, 2014: Current Projects in American Studies" (2014, Berlin)
    Series: American studies ; volume 285
    Subjects: Methode; Forschungsgegenstand; Interdisziplinarität; Amerikanistik; Selbstverständnis
    Other subjects: American Studies; Nordamerikstudien; Amerikanistik; Methodologie; Forschungsübersicht; Forschungspraxis; Kulturtheorie; U.S.A.; amerikanische Literatur; Naturalismus; Kulturtransfer; Howells, William Dean; Ethnic Studies; Urbanität; Zivilgesellschaft; Interdisziplinarität; Transdisziplinarität; Materialismus; Medienwissenschaft
    Scope: 314 Seiten, Illustrationen, 21 cm x 13.5 cm
    Notes:

    " ... the conference "Looking Forward, 2014" at the John F. Kennedy Institute for North American Studies in the fall of 2014 ..." - Preface

  3. <<The>> photographic invention of whiteness
    the visual cultures of White Atlantic worlds
    Published: 2024
    Publisher:  Routledge, Taylor & Francis Ltd, New York ; London

    Focusing on the creation of the concept of whiteness, this study links early photographic imagery to the development and exploitation that was common in the colonial Atlantic World of the mid- to late-nineteenth century more

    Kunst- und Museumsbibliothek der Stadt Köln
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    Focusing on the creation of the concept of whiteness, this study links early photographic imagery to the development and exploitation that was common in the colonial Atlantic World of the mid- to late-nineteenth century

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781032227344; 9781032229324
    Series: Routledge History of Photography
    Subjects: Fotografie; ; Daguerreotypie; ; USA; Porträtfotografie; Nationalismus <Motiv>; Nationalismus <Motiv>; Geschichte 1850-1900;
    Other subjects: ART / History / General; Art forms; Colonialism & imperialism; Ethnic Studies; Ethnic studies; Fotografie; History of art / art & design styles; Kolonialismus und Imperialismus; Kunstformen; Kunstgeschichte; PHOTOGRAPHY / General; POL045000; Photography & photographs; SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Ethnic Studies / General; SOCIAL SCIENCE / Sociology / General; Social & cultural anthropology, ethnography; customs & traditions; Sozial- und Kulturanthropologie, Ethnographie; Soziologie
    Scope: 227 Seiten, Illustrationen
    Notes:

    Introduction: The Invention of a Photographic Whiteness 1. Daguerreotypes, the Vanishing Native American, and the Invention of Western Typologies 2. Mathew Brady s Civil War, Daguerreotypes, and the Technological Redefinition of White Nationalism 3. Ain t I a Human: Louis Agassiz s Slave Daguerreotypes and White Scientific Voyeurism 4. How the West was Won: America at the Great Exhibition of 1851 5. The Founding of the Great White World: The Arctic Daguerreotypes 6. White Aesthetics: Daguerreotypes in the Consolidation of Colonial Empires in West Africa 7. Lewis Carroll and the Imperial Eroticisation of White Childhood 8. Material Agency: The Eames Office, Race, and US Cold War Photographic Aesthetics 9. The Apple and the Anthropocene: The Whiteness of Silicon Valley s Digital Ecologies Conclusion: Entrepreneurs, Clients, and Images: How Photography Inserted Whiteness into a Global Visual Economy

  4. <<The>> fear of too much justice
    race, poverty, and the persistence of inequality in the criminal courts
    Published: 2023
    Publisher:  The New Press, New York ; London

    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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  5. <<A>> critical synergy
    race, decoloniality, and world crises
    Author: Meghji, Ali
    Published: 2023
    Publisher:  Temple University Press, Philadelphia ; Rome ; Tokyo

    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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  6. <<The>> coloniality of modern taste
    a critique of gastronomic thought
    Published: 2023
    Publisher:  Routledge, London ; New York

    This book analyzes the coloniality of the concept of taste that gastronomy constructed and normalized as modern. It shows how gastronomy's engagement with rationalist and aesthetic thought, and with colonial and capitalist structures, led to the... more

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Unlimited inter-library loan, copies and loan

     

    This book analyzes the coloniality of the concept of taste that gastronomy constructed and normalized as modern. It shows how gastronomy's engagement with rationalist and aesthetic thought, and with colonial and capitalist structures, led to the desensualization, bureaucratization and racialization of its conceptualization of taste. The Coloniality of Modern Taste provides an understanding of gastronomy that moves away from the usual celebratory approach. Through a discussion of nineteenth-century gastronomic publications, this book illustrates how the gastronomic notion of taste was shaped by a number of specifically modern constraints. It compares the gastronomic approach to taste to conceptualizations of taste that emerged in other geographical and philosophical contexts to illustrate that the gastronomic approach stands out as particularly bereft of affect. The book argues that the understanding of taste constructed by gastronomic texts continues to burden the affective experience of taste, while encouraging patterns of food consumption that rely on an exploitative and unsustainable global food system. This book will appeal to students and scholars interested in cultural studies, decoloniality, affect theory, sensory studies, gastronomy and food studies

     

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  7. Narratives of border crossings
    literary approaches and negotiations
    Contributor: Fellner, Astrid M. (Publisher)
    Published: 2021
    Publisher:  Nomos, Baden-Baden

    Wie kann man Grenze im Sinne einer ästhetischen Praktik verstehen? Zu einer Zeit, zu der Grenzen immer stärker ins Zentrum des Interesses kultureller Auseinandersetzungen rücken, setzen sich die Artikel dieses Sammelbandes mit englischsprachiger... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Hochschulbibliothek Ansbach
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universität der Bundeswehr München, Universitätsbibliothek
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    Technische Hochschule Nürnberg Georg Simon Ohm, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Hochschule für angewandte Wissenschaften Würzburg-Schweinfurt, Abteilungsbibliothek Schweinfurt
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Technische Hochschule Würzburg-Schweinfurt Bibliothek
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    Universitätsbibliothek Würzburg
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    Wie kann man Grenze im Sinne einer ästhetischen Praktik verstehen? Zu einer Zeit, zu der Grenzen immer stärker ins Zentrum des Interesses kultureller Auseinandersetzungen rücken, setzen sich die Artikel dieses Sammelbandes mit englischsprachiger Literatur, Film und TV Serien auseinander, die Grenzüberschreitungen behandeln und eine narrative Poetik der kulturellen Begegnung beinhalten. Die Beitragenden setzen sich mit der Komplexität von Grenzen in kulturellen Repräsentationen auseinander und analysieren rezente Rekonzeptualisierungen von Grenzen als Prozesse und Praktiken in Grenzerzählungen. Dieses Buch spricht all diejenigen an, die sich für kulturwissenschaftliche Border Studies und Ethnic Studies interessieren. Mit Beiträgen von Pirjo Ahokas, Francesca de Lucia, Aikaterini Delikonstantinidou, Astrid M. Fellner, Dorothea Fischer-Hornung, Bettina Hofmann, Nadine M. Knight, Page Laws, Ludmilla Martanovschi, Janna Odabas, Silvia Schultermandl und Elke Sturm-Trigonakis How can we understand borders in terms of aesthetic practice? As borders are increasingly moving into the centre of cultural negotiations, the essays in this volume focus on anglophone fiction, film and TV series which employ border-crossing narratives and engage in narrative poetics of cultural encounters. Addressing the complex roles of borders in cultural representations, the articles analyse recent reconceptualisations of borders as processes and practices in border narratives. This book will appeal to anyone interested in cultural border studies as well as ethnic studies. With contributions by Pirjo Ahokas, Francesca de Lucia, Aikaterini Delikonstantinidou, Astrid M. Fellner, Dorothea Fischer-Hornung, Bettina Hofmann, Nadine M. Knight, Page Laws, Ludmilla Martanovschi, Janna Odabas, Silvia Schultermandl and Elke Sturm-Trigonakis

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Fellner, Astrid M. (Publisher)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783748924005
    Other identifier:
    RVK Categories: AP 50300 ; HG 105
    Edition: 1st edition
    Corporations / Congresses: MESEA Conference, 9. (2014, Saarbrücken)
    Series: Border Studies. Cultures, Spaces, Orders ; volume 5
    Subjects: Grenzgebiet <Motiv>; Grenzüberschreitung; Grenze <Motiv>; Film; Literatur
    Other subjects: Film; Grenzen; border studies; Grenzforschung; Grenzüberschreitung; Literary Studies; borders; cultural studies; englische Literatur; Grenzüberschreitungen; Boundaries; Anglophone; Grenznarrative; Anglistik; anglophone fiction; Ethnic Studies; cultural encounters; border crossings; border narratives; ethnic literature
    Scope: 1 Online-Ressource (227 Seiten), Illustrationen
  8. Narratives of border crossings :
    literary approaches and negotiations /
    Contributor: Fellner, Astrid M. (Publisher)
    Published: 2021.
    Publisher:  Nomos,, Baden-Baden :

    Wie kann man Grenze im Sinne einer ästhetischen Praktik verstehen? Zu einer Zeit, zu der Grenzen immer stärker ins Zentrum des Interesses kultureller Auseinandersetzungen rücken, setzen sich die Artikel dieses Sammelbandes mit englischsprachiger... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    Wie kann man Grenze im Sinne einer ästhetischen Praktik verstehen? Zu einer Zeit, zu der Grenzen immer stärker ins Zentrum des Interesses kultureller Auseinandersetzungen rücken, setzen sich die Artikel dieses Sammelbandes mit englischsprachiger Literatur, Film und TV Serien auseinander, die Grenzüberschreitungen behandeln und eine narrative Poetik der kulturellen Begegnung beinhalten. Die Beitragenden setzen sich mit der Komplexität von Grenzen in kulturellen Repräsentationen auseinander und analysieren rezente Rekonzeptualisierungen von Grenzen als Prozesse und Praktiken in Grenzerzählungen. Dieses Buch spricht all diejenigen an, die sich für kulturwissenschaftliche Border Studies und Ethnic Studies interessieren. Mit Beiträgen von Pirjo Ahokas, Francesca de Lucia, Aikaterini Delikonstantinidou, Astrid M. Fellner, Dorothea Fischer-Hornung, Bettina Hofmann, Nadine M. Knight, Page Laws, Ludmilla Martanovschi, Janna Odabas, Silvia Schultermandl und Elke Sturm-Trigonakis How can we understand borders in terms of aesthetic practice? As borders are increasingly moving into the centre of cultural negotiations, the essays in this volume focus on anglophone fiction, film and TV series which employ border-crossing narratives and engage in narrative poetics of cultural encounters. Addressing the complex roles of borders in cultural representations, the articles analyse recent reconceptualisations of borders as processes and practices in border narratives. This book will appeal to anyone interested in cultural border studies as well as ethnic studies. With contributions by Pirjo Ahokas, Francesca de Lucia, Aikaterini Delikonstantinidou, Astrid M. Fellner, Dorothea Fischer-Hornung, Bettina Hofmann, Nadine M. Knight, Page Laws, Ludmilla Martanovschi, Janna Odabas, Silvia Schultermandl and Elke Sturm-Trigonakis

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Contributor: Fellner, Astrid M. (Publisher)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 978-3-7489-2400-5
    Other identifier:
    RVK Categories: AP 50300 ; HG 105
    Edition: 1st edition
    Corporations / Congresses: MESEA Conference, 9. (2014, Saarbrücken)
    Series: Border Studies. Cultures, Spaces, Orders ; volume 5
    Subjects: Film; Grenzen; border studies; Grenzforschung; Grenzüberschreitung; Literary Studies; borders; cultural studies; englische Literatur; Grenzüberschreitungen; Boundaries; Anglophone; Grenznarrative; Anglistik; anglophone fiction; Ethnic Studies; cultural encounters; border crossings; border narratives; ethnic literature; Literatur; Film; Grenze <Motiv>; Grenzgebiet <Motiv>; Grenzüberschreitung
    Scope: 1 Online-Ressource (227 Seiten) :, Illustrationen.
  9. Technicolored : Reflections on Race in the Time of TV
    Author: duCille, Ann
    Published: 2018
    Publisher:  Duke University Press

    From early sitcoms such as I Love Lucy to contemporary prime-time dramas like Scandal and How to Get Away with Murder, African Americans on television have too often been asked to portray tired stereotypes of blacks as villains, vixens, victims, and... more

     

    From early sitcoms such as I Love Lucy to contemporary prime-time dramas like Scandal and How to Get Away with Murder, African Americans on television have too often been asked to portray tired stereotypes of blacks as villains, vixens, victims, and disposable minorities. In Technicolored black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with the new medium of TV to examine how televisual representations of African Americans have changed over the last sixty years. Whether explaining how watching Shirley Temple led her to question her own self-worth or how televisual representation functions as a form of racial profiling, duCille traces the real-life social and political repercussions of the portrayal and presence of African Americans on television. Neither a conventional memoir nor a traditional media study, Technicolored offers one lifelong television watcher's careful, personal, and timely analysis of how television continues to shape notions of race in the American imagination.

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Subjects: Ethnic studies; Television
    Other subjects: Social Science; Ethnic Studies; American; African American & Black Studies; Performing Arts; Television; History & Criticism
  10. Real Folks : Race and Genre in the Great Depression
    Published: 2011
    Publisher:  Duke University Press

    During the Great Depression, people from across the political spectrum sought to ground American identity in the rural know-how of “the folk.” At the same time, certain writers, filmmakers, and intellectuals combined documentary and satire into a... more

     

    During the Great Depression, people from across the political spectrum sought to ground American identity in the rural know-how of “the folk.” At the same time, certain writers, filmmakers, and intellectuals combined documentary and satire into a hybrid genre that revealed the folk as an anxious product of corporate capitalism, rather than an antidote to commercial culture. In Real Folks, Sonnet Retman analyzes the invention of the folk as figures of authenticity in the political culture of the 1930s, as well as the critiques that emerged in response. Diverse artists and intellectuals—including the novelists George Schuyler and Nathanael West, the filmmaker Preston Sturges, and the anthropologist Zora Neale Hurston—illuminated the fabrication and exploitation of folk authenticity in New Deal and commercial narratives. They skewered the racist populisms that prevented interracial working-class solidarity, prophesized the patriotic function of the folk for the nation-state in crisis, and made their readers and viewers feel self-conscious about the desire for authenticity. By illuminating the subversive satirical energy of the 1930s, Retman identifies a rich cultural tradition overshadowed until now by the scholarly focus on Depression-era social realism.

     

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  11. Medikale Kulturen
    Contributor: Unterkircher, Alois (Publisher)
    Published: 2008
    Publisher:  innsbruck university press, Innsbruck

    The fifth volume of “bricolage. Innsbrucker Zeitschrift für Europäische Ethnologie“ analyzes health and disease-related concepts and practices of different social groups from a socio-historical and cultural-scientific point of view. Instead of the... more

     

    The fifth volume of “bricolage. Innsbrucker Zeitschrift für Europäische Ethnologie“ analyzes health and disease-related concepts and practices of different social groups from a socio-historical and cultural-scientific point of view. Instead of the terminology of the older “folk medicine research”, the authors orientate themselves on the concept of “medical culture(s)” as is the case in the identical research area “Cultural Encounters - Cultural Conflicts” of the University of Innsbruck. This association of humanities and social science subjects deals with different forms of cultural contact, whereby culture is understood as a dynamic system for the creation of meaning. So far, there is no anthology that does this with regard to specifically Austrian conditions and developments. The fifth volume of “bricolage” tries to fill this gap and would like to stimulate further discussion in this field of research in Austria.

     

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    Source: OAPEN
    Contributor: Unterkircher, Alois (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783902571564
    Other identifier:
    Subjects: Ethnic studies; Society & social sciences; Medicine; Cultural studies
    Other subjects: Ethnic Studies; Medicine; Health
    Scope: 1 electronic resource (272 p.)
  12. Money Matters : Umgang mit Geld als soziale und kulturelle Praxis
    Contributor: Meyer, Silke (Publisher)
    Published: 2014
    Publisher:  innsbruck university press, Innsbruck

    This volume examines ways of dealing with money as social and cultural forms. Empirical examples from the discipline of European Ethnology encompass modified bank notes, regional monies, Deutschmark-nostalgia, the role of pocket money in parenting,... more

     

    This volume examines ways of dealing with money as social and cultural forms. Empirical examples from the discipline of European Ethnology encompass modified bank notes, regional monies, Deutschmark-nostalgia, the role of pocket money in parenting, pawned money, money gifts and remittances. In all of them, money can be read as a means of social positioning, as a way of negotiating belonging, as biographical self-emancipation and as social inclusion and exclusion. The case studies share one aim: by deconstructing economic as social practices, the economy as such can be anthropologized (Paul Rabinow), i.e. stripped off its allegedly self-evident universal claim and revealed in its culturally, socially and historically specific functions.

     

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    Source: OAPEN
    Contributor: Meyer, Silke (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783902936400
    Other identifier:
    Subjects: Ethnic studies; Cultural studies; Economics
    Other subjects: Ethnic Studies; Tyrol; Economy
    Scope: 1 electronic resource (252 p.)
  13. SOS : Sauberkeit Ordnung Sicherheit in der Stadt
    Contributor: Langreiter, Nikola (Publisher); Rolshoven, Johanna (Publisher); Steidl, Martin (Publisher)
    Published: 2010
    Publisher:  innsbruck university press, Innsbruck

    The sixth volume of "bricolage. Innsbruck Journal of European Ethnology" is dedicated to the explosive urban policy issue of cleanliness – order – security, terms that in German merge into the acronym “SOS” (Sauberkeit, Ordnung, Sicherheit). Security... more

     

    The sixth volume of "bricolage. Innsbruck Journal of European Ethnology" is dedicated to the explosive urban policy issue of cleanliness – order – security, terms that in German merge into the acronym “SOS” (Sauberkeit, Ordnung, Sicherheit). Security in public spaces has become a central agenda of current urban policy and urban planning. Municipalities are increasingly implementing measures oriented toward the guiding principle of the "clean and orderly city". The current discourses and developments require observation and reflection; the relevant debates demand critical cultural studies involvement. The idea and initiative to dedicate this issue of "bricolage" to a critical examination of historically and currently propagated and accepted notions of cleanliness, order, and safety in the city, and of the political concepts and measures currently relying on them, came from Johanna Rolshoven. In the context of a course in Innsbruck in the summer term of 2009, she motivated the students to think and write about this field of her urban research. The sixth volume of "bricolage. Innsbruck Journal of European Ethnology" is dedicated to the explosive urban policy issue of cleanliness – order – security, terms that in German merge into the acronym “SOS” (Sauberkeit, Ordnung, Sicherheit). Security in public spaces has become a central agenda of current urban policy and urban planning. Municipalities are increasingly implementing measures oriented toward the guiding principle of the "clean and orderly city". The current discourses and developments require observation and reflection; the relevant debates demand critical cultural studies involvement. The idea and initiative to dedicate this issue of "bricolage" to a critical examination of historically and currently propagated and accepted notions of cleanliness, order, and safety in the city, and of the political concepts and measures currently relying on them, came from Johanna Rolshoven. In the context of a course in Innsbruck in the summer term of 2009, she motivated the students to think and write about this field of her urban research.

     

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    Source: OAPEN
    Contributor: Langreiter, Nikola (Publisher); Rolshoven, Johanna (Publisher); Steidl, Martin (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783902719720
    Other identifier:
    Subjects: Ethnic studies; Urban & municipal planning; Cultural studies
    Other subjects: Ethnic Studies; Urban Planning; Graffiti
    Scope: 1 electronic resource (240 p.)
  14. Igitt : Ekel als Kultur
    Contributor: Heimerdinger, Timo (Publisher)
    Published: 2015
    Publisher:  innsbruck university press, Innsbruck

    ”Yuck!" - we involuntarily disgust ourselves with what could be harmful to us and threatens us. Disgust protects - one might think. But disgust is more. It's not only a physiological response, it's also a cultural achievement. Disgust plays a... more

     

    ”Yuck!" - we involuntarily disgust ourselves with what could be harmful to us and threatens us. Disgust protects - one might think. But disgust is more. It's not only a physiological response, it's also a cultural achievement. Disgust plays a colorful role in many contexts as interpersonal behaviors and perceptions. In this volume disgust has been ethnographically explored and appears as a cultural player. The authors are looking for places such as hospital wards, public toilets, sailing ships or video booths, they address innards, pranks and rites de passage.

     

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    Source: OAPEN
    Contributor: Heimerdinger, Timo (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783902936912
    Other identifier:
    Subjects: Ethnic studies; Cultural studies
    Other subjects: Ethnic Studies; Cultural Studies
    Scope: 1 electronic resource (214 p.)
  15. Grau
    Contributor: Schneider, Ingo (Publisher); Bodner, Reinhard (Publisher); Sohm, Kathrin (Publisher)
    Published: 2009
    Publisher:  innsbruck university press, Innsbruck

    Volume four of “bricolage. Innsbrucker Zeitschrift für Europäische Ethnologie “ focuses on the color gray. Special attention is paid to the interactions between color as a quality of perception and the quality of cultural objectivations. Our "eye... more

     

    Volume four of “bricolage. Innsbrucker Zeitschrift für Europäische Ethnologie “ focuses on the color gray. Special attention is paid to the interactions between color as a quality of perception and the quality of cultural objectivations. Our "eye knowledge" of colors is created by dealing with traditional modes of perception and the meanings of things, images and behavioral patterns, myths, stereotypes and more, in short: with the objective culture. In this sense, “objective color” is not a quality that is inherent in natural phenomena independently of humans. It is shaped by culture and, in turn, can shape culture. The "World 3" (Karl R. Popper) of color is therefore the focus of our interest, to which the papers in this volume want to contribute from various disciplinary perspectives. In addition to well-known and respected scholars from Germany, Austria and Sweden - in line with the profile of “bricolage” as a publication organ for young academics - young academics are also given the possibility to publish their first texts.

     

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    Source: OAPEN
    Contributor: Schneider, Ingo (Publisher); Bodner, Reinhard (Publisher); Sohm, Kathrin (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783902719157
    Other identifier:
    Subjects: Ethnic studies; Cultural studies; Perception
    Other subjects: Ethnic Studies; Cultural Studies; Colour
    Scope: 1 electronic resource (150 p.)
  16. POP
    Contributor: Mauler, Sandra (Publisher); Waldhart, Elisabeth (Publisher); Bonz, Jochen (Publisher)
    Published: 2019
    Publisher:  innsbruck university press, Innsbruck

    POP - with this motto, the present volume reaches out to a dazzling dimension of everyday culture and approaches it in a series of detailed studies. Subjects include the goa techno scene, Internet memes, fan fiction, Game of Thrones, dumpster diving,... more

     

    POP - with this motto, the present volume reaches out to a dazzling dimension of everyday culture and approaches it in a series of detailed studies. Subjects include the goa techno scene, Internet memes, fan fiction, Game of Thrones, dumpster diving, and veganism. The contributions are by students and are based on undergraduate papers that emerged from a two-semester seminar that combined an introduction to the concepts of British cultural studies with an ethnographic fieldwork exercise. A methodological paper by J. Bonz on ethnographic fieldwork, which also emerged from the seminar, complements the studies. The student articles are framed by three contributions from renowned popular culture researchers: S. Egger writes about Beyoncé Knowles from the point of view of aesthetic social critique, C. Bareither about communalizing emotional practices, and M. Tauschek gives an overview of popular culture research in the discourse of European Ethnology in conversation with S. Mauler. As a special extra, the volume includes a stretch of 29 photographs by B. Ludewig on the topic of contemporary avant-garde festivals.

     

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    Source: OAPEN
    Contributor: Mauler, Sandra (Publisher); Waldhart, Elisabeth (Publisher); Bonz, Jochen (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783903187603
    Other identifier:
    Subjects: Ethnic studies; Cultural studies
    Other subjects: Ethnic Studies; Cultural Studies; Popular Culture
    Scope: 1 electronic resource (186 p.)
  17. Cinematic Independence : Constructing the Big Screen in Nigeria
    Author: Tsika, Noah
    Published: 2022
    Publisher:  University of California Press

    Cinematic Independence traces the emergence, demise, and rebirth of big-screen film exhibition in Nigeria. Film companies flocked to Nigeria in the years following independence, beginning a long history of interventions by Hollywood and corporate... more

     

    Cinematic Independence traces the emergence, demise, and rebirth of big-screen film exhibition in Nigeria. Film companies flocked to Nigeria in the years following independence, beginning a long history of interventions by Hollywood and corporate America. The 1980s and 1990s saw a shuttering of cinemas, which were almost entirely replaced by television and direct-to-video movies. However, after 1999, the exhibition sector was revitalized with the construction of multiplexes. Cinematic Independence is about the periods that straddle this disappearing act: the immediate decades bracketing independence in 1960, and the years after 1999. At stake is the Nigerian postcolony’s role in global debates about the future of the movie theater. That it was eventually resurrected in the flashy form of the multiplex is not simply an achievement of commercial real estate, but also a testament to cinema’s persistence—its capacity to stave off annihilation or, in this case, come back from the dead.

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: African history; Film theory & criticism
    Other subjects: Social Science; Ethnic Studies; African Studies; History; Africa; West; Performing Arts; Film; History & Criticism
  18. Anthropology and the Racial Politics of Culture
    Published: 2010
    Publisher:  Duke University Press

    In the late nineteenth century, if ethnologists in the United States recognized African American culture, they often perceived it as something to be overcome and left behind. At the same time, they were committed to salvaging “disappearing” Native... more

     

    In the late nineteenth century, if ethnologists in the United States recognized African American culture, they often perceived it as something to be overcome and left behind. At the same time, they were committed to salvaging “disappearing” Native American culture by curating objects, narrating practices, and recording languages. In Anthropology and the Racial Politics of Culture, Lee D. Baker examines theories of race and culture developed by American anthropologists during the late nineteenth century and early twentieth. He investigates the role that ethnologists played in creating a racial politics of culture in which Indians had a culture worthy of preservation and exhibition while African Americans did not.

    Baker argues that the concept of culture developed by ethnologists to understand American Indian languages and customs in the nineteenth century formed the basis of the anthropological concept of race eventually used to confront “the Negro problem” in the twentieth century. As he explores the implications of anthropology’s different approaches to African Americans and Native Americans, and the field’s different but overlapping theories of race and culture, Baker delves into the careers of prominent anthropologists and ethnologists, including James Mooney Jr., Frederic W. Putnam, Daniel G. Brinton, and Franz Boas. His analysis takes into account not only scientific societies, journals, museums, and universities, but also the development of sociology in the United States, African American and Native American activists and intellectuals, philanthropy, the media, and government entities from the Bureau of Indian Affairs to the Supreme Court. In Anthropology and the Racial Politics of Culture, Baker tells how anthropology has both responded to and helped shape ideas about race and culture in the United States, and how its ideas have been appropriated (and misappropriated) to wildly different ends.

     

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  19. The Indian Craze : Primitivism, Modernism, and Transculturation in American Art, 1890–1915
    Published: 2009
    Publisher:  Duke University Press

    In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a... more

     

    In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation.

    Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.

     

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    Source: OAPEN
    Contributor: Thomas, Nicholas (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: History of the Americas; History of art / art & design styles
    Other subjects: History; United States; 20th Century; Social Science; Ethnic Studies; American; Art; American
  20. Textilzirkel in der DDR
    Published: 2021
    Publisher:  Logos Verlag Berlin

    Textilzirkel waren laienkünstlerische Gruppierungen, die in der DDR als Teil des so genannten "künstlerischen Volksschaffens" staatlich gefördert wurden. In ihrer Freizeit gestalteten und fertigten die Gruppen Kleidung, Souvenirs und Heimtextilien... more

     

    Textilzirkel waren laienkünstlerische Gruppierungen, die in der DDR als Teil des so genannten "künstlerischen Volksschaffens" staatlich gefördert wurden. In ihrer Freizeit gestalteten und fertigten die Gruppen Kleidung, Souvenirs und Heimtextilien sowie Wandbehänge und Textilbilder für den Eigenbedarf oder für öffentliche Einrichtungen und gesellschaftliche Anlässe. Im Fokus dieser kulturwissenschaftlichen Arbeit stehen die KünstlerInnen, ihre Arbeitsweisen und die in den Gruppen entstandenen Werke. Durch eine Kombination aus Interviews, historischen Bild- und Textquellen sowie den materiellen Objekten wird ein umfassendes Gesamtbild der Textilzirkel gezeichnet. Dabei wird der kulturpolitische Hintergrund beleuchtet und die strukturellen sowie künstlerischen Entwicklungen im Laufe der Jahrzehnte reflektiert. Sie widerspiegeln zugleich den kulturellen und gesellschaftlichen Wandel innerhalb der DDR. In einem Ausblick wird der Verbleib der textilkünstlerischen Gruppierungen nach der Wiedervereinigung betrachtet.

     

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    Source: OAPEN
    Language: German
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: The arts: general issues; Ethnic studies; Humanities
    Other subjects: Art; Social Science; Ethnic Studies; History
  21. The Funeral of Mr. Wang : Life, Death, and Ghosts in Urbanizing China (Edition 1)
    Published: 2021
    Publisher:  University of California Press

    A free open access ebook is available upon publication. Learn more at www.luminosoa.org. In rural China funerals are conducted locally, on village land by village elders. But in urban areas, people have neither land for burials nor elder relatives... more

     

    A free open access ebook is available upon publication. Learn more at www.luminosoa.org.

     

    In rural China funerals are conducted locally, on village land by village elders. But in urban areas, people have neither land for burials nor elder relatives to conduct funerals. Chinese urbanization, which has increased drastically in recent decades, involves the creation of cemeteries, state-run funeral homes, and small private funerary businesses. The Funeral of Mr. Wang examines social change in urbanizing China through the lens of funerals, the funerary industry, and practices of memorialization. It analyzes changes in family life, patterns of urban sociality, transformations in economic relations, the politics of memorialization, and the echoes of these changes in beliefs about the dead and ghosts.

     

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  22. The Creative Underclass : Youth, Race, and the Gentrifying City
    Published: 2018
    Publisher:  Duke University Press

    As an undergraduate at Brown University, Tyler Denmead founded New Urban Arts, a nationally recognized arts and humanities program primarily for young people of color in Providence, Rhode Island. Along with its positive impact, New Urban Arts, under... more

     

    As an undergraduate at Brown University, Tyler Denmead founded New Urban Arts, a nationally recognized arts and humanities program primarily for young people of color in Providence, Rhode Island. Along with its positive impact, New Urban Arts, under his leadership, became entangled in Providence's urban renewal efforts that harmed the very youth it served. As in many deindustrialized cities, Providence's leaders viewed arts, culture, and creativity as a means to drive property development and attract young, educated, and affluent white people, such as Denmead, to economically and culturally kick-start the city. In The Creative Underclass, Denmead critically examines how New Urban Arts and similar organizations can become enmeshed in circumstances where young people, including himself, become visible once the city can leverage their creativity to benefit economic revitalization and gentrification. He points to the creative cultural practices that young people of color from low-income communities use to resist their subjectification as members of an underclass, which, along with redistributive economic policies, can be deployed as an effective means with which to both oppose gentrification and better serve the youth who have become emblematic of urban creativity.

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Subjects: Art: financial aspects; Ethnic studies; Urban communities
    Other subjects: Art; Business Aspects; Social Science; Ethnic Studies; Social Science; Sociology; Urban
  23. Decolonizing Native Histories : Collaboration, Knowledge, and Language in the Americas
    Published: 2011
    Publisher:  Duke University Press

    Decolonizing Native Histories is an interdisciplinary collection that grapples with the racial and ethnic politics of knowledge production and indigenous activism in the Americas. It analyzes the relationship of language to power and empowerment, and... more

     

    Decolonizing Native Histories is an interdisciplinary collection that grapples with the racial and ethnic politics of knowledge production and indigenous activism in the Americas. It analyzes the relationship of language to power and empowerment, and advocates for collaborations between community members, scholars, and activists that prioritize the rights of Native peoples to decide how their knowledge is used. The contributors—academics and activists, indigenous and nonindigenous, from disciplines including history, anthropology, linguistics, and political science—explore the challenges of decolonization.

    These wide-ranging case studies consider how language, the law, and the archive have historically served as instruments of colonialism and how they can be creatively transformed in constructing autonomy. The collection highlights points of commonality and solidarity across geographical, cultural, and linguistic boundaries and also reflects deep distinctions between North and South. Decolonizing Native Histories looks at Native histories and narratives in an internationally comparative context, with the hope that international collaboration and understanding of local histories will foster new possibilities for indigenous mobilization and an increasingly decolonized future.

     

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  24. Region, race, and class in the making of Colombia
    Published: 2024
    Publisher:  Routledge, New York

    This pioneering translation of Alfonso Múnera s seminal work El fracaso de la nación presents a new interpretation and innovative perspective on canonical Colombian history and the failure of the Colombian nation to English speaking readers more

    Universität Marburg, Universitätsbibliothek
    070 8 2024/00415
    Unlimited inter-library loan, copies and loan

     

    This pioneering translation of Alfonso Múnera s seminal work El fracaso de la nación presents a new interpretation and innovative perspective on canonical Colombian history and the failure of the Colombian nation to English speaking readers

     

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    Content information
    Cover (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781032463353; 9781032463360; 103246335X
    Series: Decolonizing the classics
    Subjects: Amerikanische Geschichte; Colonialism & imperialism; Ethnic Studies; Ethnic studies; HISTORY / Latin America / South America; History of the Americas; Kolonialismus und Imperialismus; National liberation & independence, post-colonialism; Nationale Befreiung und Unabhängigkeit, Postkolonialismus; POL045000; SOC008050; SOCIAL SCIENCE / Ethnic Studies / General
    Scope: xvi, 157 Seiten
    Notes:

    Introduction 1. New Granada and the Problem of Central Authority 2. The Colombian Caribbean: Authority and Social Control in a Frontier Region 3. Cartagena de Indias: Progress and Crisis in a Former Trading Post of Enslaved People 4. Economic Implications of the Conflict between Cartagena and Santa Fe de Bogotá 5. Cartagena s Struggle for Political Autonomy 6. Black and Mulatto Artisans and Independence of the Republic of Cartagena, 1810-1816 Conclusions Bibliography

  25. Narratives of border crossings
    literary approaches and negotiations
    Contributor: Fellner, Astrid M. (Herausgeber)
    Published: 2021
    Publisher:  Nomos, Rombach Wissenschaft, Baden-Baden

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    Content information
    Source: Union catalogues
    Contributor: Fellner, Astrid M. (Herausgeber)
    Language: English
    Media type: Conference proceedings
    Format: Print
    ISBN: 9783848780082; 3848780089
    Other identifier:
    9783848780082
    Edition: 1st edition
    Corporations / Congresses: MESEA Conference, 9. (2014, Saarbrücken)
    Series: Border studies ; volume 5
    Subjects: Englisch; Literatur; Film; Grenze <Motiv>; Grenzüberschreitung
    Other subjects: (Produktform)Paperback / softback; Borders; Boundaries; Literary Studies; Cultural Studies; film; Anglophone; Grenzüberschreitung; Grenznarrative; Anglistik; englische Literatur; Grenzforschung; Grenzüberschreitungen; Grenzen; anglophone fiction; Ethnic Studies; cultural encounters; border crossings; border narratives; ethnic literature; Border Studies; (Produktrabattgruppe)NG: NG-Rabatt; (VLB-WN)1729: Hardcover, Softcover / Soziologie/Sonstiges
    Scope: 227 Seiten, 23 cm, 330 g