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  1. The Tragedy of Othello, the Moor of Venice
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Intro -- Title Page -- Copyright -- Table of Contents -- Persons Represented -- ACT 1 -- Act 1, Scene 1. Venice. A street -- Act 1, Scene 2. Venice. Another street -- Act 1, Scene 3. Venice. A Council Chamber -- ACT 2 -- Act 2, Scene 1. A Seaport in... more

     

    Intro -- Title Page -- Copyright -- Table of Contents -- Persons Represented -- ACT 1 -- Act 1, Scene 1. Venice. A street -- Act 1, Scene 2. Venice. Another street -- Act 1, Scene 3. Venice. A Council Chamber -- ACT 2 -- Act 2, Scene 1. A Seaport in Cyprus. A Platform -- Act 2, Scene 2. A street -- Act 2, Scene 3. A Hall in the Castle -- ACT 3 -- Act 3, Scene 1. Cyprus. Before the Castle -- Act 3, Scene 2. Cyprus. A Room in the Castle -- Act 3, Scene 3. Cyprus. The Garden of the Castle -- Act 3, Scene 4. Cyprus. Before the Castle -- ACT 4 -- Act 4, Scene 1. Cyprus. Before the Castle -- Act 4, Scene 2. Cyprus. A Room in the Castle -- Act 4, Scene 3. Cyprus. Another Room in the Castle -- ACT 5 -- Act 5, Scene 1. Cyprus. A Street -- Act 5, Scene 2. Cyprus. A Bedchamber in the Castle: Desdemona in Bed Asleep -- a Light Burning -- Back Cover

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781467776165
    Series: First Avenue Classics Ser
    First Avenue Classics (tm) Ser.
    Subjects: Interracial marriage-Drama; Othello-(Fictitious character from Shakespeare)-Drama; Electronic books
    Scope: 1 Online-Ressource (161 pages)
  2. The Tragedy of Othello, the Moor of Venice
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Cover -- Title Page -- Copyright Information -- Table Of Contents -- Persons Represented -- Act 1 -- Act 1, Scene1. Venice. A Street. -- Act 1, Scene 2. Venice. Another Street. -- Act 1, Scene 3. Venice. A Council Chamber. -- Act 2 -- Act 2, Scene 1.... more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Cover -- Title Page -- Copyright Information -- Table Of Contents -- Persons Represented -- Act 1 -- Act 1, Scene1. Venice. A Street. -- Act 1, Scene 2. Venice. Another Street. -- Act 1, Scene 3. Venice. A Council Chamber. -- Act 2 -- Act 2, Scene 1. A Seaport In Cyprus. A Platform. -- Act 2, Scene 2. A Street. -- Act 2, Scene 3. A Hall In The Castle. -- Act 3 -- Act 3, Scene 1. Cyprus. Before The Castle. -- Act 3, Scene 2. Cyprus. A Room In The Castle. -- Act 3, Scene 3. Cyprus. The Garden Of The Castle. -- Act 3, Scene 4. Cyprus. Before The Castle. -- Act 4 -- Act 4, Scene 1. Cyprus. Before The Castle. -- Act 4, Scene 2. Cyprus. A Room In The Castle. -- Act 4, Scene 3. Cyprus. Another Room In The Castle. -- Act 5 -- Act 5, Scene 1. Cyprus. A Street. -- Act 5, Scene 2. Cyprus. A Bedchamber In The Castle: Desdemona In Bed Asleep -- A Light Burning. -- Back Cover

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781467757751
    Series: First Avenue Classics Ser
    First Avenue classics
    Subjects: Othello ; (Fictitious character from Shakespeare) ; Drama; Interracial marriage ; Drama; Jealousy ; Drama; Muslims ; Drama; Electronic books
    Scope: 1 Online-Ressource (168 pages)
  3. Ypsilon
    Ein grotesker Roman
    Published: 1991
    Publisher:  Postskriptum, Hannover

    Rez.: Weitere Exe SAH 77/2 a-b Weitere Exe SAH 77/2 a-b more

    Universitätsbibliothek Braunschweig
    2266-7874
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    GE 91/5432
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    Deutsches Seminar, Neuere deutsche Literatur, Bibliothek
    Frei 30b: T 100/1104
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    4 Kap. 15752
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    W7/3--SPE:g317
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    Württembergische Landesbibliothek
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    Rez.: Weitere Exe SAH 77/2 a-b Weitere Exe SAH 77/2 a-b

     

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3922382568
    RVK Categories: GN 9999 ; GM 7651
    Series: Randfiguren der Moderne
    Scope: 111 S., Ill., 21 cm
  4. The Merchant of Venice
    Published: 2015
    Publisher:  Lerner Publishing Group, Minneapolis

    Cover -- Title Page -- Copyright Page -- Table Of Contents -- Dramatis Personae -- ACT 1 -- Act 1, Scene 1. Venice. A Street. -- Act 1, Scene 2. Belmont. A Room In Portia's House. -- Act 1, Scene 3. Venice. A Public Place. -- Act 2 -- Act 2, Scene 1.... more

    Hochschulbibliothek Friedensau
    Online-Ressource
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    Cover -- Title Page -- Copyright Page -- Table Of Contents -- Dramatis Personae -- ACT 1 -- Act 1, Scene 1. Venice. A Street. -- Act 1, Scene 2. Belmont. A Room In Portia's House. -- Act 1, Scene 3. Venice. A Public Place. -- Act 2 -- Act 2, Scene 1. Belmont. A Room In Portia's House. -- Act 2, Scene 2. Venice. A Street -- Act 2, Scene 3. The Same. A Room In Shylock's House. -- Act 2, Scene 4. The Same. A Street. -- Act 2, Scene 5. The Same. Before Shylock's House. -- Act 2, Scene 6. The Same. -- Act 2, Scene 7. Belmont. A Room In Portia's House. -- Act 2, Scene 8. Venice. A Street. -- Act 2, Scene 9. Belmont. A Room In Portia's House. -- Act 3 -- Act 3, Scene 1. Venice. A Street. -- Act 3, Scene 2. Belmont. A Room In Portia's House. -- Act 3, Scene 3. Venice. A Street. -- Act 3, Scene 4. Belmont. A Room In Portia's House. -- Act 3, Scene 5. The Same. A Garden. -- Act 4 -- Act 4, Scene 1. Venice. A Court Of justice. -- Act 4, Scene 2. The Same. A Street. -- Act 5 -- Act 5, Scene 1. Belmont. The Avenue To Portia's House. -- Back Cover

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781467758567
    Series: First Avenue Classics Ser
    Scope: 1 Online-Ressource (124 pages)
  5. The Merchant of Venice
    Published: 2015
    Publisher:  Lerner Publishing Group, Minneapolis

    Intro -- Title Page -- Copyright -- Table of Contents -- DRAMATIS PERSONAE -- ACT 1 -- Act 1, Scene 1. Venice. A street. -- Act 1, Scene 2. Belmont. A room in Portia's house. -- Act 1, Scene 3. Venice. A public place. -- ACT 2 -- Act 2, Scene 1.... more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
    EBS ProQuest
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    Intro -- Title Page -- Copyright -- Table of Contents -- DRAMATIS PERSONAE -- ACT 1 -- Act 1, Scene 1. Venice. A street. -- Act 1, Scene 2. Belmont. A room in Portia's house. -- Act 1, Scene 3. Venice. A public place. -- ACT 2 -- Act 2, Scene 1. Belmont. A room in Portia's house. -- Act 2, Scene 2. Venice. A street -- Act 2, Scene 3. The same. A room in Shylock's house. -- Act 2, Scene 4. The same. A street. -- Act 2, Scene 5. The same. Before Shylock's house. -- Act 2, Scene 6. The same. -- Act 2, Scene 7. Belmont. A room in Portia's house. -- Act 2, Scene 8. Venice. A street. -- Act 2, Scene 9. Belmont. A room in Portia's house. -- ACT 3 -- Act 3, Scene 1. Venice. A street. -- Act 3, Scene 2. Belmont. A room in Portia's house. -- Act 3, Scene 3. Venice. A street. -- Act 3, Scene 4. Belmont. A room in Portia's house. -- Act 3, Scene 5. The same. A garden. -- ACT 4 -- Act 4, Scene 1. Venice. A court of justice. -- Act 4, Scene 2. The same. A street. -- ACT 5 -- Act 5, Scene 1. Belmont. The avenue to Portia's house. -- Back Cover

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781467787093
    Series: First Avenue Classics Ser
    Subjects: Jews-Italy-Drama; Moneylenders-Drama; Shylock-(Fictitious character)-Drama; Venice (Italy)-Drama; Electronic books
    Scope: 1 Online-Ressource (118 pages)
  6. Writing and reading Byzantine secular poetry, 1025-1081
    Published: 2014
    Publisher:  Oxford University Press, Oxford

    ""Cover""; ""Writing and Reading Byzantine Secular Poetry, 1025�1081""; ""Copyright""; ""Dedication""; ""Acknowledgements""; ""Contents""; ""List of Figures""; ""List of Abbreviations""; ""Note to the Reader""; ""1: Introduction""; ""1.1. BUILDING... more

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    ""Cover""; ""Writing and Reading Byzantine Secular Poetry, 1025�1081""; ""Copyright""; ""Dedication""; ""Acknowledgements""; ""Contents""; ""List of Figures""; ""List of Abbreviations""; ""Note to the Reader""; ""1: Introduction""; ""1.1. BUILDING A BRIDGE""; ""1.2. THE ELEVENTH CENTURY: SOME TENDENCIES""; ""1.3. POETIC TEXTS IN BYZANTIUM, 1025�1081""; ""2: Concepts""; ""2.1. WRITING POETRY: CONTEMPORARY EVIDENCE""; ""2.2. POETRY, HOI LOGOI, AND RHETORIC""; ""2.3. POI�SIS AND POI�T�S""; ""2.4. POETRY AND LITERARY TRADITION""; ""3: Readings"" ""3.1. READING POETRY: THE TANGIBLE REMAINS""""3.1.1. Poetry in public spaces""; ""3.1.2. Poetry in manuscripts""; ""3.1.3. Visual aspects of reading poetry""; ""3.2. TWO ACCOUNTS OF READINGS""; ""3.2.1. Reading a funeral oration: Christophoros 75�79""; ""3.2.2. Reading an inscription: Mauropous 32�33""; ""3.3. CONTEMPORARY CIRCULATION OF POETRY""; ""3.3.1. Scrolls and separate leaves""; ""3.3.2. Reading circles""; ""3.4. PERFORMANCE OF POETRY""; ""3.4.1. Acoustic aspects of poetry""; ""3.4.2. Poetry to be sung""; ""3.4.3. Ceremonial poetry""; ""3.5. REAL WORLD OR WORLD ON PAPER?"" ""3.5.1. Deixis and speech situations""""3.5.2. Switching contexts""; ""4: Collections""; ""4.1. MINOR GROUPINGS OF POEMS""; ""4.2. MAUROPOUS� POETRY BOOK: A LIFE IN VERSE""; ""4.2.1. Vat. gr. 676: words materialized""; ""4.2.2. A double preface""; ""4.2.3. A progressive biographical logic""; ""4.2.4. Discontinuity as a continuous message""; ""4.3. VARIOUS VERSES: CHRISTOPHOROS �COLLECTION""; ""5: Ambitions""; ""5.1. PRELUDE: THE VOICE OF THE OUTSIDER""; ""5.2. THE �BEAMTENLITERAT�""; ""5.2.1. New social trajectories""; ""5.2.2. A meritocratic model""; ""5.3. DISPLAY"" ""5.3.1. Textual production and display""""5.3.2. A poem for a job""; ""5.3.3. Insects and fruit: epideictic pieces""; ""5.4. SHAPING AN ELITE""; ""5.4.1. Distinction""; ""5.4.2. Forging friendships""; ""5.4.3. An urbane ethos""; ""5.5. AMBITIONS AND ETHICAL CONSTRAINTS""; ""5.5.1. The ethic of disinterestedness""; ""5.5.2. Mauropous� self-representation: between ambition and resignation""; ""6: Education""; ""6.1. LEARNING POETRY AT SCHOOL""; ""6.1.1. Schools in eleventh-century Byzantium""; ""6.1.2. The teaching of poetry""; ""6.1.3. Poetic exercises"" ""6.2. TEACHING WITH POETRY: DIDACTIC VERSE""""6.2.1. Serious games: the charms of didactic verse""; ""6.2.2. The synoptic quality of poetry""; ""6.2.3. A classroom setting""; ""6.3. PUBLIC AND DEDICATEES OF DIDACTIC POETRY""; ""6.3.1. Political verse: an ambiguous metre""; ""6.3.2. Imperial tastes""; ""6.3.3. Recycling poems""; ""7: Competitions""; ""7.1. THE LOGIKOS AGON""; ""7.2. THE SCHEDOS CONTESTS""; ""7.3. DERISION AND ABUSE""; ""7.4. POETIC CONTESTS IN CHRISTOPHOROS� COLLECTION""; ""7.5. PSELLOS AND SABBA�TES: A POETIC AGON""; ""8: Patronage""; ""8.1. SOLICITING PATRONAGE"" In the mid-11th century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement. This volume considers this poetic activity as a whole, focusing on Byzantine conceptions of the role of poetry in society

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191008788; 0191008788
    Edition: First edition
    Series: Oxford studies in Byzantium
    Subjects: Byzantine poetry; POETRY ; Ancient, Classical & Medieval; Byzantine poetry; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Title from PDF title page (viewed on Aug. 11, 2014)

    Includes bibliographical references and index

  7. The Americanization of human rights
    Iranian, African, and Chinese lives in American autobiography
    Published: [2018]
    Publisher:  Universitätsverlag Winter, Heidelberg

    Cover; Title Page; Copyright; Contents; Acknowledgements; 1 Beginnings; 2 "Women without Men"; 2.1 The Face of Iran; 2.1.1 Managing the Archives; 2.2.2 Reading beyond ‚Lolita'; 2.2 "A Truth Universally Unacknowledged"; 2.2.1 White Torture, Dark Lies;... more

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    Cover; Title Page; Copyright; Contents; Acknowledgements; 1 Beginnings; 2 "Women without Men"; 2.1 The Face of Iran; 2.1.1 Managing the Archives; 2.2.2 Reading beyond ‚Lolita'; 2.2 "A Truth Universally Unacknowledged"; 2.2.1 White Torture, Dark Lies; 2.2.2 Dark Skins, White Hearts; 2.3 "There is Nothing Political in American Literature"; 2.3.1 A View into the Room; 2.3.2 "A Room with a View"; 3 "This Time for Africa"; 3.1 "More than Humanitarianism"; 3.2 The Age of Innocence; 3.2.1 Mother Wendy; 3.2.2 Once upon a Time in the Never-ever-land; 3.2.3 In the National Embrace 3.2.4 "The Transparent Eye-Ball"3.3 Children at Work; 3.3.1 "Democracy and the Foreigner"; 3.3.2 Democracy and the Orphan; 3.3.3 The Adopted Bonds of Responsibility; 3.4 Beyond This Point Are Only Lions; 4 MADE IN CHINA; 4.1 "Winds of Change"; 4.1.1 "The End of History"; 4.1.2 Epistemic Communities; 4.2 "I Love Beijing in the Springtime, I Love Beijing in June"; 4.2.1 "The Tank Man"; 4.2.2 The Romance of the Democratic Covenant; 4.3 "The Woman Warrior"; 4.3.1 Getting Started; 4.3.2 "Human Rights Are Women's Rights and Women's Rights Are Human Rights"; 4.4 "T.S. 1989."; 4.4.1 "Norm Entrepreneurs"4.4.2 Made in USA; 5 Loose Ends; Bibliography; Backcover.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783825377595; 3825377598
    Other identifier:
    9783825368180
    Series: American studies ; volume 290
    Subjects: American literature; American literature; Human rights in literature; Chinese Americans; Iranian Americans; Sudanese Americans; American literature; Chinese Americans; Human rights in literature; Iranian Americans; Sudanese Americans; Biographies; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (x, 269 pages), maps
  8. The Americanization of human rights
    Iranian, African, and Chinese lives in American autobiography
    Published: 2018
    Publisher:  Universitätsverlag Winter, Heidelberg, Germany

    Cover -- Title Page -- Copyright -- Contents -- Acknowledgements -- 1 Beginnings -- 2 "Women without Men" -- 2.1 The Face of Iran -- 2.1.1 Managing the Archives -- 2.2.2 Reading beyond ‚Lolita' -- 2.2 "A Truth Universally Unacknowledged" --... more

    Hochschulbibliothek Friedensau
    Online-Ressource
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    Universitätsbibliothek Osnabrück
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    Cover -- Title Page -- Copyright -- Contents -- Acknowledgements -- 1 Beginnings -- 2 "Women without Men" -- 2.1 The Face of Iran -- 2.1.1 Managing the Archives -- 2.2.2 Reading beyond ‚Lolita' -- 2.2 "A Truth Universally Unacknowledged" -- 2.2.1 White Torture, Dark Lies -- 2.2.2 Dark Skins, White Hearts -- 2.3 "There is Nothing Political in American Literature" -- 2.3.1 A View into the Room -- 2.3.2 "A Room with a View" -- 3 "This Time for Africa" -- 3.1 "More than Humanitarianism" -- 3.2 The Age of Innocence -- 3.2.1 Mother Wendy -- 3.2.2 Once upon a Time in the Never-ever-land -- 3.2.3 In the National Embrace -- 3.2.4 "The Transparent Eye-Ball" -- 3.3 Children at Work -- 3.3.1 "Democracy and the Foreigner" -- 3.3.2 Democracy and the Orphan -- 3.3.3 The Adopted Bonds of Responsibility -- 3.4 Beyond This Point Are Only Lions -- 4 MADE IN CHINA -- 4.1 "Winds of Change" -- 4.1.1 "The End of History" -- 4.1.2 Epistemic Communities -- 4.2 "I Love Beijing in the Springtime, I Love Beijing in June" -- 4.2.1 "The Tank Man" -- 4.2.2 The Romance of the Democratic Covenant -- 4.3 "The Woman Warrior" -- 4.3.1 Getting Started -- 4.3.2 "Human Rights Are Women's Rights and Women's Rights Are Human Rights" -- 4.4 "T.S. 1989" -- 4.4.1 "Norm Entrepreneurs" -- 4.4.2 Made in USA -- 5 Loose Ends -- Bibliography -- Backcover

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783825377595
    RVK Categories: HU 1831
    Edition: 1st ed
    Series: American Studies - A Monograph Series ; volume 290
    Subjects: American literature ; 20th century ; History and criticism; American literature ; 21st century ; History and criticism; Human rights in literature; Electronic books
    Scope: 1 online resource (281 pages).
    Notes:

    Includes bibliographical references. Description based on print version record

  9. From canonical criticism to ecumenical exegesis?
    a study in biblical hermeneutics
    Published: 2015
    Publisher:  Brill, Leiden [u.a.]

    From Canonical Criticism to Ecumenical Exegesis?: A Study in Biblical Hermeneutics -- Copyright -- Contents -- Preface -- 1: Introduction -- 1.1 Research Question, Method and Structure -- 1.2 What is Canonical Criticism? A Note on Terminology -- 1.3... more

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    From Canonical Criticism to Ecumenical Exegesis?: A Study in Biblical Hermeneutics -- Copyright -- Contents -- Preface -- 1: Introduction -- 1.1 Research Question, Method and Structure -- 1.2 What is Canonical Criticism? A Note on Terminology -- 1.3 The Emergence of the Canonical Approach -- 1.3.1 The State of the Canonical Debate and the Current Study -- 1.4 Selection of Authors -- 2: Canonical Exegesis of the New Testament Gospels: Five Cases -- 2.1 Brevard S. Childs -- 2.1.1 The Canonical Approach of Brevard S. Childs -- 2.1.2 Presentation of a Representative Exegesis -- 2.1.3 Analysis -- 2.1.4 Conclusions -- 2.2 James A. Sanders -- 2.2.1 The Canonical Approach of James A. Sanders -- 2.2.2 Presentation of a Representative Exegesis -- 2.2.3 Analysis -- 2.2.4 Conclusions -- 2.3 Peter Stuhlmacher -- 2.3.1 The Canonical Approach of Stuhlmacher -- 2.3.2 Presentation of a Representative Exegesis -- 2.3.3 Analysis -- 2.5.4 Conclusions -- 2.5 Joseph Ratzinger/Pope Benedict XVI -- 2.5.1 The Canonical Approach of Joseph Ratzinger -- 2.5.2 Presentation of a Representative Exegesis -- 2.5.3 Analysis -- 2.5.4 Conclusions -- 2.6 The "Amsterdam School of Exegesis" -- 2.6.1 The Canonical Approach of the "Amsterdam School of Exegesis" -- 2.6.2 Presentation of a Representative Exegesis -- 2.6.3 Analysis -- 2.6.4 Conclusions -- 3: Canonical Exegesis Considered: Heuristic Potential and Potential Pitfalls -- 3.1 Scripture and Community: The World in Front of the Text -- 3.1.1 The Interrelationship between Text and Community -- 3.1.2 Scripture as the Book of the Church -- 3.1.3 Is Every Critic a Theologian? -- 3.1.4 Points of Convergence with Contemporary Hermeneutical Thought -- 3.2 Justice to the Texts? -- 3.2.1 Canonical Exegesis and the "Final Form" of the Text -- 3.2.2 The Canonical Dimension of the Texts Themselves -- 3.2.3 Listening to the Claims of Texts 3.2.4 Interpretation through Tradition -- 3.2.5 Interpretation and Praxis -- 3.3 The World "Behind the Text?" -- 3.3.1 History, Witness, and Revelation -- 3.3.2 The Canonical Process and the World behind the Text -- 3.3.3 Concluding Observations: Canonical Approaches and History -- 3.4 Potential Pitfalls -- 4: Canonical Criticism: On the Road Towards Ecumenical Hermeneutics? -- 4.1 Introduction -- 4.2 Contemporary Ecumenical Hermeneutics and Canonical Criticism: An Inventarisation and Comparison -- 4.2.1 Introduction -- 4.2.2 Hermeneutics in the Ecumenical Movement until 1963 -- 4.2.3 Hermeneutics at the World Conference on Faith and Order in Montreal (1963) -- 4.2.4 From "Montreal" to a Treasure in Earthen Vessels (1998) -- 4.2.5 Hermeneutics in the Church. Towards a Common Vision (2013) -- 4.3 Ecumenical and Canonical Hermeneutics: Compatibilities and Challenges -- 5: General Conclusions and Outlook: Perspectives for Canonically Inspired Exegesis -- Bibliography -- Index

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004301009
    Series: Studies in reformed theology ; 30
    Subjects: Heilige Schrift; Hermeneutik;
    Scope: Online-Ressource (X + 210 p.)
    Notes:

    Description based upon print version of record

  10. From canonical criticism to ecumenical exegesis?
    a study in biblical hermeneutics
    Published: 2015
    Publisher:  Brill, Leiden [u.a.]

    From Canonical Criticism to Ecumenical Exegesis?: A Study in Biblical Hermeneutics -- Copyright -- Contents -- Preface -- 1: Introduction -- 1.1 Research Question, Method and Structure -- 1.2 What is Canonical Criticism? A Note on Terminology -- 1.3... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    From Canonical Criticism to Ecumenical Exegesis?: A Study in Biblical Hermeneutics -- Copyright -- Contents -- Preface -- 1: Introduction -- 1.1 Research Question, Method and Structure -- 1.2 What is Canonical Criticism? A Note on Terminology -- 1.3 The Emergence of the Canonical Approach -- 1.3.1 The State of the Canonical Debate and the Current Study -- 1.4 Selection of Authors -- 2: Canonical Exegesis of the New Testament Gospels: Five Cases -- 2.1 Brevard S. Childs -- 2.1.1 The Canonical Approach of Brevard S. Childs -- 2.1.2 Presentation of a Representative Exegesis -- 2.1.3 Analysis -- 2.1.4 Conclusions -- 2.2 James A. Sanders -- 2.2.1 The Canonical Approach of James A. Sanders -- 2.2.2 Presentation of a Representative Exegesis -- 2.2.3 Analysis -- 2.2.4 Conclusions -- 2.3 Peter Stuhlmacher -- 2.3.1 The Canonical Approach of Stuhlmacher -- 2.3.2 Presentation of a Representative Exegesis -- 2.3.3 Analysis -- 2.5.4 Conclusions -- 2.5 Joseph Ratzinger/Pope Benedict XVI -- 2.5.1 The Canonical Approach of Joseph Ratzinger -- 2.5.2 Presentation of a Representative Exegesis -- 2.5.3 Analysis -- 2.5.4 Conclusions -- 2.6 The "Amsterdam School of Exegesis" -- 2.6.1 The Canonical Approach of the "Amsterdam School of Exegesis" -- 2.6.2 Presentation of a Representative Exegesis -- 2.6.3 Analysis -- 2.6.4 Conclusions -- 3: Canonical Exegesis Considered: Heuristic Potential and Potential Pitfalls -- 3.1 Scripture and Community: The World in Front of the Text -- 3.1.1 The Interrelationship between Text and Community -- 3.1.2 Scripture as the Book of the Church -- 3.1.3 Is Every Critic a Theologian? -- 3.1.4 Points of Convergence with Contemporary Hermeneutical Thought -- 3.2 Justice to the Texts? -- 3.2.1 Canonical Exegesis and the "Final Form" of the Text -- 3.2.2 The Canonical Dimension of the Texts Themselves -- 3.2.3 Listening to the Claims of Texts 3.2.4 Interpretation through Tradition -- 3.2.5 Interpretation and Praxis -- 3.3 The World "Behind the Text?" -- 3.3.1 History, Witness, and Revelation -- 3.3.2 The Canonical Process and the World behind the Text -- 3.3.3 Concluding Observations: Canonical Approaches and History -- 3.4 Potential Pitfalls -- 4: Canonical Criticism: On the Road Towards Ecumenical Hermeneutics? -- 4.1 Introduction -- 4.2 Contemporary Ecumenical Hermeneutics and Canonical Criticism: An Inventarisation and Comparison -- 4.2.1 Introduction -- 4.2.2 Hermeneutics in the Ecumenical Movement until 1963 -- 4.2.3 Hermeneutics at the World Conference on Faith and Order in Montreal (1963) -- 4.2.4 From "Montreal" to a Treasure in Earthen Vessels (1998) -- 4.2.5 Hermeneutics in the Church. Towards a Common Vision (2013) -- 4.3 Ecumenical and Canonical Hermeneutics: Compatibilities and Challenges -- 5: General Conclusions and Outlook: Perspectives for Canonically Inspired Exegesis -- Bibliography -- Index

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004301009
    Series: Studies in reformed theology ; 30
    Subjects: Heilige Schrift; Hermeneutik;
    Scope: Online-Ressource (X + 210 p.)
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  11. Of virgins, curanderas, and wrestler saints
    un/doing religion in contemporary Mexican American literature
    Published: 2018
    Publisher:  WVT Wissenschaftlicher Verlag Trier, Trier ; Bilingual Press / Editorial Bilingüe, Tempe, AZ

    "Virgins, home altars, curanderas, and saints -- Mexican American literature is replete with religious symbols. This study investigates the literary engagement with religious and spiritual practices in contemporary Mexican American narrative texts.... more

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    A 19 / 9854
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    "Virgins, home altars, curanderas, and saints -- Mexican American literature is replete with religious symbols. This study investigates the literary engagement with religious and spiritual practices in contemporary Mexican American narrative texts. It raises the question to what extent religion underlies other discourses on race, gender, and class" -- Introduction -- 2. Spiritual borderlands or a border of spirituality? -- 2.1. Border and inter-American studies -- 2.2. The spiritual borderlands -- 2.2.1 A brief history of the spiritual borderlands -- 2.2.2 Creating a literary Aztlán -- 2.3. Doing religion -- 3. Spirituality and gender -- 3.1. Ana Castillo's feminist vision in The guardians -- 3.2. Of weeping women and curanderas: Graciela Limón's The river flows North -- 3.3. Of wrestlers and saints: María Amparo Escandón's Esperanza's box of saints -- 4. Spirituality across generations -- 4.1. An American saint: Luis Alberto Urrea's The hummingbird's daughter -- 4.2. Of gothic tales and spiritual ancestry: Carmen Tafolla's "Tía" -- 5. Post-spirituality -- 5.1. Richard Rodriguez's Darling: a post-spiritual autobiography? -- 5.2. A cosmos of its own: Salvadola Scencia's The people of paper -- Conclusion

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781939743220; 9783868217247
    Series: Inter-American studies ; 21
    Subjects: American fiction; American fiction; Mexican American fiction (Spanish); American literature; Religion in literature; Spirituality in literature; Mexican Americans in literature; Identity (Psychology) in literature; Atzlán
    Scope: 204 Seiten
    Notes:

    Includes bibliographical references

  12. Of virgins, curanderas, and wrestler saints
    un/doing religion in contemporary Mexican American literature
    Published: 2018
    Publisher:  WVT Wissenschaftlicher Verlag Trier, Trier ; Bilingual Press / Editorial Bilingüe, Tempe, AZ

    "Virgins, home altars, curanderas, and saints -- Mexican American literature is replete with religious symbols. This study investigates the literary engagement with religious and spiritual practices in contemporary Mexican American narrative texts.... more

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Universität Potsdam, Universitätsbibliothek
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    "Virgins, home altars, curanderas, and saints -- Mexican American literature is replete with religious symbols. This study investigates the literary engagement with religious and spiritual practices in contemporary Mexican American narrative texts. It raises the question to what extent religion underlies other discourses on race, gender, and class" -- Introduction -- 2. Spiritual borderlands or a border of spirituality? -- 2.1. Border and inter-American studies -- 2.2. The spiritual borderlands -- 2.2.1 A brief history of the spiritual borderlands -- 2.2.2 Creating a literary Aztlán -- 2.3. Doing religion -- 3. Spirituality and gender -- 3.1. Ana Castillo's feminist vision in The guardians -- 3.2. Of weeping women and curanderas: Graciela Limón's The river flows North -- 3.3. Of wrestlers and saints: María Amparo Escandón's Esperanza's box of saints -- 4. Spirituality across generations -- 4.1. An American saint: Luis Alberto Urrea's The hummingbird's daughter -- 4.2. Of gothic tales and spiritual ancestry: Carmen Tafolla's "Tía" -- 5. Post-spirituality -- 5.1. Richard Rodriguez's Darling: a post-spiritual autobiography? -- 5.2. A cosmos of its own: Salvadola Scencia's The people of paper -- Conclusion

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781939743220; 9783868217247
    Series: Inter-American studies ; 21
    Subjects: American fiction; American fiction; Mexican American fiction (Spanish); American literature; Religion in literature; Spirituality in literature; Mexican Americans in literature; Identity (Psychology) in literature; Atzlán
    Scope: 204 Seiten
    Notes:

    Includes bibliographical references

  13. Of virgins, curanderas, and wrestler saints
    un/doing religion in contemporary Mexican American literature
    Published: [2018]; ©2018
    Publisher:  WVT Wissenschaftlicher Verlag Trier, Trier ; Bilingual Press / Editorial Bilingüe, Tempe, AZ

    "Virgins, home altars, curanderas, and saints -- Mexican American literature is replete with religious symbols. This study investigates the literary engagement with religious and spiritual practices in contemporary Mexican American narrative texts.... more

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Virgins, home altars, curanderas, and saints -- Mexican American literature is replete with religious symbols. This study investigates the literary engagement with religious and spiritual practices in contemporary Mexican American narrative texts. It raises the question to what extent religion underlies other discourses on race, gender, and class" -- Introduction -- 2. Spiritual borderlands or a border of spirituality? -- 2.1. Border and inter-American studies -- 2.2. The spiritual borderlands -- 2.2.1 A brief history of the spiritual borderlands -- 2.2.2 Creating a literary Aztlán -- 2.3. Doing religion -- 3. Spirituality and gender -- 3.1. Ana Castillo's feminist vision in The guardians -- 3.2. Of weeping women and curanderas: Graciela Limón's The river flows North -- 3.3. Of wrestlers and saints: María Amparo Escandón's Esperanza's box of saints -- 4. Spirituality across generations -- 4.1. An American saint: Luis Alberto Urrea's The hummingbird's daughter -- 4.2. Of gothic tales and spiritual ancestry: Carmen Tafolla's "Tía" -- 5. Post-spirituality -- 5.1. Richard Rodriguez's Darling: a post-spiritual autobiography? -- 5.2. A cosmos of its own: Salvadola Scencia's The people of paper -- Conclusion

     

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 386821724X; 9783868217247; 9781939743220
    Other identifier:
    9783868217247
    RVK Categories: HU 1727
    Series: Inter-American studies ; Volume 21
    Subjects: American fiction; American fiction; Mexican American fiction (Spanish); American literature; Religion in literature; Spirituality in literature; Mexican Americans in literature; Identity (Psychology) in literature; Atzlán
    Scope: 204 Seiten, 21 cm x 14.8 cm, 408 g
    Notes:

    Dissertation erschienen unter dem Titel: Doing religion: the politics of spirituality in contemporary Mexican American literature

    Dissertation, Duisburg-Essen, Univ., 2016

  14. Of virgins, curanderas, and wrestler saints
    un/doing religion in contemporary Mexican American literature
    Published: [2018]; ©2018
    Publisher:  WVT Wissenschaftlicher Verlag Trier, Trier ; Bilingual Press / Editorial Bilingüe, Tempe, AZ

    "Virgins, home altars, curanderas, and saints -- Mexican American literature is replete with religious symbols. This study investigates the literary engagement with religious and spiritual practices in contemporary Mexican American narrative texts.... more

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    A 19 / 9854
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Bremen
    a ang 914.8 reli/396
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2019/2923
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    EV/230/21
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    HU 1727 SCHEM
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    Württembergische Landesbibliothek
    69/2968
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    Brechtbau-Bibliothek
    PC 928.097
    Unlimited inter-library loan, copies and loan

     

    "Virgins, home altars, curanderas, and saints -- Mexican American literature is replete with religious symbols. This study investigates the literary engagement with religious and spiritual practices in contemporary Mexican American narrative texts. It raises the question to what extent religion underlies other discourses on race, gender, and class" -- Introduction -- 2. Spiritual borderlands or a border of spirituality? -- 2.1. Border and inter-American studies -- 2.2. The spiritual borderlands -- 2.2.1 A brief history of the spiritual borderlands -- 2.2.2 Creating a literary Aztlán -- 2.3. Doing religion -- 3. Spirituality and gender -- 3.1. Ana Castillo's feminist vision in The guardians -- 3.2. Of weeping women and curanderas: Graciela Limón's The river flows North -- 3.3. Of wrestlers and saints: María Amparo Escandón's Esperanza's box of saints -- 4. Spirituality across generations -- 4.1. An American saint: Luis Alberto Urrea's The hummingbird's daughter -- 4.2. Of gothic tales and spiritual ancestry: Carmen Tafolla's "Tía" -- 5. Post-spirituality -- 5.1. Richard Rodriguez's Darling: a post-spiritual autobiography? -- 5.2. A cosmos of its own: Salvadola Scencia's The people of paper -- Conclusion

     

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 386821724X; 9783868217247; 9781939743220
    Other identifier:
    9783868217247
    RVK Categories: HU 1727
    Series: Inter-American studies ; Volume 21
    Subjects: American fiction; American fiction; Mexican American fiction (Spanish); American literature; Religion in literature; Spirituality in literature; Mexican Americans in literature; Identity (Psychology) in literature; Atzlán
    Scope: 204 Seiten, 21 cm x 14.8 cm, 408 g
    Notes:

    Dissertation erschienen unter dem Titel: Doing religion: the politics of spirituality in contemporary Mexican American literature

    Dissertation, Duisburg-Essen, Univ., 2016

  15. Between Two Fires
    Transnationalism and Cold War Poetry
    Published: 2015; ©2015
    Publisher:  Oxford University Press, Incorporated, Oxford

    Between Two Fires examines the transnational movement of poetry during the Cold War, revealing patterns of influence previously uncharted. Cover -- Between Two Fires: Transnationalism and Cold War Poetry -- Copyright -- Dedication -- Acknowledgments... more

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    Between Two Fires examines the transnational movement of poetry during the Cold War, revealing patterns of influence previously uncharted. Cover -- Between Two Fires: Transnationalism and Cold War Poetry -- Copyright -- Dedication -- Acknowledgments -- Contents -- Introduction -- 1: Across the Iron Curtain -- 1.1 HANDOVER IN THE CAR PARK -- 1.2 THE LIMITS OF WORLD LITERATURE -- 1.3 TRANSNATIONAL TRAVEL -- 1.4 THE EDGE OF ENGLISH -- 1.5 WAYS THROUGH THE CURTAIN -- 1.6 BEYOND THE MIRRORS -- 1.7 TWO POEMS -- 2: Translations of the Other World -- 2.1 IN A MEADOW -- 2.2 THE RADICALS' JOURNEY -- 2.3 A QUESTION OF MOTIVES -- 2.4 A COMPROMISE? -- 2.5 A CRITICISM? -- 2.6 A PROXY? -- 2.7 LYRIC SUBTERFUGE -- 2.8 THE SPACE BETWEEN -- 3: Arrival in English -- 3.1 TOTAL AND UNFOOLED REALISM -- 3.2 A TRIP TO PRAGUE -- 3.3 HALFWAY TO TRANSLATION -- 3.4 AT IDLEWILD -- 3.5 SPY CRAFT -- 3.6 A COFFEE WITH FERLINGHETTI -- 4: Poetry in a Cold World -- 4.1 THREE WORLDS, ALL COLD -- 4.2 A COD AT THE DOOR -- 4.3 BRODSKY'S EYES -- 4.4 GINSBERG FINDS HIMSELF IN PRAGUE -- 4.5 A THEORY FOR WALCOTT -- 4.6 SEAMUS HEANEY'S ROOTS . . . -- 4.7 . . . AND HIS ROUTES -- 4.8 POETRY OF PROXY -- 4.9 LYRIC AFTERLIFE -- Conclusion -- Bibliography -- Index.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191061868
    Subjects: Criticism, interpretation, etc; Electronic books
    Scope: 1 online resource (229 pages)
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  16. Assessing the potential contribution of excess heat from biogas plants towards decarbonising German residential heating
    Published: [2018]
    Publisher:  Karlsruher Institut für Technologie, Karlsruhe

    This paper analyses the current technical potential for utilising excess heat from German biogas plants, in order to supply local settlements through district heating. Based on a survey of around 600 biogas plant operators, the fractions of excess... more

    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    ZBW - Leibniz-Informationszentrum Wirtschaft, Standort Kiel
    DS 597 (31)
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    This paper analyses the current technical potential for utilising excess heat from German biogas plants, in order to supply local settlements through district heating. Based on a survey of around 600 biogas plant operators, the fractions of excess heat in these plants are analysed. A heuristic is developed to match biogas plants (heat sources) with local settlements (sinks) in order to determine a least-cost district heating supply for residential buildings. Two criteria are employed, namely the CO2 abatement costs and the payback period, which represent the macro- and microeconomic perspectives respectively. Based on the survey, a mean fraction of 40% excess heat is determined, which is in agreement with other empirical studies. Extrapolating this fraction to the German biogas plant stock leads to technically feasible CO2 savings of around 2.5 MtCO2/a. Employing the criteria of CO2 abatement costs and payback period yields about 2 MtCO2/a below CO2 abatement costs of 200 €/tCO2 and below a payback period of 9 years respectively. This represents about 0.25% of the total German CO2 emissions in 2016 or around 2.5% of all CO2 in residential buildings. If threshold values of 80 €/tCO2 and 5 years are employed, to reflect the German government's suggested external cost of carbon and an expected payback period from an investor's point of view respectively, the carbon reduction potential is about 0.5 MtCO2 and 0.75 MtCO2 respectively. These potentials are concentrated in around 3,500 of 11,400 municipalities, where district heating from biogas plants could reduce CO2 emissions per capita by an average of 250 kgCO_2/a and cover 12% of the total heating demand.

     

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    Volltext (kostenfrei)
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    hdl: 10419/183568
    Series: Working paper series in production and energy ; no. 31 (October 2018)
    Subjects: Fernwärme; Energieversorgung; Wohnimmobilien; Kommunale Energiewirtschaft; Bioenergie; Deutschland
    Scope: 1 Online-Ressource (circa 45 Seiten), Illustrationen
  17. Producing Ovid's 'Metamorphoses' in the Early Modern Low Countries
    Paratexts, Publishers, Editors, Readers
    Author: Tholen, John
    Published: 2021; ©2021
    Publisher:  BRILL, Boston

    This book offers an analysis of paratextual infrastructures in editions of Ovid's Metamorphoses and shows how paratexts functioned as important instruments for publishers and commentators to influence readers of this ancient text. Intro -- Contents... more

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
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    ProQuest Academic Complete
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    No loan of volumes, only paper copies will be sent

     

    This book offers an analysis of paratextual infrastructures in editions of Ovid's Metamorphoses and shows how paratexts functioned as important instruments for publishers and commentators to influence readers of this ancient text. Intro -- Contents -- Figures -- Abbreviations -- Introduction: Early Modern Paratexts to Ovid's Metamorphoses -- 1 The Material Text -- 2 Material Reception -- 3 Printing Ovid's Metamorphoses in the Low Countries -- 4 Research Corpus -- 5 Analytical Approach and Structure of This Book -- Chapter 1 The Title Page: Creating Commercial Credibility -- 1 The Commercial Value of the Early Modern Title Page -- 2 Textual and Visual Self-Representation -- 2.1 The Rhetoric of the Imprint -- 2.1.1 The Place of Production as an Advertisement -- 2.1.2 A Local Rhetoric -- 2.1.3 Creating International Prestige -- 2.2 The Symbolic Power of the Printer's Mark -- 3 The Textual and Visual Presentation of the Edition -- 3.1 The Rhetoric of the Title Formula -- 3.1.1 Typography as a Rhetorical Device -- 3.1.2 A Showcase of Critical Tools and Editing -- 3.1.3 The Value of Name-Dropping -- 3.1.4 The Rhetoric of Announcing Illustrations -- 3.2 Visual Presentation of the Edition -- 3.2.1 The Tradition of Mythology -- 3.2.2 The Role of Visual Imagery in a Christian Context -- 4 Conclusions -- Chapter 2 The Front Matter: Responses to Criticism of Ovid -- 1 Paratextual Functions of the Preface and Dedication -- 2 Countering Criticism of the Metamorphoses -- 2.1 Criticism -- 2.2 Explicit Responses -- 2.2.1 Attacking and Explaining -- 2.2.2 Positive Approaches -- 3 Framing an Intended Reader -- 3.1 A Reading Context of Vernacular Humanism -- 3.2 An Educational Reading Context -- 4 Authorisation by Ovid -- 4.1 Ovid's Visual Prestige -- 4.2 The Vita as a Response to Criticism -- 5 Conclusions -- Chapter 3 The Commentary: Negotiating Ovid's Dangerous Side -- 1 The Commentary Tradition -- 1.1 Strong Medieval Roots of Allegory -- 1.2 A New Kind of Allegorical Reading -- 1.3 Three Commentary Formats -- 1.3.1 The Role of Annotationes in Establishing a Reliable Text.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004462397
    RVK Categories: AN 23900
    Series: Library of the Written Word Ser.
    Subjects: Electronic books
    Scope: 1 online resource (345 pages)
    Notes:

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  18. Unlived lives in English literature
    a typological study
    Author: Linne, Lena
    Published: [2019]; © 2019
    Publisher:  Universitätsverlag Winter, Heidelberg

    2 Responses to the Unlived Life2.1 Emotional Responses; 2.2 Internal and External Effects; 2.3 Development and Stagnation; 2.4 Degrees of Awareness; 2.5 Degrees of (Self- )Control; 3 Representing the Unlived Life; 3.1 The Unlived Life -- A Motif?;... more

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    2 Responses to the Unlived Life2.1 Emotional Responses; 2.2 Internal and External Effects; 2.3 Development and Stagnation; 2.4 Degrees of Awareness; 2.5 Degrees of (Self- )Control; 3 Representing the Unlived Life; 3.1 The Unlived Life -- A Motif?; 3.2 Explicit and Implicit Techniques; 3.2.1 Implicit Techniques; 3.2.1.1 Metonymic Memory; 3.2.1.2 Excessive Repetition; 3.2.1.3 Foil Characters; 3.2.1.4 Duality or Division of Personality; 3.2.1.5 Projection; 3.2.1.6 Symbolic Analogue; 3.2.1.7 Contrastive Juxtaposition; 3.2.1.8 Cross-References; 3.3 Treatment of Time in Unlived-Life Narratives 2.2.3.3 A Sustained Focus and Involvement of the Character2.2.3.4 A Definition of "Unlived Life"; III A Typology of the Unlived Life; 1 The Unlived Life: Some Preliminary Distinctions; 1.1 The Direction: Upward and Downward Counterfactuals; 1.2 The Antecedent: Personal and External Responsibility; 1.3 Trigger Mechanisms: Visits and Other Issues; 1.4 The Consequent: Behavioural and Characterological Counterfactuals; 1.5 The Consequent: Love Relationships and Other Issues; 1.6 Feasibility: Lives (Not) Irrevocably Lost; 1.7 Feasibility: Realistic Options and Retrospective Pipe Dreams 2 Classic Cases Reversed2.1 Vita Sackville-West, 'All Passion Spent' (1931); 2.1.1 Introduction; 2.1.2 The Antecedent: The Marriage Proposal; 2.1.3 Lady Slane's Actual Marriage and Counterfactual Career; 2.1.4 Lady Slane's Late Rebellion; 2.1.5 Conclusion; 2.2 Alice Munro, "Carried Away" (1994); 2.2.1 Introduction: Unlived Lives in Alice Munro; 2.2.2 Before the Antecedent: An Exchange of Love Letters; 2.2.3 The Antecedent: Personal or External Responsibility?; 2.2.4 After the Antecedent: Louisa's Emotional Involvement; 2.2.5 Unresolved Mysteries 3.4 Narrator and Point of View in Unlived-Life Narratives4 From Typology to Selected Readings: Historical Tendencies; IV Selected Readings; 1 Classic Cases; 1.1 Henry James, "The Diary of a Man of Fifty" (1879); 1.1.1 Introduction: Unlived Lives in Henry James; 1.1.2 The Diarist's Counterfactual Contemplations; 1.1.3 The Diarist's Self-Delusion and Learning Process; 1.1.4 Conclusion; 1.2 Samuel Beckett, 'Krapp's Last Tape' (1958); 1.2.1 Introduction; 1.2.2 Krapp: Weary, Lonely, and Disappointed; 1.2.3 'Krapp's Last Tape' as Monodrama; 1.2.4 An Open and Yet Static Ending; 1.2.5 Conclusion Cover; Title; Imprint; Acknowledgements; Contents; I Introduction; II Towards a Definition of "Unlived Life"; 1 The Figurative Understanding; 2 The Literal Understanding; 2.1 Counterfactuality; 2.1.1 Counterfactuality and Fiction; 2.1.2 Counterfactual Fictional Worlds; 2.1.3 Counterfactual Thought Experiments in the Fictional World; 2.2 Counterfactual Unlived Lives; 2.2.1 Untimely Deaths and Alternate Biographies; 2.2.2 Multiple Unrealised Possibilities; 2.2.3 A Particular Unrealised Possibility in the Past; 2.2.3.1 A Counterfactual Course of Events; 2.2.3.2 A Retrospective Focus

     

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  19. On the foundations of the property rights theory of the firm
    cooperative investments and message-dependent contracts
    Published: October 2000
    Publisher:  Bonn Graduate School of Economics, Department of Economics, University of Bonn, Bonn

    The property-rights theory assumes that trade is non-contractible ex-ante and focusses exclusively on the allocation of property-rights. We derive foundations for this focus on property-rights by identifying scenarios where only one of the simple... more

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    The property-rights theory assumes that trade is non-contractible ex-ante and focusses exclusively on the allocation of property-rights. We derive foundations for this focus on property-rights by identifying scenarios where only one of the simple ownership structures is optimal even though trade is contractible. In these scenarios it is optimal: (1) not to sign a trade contract; (2a) to sign a partially enforced trade contract; (2b) such a combination of asset ownership and a trade contract might even achieve the first-best. For the purpose of identifying the optimal simple ownership structure, trade contracts can be neclected in scenarios (2a) and (2b).

     

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    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    hdl: 10419/78395
    Edition: This version: October 2000
    Series: Bonn econ discussion papers ; 2000, 12
    Subjects: Eigentumsrechtstheorie; Theorie der Unternehmung; Unvollständiger Vertrag; Sunk Costs; Theorie
    Scope: 1 Online-Ressource (circa 38 Seiten)
  20. Romeo and Juliet
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Cover -- Title Page -- Copyright Page -- Table Of Contents -- Persons Represented -- The Prologue -- Act 1 -- Act 1, Scene 1. A Public Place. -- Act 1, Scene 2. A Street. -- Act 1, Scene 3. A Room In Capulet's House. -- Act 1, Scene 4. A Street. --... more

     

    Cover -- Title Page -- Copyright Page -- Table Of Contents -- Persons Represented -- The Prologue -- Act 1 -- Act 1, Scene 1. A Public Place. -- Act 1, Scene 2. A Street. -- Act 1, Scene 3. A Room In Capulet's House. -- Act 1, Scene 4. A Street. -- Act 1, Scene 5. A Hall In Capulet's House. -- Act 2 -- Act 2, Scene 1. An Open Place Adjoining Capulet's Garden. -- Act 2, Scene 2. Capulet's Garden. -- Act 2, Scene 3. Friar Lawrence's Cell. -- Act 2, Scene 4. A Street. -- Act 2, Scene 5. Capulet's Garden. -- Act 2, Scene 6. Friar Lawrence's Cell. -- Act 3 -- Act 3, Scene 1. A Public Place. -- Act 3, Scene 2. A Room In Capulet's House. -- Act 3, Scene 3. Friar Lawrence's Cell. -- Act 3, Scene 4. A Room In Capulet's House. -- Act 3, Scene 5. An Open Gallery To Juliet's Chamber, Overlooking The Garden. -- Act 4 -- Act 4, Scene 1. Friar Lawrence's Cell. -- Act 4, Scene 2. A Hall In Capulet's House. -- Act 4, Scene 3. Juliet's Chamber. -- Act 4, Scene 4. A Hall In Capulet's House. -- Act 4, Scene 5. Juliet's Chamber -- Juliet On The Bed. -- Act 5 -- Act 5, Scene 1. Mantua. A Street. -- Act 5, Scene 2. Friar Lawrence's Cell. -- Act 5, Scene 3. A Churchyard -- In It A Monument Belonging To The Capulets. -- Back Cover

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781467746106
    Series: First Avenue Classics Ser
    Subjects: Juliet-(Fictitious character); Juliet-(Fictitious character)-Drama; Romeo-(Fictitious character)-Drama; Electronic books
    Scope: 1 Online-Ressource (154 pages)
  21. Romeo and Juliet
    Published: 2014
    Publisher:  Lerner Publishing Group, Minneapolis

    Intro -- Title -- Copyright -- Table of Contents -- Persons Represented -- The Prologue -- ACT 1 -- Act 1, Scene 1. A Public Place. -- Act 1, Scene 2. A Street. -- Act 1, Scene 3. A Room in Capulet's House. -- Act 1, Scene 4. A Street. -- Act 1,... more

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    Intro -- Title -- Copyright -- Table of Contents -- Persons Represented -- The Prologue -- ACT 1 -- Act 1, Scene 1. A Public Place. -- Act 1, Scene 2. A Street. -- Act 1, Scene 3. A Room in Capulet's House. -- Act 1, Scene 4. A Street. -- Act 1, Scene 5. A Hall in Capulet's House. -- ACT 2 -- Act 2, Scene 1. An Open Place Adjoining Capulet's Garden. -- Act 2, Scene 2. Capulet's Garden. -- Act 2, Scene 3. Friar Lawrence's Cell. -- Act 2, Scene 4. A Street. -- Act 2, Scene 5. Capulet's Garden. -- Act 2, Scene 6. Friar Lawrence's Cell. -- ACT 3 -- Act 3, Scene 1. A Public Place. -- Act 3, Scene 2. A Room in Capulet's House. -- Act 3, Scene 3. Friar Lawrence's Cell. -- Act 3, Scene 4. A Room in Capulet's House. -- Act 3, Scene 5. An Open Gallery to Juliet's Chamber, Overlooking the Garden. -- ACT 4 -- Act 4, Scene 1. Friar Lawrence's Cell. -- Act 4, Scene 2. A Hall in Capulet's House. -- Act 4, Scene 3. Juliet's Chamber. -- Act 4, Scene 4. A Hall in Capulet's House. -- Act 4, Scene 5. Juliet's Chamber -- Juliet on the Bed. -- ACT 5 -- Act 5, Scene 1. Mantua. A Street. -- Act 5, Scene 2. Friar Lawrence's Cell. -- Act 5, Scene 3. A Churchyard -- in it a Monument Belonging to the Capulets. -- Back cover

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781467768429
    Series: First Avenue Classics Ser
    Subjects: Shakespeare, William ; 1564-1616 ; Film adaptations; Electronic books
    Scope: 1 Online-Ressource (120 pages)
  22. Free indirect style in modernism
    representations of consciousness
    Published: 2017
    Publisher:  John Benjamins Publishing Company, Amsterdam, [Netherlands] ;

    Free Indirect Style in Modernism -- Editorial page -- Title page -- LCC data -- Dedication page -- Table of Contents -- Acknowledgements -- Key to acronyms -- Introduction -- 1. Free Indirect Style and a consciousness category approach -- 1.1 FIT and... more

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    Free Indirect Style in Modernism -- Editorial page -- Title page -- LCC data -- Dedication page -- Table of Contents -- Acknowledgements -- Key to acronyms -- Introduction -- 1. Free Indirect Style and a consciousness category approach -- 1.1 FIT and the representation of thought -- 1.1a Thought and language -- 1.1b Non-verbal thought and FIT -- 1.1c Mimetic diegesis and representation -- 1.2 Beyond thought FIT to FIS -- 1.2a Free Indirect Perception and the was-now paradox -- 1.2b Free Indirect Psycho-narration and the Consciousness Category Approach -- 1.2c The parameters of FIS -- 1.3 The problem of the narrator and the possibility of dual subjectivities in FIS -- 1.3a The original dual voice theory -- 1.3b The communication model vs. no-narrator theory -- 1.3c Dual subjectivity -- 1.4 Modernist fiction, FIS and consciousness -- 1.4a Summary and overview -- 2. A consciousness category approach to To the Lighthouse -- 2.1 Background -- 2.1a The cognitive turn away from the consciousness categories -- 2.1b Woolf’s Modernist objectives -- Anchor 53 -- 2.2a On the threshold of verbalisation -- 2.2b Other aspects of Mrs Ramsay’s consciousness -- 2.3 Adapting â€mind-style’ to a stream of consciousness analysis -- 2.4 Consciousness-representation and transparent fictional minds -- 3. FIS and the voice of the Other in The Rainbow -- Anchor 50 -- 3.2 Establishing the presence of an authorial narrator -- 3.2a Brief intrusions -- 3.3 A summative perspective within FIS -- 3.4 Expressing the unconscious in FIS -- 3.4a Implicating the unconscious with rhetorical devices -- 3.4b Metaphors, stylistic expressivity and authorial voice -- 3.5 The voice of the Other and the ambiguous â€I’ -- 4. Caught between figural subjectivity and narratorial exuberance in â€Scylla and Charybdis” -- 4.1 Background: The narratological dilemma of agency in Ulysses

     

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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789027264534
    Series: Linguistic Approaches to Literature Ser ; v.29
    Subjects: Indirect discourse in literature; Fiction; Modernism (Literature); Indirect discourse in literature; Fiction; Modernism (Literature); Electronic books
    Scope: 1 online resource (217 pages).
  23. History and Race in Caryl Phillips’s The Nature of Blood
    Author: Festa, Maria
    Published: 2020; ©2020
    Publisher:  Ibidem Verlag, Berlin

    Intro -- Acknowledgements -- Introduction -- 1 The Nature of Blood -- 1.1 The Author and His Novel -- 1.2 "A passion for literature. Travelling furiously across borders and boundaries." -- 2 The Jewish Question -- 2.1 Fragmented Narrative -- 2.1.1... more

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    Intro -- Acknowledgements -- Introduction -- 1 The Nature of Blood -- 1.1 The Author and His Novel -- 1.2 "A passion for literature. Travelling furiously across borders and boundaries." -- 2 The Jewish Question -- 2.1 Fragmented Narrative -- 2.1.1 Stephan -- 2.1.2 Eva -- 2.1.2.1 Cyprus -- 2.1.2.2 Bergen-Belsen -- 2.1.2.3 London -- 2.1.3 Malka -- 2.2 The Jewish Question -- 3 Fragmented History -- 3.1 The Disputable Concept of Race -- 3.2 The Quasi-Othello -- Appendix A Conversation with Caryl Phillips -- Works Cited.

     

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    Source: Union catalogues
    Contributor: Melikoglu, Koray (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783838274331
    Series: Studies in English Literatures ; v.20
    Subjects: English literature; Electronic books
    Scope: 1 online resource (197 pages)
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  24. Writing Well and Being Well for Your PhD and Beyond
    How to Cultivate a Strong and Sustainable Writing Practice for Life
    Published: 2023; ©2024
    Publisher:  Taylor & Francis Group, Milton

    Prioritising wellbeing alongside academic development, this book provides practical advice to help students write well, and be well, during their PhD and throughout their career. Cover -- Half Title -- Series Page -- Title Page -- Copyright Page --... more

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    Prioritising wellbeing alongside academic development, this book provides practical advice to help students write well, and be well, during their PhD and throughout their career. Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of illustrations -- Figures -- Tables -- Series preface -- References -- A note from the series editor -- Acknowledgements -- Introduction -- I.1 Bringing your whole self to the desk -- I.1.1 Writing with your strengths -- I.1.2 So what actually is writing? -- I.2 Who is doing the writing? -- I.2.1 My story -- I.2.2 Your story -- I.2.3 It takes a village -- I.3 What does 'being well' mean? -- I.3.1 'But I'm no good at meditation!' -- I.3.2 'But I'm no good at exercise!' -- I.4 How to use this book -- I.5 Wellbeing isn't yet another thing to add to your day -- Chapter 1: Reading and thinking: Also part of the writing process -- 1.1 A mindfulness practice for thinking: Practising focus -- 1.2 A physical wellbeing practice for thinking: A walking practice -- 1.3 How to read and think: Different strategies -- 1.3.1 Focused versus diffuse mode thinking -- 1.3.2 Pre-research reading -- 1.3.3 Reading the academic literature flexibly and with confidence -- 1.3.4 Taking notes -- 1.3.5 Generous reading strategies -- 1.3.6 Put aside time to just think -- 1.3.7 Journaling -- Chapter 2: Planning: Getting to where you want to go -- 2.1 A mindfulness practice for planning: Visualizing your goals -- 2.2 A physical practice for planning: Stepping yourself through your writing plan -- 2.3 Time and task management -- 2.3.1 Setting your own time and tasks -- 2.3.2 Writing time 'spreaders' and 'stackers' -- 2.3.3 Tracking your progress with 'done lists' -- 2.3.4 Breaking down a project into smaller steps -- 2.4 Planning what you are going to write -- 2.4.1 Dialogical planning -- 2.4.2 Narrative plans -- 2.4.3 Visual plans -- Chapter 3: Writing: Getting the words onto the page -- 3.1 A mindfulness practice for writing: 'The story of my thesis'.

     

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    ISBN: 9781000936124
    Series: Wellbeing and Self-Care in Higher Education Series
    Subjects: Academic writing; Dissertations, Academic; Doctoral students
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  25. Writing and Reading Byzantine Secular Poetry, 1025-1081
    Published: 2014; ©2014
    Publisher:  Oxford University Press, Incorporated, Oxford

    In the mid-eleventh century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement. This is the first volume to consider this poetic activity as a whole, focusing on Byzantine conceptions of the role... more

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    In the mid-eleventh century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement. This is the first volume to consider this poetic activity as a whole, focusing on Byzantine conceptions of the role of poetry in society. Cover -- Writing and Reading Byzantine Secular Poetry, 1025-1081 -- Copyright -- Dedication -- Acknowledgements -- Contents -- List of Figures -- List of Abbreviations -- Note to the Reader -- 1: Introduction -- 1.1. BUILDING A BRIDGE -- 1.2. THE ELEVENTH CENTURY: SOME TENDENCIES -- 1.3. POETIC TEXTS IN BYZANTIUM, 1025-1081 -- 2: Concepts -- 2.1. WRITING POETRY: CONTEMPORARY EVIDENCE -- 2.2. POETRY, HOI LOGOI, AND RHETORIC -- 2.3. POIÈSIS AND POIÈTÈS -- 2.4. POETRY AND LITERARY TRADITION -- 3: Readings -- 3.1. READING POETRY: THE TANGIBLE REMAINS -- 3.1.1. Poetry in public spaces -- 3.1.2. Poetry in manuscripts -- 3.1.3. Visual aspects of reading poetry -- 3.2. TWO ACCOUNTS OF READINGS -- 3.2.1. Reading a funeral oration: Christophoros 75-79 -- 3.2.2. Reading an inscription: Mauropous 32-33 -- 3.3. CONTEMPORARY CIRCULATION OF POETRY -- 3.3.1. Scrolls and separate leaves -- 3.3.2. Reading circles -- 3.4. PERFORMANCE OF POETRY -- 3.4.1. Acoustic aspects of poetry -- 3.4.2. Poetry to be sung -- 3.4.3. Ceremonial poetry -- 3.5. REAL WORLD OR WORLD ON PAPER? -- 3.5.1. Deixis and speech situations -- 3.5.2. Switching contexts -- 4: Collections -- 4.1. MINOR GROUPINGS OF POEMS -- 4.2. MAUROPOUS' POETRY BOOK: A LIFE IN VERSE -- 4.2.1. Vat. gr. 676: words materialized -- 4.2.2. A double preface -- 4.2.3. A progressive biographical logic -- 4.2.4. Discontinuity as a continuous message -- 4.3. VARIOUS VERSES: CHRISTOPHOROS 'COLLECTION -- 5: Ambitions -- 5.1. PRELUDE: THE VOICE OF THE OUTSIDER -- 5.2. THE 'BEAMTENLITERAT' -- 5.2.1. New social trajectories -- 5.2.2. A meritocratic model -- 5.3. DISPLAY -- 5.3.1. Textual production and display -- 5.3.2. A poem for a job -- 5.3.3. Insects and fruit: epideictic pieces -- 5.4. SHAPING AN ELITE -- 5.4.1. Distinction -- 5.4.2. Forging friendships -- 5.4.3. An urbane ethos -- 5.5. AMBITIONS AND ETHICAL CONSTRAINTS.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191008788
    Series: Oxford Studies in Byzantium Ser.
    Subjects: Byzantine poetry; Electronic books
    Scope: 1 online resource (395 pages)
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