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Displaying results 21 to 25 of 34.

  1. Noites da cidade : a poetologia da metrópole na lírica moderna

    The opposition city-country which appears already in Vergils Georgics and becomes very relevant in the British and French poetry of the 18th and 19th centuries, will be treated at first with regard to the German tradition of 'city-poetry'. Since... more

     

    The opposition city-country which appears already in Vergils Georgics and becomes very relevant in the British and French poetry of the 18th and 19th centuries, will be treated at first with regard to the German tradition of 'city-poetry'. Since about 1900 the phenomenon of the big city (metropolis) combines with demoniac and sublime motives, while French, English or American authors (Baudelaire, Wordsworth, Whitman) saw the city from a less ideological perspective. Only in the postwar-decade – after some anticipations by authors of Expressionism like Ernst Stadler or Gottfried Benn – the pluralistic, hybrid character of the city will be discovered also in German poetology. Some examples of Modern North American and Brazilian poetry will be analyzed in the last chapter of the article. Ausgehend vom Stadt-Land-Gegensatz, der schon in Vergils Georgica beobachtbar ist und dann in der englischen und französischen Lyrik des 18. und 19. Jahrhunderts eine wichtige Rolle spielt, richtet sich der Blick zunächst auf die deutsche Tradition der 'Großstadtlyrik' . Hier läßt sich seit etwa 1900 von einem zunächst teils dämonisierenden, teils von Motiven des Erhabenen geprägten Umgang mit dem Phänomen Metropole sprechen, während französische, englische oder amerikanische Autoren (Wordsworth, Whitman, Baudelaire) bereits einen weniger ideologischen Umgang mit der neuen Urbanität pflegen. Erst in der Nachkriegszeit, vorbereitet durch expressionistische Autoren wie Ernst Stadler oder später Benn, wird auch in der deutschsprachigen Poetologie der plurale, hybride Charakter der Großstadt entdeckt. Den Abschluß bilden Beispiele aus der nordamerikanischen und der brasilianischen Lyrik.

     

    Content notes: free
    Source: CompaRe
    Language: Portuguese
    Media type: Article
    Format: Online
    DDC Categories: 830; 831
    Rights: Creative Commons - Namensnennung-Nicht kommerziell 3.0
  2. "Vielleicht Hoffnung" : noch ein Versuch über Paul Celans Sprachgitter

    Paul Celan often reflects over the possibility of realising, recognising, and "knowing" an Other and Reality through poetry. In so doing, he locates his poetry within the cognitive realm. From this perspective the poem "Sprachgitter" as well as the... more

     

    Paul Celan often reflects over the possibility of realising, recognising, and "knowing" an Other and Reality through poetry. In so doing, he locates his poetry within the cognitive realm. From this perspective the poem "Sprachgitter" as well as the metaphor of "Sprachgitter" – which determines Celan's understanding of language in the late 1950s – can be further interpreted. In this essay, the poem "Sprachgitter" is interpreted as a process of recognition, realised through two actions: concentration and opening. Other poetological texts and letters of Paul Celan will be analysed from this perspective. Freqüentemente Paul Celan reflete sobre a possibilidade de compreender, perceber, conhecer um outro e a realidade através da poesia. Assim, ele localiza sua poesia no âmbito cognitivo. Dessa perspectiva, o poema "Sprachgitter" – como também a metáfora "Sprachgitter", que determina a compreensão celaniana da língua no final dos anos 50 – pode ser novamente interpretado. No presente artigo, o poema "Sprachgitter" é interpretado como um processo de conhecimento que se realiza em dois movimentos: concentração e abertura. Outros textos poetológicos, bem como cartas de Paul Celan, serão analisados sob essa perspectiva.

     

    Content notes: free
    Source: CompaRe
    Language: German
    Media type: Article
    Format: Online
    DDC Categories: 830; 831
    Rights: Creative Commons - Namensnennung-Nicht kommerziell 3.0
  3. A percepção da grande cidade na obra de Georg Heym e Mário de Andrade

    The object of this paper is to attempt a comparison between the perception of the big city by an author of German expressionism, Georg Heym, and the Brazilian modernist Mario de Andrade. The aim is to compare the poetic visions of two cities, Berlin... more

     

    The object of this paper is to attempt a comparison between the perception of the big city by an author of German expressionism, Georg Heym, and the Brazilian modernist Mario de Andrade. The aim is to compare the poetic visions of two cities, Berlin and Sao Paulo, at the beginning of the twentieth century and highlight both, the coincidences and differences in the perception of urban life, based on the ideas of the German sociologist Georg Simmel on the life of man in modernity and the stimulations of nerve impulses.

     

    Content notes: free
    Source: CompaRe
    Language: Portuguese
    Media type: Article
    Format: Online
    DDC Categories: 800; 830; 831
    Rights: Veröffentlichungsvertrag für Publikationen
  4. Paul Celan: a expressão do indizível
    Author: Aron, Irene
    Published: 30.12.2012

    The title "Paul Celan: Expression of the unspeakable" explains Celan's technique of showing the crude reality of the Third Reich with simple linguistic means, using traditional topoi of the lyric. Celan also questions the German language after... more

     

    The title "Paul Celan: Expression of the unspeakable" explains Celan's technique of showing the crude reality of the Third Reich with simple linguistic means, using traditional topoi of the lyric. Celan also questions the German language after Auschwitz in his poem Todesfuge. Unter dem Titel "Paul Celan: Ausdruck des Unsagbaren" wird gezeigt, wie Celan mit einfachen linguistischen Mitteln und den aus der lyrischen Tradition übernommenen Topoi die Realität des Bösen im Dritten Reich darstellt. Zugleich wird dadurch in seiner Todesfuge die deutsche Sprache nach Auschwitz in Frage gestellt.

     

    Content notes: free
    Source: CompaRe
    Language: Portuguese
    Media type: Article
    Format: Online
    DDC Categories: 830; 831
    Rights: Creative Commons - Namensnennung-Nicht kommerziell 3.0
  5. O olhar estrangeiro
    Published: 30.12.2012

    This text tries to illustrate what we understand by strangeness, alterity and exotopy. From the point of view of a stranger, we, as Brazilians, see and read products of foreign cultures in an exotopic way, which is quite productive. The same occurs... more

     

    This text tries to illustrate what we understand by strangeness, alterity and exotopy. From the point of view of a stranger, we, as Brazilians, see and read products of foreign cultures in an exotopic way, which is quite productive. The same occurs with Germans looking at US, which gives us another view of ourselves. As an illustration, the poem "calypso" from Ernst Jandl will be discussed in this context. Dieser Text versucht zu veranschaulichen, was man unter Fremdheit, Alterität und Exotopie versteht. Als Brasilianer sehen und lesen wir Produkte einer fremden Kultur von einem exotopischen Standpunkt aus, der besonders produktiv ist. Dieselbe Perspektive haben wiederum Deutsche, wenn sie ihren Blick auf uns richten, was uns selbst eine neue Perspektive unserer Identität ermöglicht. Als Veranschaulichung wird das Gedicht "calypso" von Ernst Jandl in diesem Kontext behandelt.

     

    Content notes: free
    Source: CompaRe
    Language: Portuguese
    Media type: Article
    Format: Online
    DDC Categories: 830; 831
    Rights: Creative Commons - Namensnennung-Nicht kommerziell 3.0