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  1. On social forces : tension as a metaphor and the image of society
    Published: 16.10.2019

    This article conceptualizes tension as a relation between elements in which at least two forces with different directions are involved. How can this concept of tension be applied to the analysis of the peculiar logic of life in common? The article... more

     

    This article conceptualizes tension as a relation between elements in which at least two forces with different directions are involved. How can this concept of tension be applied to the analysis of the peculiar logic of life in common? The article offers a reading, inspired by the method of conceptual history, of the use of the concept of 'force' in three models of society: Hobbes's political model, the economic model proposed by the thinkers of commercial society, and Durkheim's social theory. The analysis sheds some light on the ways in which the presence of contradictory forces can be taken to be constitutive of the social itself. This observation is then used to suggest that the puzzling fascination exerted by the notion of tension can be better understood if we see it pointing to some fundamental features of our way of collectively inhabiting the world.

     

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    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-85132-616-1
    DDC Categories: 300; 800
    Collection: ICI Berlin
    Subjects: Spannung; Hume, David; Hobbes, Thomas; Durkheim, Émile; Sozialphilosophie
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess

  2. KippCity

    On 28 April 2011, on the Rathausplatz of Neukölln, Christine Hentschel's puzzlement vis-à-vis Neukölln's liberation met the neighbourhood's flickering urbanity, which she seeks to capture in a project called KippCity. KippCity is an experiment in... more

     

    On 28 April 2011, on the Rathausplatz of Neukölln, Christine Hentschel's puzzlement vis-à-vis Neukölln's liberation met the neighbourhood's flickering urbanity, which she seeks to capture in a project called KippCity. KippCity is an experiment in tracing urban change while it happens. If space is the 'event of place', as Doreen Massey holds, the space of KippCity is the transformation of Neukölln. This chapter explores the potentials of multistable figures (Kippbilder) for conceptualizing urban change. This potential, Hentschel argues, lies in the flip-moment itself, in the space-time of urban transformation. In Berlin-Neukölln, a neighbourhood long branded as poor and failing, multiple and partly conflicting flip-scenarios have begun to inspire and haunt the neighbourhood and its self-reflective talk. KippCity Neukölln is thus a flickering figure. But unlike an artefact Kippbild, which flickers between duck and rabbit, for example, KippCity Neukölln does not simply tip into a new pre-fabricated form, but rather wavers between different future scenarios. Neukölln's flickering urbanity is thus nervous, full of uncertainty, frustration and enthusiasm. The article shows how the neighbourhood seeks escape from the dystopia of two dominant flip scenarios of ghettoization and gentrification by digging its claws into its 'Now'.

     

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    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-85132-734-2
    DDC Categories: 300; 800
    Collection: ICI Berlin
    Subjects: Berlin-Neukölln; Gentrifizierung; Segregation <Soziologie>; Wandel; Stadt; Inversionsfigur; Wahrnehmungswechsel
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess

  3. The animal that laughs at itself : false false alarms about the end of 'Man'
    Published: 06.10.2022

    A trio of themes recur across prominent Western theories of laughter: violence, the human/nonhuman, and error. The paper traces this trio through a series of frequently cited paradigms for understanding laughter, including superiority, incongruity... more

     

    A trio of themes recur across prominent Western theories of laughter: violence, the human/nonhuman, and error. The paper traces this trio through a series of frequently cited paradigms for understanding laughter, including superiority, incongruity and relief theories, Henri Bergson's theory of laughter and V. S. Ramachandran's false alarm theory; and argues that it reflects a shared, if partially submerged concern with the instability and demise of a particular figure of the human, one that is circumscribed by the culturally specific (if globally influential) values of Eurocentric/Western thought, largely corresponding to Sylvia Wynter's 'Man'. This suggests that laughter has an ambiguous immanent potential for both undermining and/or reasserting, de- and/or restabilising the illusion of Man's universalizing drive to identify itself with the human per se.

     

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    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-96558-037-4; 978-3-96558-038-1
    DDC Categories: 300; 800
    Collection: ICI Berlin
    Subjects: Lachen; Humor; Theorie; Westliche Welt
    Rights:

    creativecommons.org/licenses/by-sa/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess

  4. Anarchival practises : the Clanwilliam Arts Project as re-imagining custodianship of the past
    Published: 28.02.2023

    Where is the past? It is not really behind us, but with us, constantly imagined and re-imagined in public discourse through historical narrations. Using the Clanwilliam Arts Project as a case study, this volume is founded on the 'anarchive', a... more

     

    Where is the past? It is not really behind us, but with us, constantly imagined and re-imagined in public discourse through historical narrations. Using the Clanwilliam Arts Project as a case study, this volume is founded on the 'anarchive', a conceptual constellation that positions the past in relation to the present, bringing into view strategies to facilitate remembering beyond the colonial archive.

     

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    Content information: free
    Source: CompaRe
    Language: English
    Media type: Book
    Format: Online
    ISBN: 978-3-96558-044-2; 978-3-96558-043-5
    DDC Categories: 300; 790; 800; 960
    Collection: ICI Berlin
    Subjects: Südafrika; Archiv; Performance <Künste>; Postkolonialismus; San <Volk>; Oral history; Kollektives Gedächtnis
    Rights:

    creativecommons.org/licenses/by-sa/4.0/

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    info:eu-repo/semantics/openAccess

  5. Disalienation and structuralism : Fanon with Lévi-Strauss
    Published: 01.03.2023

    Structural anthropology remains a hidden influence in Frantz Fanon's theory of the 'sociogenesis' of mental illness. This chapter outlines how Fanon's belief in the therapeutic capacity of 'socialization' critically absorbs Claude Lévi-Strauss's... more

     

    Structural anthropology remains a hidden influence in Frantz Fanon's theory of the 'sociogenesis' of mental illness. This chapter outlines how Fanon's belief in the therapeutic capacity of 'socialization' critically absorbs Claude Lévi-Strauss's examination of the link between 'madness' and the symbolic structure of society. These innovations, Chamberlin argues, pushed Fanon to institute 'semihospitalization' as a radically dialectical method of treatment in his final role as a clinician at the Neuropsychiatric Day Centre in Tunis (1958–60).

     

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    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-96558-041-1; 978-3-96558-040-4
    DDC Categories: 300; 800
    Collection: ICI Berlin
    Subjects: Lévi-Strauss, Claude; Ethnologie; Strukturalismus; Rezeption; Fanon, Frantz; Psychiatrie
    Rights:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess