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  1. Benjamins Reproduktionsaufsatz und die Musik

    Es ist keine sehr originelle Einsicht, dass die grundlegend neuen Perspektiven auf die Kunst des 20. Jahrhunderts, die Walter Benjamin in seinem Aufsatz über "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit" skizziert hat, am... more

     

    Es ist keine sehr originelle Einsicht, dass die grundlegend neuen Perspektiven auf die Kunst des 20. Jahrhunderts, die Walter Benjamin in seinem Aufsatz über "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit" skizziert hat, am Paradigma der visuellen Künste gewonnen wurden. Das lässt sich exemplarisch am Begriff der Aura demonstrieren, der für Benjamins Theorie des traditionellen Kunstwerks von zentraler Bedeutung ist. Allein das Bild, das als Unikat durch die Räume und Zeiten wandert und sich dabei mit historischer Substanz sättigt, ist Träger der Aura. [...]

    Es liegt auf der Hand, dass es die Aura [...] bei akustischen Kunstwerken nicht geben kann. Musik und Theater bieten kein Identisches, das sich materiell in der Geschichte durchhält wie ein Bild und in diesem spezifischen Sinne traditionsstiftend wirkte. Wir haben bloß den Text als ein unvollständiges Gerüst, das von Aufführung zu Aufführung neu aktualisiert wird. Zwar gibt es zweifellos und gerade in der akustischen Kunst eine besondere Emphase auf dem "Hier und Jetzt" (475), von dem Benjamin im Zusammenhang des traditionellen Kunstwerks redet, aber dieses Hier und Jetzt ist grundlegend anders zur Geschichte vermittelt als das beim bildenden Kunstwerk der Fall ist. Der Begriff des Unikats, den Benjamin letztlich aus dem Kultbild herleitet (480 f.), ergibt bei der Musik (und in gewissem Sinne auch in der Literatur) von vornherein keinen Sinn. Was bedeuten 'Nähe' und 'Ferne' im Falle der Musik und der musikalischen Reproduktion? Wenn der Begriff der Aura hier überhaupt eine systematische Stelle hat, dann muss er anders gefasst und positioniert werden als in der bildenden Kunst.

     

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    Source: CompaRe
    Language: German
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-7705-5343-3
    DDC Categories: 800
    Collection: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Subjects: Musik; Benjamin, Walter; Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit
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    publikationen.ub.uni-frankfurt.de/home/index/help

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    info:eu-repo/semantics/openAccess

  2. New perspectives on imagology : introduction

    With this volume, the editors Katharina Edtstadler, Sandra Folie, and Gianna Zocco propose an extension of the traditional conception of imagology as a theory and method for studying the cultural construction and literary representation of national,... more

     

    With this volume, the editors Katharina Edtstadler, Sandra Folie, and Gianna Zocco propose an extension of the traditional conception of imagology as a theory and method for studying the cultural construction and literary representation of national, usually European characters. Consisting of an instructive introduction and 21 articles, the book relates this sub-field of comparative literature to contemporary political developments and enriches it with new interdisciplinary, transnational, intersectional, and intermedial perspectives. The contributions offer [1] a reconsideration and update of the field's methods, genres, and theoretical frames; [2] trans-/post-national, migratory, and marginalized perspectives beyond the European nation-state; [3] insights into geopolitical dichotomies such as Orient/Occident; [4] intersectional approaches considering the entanglements of national images with notions of age, class, gender, sexuality, and ethnicity/race; [5] investigations of the role of national images in visual narratives and music.

     

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    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Categories: 800
    Collection: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Subjects: Imagologie
    Rights:

    creativecommons.org/licenses/by-nc/4.0/deed.de

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    info:eu-repo/semantics/openAccess

  3. Enmity, identity, discourse : imagology and the state
    Published: 08.04.2024

    Imagological analysis can be fruitfully applied to political discourse, most importantly the discourse of international antagonism and national self-positioning used in government decision-making circles. Historians studying that discourse have... more

     

    Imagological analysis can be fruitfully applied to political discourse, most importantly the discourse of international antagonism and national self-positioning used in government decision-making circles. Historians studying that discourse have tended to see its rhetoric of national characterization merely as a distracting accompaniment to actual, factually driven policies and developments. This, it is argued here, questionably presupposes that those policies were never driven by anything but cerebral reasons of state (such as these are seen by latter-day historians); it makes us unduly heedless of an important historical corpus throwing light on the force of emotive and national prejudice in policymaking.

     

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    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Categories: 800
    Collection: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Subjects: Imagologie; Weltkrieg <1914-1918>; Propaganda; Deutschland; England; Selbstbild; Fremdbild; Irland; Nationalbewegung
    Rights:

    creativecommons.org/licenses/by-nc/4.0/deed.de

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    info:eu-repo/semantics/openAccess

  4. Axiological foundations of imagology
    Published: 08.04.2024

    Images, the main object of imagological analysis, are by nature value-charged. Despite this fact, previous research has neglected the axiological foundations of imagology. This article discusses in brief some fundamental axiological questions of... more

     

    Images, the main object of imagological analysis, are by nature value-charged. Despite this fact, previous research has neglected the axiological foundations of imagology. This article discusses in brief some fundamental axiological questions of imagological investigations. The here analysed corpus includes an eighteenth-century visual-textual source (the so-called "Leopold-Stich"), and a famous imagological handbook ("Imagology", by Beller and Leerssen). The analysis starts with the problem of value connotations of the signifier of geocultural spaces and continues with a cluster of questions concerning the nature of value of imagotypical representations. The final part examines two relevant imagological phenomena—diachronic changes in evaluation of certain geocultural spaces and a somewhat opposite phenomenon of evaluative apriorism.

     

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    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Categories: 800
    Collection: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Subjects: Imagologie; Wertphilosophie
    Rights:

    creativecommons.org/licenses/by-nc/4.0/deed.de

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    info:eu-repo/semantics/openAccess

  5. Toward a production-oriented imagology
    Published: 08.04.2024

    This article outlines a production-oriented imagology and equips the imagological toolkit with concepts and terminology from cultural memory studies, reception aesthetics, narratology, rhetoric, and text linguistics. It thereby presents the... more

     

    This article outlines a production-oriented imagology and equips the imagological toolkit with concepts and terminology from cultural memory studies, reception aesthetics, narratology, rhetoric, and text linguistics. It thereby presents the theoretical framework which makes it possible to analyse generic elements without a national connotation with regard to their function in generating a national image. Using as examples genres from English Romanticism and how they evoke Englishness, the article highlights the aesthetic complexity of national images and their range of variation. Simultaneously it paves the way for a more nuanced deconstruction of these images.

     

    Export to reference management software
    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Categories: 800; 820
    Collection: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Subjects: Imagologie; Englisch; Literatur; Romantik; Produktionsästhetik
    Rights:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess