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  1. ici uniglory, 2009 : installation. Ink, paper, images & text
    Author: Taler, Laura
    Published: 16.10.2019

    'ici uniglory' is an installation on paper. The piece intertwines fragments of six texts by Bruno Besana, Fabio Camilletti, Antke Engel, Sara Fortuna, Laura Taler, and Andrea von Kameke, written in response to the video installation UNIGLORY, a... more

     

    'ici uniglory' is an installation on paper. The piece intertwines fragments of six texts by Bruno Besana, Fabio Camilletti, Antke Engel, Sara Fortuna, Laura Taler, and Andrea von Kameke, written in response to the video installation UNIGLORY, a work-in-progress exhibited at ICI Berlin. The responses are edited, fragmented, and re-assembled to reflect the way the filmmaker worked with the filmed dance footage in the original installation, essentially re-choreographing words. The subtle tensions between the different responses allow for shifts and movements within the piece. The result is a poetic intermingling of voices that rub up against one another. Tension also acts as a binding agent, holding all the fragments together and allowing them to be woven into a collective text.

     
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    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-85132-616-1
    DDC Categories: 800
    Collection: ICI Berlin
    Subjects: Video-Installation; Tango
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  2. Kleist's puppet theatre and the art of tango : looking for the back door to paradise
    Author: Taler, Laura
    Published: 16.10.2019

    This edited transcript of a presentation by filmmaker/choreographer Laura Taler responds to Heinrich von Kleist's text by taking him on as a dancing partner. It follows a simple structure of proposal and response similar to that found in the... more

     

    This edited transcript of a presentation by filmmaker/choreographer Laura Taler responds to Heinrich von Kleist's text by taking him on as a dancing partner. It follows a simple structure of proposal and response similar to that found in the movements between leader and follower in Argentine tango. Engaging Kleist's text in the double form of a speech and a tango performance, this critical contribution follows a twofold direction: it questions Kleist's representation of dance as a mechanical activity deprived of any form of intelligence and it refuses his attempt to force the aesthetic experience of dance into a framework that privileges theory over bodily experience. These two classical philosophical positions are questioned and provocatively opposed to the dynamic, situated, and dialogic thought performed within a witty tango interaction.

     
    Export to reference management software
    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-85132-616-1
    DDC Categories: 792; 800
    Collection: ICI Berlin
    Subjects: Kleist, Heinrich von; Über das Marionettentheater; Tango
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess