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  1. Editorial [2019, english]
  2. Colonising the play world : texts, toys and colonial fantasies in german children’s stories around 1900
    Published: 01.12.2019

    In German children’s literature around 1900, the representation of childhood in pseudo-colonial realms participates in a construction of racial identities based on transcultural play. Acts of reading and scenes of instruction intersect with material... more

     

    In German children’s literature around 1900, the representation of childhood in pseudo-colonial realms participates in a construction of racial identities based on transcultural play. Acts of reading and scenes of instruction intersect with material objects to convey a pedagogy of race dominated by learned whiteness. This article asks: How does German children’s fiction around 1900 reconfigure national identity as imperial experience? An analysis of a noncanonical though exemplary fictional text about a jungle adventure demonstrates strategies used to include the child in the colonial experience. Imagining this ›play world‹ replicates for the child reader a sense of agency and citizenship through encounters with an indigenous mediator, an impish primate and imaginary landscapes – each represented through the lens of European epistemologies. These tropes produce tension between historical fact and imaginative fiction, working together to map a colonial geography of German identity on to a model transatlantic German childhood. Framed by theories of material objects and toys, and supported by the work of literary scholars and cultural historians, I examine the brief story »Die kleine Urwälderin« [The Little Jungle Girl] from Auerbachs Deutscher Kinder-Kalender auf das Jahr 1902 [Auerbach’s Almanac for German Children, 1902]. In it, the Amazonian setting aspires to historically factual representation, which, however, cedes considerable territory to the realm of fantasy. The projection of a German forest adventure on to a Brazilian geography elides historical truths, such as centuries of the transatlantic slave trade, and instead inserts imperial signifiers into an established syntax of the European child at play. The resulting national ideology of childhood identity in this German language story imposes colonial order on a reimagined play world.

     

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    Content information: free
    Source: CompaRe
    Language: English
    Media type: Article
    Format: Online
    ISBN: 978-3-9821241-0-0
    DDC Categories: 370; 830
    Rights:

    creativecommons.org/licenses/by-nc/4.0/

    ;

    info:eu-repo/semantics/openAccess

  3. Tension on tension : some considerations that might help to produce an increasingly precise understanding of a problem which has no specific object
    Published: 14.10.2019

    This article shows that 'tension' cannot be conceived as a specific object of an analysis for which one could determine a precise field of enquiry. Instead, it establishes tension as a specific mode or angle of approach with which any given... more

     

    This article shows that 'tension' cannot be conceived as a specific object of an analysis for which one could determine a precise field of enquiry. Instead, it establishes tension as a specific mode or angle of approach with which any given contingent object or set of objects can be explored. The wideness of its applicability and the specificity of its angle suggest that research on tension can help to unfold a better understanding of a classical ontological question concerning the essential value of actions and relations in the definition of what a thing is. The text follows this line of argumentation by pairing contemporary philosophical sources and specific aesthetic and political examples. Suggesting the possibility of an open classification of different modes of tension, it clarifies the extent to which the essential definition of a thing is bound to the contingent analysis of its transformations.

     

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    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-85132-616-1
    DDC Categories: 800
    Collection: ICI Berlin
    Subjects: Spannung; Harmonie; Zeit; Philosophie; Dauer; Raum; Klee, Paul; Film
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  4. Oblique gazes : the "je ne sais quoi" and the uncanny as forms of undecidability in post-Enlightenment aesthetics
    Published: 14.10.2019

    The article compares the aesthetic notions of the "je ne sais quoi" (as it emerges in the Renaissance and is widely debated in the eighteenth century) and of the 'uncanny' as theorized by Ernst Jentsch and Sigmund Freud in the early twentieth... more

     

    The article compares the aesthetic notions of the "je ne sais quoi" (as it emerges in the Renaissance and is widely debated in the eighteenth century) and of the 'uncanny' as theorized by Ernst Jentsch and Sigmund Freud in the early twentieth century. Its hypothesis is that both notions, in situating aesthetic experience in a liminal space between pleasure and trouble, can be considered after-images of non-aesthetical notions - notions that belong to the domain of the sacred and have metamorphosed as forms of aesthetic undecidability through the paradigmatic fracture of early modernity. The article focuses on depictions of female figures directing their gaze upward - in the iconography of Sade's Justine, in popular imagery connected with Lourdes apparitions (1858), in medium photography, and in the images taken by Charcot of his hysterical patients at the Salpêtrière - and argues that they become a Warburgian Pathosformel indicating a space of undecidability and 'nonsense' between the subject and otherness.

     

    Export to reference management software
    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-85132-616-1
    DDC Categories: 800
    Collection: ICI Berlin
    Subjects: Das Unheimliche; Ästhetik; Maria; Lourdes; Freud, Sigmund; Hysterie <Motiv>
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  5. The topoi of utopia : a topology of political tensions
    Author: Doll, Martin
    Published: 15.10.2019

    Writing a positive account of utopias has always been a difficult and risky task. Utopias have always already been out of fashion and outside of time. Since 1989 at the latest, visions of utopia appear to have come to an end. Twenty years after... more

     

    Writing a positive account of utopias has always been a difficult and risky task. Utopias have always already been out of fashion and outside of time. Since 1989 at the latest, visions of utopia appear to have come to an end. Twenty years after Fukayama's 'end of history', this article re-assesses the potentially fruitful roles for utopia’s out-of-timeness. Focusing on the critical potential of utopias through the concept of tension, it argues that utopian thought must be conceptualized through its tensile connections both to the status quo of a given society and to its possible futures.

     

    Export to reference management software
    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-85132-616-1
    DDC Categories: 800
    Collection: ICI Berlin
    Subjects: Utopie; Owen, Robert; Heterotopie; Brecht, Bertolt; Marx, Karl; Engels, Friedrich
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess