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Displaying results 1 to 5 of 10.

  1. Introduction

    The experience of multistable figures or so-called Kippbilder - the sudden and repeated 'kippen' of perception as the same object is seen under different aspects - is fascinating in its own right. However, what animated the year-long discussion... more

     

    The experience of multistable figures or so-called Kippbilder - the sudden and repeated 'kippen' of perception as the same object is seen under different aspects - is fascinating in its own right. However, what animated the year-long discussion leading to this volume was a critical exploration of the proposition that such figures may offer a helpful model for thinking through the intercultural and interdisciplinary effort of productively negotiating between conflicting positions.

     

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    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-85132-734-2
    DDC Categories: 800
    Collection: ICI Berlin
    Subjects: Inversionsfigur; Wahrnehmungswechsel; Erkenntnistheorie; Heuristik; Kritisches Denken
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess

  2. KippCity

    On 28 April 2011, on the Rathausplatz of Neukölln, Christine Hentschel's puzzlement vis-à-vis Neukölln's liberation met the neighbourhood's flickering urbanity, which she seeks to capture in a project called KippCity. KippCity is an experiment in... more

     

    On 28 April 2011, on the Rathausplatz of Neukölln, Christine Hentschel's puzzlement vis-à-vis Neukölln's liberation met the neighbourhood's flickering urbanity, which she seeks to capture in a project called KippCity. KippCity is an experiment in tracing urban change while it happens. If space is the 'event of place', as Doreen Massey holds, the space of KippCity is the transformation of Neukölln. This chapter explores the potentials of multistable figures (Kippbilder) for conceptualizing urban change. This potential, Hentschel argues, lies in the flip-moment itself, in the space-time of urban transformation. In Berlin-Neukölln, a neighbourhood long branded as poor and failing, multiple and partly conflicting flip-scenarios have begun to inspire and haunt the neighbourhood and its self-reflective talk. KippCity Neukölln is thus a flickering figure. But unlike an artefact Kippbild, which flickers between duck and rabbit, for example, KippCity Neukölln does not simply tip into a new pre-fabricated form, but rather wavers between different future scenarios. Neukölln's flickering urbanity is thus nervous, full of uncertainty, frustration and enthusiasm. The article shows how the neighbourhood seeks escape from the dystopia of two dominant flip scenarios of ghettoization and gentrification by digging its claws into its 'Now'.

     

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    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-85132-734-2
    DDC Categories: 300; 800
    Collection: ICI Berlin
    Subjects: Berlin-Neukölln; Gentrifizierung; Segregation <Soziologie>; Wandel; Stadt; Inversionsfigur; Wahrnehmungswechsel
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess

  3. Aspects and abstracta

    Philosophers of perception and psychologists first studied 'multistable' or 'reversible' figures, 'Kippbilder', in the nineteenth century. The earliest description of the phenomenon of a 'sudden and involuntary change in the apparent position' of a... more

     

    Philosophers of perception and psychologists first studied 'multistable' or 'reversible' figures, 'Kippbilder', in the nineteenth century. The earliest description of the phenomenon of a 'sudden and involuntary change in the apparent position' of a represented object occurred in a letter written by Louis Albert Necker in Geneva to Sir David Brewster on 24 May 1832 and published six months later in the "Philosophical Magazine". The picture in question would become known as the Necker cube.

     

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    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-85132-734-2
    DDC Categories: 800
    Collection: ICI Berlin
    Subjects: Wittgenstein, Ludwig; Philosophische Untersuchungen; Inversionsfigur; Wahrnehmungswechsel; Mathematik
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess

  4. Splitting images : understanding irreversible fractures through aspect change
    Published: 03.03.2020

    The Rubin vase and duck-rabbit have two things in common: not only are they famous multistable figures, or 'Kippbilder', but before being discovered by scientists and philosophers, they both started their career as simple jokes. In contrast to usual... more

     

    The Rubin vase and duck-rabbit have two things in common: not only are they famous multistable figures, or 'Kippbilder', but before being discovered by scientists and philosophers, they both started their career as simple jokes. In contrast to usual understandings of 'Kippbilder', this paper will try to demonstrate that 'Kippbilder' can be a helpful model for understanding better dramatic, existential, and even religious events and their consequences. Multistable figures or 'Kippbilder' combine reversibility and irreversibility in an interesting way. While the so called first aspect change introduces an irreversible split, all subsequent aspect changes can be understood as an endless chain of reversible changes. After discussing the specificity of the Rubin vase and its aspect changes and focussing then on the distinction between first and further aspect changes, Di Blasi suggests the productive potential of the multistable figure as model for eventful events in discussing the conversion of Paul and his 'hōs mē' ('as if not').

     

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    Source: CompaRe
    Language: English
    Media type: Article
    Format: Online
    ISBN: 978-3-85132-734-2
    DDC Categories: 800
    Collection: ICI Berlin
    Subjects: Inversionsfigur; Wahrnehmungswechsel; Gestaltpsychologie; Damaskuserlebnis
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess

  5. The Munchausen effect : subjectivity and ideology
    Published: 03.03.2020

    This paper deals with the general topic of subjectivity and subjectivation, considered through a philosophical tradition opposed to the 'philosophies of consciousness': that is, a philosophical tradition, from Spinoza to Althusser, that rejects as a... more

     

    This paper deals with the general topic of subjectivity and subjectivation, considered through a philosophical tradition opposed to the 'philosophies of consciousness': that is, a philosophical tradition, from Spinoza to Althusser, that rejects as a myth the supposed primacy and presocial character of subjective identity.

     

    Export to reference management software
    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-85132-734-2
    DDC Categories: 190; 800
    Collection: ICI Berlin
    Subjects: Althusser, Louis; Inversionsfigur; Wahrnehmungswechsel; Subjektivität; Pêcheux, Michel
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess