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  1. À margem do abismo: uma interpretação poetológica de "Zürich, zum Storchen", de Paul Celan

    The poem "Zurich, zum Storchen" by Paul Celan is often read as a document on the tension between Celan and Nelly Sachs, which resulted particularly from their different attitudes to the Shoah. However if the poem is read in connection with the cycle... more

     

    The poem "Zurich, zum Storchen" by Paul Celan is often read as a document on the tension between Celan and Nelly Sachs, which resulted particularly from their different attitudes to the Shoah. However if the poem is read in connection with the cycle "Die Niemandsrose" and with Celan’s poetological thinking at this time, Celan’s opposite standpoint means much more than a theological discussion: it serves for the affirmation of human presence. Das Gedicht "Zürich, zum Storchen" von Paul Celan wird oft als Zeugnis der Spannung zwischen ihm und Nelly Sachs gelesen, die vor allem durch die verschiedenen Einstellungen bezüglich der Schoah entstanden ist. Wird aber das Gedicht im Zusammenhang mit dem Zyklus "Die Niemandsrose" und mit der poetologischen Reflexion gelesen, die Celan zu dieser Zeit beschäftigte, dann geht Celans Gegenposition weit über eine theologische Diskussion hinaus: Sie gilt der Behauptung der menschlichen Präsenz.

     

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    Source: CompaRe
    Language: Portuguese
    Media type: Article
    Format: Online
    DDC Categories: 830
    Subjects: Sachs, Nelly; Judenvernichtung <Motiv>; Celan, Paul / Die Niemandsrose
    Rights:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess

  2. Dramáticas passagens

    Rezension zu Krausz, Luis S. Passagens. Literatura judaico-alemã entre gueto e metrópole. São Paulo: EDUSP/FAPESP, 2012. 459p. more

     

    Rezension zu Krausz, Luis S. Passagens. Literatura judaico-alemã entre gueto e metrópole. São Paulo: EDUSP/FAPESP, 2012. 459p.

     

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    Content information: free
    Source: CompaRe
    Language: Portuguese
    Media type: Review
    Format: Online
    DDC Categories: 800
    Subjects: Juden <Motiv>; Deutschland; Ghetto <Motiv>; Metropole <Motiv>
    Rights:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess

  3. [Rezension zu:] Otto Holzapfel, Lieblose Lieder. Und fragst Du mich, was mit der Liebe sei - Das 'sozialkritische' Liebeslied. Bern, Berlin, Frankfurt etc.: Peter Lang Verlag 1997 (190 S., DM 61,00, ISBN 3-906757-94-3)
    Published: 30.12.2012

    Rezension zu Otto Holzapfel, Lieblose Lieder. Und fragst Du mich, was mit der Liebe sei - Das 'sozialkritische' Liebeslied. Bern, Berlin, Frankfurt etc.: Peter Lang Verlag 1997 (190 S., DM 61,00, ISBN 3-906757-94-3) more

     

    Rezension zu Otto Holzapfel, Lieblose Lieder. Und fragst Du mich, was mit der Liebe sei - Das 'sozialkritische' Liebeslied. Bern, Berlin, Frankfurt etc.: Peter Lang Verlag 1997 (190 S., DM 61,00, ISBN 3-906757-94-3)

     

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    Content information: free
    Source: CompaRe
    Language: German
    Media type: Review
    Format: Online
    DDC Categories: 830
    Subjects: Liebeslied; Gesellschaftskritik
    Rights:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess

  4. "Vielleicht Hoffnung" : noch ein Versuch über Paul Celans Sprachgitter

    Paul Celan often reflects over the possibility of realising, recognising, and "knowing" an Other and Reality through poetry. In so doing, he locates his poetry within the cognitive realm. From this perspective the poem "Sprachgitter" as well as the... more

     

    Paul Celan often reflects over the possibility of realising, recognising, and "knowing" an Other and Reality through poetry. In so doing, he locates his poetry within the cognitive realm. From this perspective the poem "Sprachgitter" as well as the metaphor of "Sprachgitter" – which determines Celan's understanding of language in the late 1950s – can be further interpreted. In this essay, the poem "Sprachgitter" is interpreted as a process of recognition, realised through two actions: concentration and opening. Other poetological texts and letters of Paul Celan will be analysed from this perspective. Freqüentemente Paul Celan reflete sobre a possibilidade de compreender, perceber, conhecer um outro e a realidade através da poesia. Assim, ele localiza sua poesia no âmbito cognitivo. Dessa perspectiva, o poema "Sprachgitter" – como também a metáfora "Sprachgitter", que determina a compreensão celaniana da língua no final dos anos 50 – pode ser novamente interpretado. No presente artigo, o poema "Sprachgitter" é interpretado como um processo de conhecimento que se realiza em dois movimentos: concentração e abertura. Outros textos poetológicos, bem como cartas de Paul Celan, serão analisados sob essa perspectiva.

     

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    Source: CompaRe
    Language: German
    Media type: Article
    Format: Online
    DDC Categories: 830
    Subjects: Celan, Paul / Sprachgitter; Poetologie; Poetologische Lyrik; Hermetische Literatur
    Rights:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess