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Ergebnisse für sound studies

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  1. Film sound
    theory and practice
    Beteiligt: Weis, Elisabeth (Hrsg.)
    Erschienen: c 1985
    Verlag:  Columbia Univ. Press, New York [u.a.]

    The only comprehensive book on film sound, this anthology makes available for the first time and in a single volume major essays by the most respected film historians, aestheticians, and theorists of the past sixty years. In addition, it provides... mehr

    Standort:
    Hochschulbibliothek Ansbach
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Fernsehen und Film, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Hochschule für Philosophie, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The only comprehensive book on film sound, this anthology makes available for the first time and in a single volume major essays by the most respected film historians, aestheticians, and theorists of the past sixty years. In addition, it provides useful models for the analysis of sound stylistics in the form of case studies of a number of the most important sound films ever made. It is a compact primer/handbook which reviews in a coherent, rigorous, yet eminently accessible way the techniques and practices of sound filmmaking from initial recording to final playback in the theater. The book contains essays by Douglas Gomery, Barry Salt, Rick Altman, Mary Ann Doane, S. M. Eisenstein, V. I. Pudovkin, Rene' Clair, Rudolf Arnheim, Bela Balazs, Siegfried Kracauer, Christian Metz, David Bordwell, Kristin Thompson, Noël Burch, Arthur Knight, Lucy Fischer, Noël Carroll, Alan Williams, Fred Camper, and others. Essays deal in detail with such filmmakers as Lubitsch, Clair, Mamoulian, Vertov, Lang, Pabst, Stahl, Welles, Hitchcock, Renoir, Bresson, Godard, Altman, and Coppola.

     
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  2. Film sound
    theory and practice
    Beteiligt: Weis, Elisabeth (Hrsg.)
    Erschienen: c 1985
    Verlag:  Columbia Univ. Press, New York [u.a.]

    The only comprehensive book on film sound, this anthology makes available for the first time and in a single volume major essays by the most respected film historians, aestheticians, and theorists of the past sixty years. In addition, it provides... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The only comprehensive book on film sound, this anthology makes available for the first time and in a single volume major essays by the most respected film historians, aestheticians, and theorists of the past sixty years. In addition, it provides useful models for the analysis of sound stylistics in the form of case studies of a number of the most important sound films ever made. It is a compact primer/handbook which reviews in a coherent, rigorous, yet eminently accessible way the techniques and practices of sound filmmaking from initial recording to final playback in the theater. The book contains essays by Douglas Gomery, Barry Salt, Rick Altman, Mary Ann Doane, S. M. Eisenstein, V. I. Pudovkin, Rene' Clair, Rudolf Arnheim, Bela Balazs, Siegfried Kracauer, Christian Metz, David Bordwell, Kristin Thompson, Noël Burch, Arthur Knight, Lucy Fischer, Noël Carroll, Alan Williams, Fred Camper, and others. Essays deal in detail with such filmmakers as Lubitsch, Clair, Mamoulian, Vertov, Lang, Pabst, Stahl, Welles, Hitchcock, Renoir, Bresson, Godard, Altman, and Coppola.

     
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  3. Semiotics of Drama and Theatre
    New Perspectives in the Theory of Drama and Theatre
    Erschienen: 1985
    Verlag:  John Benjamins Pub. Co, Amsterdam/Philadelphia

    2.2. 'Imitative' Theatre Research3. Analytical Theatre Research; 3.1. Introduction; 3.2. Analytical Theory of Science; 3.3. The contents of an Analytical Science of Theatre; 4. Conclusion; References; II. Theory of Drama and Theatre; THE ALGEBRA OF... mehr

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    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    2.2. 'Imitative' Theatre Research3. Analytical Theatre Research; 3.1. Introduction; 3.2. Analytical Theory of Science; 3.3. The contents of an Analytical Science of Theatre; 4. Conclusion; References; II. Theory of Drama and Theatre; THE ALGEBRA OF SCENIC SITUATIONS; 1. Definitions; 2. Moore-Brainerd closure. Scenic domination; 3. Peculiar families of scenic configurations; 4. Groups of scenic configurations; References; EVIDENCES ET STRATEGIESDE L'ANALYSE THEATRALE; Notes; Références; ON THE NATURE OF DRAMATIC TEXT; Notes; References. 2.1. Music as Theme: Communicative Potentials and (Non- ) Realizations2.1.1. Introduction; 2.1.2. Music and the Prozorovs; 2.1.3. The Lost Key to the Precious Piano; 2.2. Music as Sound: Preliminary Remarks; 2.3. Music as Structural Model; Notes; References; DIE STRATEGIE DER PARADOXIE. ZUR LOGIK DER KONVERSATION IM DANDYISMUS AM BEISPIEL OSCAR WILDES; 1 Die sprachliche Strategie. Paradoxie als questio inter disciplinas; 2. Die historische Situation. Paradoxie als stilistischer Ausdruck des New Spirit der Yellow Nineties (Ein Zwischenspiel); 3. Das Ziel der Attacke.; 4. Das logische Spiel. 5. Die konservative Inquisition. 6. Dandy, Camp und fin du globe; Anmerkungen; Literaturhinweise; THE THEATRICAL THEATRE -- EVREINOV'S CONTRIBUTION TO RUSSIAN MODERNISM. AN ANALYSIS OF VESELAJA SMERT'; 1. The Object; 2. Methodology; 3. The historical background; 4. Evreinov's concept of theatricality; 5. Veselaja smert'; 6. Veselaja smert' and commedia dell'arte; 7. Veselaja smert' and symbolism; 8. Conclusion; References; LE ROLE DE L'ESPACE SCENIQUE DANS LA LECTURE DU TEXTE DRAMATIQUE; 0. Prémisses; 1. L'espace scénique dans un 'modèle' du genre dramatique. COHERENCE AND FOCALITY. A CONTRIBUTION TO THE ANALYSABILITY OF THEATRE DISCOURSENotes; References; III. DESCRIPTIVE THEATRE RESEARCH; THE DRAMATIC DIALOGUE -- ORAL OR LITERARY COMMUNICATION?; 1. Introduction; 2. Four types of dramatic dialogue; 2.1. The Literary dramatic dialogue; 2.2. The Theatrical dramatic dialogue; 3. Conclusion; Notes; References; MUSIC AS THEME AND AS STRUCTURAL MODEL IN CHEKHOV'S THREE SISTERS; 1. Introduction: Potential-Realization Ralationships as Underlying Structural Principle in Chekhov's Later Work; 2. Music in 'Three Sisters': Theme, Sound and Technique. SEMIOTICS OF DRAMA AND THEATRE; Editorial page; Title page; Copyright page; Table of contents; Introduction; NEW PERSPECTIVES IN THE THEORY OF DRAMA AND THEATRE; AN INTRODUCTION; 1. Introduction; 2. The present reader; 3. Conclusion; References; 1. Fundamentals of Theatre Research; THEATRE AND DRAMA RESEARCH; AN ANALYTICAL PROPOSITION* TO CARLOS; 1. Introduction; 2. A science in need for a methodology; 3. Two ways of doing science; 4. Conclusion; II. A FRAMEWORK FOR THEATRE RESEARCH; 1. Introduction; 2. State of affairs within Theatre Research; 2.1. Hermeneutic Theatre Research. The volume presents perspectives in the theory of drama and theatre that are new for the following reasons: 1) the contributions reflect the international cooperation in developing drama and theatre as well as its theories; 2) this collection is the first attempt of presenting papers within the context of (Analytical) Theory of Science; 3) it is the first consistent set of papers starting from semiotics a s a meta-theory. The volume is divided into four sections: I Fundamental of Theatre Research, II Theory of Drama and Theatre, III Descriptive Theatre Research, IV Applied Theatre Research. Th

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789027279675; 9027279675
    Schriftenreihe: Linguistic & literary studies in Eastern Europe ; v. 10
    Schlagworte: Drama; Semiotics; Theater; Literature; Fine Arts; PERFORMING ARTS ; Theater ; History & Criticism; Drama; Semiotics
    Umfang: Online Ressource (556 p.)
    Bemerkung(en):

    2. L'espace scénique dans les 'Sei personaggi in cerca d'autore' de Pirandello. - Description based on print version record
  4. Semiotics of Drama and Theatre
    New Perspectives in the Theory of Drama and Theatre
    Autor*in: Schmid, Herta
    Erschienen: 1985
    Verlag:  John Benjamins Publishing Company, Amsterdam/Philadelphia

    The volume presents perspectives in the theory of drama and theatre that are new for the following reasons: 1) the contributions reflect the international cooperation in developing drama and theatre as well as its theories; 2) this collection is the... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    The volume presents perspectives in the theory of drama and theatre that are new for the following reasons: 1) the contributions reflect the international cooperation in developing drama and theatre as well as its theories; 2) this collection is the first attempt of presenting papers within the context of (Analytical) Theory of Science; 3) it is the first consistent set of papers starting from semiotics a s a meta-theory. The volume is divided into four sections: I Fundamental of Theatre Research, II Theory of Drama and Theatre, III Descriptive Theatre Research, IV Applied Theatre Research. Th

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789027215130
    Schriftenreihe: Linguistic and Literary Studies in Eastern Europe
    Umfang: Online-Ressource (556 p.)
    Bemerkung(en):

    Description based upon print version of record

    SEMIOTICS OF DRAMA AND THEATRE; Editorial page; Title page; Copyright page; Table of contents; Introduction; NEW PERSPECTIVES IN THE THEORY OF DRAMA AND THEATRE; AN INTRODUCTION; 1. Introduction; 2. The present reader; 3. Conclusion; References; 1. Fundamentals of Theatre Research; THEATRE AND DRAMA RESEARCH; AN ANALYTICAL PROPOSITION* TO CARLOS; 1. Introduction; 2. A science in need for a methodology; 3. Two ways of doing science; 4. Conclusion; II. A FRAMEWORK FOR THEATRE RESEARCH; 1. Introduction; 2. State of affairs within Theatre Research; 2.1. Hermeneutic Theatre Research

    2.2. 'Imitative' Theatre Research3. Analytical Theatre Research; 3.1. Introduction; 3.2. Analytical Theory of Science; 3.3. The contents of an Analytical Science of Theatre; 4. Conclusion; References; II. Theory of Drama and Theatre; THE ALGEBRA OF SCENIC SITUATIONS; 1. Definitions; 2. Moore-Brainerd closure. Scenic domination; 3. Peculiar families of scenic configurations; 4. Groups of scenic configurations; References; EVIDENCES ET STRATEGIESDE L'ANALYSE THEATRALE; Notes; Références; ON THE NATURE OF DRAMATIC TEXT; Notes; References

    COHERENCE AND FOCALITY. A CONTRIBUTION TO THE ANALYSABILITY OF THEATRE DISCOURSENotes; References; III. DESCRIPTIVE THEATRE RESEARCH; THE DRAMATIC DIALOGUE - ORAL OR LITERARY COMMUNICATION?; 1. Introduction; 2. Four types of dramatic dialogue; 2.1. The Literary dramatic dialogue; 2.2. The Theatrical dramatic dialogue; 3. Conclusion; Notes; References; MUSIC AS THEME AND AS STRUCTURAL MODEL IN CHEKHOV'S THREE SISTERS; 1. Introduction: Potential-Realization Ralationships as Underlying Structural Principle in Chekhov's Later Work; 2. Music in 'Three Sisters': Theme, Sound and Technique

    2.1. Music as Theme: Communicative Potentials and (Non-) Realizations2.1.1. Introduction; 2.1.2. Music and the Prozorovs; 2.1.3. The Lost Key to the Precious Piano; 2.2. Music as Sound: Preliminary Remarks; 2.3. Music as Structural Model; Notes; References; DIE STRATEGIE DER PARADOXIE. ZUR LOGIK DER KONVERSATION IM DANDYISMUS AM BEISPIEL OSCAR WILDES; 1 Die sprachliche Strategie. Paradoxie als questio inter disciplinas; 2. Die historische Situation. Paradoxie als stilistischer Ausdruck des New Spirit der Yellow Nineties (Ein Zwischenspiel); 3. Das Ziel der Attacke.; 4. Das logische Spiel.

    5. Die konservative Inquisition.6. Dandy, Camp und fin du globe; Anmerkungen; Literaturhinweise; THE THEATRICAL THEATRE - EVREINOV'S CONTRIBUTION TO RUSSIAN MODERNISM. AN ANALYSIS OF VESELAJA SMERT'; 1. The Object; 2. Methodology; 3. The historical background; 4. Evreinov's concept of theatricality; 5. Veselaja smert'; 6. Veselaja smert' and commedia dell'arte; 7. Veselaja smert' and symbolism; 8. Conclusion; References; LE ROLE DE L'ESPACE SCENIQUE DANS LA LECTURE DU TEXTE DRAMATIQUE; 0. Prémisses; 1. L'espace scénique dans un 'modèle' du genre dramatique

    2. L'espace scénique dans les 'Sei personaggi in cerca d'autore' de Pirandello