Ergebnisse für sound studies

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  1. Language, sexuality, narrative, the Oresteia
    Autor*in: Goldhill, Simon
    Erschienen: 1984
    Verlag:  Cambridge University Press, Cambridge

    This book is concerned with the complexity and difficulty of reading the Oresteia. It is not a traditional commentary, although it is often concerned with problems of interpretation and language, nor is it simply what is generally understood by a... mehr

    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    This book is concerned with the complexity and difficulty of reading the Oresteia. It is not a traditional commentary, although it is often concerned with problems of interpretation and language, nor is it simply what is generally understood by a literary study, although it often discusses the wider themes of the narrative. It is a close reading of the text concentrating on the developing meanings of words within the structuring of the play. In particular, Simon Goldhill focuses on the text's interests in language and its control, in sexuality and sexual difference, and in the progression and description of events. Dr Goldhill links a sound philological knowledge with material drawn widely from modern literary theory and anthropological studies. The result is a challenging and provocative book, which offers for the serious student of Greek drama an exciting range of insights into one of the most important texts of the ancient world.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511552496
    RVK Klassifikation: FH 21756
    Umfang: 1 Online-Ressource (ix, 315 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  2. Language, sexuality, narrative, the Oresteia
    Autor*in: Goldhill, Simon
    Erschienen: 1984
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    This book is concerned with the complexity and difficulty of reading the Oresteia. It is not a traditional commentary, although it is often concerned with problems of interpretation and language, nor is it simply what is generally understood by a... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book is concerned with the complexity and difficulty of reading the Oresteia. It is not a traditional commentary, although it is often concerned with problems of interpretation and language, nor is it simply what is generally understood by a literary study, although it often discusses the wider themes of the narrative. It is a close reading of the text concentrating on the developing meanings of words within the structuring of the play. In particular, Simon Goldhill focuses on the text's interests in language and its control, in sexuality and sexual difference, and in the progression and description of events. Dr Goldhill links a sound philological knowledge with material drawn widely from modern literary theory and anthropological studies. The result is a challenging and provocative book, which offers for the serious student of Greek drama an exciting range of insights into one of the most important texts of the ancient world

     

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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511552496
    Weitere Identifier:
    RVK Klassifikation: FH 21756
    Schlagworte: Geschichte; Narration (Rhetoric) / History / To 1500; Greek language / Semantics; Sex in literature; Rhetoric, Ancient; Tragedy
    Weitere Schlagworte: Aeschylus / Oresteia; Orestes / King of Argos (Mythological character) / In literature; Aeschylus (v525-v456): Orestia
    Umfang: 1 Online-Ressource (IX, 315 S.)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Erscheinungsjahr des E-Books: 2009

  3. Language, sexuality, narrative, the Oresteia
    Autor*in: Goldhill, Simon
    Erschienen: 1984
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    This book is concerned with the complexity and difficulty of reading the Oresteia. It is not a traditional commentary, although it is often concerned with problems of interpretation and language, nor is it simply what is generally understood by a... mehr

    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book is concerned with the complexity and difficulty of reading the Oresteia. It is not a traditional commentary, although it is often concerned with problems of interpretation and language, nor is it simply what is generally understood by a literary study, although it often discusses the wider themes of the narrative. It is a close reading of the text concentrating on the developing meanings of words within the structuring of the play. In particular, Simon Goldhill focuses on the text's interests in language and its control, in sexuality and sexual difference, and in the progression and description of events. Dr Goldhill links a sound philological knowledge with material drawn widely from modern literary theory and anthropological studies. The result is a challenging and provocative book, which offers for the serious student of Greek drama an exciting range of insights into one of the most important texts of the ancient world

     

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    Volltext (URL des Erstveröffentlichers)
    Volltext (lizenzpflichtig)
    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511552496
    Weitere Identifier:
    RVK Klassifikation: FH 21756
    Schlagworte: Geschichte; Narration (Rhetoric) / History / To 1500; Greek language / Semantics; Sex in literature; Rhetoric, Ancient; Tragedy
    Weitere Schlagworte: Aeschylus / Oresteia; Orestes / King of Argos (Mythological character) / In literature; Aeschylus (v525-v456): Orestia
    Umfang: 1 Online-Ressource (IX, 315 S.)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Erscheinungsjahr des E-Books: 2009

  4. Language, sexuality, narrative, the Oresteia
    Autor*in: Goldhill, Simon
    Erschienen: 1984
    Verlag:  Cambridge University Press, Cambridge

    This book is concerned with the complexity and difficulty of reading the Oresteia. It is not a traditional commentary, although it is often concerned with problems of interpretation and language, nor is it simply what is generally understood by a... mehr

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitätsbibliothek der Eberhard Karls Universität
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    This book is concerned with the complexity and difficulty of reading the Oresteia. It is not a traditional commentary, although it is often concerned with problems of interpretation and language, nor is it simply what is generally understood by a literary study, although it often discusses the wider themes of the narrative. It is a close reading of the text concentrating on the developing meanings of words within the structuring of the play. In particular, Simon Goldhill focuses on the text's interests in language and its control, in sexuality and sexual difference, and in the progression and description of events. Dr Goldhill links a sound philological knowledge with material drawn widely from modern literary theory and anthropological studies. The result is a challenging and provocative book, which offers for the serious student of Greek drama an exciting range of insights into one of the most important texts of the ancient world

     

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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511552496
    Weitere Identifier:
    Schlagworte: Narration (Rhetoric); Greek language; Sex in literature; Rhetoric, Ancient; Tragedy; Aeschylus ; Oresteia; Orestes ; King of Argos (Mythological character) ; In literature; Narration (Rhetoric) ; History ; To 1500; Greek language ; Semantics; Sex in literature; Rhetoric, Ancient; Tragedy
    Weitere Schlagworte: Orestes King of Argos (Mythological character); Aeschylus: Oresteia
    Umfang: 1 Online-Ressource (ix, 315 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  5. Classical Hebrew Poetry
    A Guide to its Techniques
    Erschienen: 1984
    Verlag:  Bloomsbury Publishing, London ; ProQuest, Ann Arbor, Michigan

    In spite of debatable issues, such as metre, we now know enough about classical Hebrew poetry to be able to understand how it was composed. This large-scale manual, rich in detail, exegesis and bibliography, provides guidelines for the analysis and... mehr

    Universität Frankfurt, Elektronische Ressourcen
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    keine Fernleihe
    Universitätsbibliothek Gießen
    keine Fernleihe

     

    In spite of debatable issues, such as metre, we now know enough about classical Hebrew poetry to be able to understand how it was composed. This large-scale manual, rich in detail, exegesis and bibliography, provides guidelines for the analysis and appreciation of Hebrew verse. Topics include oral poetry, metre, parallelism and forms of the strophe and stanza. Sound patterns and imagery are also discussed. A lengthy chapter sets out a whole range of other poetic devices and the book closes with a set of worked examples of Hebrew poetry. Throughout, other ancient Semitic verse has been used for comparison and the principles of modern literary criticism have been applied.

     

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    Quelle: Verbundkataloge
    Beteiligt: Fishbane, Michael
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780567434166
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: The Library of Hebrew Bible/Old Testament Studies
    Umfang: 1 Online-Ressource (481 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  6. Classical Hebrew Poetry
    A Guide to its Techniques
    Autor*in: Watkins, Mary
    Erschienen: 1984
    Verlag:  Continuum International Publishing, London

    In spite of debatable issues, such as metre, we now know enough about classical Hebrew poetry to be able to understand how it was composed. This large-scale manual, rich in detail, exegesis and bibliography, provides guidelines for the analysis and... mehr

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    ProQuest Academic Complete
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    ProQuest Academic Complete
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    EBS ProQuest
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    In spite of debatable issues, such as metre, we now know enough about classical Hebrew poetry to be able to understand how it was composed. This large-scale manual, rich in detail, exegesis and bibliography, provides guidelines for the analysis and appreciation of Hebrew verse. Topics include oral poetry, metre, parallelism and forms of the strophe and stanza. Sound patterns and imagery are also discussed. A lengthy chapter sets out a whole range of other poetic devices and the book closes with a set of worked examples of Hebrew poetry. Throughout, other ancient Semitic verse has been used for

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780905774572
    Schriftenreihe: The Library of Hebrew Bible / Old Testament Studies
    The Library of Hebrew Bible/Old Testament Studies
    Schlagworte: Hebrew poetry ; History and criticism; Hebrew poetry, Biblical ; History and criticism; Electronic books
    Umfang: Online-Ressource (481 p.)
    Bemerkung(en):

    Description based upon print version of record

    Contents; Foreword; Abbreviations; Short Titles of Frequently Mentioned Works; Festschriften; 1 INTRODUCTION; 2 POETIC TEXTS IN OTHER SEMITIC LANGUAGES; 3 ANALYSING HEBREW POETRY: NOTES ON METHOD; 4 THE HEBREW POET IN ACTION; 5 METRE; 6 PARALLELISM; 7 STANZA AND STROPHE; 8 VERSE-PATTERNS; 9 SOUND IN HEBREW POETRY; 10 IMAGERY; 11 POETIC DEVICES; 12 SECONDARY TECHNIQUES; 13 APPENDIX: WORKED EXAMPLES; CLOSING COMMENTS; INDEXES;

  7. Semiotics of drama and theatre
    new perspectives in the theory of drama and theatre
    Beteiligt: Schmid, Herta (HerausgeberIn); Kesteren, Aloysius van (HerausgeberIn)
    Erschienen: 1984
    Verlag:  John Benjamins Publishing Company, Amsterdam

    The volume presents perspectives in the theory of drama and theatre that are new for the following reasons: 1) the contributions reflect the international cooperation in developing drama and theatre as well as its theories; 2) this collection is the... mehr

    Technische Universität Chemnitz, Universitätsbibliothek
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    The volume presents perspectives in the theory of drama and theatre that are new for the following reasons: 1) the contributions reflect the international cooperation in developing drama and theatre as well as its theories; 2) this collection is the first attempt of presenting papers within the context of (Analytical) Theory of Science; 3) it is the first consistent set of papers starting from semiotics a s a meta-theory. The volume is divided into four sections: I Fundamental of Theatre Research, II Theory of Drama and Theatre, III Descriptive Theatre Research, IV Applied Theatre Research. Th

     

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    Quelle: Verbundkataloge
    Beteiligt: Schmid, Herta (HerausgeberIn); Kesteren, Aloysius van (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789027279675
    Weitere Identifier:
    Schriftenreihe: Linguistic and Literary Studies in Eastern Europe ; volume 10
    Umfang: 1 Online-Ressource (548 Seiten), Illustrationen
    Bemerkung(en):

    SEMIOTICS OF DRAMA AND THEATRE; Editorial page; Title page; Copyright page; Table of contents; Introduction; NEW PERSPECTIVES IN THE THEORY OF DRAMA AND THEATRE; AN INTRODUCTION; 1. Introduction; 2. The present reader; 3. Conclusion; References; 1. Fundamentals of Theatre Research; THEATRE AND DRAMA RESEARCH; AN ANALYTICAL PROPOSITION* TO CARLOS; 1. Introduction; 2. A science in need for a methodology; 3. Two ways of doing science; 4. Conclusion; II. A FRAMEWORK FOR THEATRE RESEARCH; 1. Introduction; 2. State of affairs within Theatre Research; 2.1. Hermeneutic Theatre Research

    2.2. 'Imitative' Theatre Research3. Analytical Theatre Research; 3.1. Introduction; 3.2. Analytical Theory of Science; 3.3. The contents of an Analytical Science of Theatre; 4. Conclusion; References; II. Theory of Drama and Theatre; THE ALGEBRA OF SCENIC SITUATIONS; 1. Definitions; 2. Moore-Brainerd closure. Scenic domination; 3. Peculiar families of scenic configurations; 4. Groups of scenic configurations; References; EVIDENCES ET STRATEGIESDE L'ANALYSE THEATRALE; Notes; Références; ON THE NATURE OF DRAMATIC TEXT; Notes; References

    COHERENCE AND FOCALITY. A CONTRIBUTION TO THE ANALYSABILITY OF THEATRE DISCOURSENotes; References; III. DESCRIPTIVE THEATRE RESEARCH; THE DRAMATIC DIALOGUE - ORAL OR LITERARY COMMUNICATION?; 1. Introduction; 2. Four types of dramatic dialogue; 2.1. The Literary dramatic dialogue; 2.2. The Theatrical dramatic dialogue; 3. Conclusion; Notes; References; MUSIC AS THEME AND AS STRUCTURAL MODEL IN CHEKHOV'S THREE SISTERS; 1. Introduction: Potential-Realization Ralationships as Underlying Structural Principle in Chekhov's Later Work; 2. Music in 'Three Sisters': Theme, Sound and Technique

    2.1. Music as Theme: Communicative Potentials and (Non-) Realizations2.1.1. Introduction; 2.1.2. Music and the Prozorovs; 2.1.3. The Lost Key to the Precious Piano; 2.2. Music as Sound: Preliminary Remarks; 2.3. Music as Structural Model; Notes; References; DIE STRATEGIE DER PARADOXIE. ZUR LOGIK DER KONVERSATION IM DANDYISMUS AM BEISPIEL OSCAR WILDES; 1 Die sprachliche Strategie. Paradoxie als questio inter disciplinas; 2. Die historische Situation. Paradoxie als stilistischer Ausdruck des New Spirit der Yellow Nineties (Ein Zwischenspiel); 3. Das Ziel der Attacke.; 4. Das logische Spiel.

    5. Die konservative Inquisition.6. Dandy, Camp und fin du globe; Anmerkungen; Literaturhinweise; THE THEATRICAL THEATRE - EVREINOV'S CONTRIBUTION TO RUSSIAN MODERNISM. AN ANALYSIS OF VESELAJA SMERT'; 1. The Object; 2. Methodology; 3. The historical background; 4. Evreinov's concept of theatricality; 5. Veselaja smert'; 6. Veselaja smert' and commedia dell'arte; 7. Veselaja smert' and symbolism; 8. Conclusion; References; LE ROLE DE L'ESPACE SCENIQUE DANS LA LECTURE DU TEXTE DRAMATIQUE; 0. Prémisses; 1. L'espace scénique dans un 'modèle' du genre dramatique

    2. L'espace scénique dans les 'Sei personaggi in cerca d'autore' de Pirandello