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Ergebnisse für sound studies

Zeige Ergebnisse 1 bis 9 von 9.

  1. Sonophilia / Sonophobia: Sonic Others in the Poetry of Edward Sapir
    Autor*in: Reichel, A. Elisabeth
    Erschienen: 2015

    One of the key findings in early visual culture studies is a profound ambivalence toward images, which is intricately tied up with hegemonic conceptions of cultural, racial, and sexual Others. Starting from W. J. T. Mitchell’s diagnosis of... mehr

     

    One of the key findings in early visual culture studies is a profound ambivalence toward images, which is intricately tied up with hegemonic conceptions of cultural, racial, and sexual Others. Starting from W. J. T. Mitchell’s diagnosis of iconophilia and iconophobia for visual culture, Iargue that recent sound studies yield parallel conclusions with regard to sonic culture, as scholars such as Jonathan Sterne point to a long tradition of writing on sound that is also characterized by attraction to and repulsion of media and sign systems other than written language. On the basis of a theoretical conception of what I term sonophilia and sonophobia, then, this essay asserts that it is precisely the ambivalence toward sound that is at the center of the poetry of anthropologist and linguist Edward Sapir. In their treatment of auditory sense perceptions as the Other of written language, Sapir’s poems “Music” and “Zuni” attest to the fact that not only images but notions of sound, too, are shaped by ideological associations embedded in semiotic and sensory oppositions.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    DDC Klassifikation: Amerikanische Literatur in in Englisch (810)
    Schlagworte: Lyrik; Anthropologie; Edward Sapir; Sound
    Lizenz:

    rightsstatements.org/vocab/InC/1.0/
  2. Argentinische Radio-Sounds als fiktionale und dokumentarische Orte der Erinnerung in Cómo me hice monja (Wie ich Nonne wurde) von César Aira
    Autor*in: Quandt, Christiane
    Erschienen: [2016]

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe

    Standort:
    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
    Fernleihe:
    keine Fernleihe
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Druck
    Übergeordneter Titel: Enthalten in: Studienkreis Rundfunk und Geschichte (45. : 2015 : Wien); Geschichte(n), Repräsentationen, Fiktionen; Köln : Herbert von Halem Verlag, 2016; (2016), Seite 149-161; 217 Seiten

    Schlagworte: Argentinien; Literatur; Hörfunk; Erinnerung;
    Bemerkung(en):

    Literaturangaben
  3. Celebrating the prince from Afar
    echoes from the jubilant dominions in the orations to the newly elected doges (XVI-XVII centuries)
    Autor*in: Florio, Giovanni
    Erschienen: 2023

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Übergeordneter Titel:
    Geographies of sound / edited by Luigi Collarile and Maria Rosa De Luca; Turnhout, 2023; Seite 107-143
    Schlagworte: Musik <Motiv>; Rede; Doge
  4. The voice from the hereafter
    E. T. A. Hoffmann's ideal of sound and its realization in early twentieth-century electronic music
    Autor*in: Keil, Werner
    Erschienen: 2004

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    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Übergeordneter Titel:
    Music and literature in German romanticism / ed. by Siobhán Donovan ...; Rochester, N.Y., 2004; S. 143 - 161
    Schlagworte: Klang <Motiv>
    Weitere Schlagworte: Hoffmann, E. T. A. (1776-1822)
  5. Argentinische Radio-Sounds als fiktionale und dokumentarische Orte der Erinnerung in Cómo me hice monja (Wie ich Nonne wurde) von César Aira
    Autor*in: Quandt, Christiane
    Erschienen: [2016]

    Standort:
    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Druck
    Übergeordneter Titel: Enthalten in: Studienkreis Rundfunk und Geschichte (45. : 2015 : Wien); Geschichte(n), Repräsentationen, Fiktionen; Köln : Herbert von Halem Verlag, 2016; (2016), Seite 149-161; 217 Seiten

    Schlagworte: Argentinien; Literatur; Hörfunk; Erinnerung;
    Bemerkung(en):

    Literaturangaben
  6. Intermedial Framing
    Autor*in: Meyer, Michael
    Erschienen: 2015
    Verlag:  De Gruyter

    Analyses of intermediality in narrative fiction have mainly focused on the evocation of images in the main body of the text. More recently, intermedial research has started to include visual material in multimodal narratives. The present essay... mehr

     

    Analyses of intermediality in narrative fiction have mainly focused on the evocation of images in the main body of the text. More recently, intermedial research has started to include visual material in multimodal narratives. The present essay explores an issue neglected by these two approaches, namely the interplay between visual illustration and verbal representation as interdependent framing devices. The examples under scrutiny offer multiple framings and frame-breaks, provoking reflections on representation, media, and interpretation. ; www.degruyter.com/document/doi/10.1515/9783110311075/html

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Englische, altenglische Literaturen (820); Geschichte der Britischen Inseln (941); Geschichte Neuseelands (993)
    Schlagworte: englishstudies; literarystudies
    Lizenz:

    L::The Stacks License ; thestacks.libaac.de/rights
  7. Intermedial Framing
    Autor*in: Meyer, Michael
    Erschienen: 2015
    Verlag:  De Gruyter

    Analyses of intermediality in narrative fiction have mainly focused on the evocation of images in the main body of the text. More recently, intermedial research has started to include visual material in multimodal narratives. The present essay... mehr

     

    Analyses of intermediality in narrative fiction have mainly focused on the evocation of images in the main body of the text. More recently, intermedial research has started to include visual material in multimodal narratives. The present essay explores an issue neglected by these two approaches, namely the interplay between visual illustration and verbal representation as interdependent framing devices. The examples under scrutiny offer multiple framings and frame-breaks, provoking reflections on representation, media, and interpretation. ; www.degruyter.com/document/doi/10.1515/9783110311075/html

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Englische, altenglische Literaturen (820); Geschichte der Britischen Inseln (941); Geschichte Neuseelands (993)
    Schlagworte: englishstudies; literarystudies
    Lizenz:

    L::The Stacks License ; thestacks.libaac.de/rights
  8. Musical biographies
    the music of memory in post-1945 German literature
    Autor*in: Ben-Horin, Michal
    Erschienen: April 2016
    Verlag:  De Gruyter, Berlin

    Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they bear witness to and reverberate with traumatic experience that escapes or resists language? In search for an alternative mode of expression and representation, this volume focuses on postwar German and Austrian writers who made use of music in their exploration of the National Socialist past. Their works invoke, however, new questions: What happens when we cross the line between narration and documentation, and between memory and a musical piece? How does identification and fascination affect our reading of the text? What kind of ethical issues do these testimonies raise? As this volume shows, reading these musical biographies is both troubling and compelling since they ‘fail’ to come to terms with the past. In playing the haunting music that does not let us put the matter to rest, they call into question not only the exclusion of personal stories by official narratives, but also challenge writers’ and readers’ most intimate perspectives on an unmasterable past

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    ISBN: 9783110460933
    Weitere Identifier:
    Übergeordneter Titel: Title is part of eBook package: EBOOK PACKAGE Literary, Cultural and Area Studies 2016; De Gruyter
    Title is part of eBook package: EBOOK PACKAGE COMPLETE 2016; De Gruyter
    Schriftenreihe: Interdisciplinary German cultural studies ; 20
    Schlagworte: German fiction; Music and literature; Music and literature; Memory in literature
    Umfang: 1 Online-Ressource (181 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

    Frontmatter -- -- Acknowledgments -- -- Contents -- -- Overture. German Catastrophe and the Rebirth of Musical Biography -- -- 1. Thomas Mann: Dissonance as a Mode of Documentation -- -- Interlude I. Siegfried: Atonality and Decentralized Narrative -- -- 2. Günter Grass: Rhythms of a Fictitious Testimony -- -- Interlude II. Clown: Ironic Tune between Memory and Oblivion -- -- 3. Ingeborg Bachmann: The Resonance of Trauma -- -- Interlude III. Pianist: Austria from a Musician’s Perspective -- -- 4. Thomas Bernhard: Writing, Playing, and the Compulsion to Repeat -- -- Interlude IV. Composer: Sound Transfiguration after Reunification -- -- Coda. The End of Musical Biography? -- -- Bibliography -- -- Index
  9. Musical biographies
    the music of memory in post-1945 German literature
    Autor*in: Ben-Horin, Michal
    Erschienen: April 2016
    Verlag:  De Gruyter, Berlin

    Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they... mehr

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Hildesheim
    Fernleihe:
    keine Fernleihe

    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Merseburg, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
    Fernleihe:
    keine Fernleihe
    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
    Fernleihe:
    keine Fernleihe

     

    Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they bear witness to and reverberate with traumatic experience that escapes or resists language? In search for an alternative mode of expression and representation, this volume focuses on postwar German and Austrian writers who made use of music in their exploration of the National Socialist past. Their works invoke, however, new questions: What happens when we cross the line between narration and documentation, and between memory and a musical piece? How does identification and fascination affect our reading of the text? What kind of ethical issues do these testimonies raise? As this volume shows, reading these musical biographies is both troubling and compelling since they ‘fail’ to come to terms with the past. In playing the haunting music that does not let us put the matter to rest, they call into question not only the exclusion of personal stories by official narratives, but also challenge writers’ and readers’ most intimate perspectives on an unmasterable past

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    ISBN: 9783110460933
    Weitere Identifier:
    Übergeordneter Titel: Title is part of eBook package: EBOOK PACKAGE Literary, Cultural and Area Studies 2016; De Gruyter
    Title is part of eBook package: EBOOK PACKAGE COMPLETE 2016; De Gruyter
    Schriftenreihe: Interdisciplinary German cultural studies ; 20
    Schlagworte: German fiction; Music and literature; Music and literature; Memory in literature
    Umfang: 1 Online-Ressource (181 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

    Frontmatter -- -- Acknowledgments -- -- Contents -- -- Overture. German Catastrophe and the Rebirth of Musical Biography -- -- 1. Thomas Mann: Dissonance as a Mode of Documentation -- -- Interlude I. Siegfried: Atonality and Decentralized Narrative -- -- 2. Günter Grass: Rhythms of a Fictitious Testimony -- -- Interlude II. Clown: Ironic Tune between Memory and Oblivion -- -- 3. Ingeborg Bachmann: The Resonance of Trauma -- -- Interlude III. Pianist: Austria from a Musician’s Perspective -- -- 4. Thomas Bernhard: Writing, Playing, and the Compulsion to Repeat -- -- Interlude IV. Composer: Sound Transfiguration after Reunification -- -- Coda. The End of Musical Biography? -- -- Bibliography -- -- Index