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Ergebnisse für sound studies

Zeige Ergebnisse 1 bis 6 von 6.

  1. Eardrums
    literary modernism as sonic warfare
    Autor*in: Whitney, Tyler
    Erschienen: [2019]
    Verlag:  Northwestern University Press, Evanston, Illinois

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions from the battlefield to Fin-de-siecle Vienna -- Drumming literature into the ground: Dada's tympanic regime -- Toward a modernist ear: Robert Musil and the poetics of acoustic space -- Into the inaudible: sound and imperception in Kafka's late writings -- Conclusion: Nazi soundscapes and their reverberation in postwar culture. "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780810140219; 9780810140226
    Schlagworte: German literature; German literature; Modernism (Literature); Sound in literature
    Umfang: x, 219 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. Eardrums
    literary modernism as sonic warfare
    Autor*in: Whitney, Tyler
    Erschienen: [2019]
    Verlag:  Northwestern University Press, Evanston, Illinois

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 79816
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2020 A 2891
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Mannheim
    Signatur:
    2020 A 2609
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Deutsches Literaturarchiv Marbach, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions from the battlefield to Fin-de-siecle Vienna -- Drumming literature into the ground: Dada's tympanic regime -- Toward a modernist ear: Robert Musil and the poetics of acoustic space -- Into the inaudible: sound and imperception in Kafka's late writings -- Conclusion: Nazi soundscapes and their reverberation in postwar culture. "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780810140219; 9780810140226
    Schlagworte: German literature; German literature; Modernism (Literature); Sound in literature
    Umfang: x, 219 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  3. Eardrums
    literary modernism as sonic warfare
    Autor*in: Whitney, Tyler
    Erschienen: 2019
    Verlag:  Northwestern University Press, Evanston, Illinois

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780810140219; 9780810140226
    Schlagworte: Moderne; Deutsch; Literatur; Klang <Motiv>; Geräusch <Motiv>
    Weitere Schlagworte: German literature / 19th century / History and criticism; German literature / 20th century / History and criticism; Modernism (Literature) / Germany / History and criticism; Sound in literature; German literature; Modernism (Literature); Sound in literature; Germany; 1800-1999; Criticism, interpretation, etc
    Umfang: x, 219 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions from the battlefield to Fin-de-siècle Vienna -- Drumming literature into the ground: Dada's tympanic regime -- Toward a modernist ear: Robert Musil and the poetics of acoustic space -- Into the inaudible: sound and imperception in Kafka's late writings -- Conclusion: Nazi soundscapes and their reverberation in postwar culture
  4. Eardrums
    literary modernism as sonic warfare
    Autor*in: Whitney, Tyler
    Erschienen: [2019]
    Verlag:  Northwestern University Press, Evanston, Illinois

    Zusammenfassung: "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the... mehr

     

    Zusammenfassung: "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  5. Eardrums
    literary modernism as sonic warfare
    Autor*in: Whitney, Tyler
    Erschienen: 2019
    Verlag:  Northwestern University Press, Evanston, Illinois

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780810140219; 9780810140226
    Schlagworte: Moderne; Deutsch; Literatur; Klang <Motiv>; Geräusch <Motiv>
    Weitere Schlagworte: German literature / 19th century / History and criticism; German literature / 20th century / History and criticism; Modernism (Literature) / Germany / History and criticism; Sound in literature; German literature; Modernism (Literature); Sound in literature; Germany; 1800-1999; Criticism, interpretation, etc
    Umfang: x, 219 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Introduction. Writing sound across the modernist divide: phonography, acoustical embodiment, and the tympanic regime -- Liliencron, captain of the nineteenth century: naturalism as martial phonography -- Bringing the war home: tympanic transductions from the battlefield to Fin-de-siècle Vienna -- Drumming literature into the ground: Dada's tympanic regime -- Toward a modernist ear: Robert Musil and the poetics of acoustic space -- Into the inaudible: sound and imperception in Kafka's late writings -- Conclusion: Nazi soundscapes and their reverberation in postwar culture
  6. Eardrums
    literary modernism as sonic warfare
    Autor*in: Whitney, Tyler
    Erschienen: 2019
    Verlag:  Northwestern University Press, Evanston, Illinois

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both... mehr

     

    "In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his "sound poems," which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus--all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. "Eardrums" is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science"--Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format