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Diabolus ex machina : Bulgakov's modernist devil
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De-automatization in Timothy Findley's "The Wars"
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V. M. Garshin : a pioneer of direct interior monologue
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The child and the child-like in Daniil Charms
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A tale told by two idiots : Крик идиота в Школе для дураков Саши Соколова и Шуме и ярости Уильяма Фолкнера
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Mythic cycles in Chingiz Aitmatov's "Spotted dog running along the seashore"
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The first temptation of the last magus : a comparison of Michel Tournier's "Taor, prince de Mangalore", Edzard Schaper's "Die Legende vom vierten König" and Henry van Dyke's "The story of the other wise man"
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The end in V. Erofeev's "Moskva-Petuški"
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Novelizing myth in Sholem Asch's "Moses"
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Black and white: Michel Tournier, Anatole France & Genesis
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John and Abel in Michel Tournier's "Le roi des aulnes"
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Stitching Joseph's coat in Thomas Mann's "Joseph und seine Brüder"
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Jacob as Job in Thomas Mann's "Joseph und seine Brüder"
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All bad : the biblical flood revisited in modern fiction
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Dinah's rage : the retelling of Genesis 34 in Anita Diamant's "The red tent" and Thomas Mann's "Joseph and his Brothers"
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Stanley Milgram and Siegfried Lenz : an analysis of "Deutschstunde" in the framework of social psychology
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Yahweh vs. the teraphim : Jacob's pagan wives in Thomas Mann's "Joseph and his brothers" and in Anita Diamant's "The red tent"
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Divine silence in Stefan Heym's "The King David Report"
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Mary versus Eve : paternal uncertainty and the Christian view of women
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Under the hood of Tess : conflicting reproductive strategies in Thomas Hardy's "Tess of the D'Urbervilles"
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One Adam and nine Eves in Donald Siegel's "The Beguiled" and Giovanni Boccaccio's 3:1 of "The Decameron"
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Daniel and the Sonnenscheins : biblical cycles in István Szabó's film "Sunshine"