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The Cambridge history of literary criticism
8, From formalism to poststructuralism -
Narrative beginnings
theories and practices -
The Cambridge history of literary criticism
9, Twentieth century historical, philosophical and psychological perspectives -
The Cambridge history of literary criticism
5, Romanticism -
Voices and texts in early modern Italian society
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Manuscript culture in Renaissance Italy
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Unnatural narrative
theory, history, and practice -
Realist vision
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Flaubert in the ruins of Paris
the story of a friendship, a novel, and a terrible year -
Narrative dynamics
essays on time, plot, closure, and frames -
The Cambridge history of literary criticism
8, From formalism to poststructuralism -
Manuscript culture in Renaissance Italy
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The Cambridge history of literary criticism
3, The Renaissance -
The Cambridge history of literary criticism
7, Modernism and the new criticism -
The Cambridge history of literary criticism
9, Twentieth century historical, philosophical and psychological perspectives -
The melodramatic imagination
Balzac, Henry James, melodrama, and the mode of excess -
Print culture in Renaissance Italy
the editor and the vernacular text, 1470 - 1600 -
Body work
objects of desire in modern narrative -
The Cambridge history of literary criticism
3, The Renaissance -
Troubling confessions
speaking guilt in law & literature -
The Cambridge history of literary criticism
9, Twentieth century historical, philosophical and psychological perspectives -
Law's stories
narrative and rhetoric in the law -
The Cambridge history of literary criticism
5, Romanticism -
The Cambridge history of literary criticism
7, Modernism and the new criticism -
Printing, writers and readers in Renaissance Italy