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The Cambridge companion to Henry Fielding
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The Cambridge history of literary criticism
9, Twentieth century historical, philosophical and psychological perspectives -
The Cambridge history of literary criticism
5, Romanticism -
Realist vision
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Flaubert in the ruins of Paris
the story of a friendship, a novel, and a terrible year -
The Cambridge history of literary criticism
8, From formalism to poststructuralism -
The Cambridge history of literary criticism
3, The Renaissance -
The Cambridge history of literary criticism
7, Modernism and the new criticism -
The Cambridge history of literary criticism
9, Twentieth century historical, philosophical and psychological perspectives -
Politics and literature in the age of Swift
English and Irish perspectives -
The melodramatic imagination
Balzac, Henry James, melodrama, and the mode of excess -
Body work
objects of desire in modern narrative -
The Cambridge history of literary criticism
3, The Renaissance -
Troubling confessions
speaking guilt in law & literature -
The Cambridge history of literary criticism
9, Twentieth century historical, philosophical and psychological perspectives -
Law's stories
narrative and rhetoric in the law -
The Cambridge history of literary criticism
5, Romanticism -
The Cambridge history of literary criticism
7, Modernism and the new criticism -
The Cambridge history of literary criticism
8, From formalism to poststructuralism -
Reading for the plot
design and intention in narrative -
The Cambridge history of literary criticism
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Reading for the plot
design and intention in narrative -
Satire and Sentiment, 1600–1830
Stress Points in the English Augustan Tradition -
The novel of worldliness
Crébillon, Marivaux, Laclos, Stendhal -
The wings of the dove