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The "I" in the center of the horizon
American and Americaness in Nineteenth Century sea literature -
Robert Southey and British romanticism in the context of empire
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'So nervously am I alive to reproach'
anxiety of audience in Thomas De Quincey's biographical and autobiographical writings -
The child as emblem of a nation in Twentieth-Century Irish literature
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Chaucer and the Crusades
a study in Late Medieval literary and political thought -
Defining the fictional ruin
Victor Hugo's "Le Rhin" and the literary evolution of a pictoral theme -
Proust on theater
the fourth art in À la recherche du temps perdu -
Schizophrenic narratives
the dissolution of self and agency in Audrey Thomas's "Mrs. Blood" and Hubert Aquin's "Prochain épisode" -
Die Suche nach Aboriginality
Untersuchungen zu literarischen Identitätskonstruktionen am Beispiel der "schwarzaustralischen" Autoren Sally Morgan und Mudrooroo Narogin -
Stupendous, miserable city
Pasolini, Rome, cinema -
Textual games, intertextual readings
ludic dimensions in story and style in the works of Jean-Philippe Toussaint -
The metamorphoses of the metamorphoses
fourteenth and fifteenth century allegorized metamorphoses -
Mediation of memory
image and repetition in the postwar German documentaries -
The color of love on the big screen
the portrayal of women in Hollywood films in interracial relationships from 1967 to 2005 -
Space and time of industry in Italian cinema and literature, 1954 - 1964
Michelangelo Antonioni, Pier Paolo Pasolini and Italo Calvino -
There's no place like home
homemaking, making home, and femininity in contemporary women's filmmaking and literature of the Metropol and the Maghreb -
If the shoe fits
a study of shifting identities in four Spanish plays -
Shakespeare, the illusion of depth, and the science of parts
an integration of cognitive science and performance studies -
Rough music, rough magic
ceremony and wonder in the late plays -
The depiction of Jews in Middle English crucifixion literature
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'Now rise infernal tones'
the representations of early modern English witchcraft in sound and music -
Blind alleys
Hugo von Hofmannsthal, Oscar Wilde and the problem of aestheticism -
Fear and loathing in Hollywood
representations of fear, paranoia, and individuality vs. conformity in selected film music of the 1950s -
The magic if
twentieth-century theatre theory and practice as literary theory and criticism -
The violent act of femininity
sexual politics, narrative futility, and gender performativity in the blood melodramas of François Truffaut