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  1. Francis Bacon's New Atlantis : New Interdisciplinary Essays
    Autor*in: Price, Bronwen
    Erschienen: 2003
    Verlag:  Manchester University Press

    The New Atlantis has fired the imaginations of its readers since its original appearance in 1627. Often regarded as the apotheosis of Bacon's ideas through its depiction of an advanced 'scientific' society, it is also read as a seminal work of... mehr

     

    The New Atlantis has fired the imaginations of its readers since its original appearance in 1627. Often regarded as the apotheosis of Bacon's ideas through its depiction of an advanced 'scientific' society, it is also read as a seminal work of science fiction. Standing at the threshold of early modern culture, this key text incorporates the practical and visionary, utility and utopia. This volume of eight new essays by leading scholars provides a stimulating dialogue between a range of critical perspectives. Encompassing the fields of cultural history, history of science, literature and politics, the collection explores The New Atlantis' complex location within Bacon's oeuvre and its negotiations with cultural debates of the past and present. Contributors consider the book's use of rhetoric, its narrative contexts, its political and ethical implications, its relation to the natural knowledge of the period, and the function of miracles in New Atlantan society. The politics of colonialism and Jewish toleration, its complex representation of gender, and the role and politics of censorship are also explored. This volume will be the ideal companion to Bacon's The New Atlantis and for all students of literature, politics, history, cultural history and history of science.

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781526137388
    Weitere Identifier:
    Schlagworte: Literary studies: fiction, novelists & prose writers
    Weitere Schlagworte: literature; bacon; atlantis; Bensalem Township; Pennsylvania; Francis Bacon; New Atlantis; Salomon's House; Utopia
  2. Finis coronat opus : Festschrift für Walter Kroll zum 65. Geburtstag
    Beteiligt: Bockholt, Volker (Hrsg.); Freise, Matthias (Hrsg.); Lehfeldt, Werner (Hrsg.); Meyer, Peter (Hrsg.)
    Erschienen: 2006
    Verlag:  Universitätsverlag Göttingen

    In the 24 contributions of this commemorative publication companions, colleagues and friends of the Göttingen Slavonic and Literary scholar Walter Kroll honor his 65th Birthday. Its thematic diversity reflects the breadth of the academic interests... mehr

     

    In the 24 contributions of this commemorative publication companions, colleagues and friends of the Göttingen Slavonic and Literary scholar Walter Kroll honor his 65th Birthday. Its thematic diversity reflects the breadth of the academic interests and research areas of the honoured. In addition to the essays on aspects of the Bulgarian, Croatian, Lachian, Polish, Russian and Czech literature, the volume contains also works regarding the following areas: cultural studies, literary theory, modern history, Russian philosophy, micro literary language research, language, personal names research, lexical semantics, historical and comparative linguistics . Some cheerful and a lyrical contribution, plus a list of publications round off the volume.

     

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    Quelle: OAPEN
    Beteiligt: Bockholt, Volker (Hrsg.); Freise, Matthias (Hrsg.); Lehfeldt, Werner (Hrsg.); Meyer, Peter (Hrsg.)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Literature & literary studies; Language; Literature: history & criticism
    Weitere Schlagworte: slavonic studies; lingustics
  3. Het heilige huis : De gotieke vertelling in de Nederlandse literatuur
    Erschienen: 2006
    Verlag:  Amsterdam University Press

    Culture and history; Literature (Belles lettres) and rhetoric; Culture and institutions Terwijl de gothic novel floreerde in de Engelse, Amerikaanse, Duitse en Franse literatuur, lijkt de Nederlandse literatuur zich tot diep in de twintigste eeuw te... mehr

     

    Culture and history; Literature (Belles lettres) and rhetoric; Culture and institutions Terwijl de gothic novel floreerde in de Engelse, Amerikaanse, Duitse en Franse literatuur, lijkt de Nederlandse literatuur zich tot diep in de twintigste eeuw te hebben onthouden van dit omstreden genre. Weliswaar verschenen er de nodige vertalingen, maar producten van eigen bodem lijken nagenoeg non-existent. In deze inleidende studie wordt de stelling verdedigd dat deze situatie verandert tijdens de jaren vijftig van de vorige eeuw. Aanvankelijk eigenen vooral Willem Frederik Hermans en Gerard van het Reve zich literaire strategieën en motieven uit de gotieke traditie toe, later volgen onder andere Hella Haasse, Helga Ruebsamen, Renate Dorrestein, Vonne van der Meer, Frans Kellendonk, Thomas Rosenboom en Herman Franke. De Nederlandse literatuur maakt in dit opzicht deel uit van een omvangrijke internationale trend.

     

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    Quelle: OAPEN
    Sprache: Niederländisch; Niederländisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789053569481
    Weitere Identifier:
    Schlagworte: Literature: history & criticism; History; Society & culture: general
    Weitere Schlagworte: culture and instituten; literatuur en rhetorica; culture and history; literature (belles lettres) and rhetoric; cultuur and geschiedenis; culture and institutions
    Umfang: 1 electronic resource (128 p.)
  4. Film Remakes as Ritual and Disguise : From Carmen to Ripley
    Autor*in: Zanger, Anat
    Erschienen: 2006
    Verlag:  Amsterdam University Press

    The first book-length account of the symbolic chains that link remakes and explain their disguises, Film Remakes as Rituals and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary... mehr

     

    The first book-length account of the symbolic chains that link remakes and explain their disguises, Film Remakes as Rituals and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joan of Arc, Carmen, and Psycho-to reveal what she calls the remake's "rituals of disguise." Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien III film and the God-ridden Bess in Lars Von Trier's Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural "fingerprints" that are reflective of society's own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death-playing at movie theatres seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Zanger offers an insightful addition to current debates in film theory and cinema history. Wat is de reden van filmproducenten voor het maken van een 'remake', waarin een succesvol verhaal opnieuw verteld wordt? En waarin schuilt de aantrekkingskracht voor het publiek om deze verhalen steeds opnieuw te beleven? Wat maakt Carmen, Jeanne d'Arc of Ripley zo bijzonder? Film Remakes as Ritual and Disguise is de eerste grondige studie die het fenomeen 'remakes' onderzoekt in de context van de filmgeschiedenis. Een zeer breed scala aan films, van Olympia tot Carmen Hip-Hopera, van Jeanne d'Arc tot Aliens en Breaking the Waves, en van Suzanne and the Elders tot de installatie van Hitchcocks Psycho in het Centre Pompidou in 2002 passeert daarbij de revue. Zanger laat zien op welke manier de 'remakes' een nieuwe betekenis krijgen door elkaar te versterken, net iets te veranderen of door naar elkaar te verwijzen. Dit nieuwe deel in de serie "http://www.aup.nl/filmculture">Film Culture in Transition is geschreven vanuit een multidisciplinair perspectief om zodoende de relatie te doorgronden tussen institutionele, intertekstuele en feministische benaderingen van film. Aan de hand van zeer uiteenlopende aspecten van de films toont Zanger hoe de lange schakel van 'remakes' gezien kan worden als een reeks vingerafdrukken die de heersende voorkeur en overtuiging van de filmindustrie blootlegt.

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789053567845
    Weitere Identifier:
    Schlagworte: Film, TV & radio; History; Society & culture: general
    Weitere Schlagworte: culture and history; motion pictures; vrouwenstudies; film; cultuur and geschiedenis; women and education, research, related topics
    Umfang: 1 electronic resource (160 p.)
  5. In het spoor van Emile Zola. De narratologische code(s) van het Europese naturalisme
    Erschienen: 2006
    Verlag:  Academia Press, Gent

    For the first time since Chevrels seminal monography Le naturalisme: étude d’un mouvement littéraire international (1982), this study presents an encompassing approach to European naturalism. By means of a logical theoretical framework drawing on... mehr

     

    For the first time since Chevrels seminal monography Le naturalisme: étude d’un mouvement littéraire international (1982), this study presents an encompassing approach to European naturalism. By means of a logical theoretical framework drawing on both comparative literature and narratology, Pieter Borghart proposes a more nuanced definition of naturalism than those traditionally found in the existing literature. By analyzing naturalism in 19th century Modern Greek literature, the second part of this monography concretely shows how this definition offers fruitful perspectives to reassess literary history.

     

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    Quelle: OAPEN
    Sprache: Niederländisch; Niederländisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: France; Flemish; c 1800 to c 1900; For emergent readers (adult); Literary theory; Literary studies: c 1800 to c 1900
    Weitere Schlagworte: naturalism; narratology; modern greek literature; verhaalkunde; moderne griekse literatuur; naturalisme; emile zola
    Umfang: 1 electronic resource (244 p.)
  6. British cinema of the 1950s : A celebration
    Erschienen: 2003
    Verlag:  Manchester University Press

    This book offers a startling re-evaluation of what has until now been seen as the most critically lacklustre period of the British cinema. Twenty writers contribute essays that rediscover and reassess the productions of the Festival of Britain... mehr

     

    This book offers a startling re-evaluation of what has until now been seen as the most critically lacklustre period of the British cinema. Twenty writers contribute essays that rediscover and reassess the productions of the Festival of Britain decade, during which the vitality of wartime film-making flowed into new forms. Topics covered include genres such as the B-film, the war film, the woman's picture, the theatrical adaptation and comedy; also social issues such as censorship and the screen representation of childhood. The book includes fresh assessments of maverick directors such as Pat Jackson, Robert Hamer and Joseph Losey, and even of a maverick critic, Raymond Durgnat. There are also three personal views from people individually implicated in 1950s cinema: Corin Redgrave on Michael Redgrave, Isabel Quigly on film reviewing, and Bryony Dixon of the British Film Institute on film archiving and preservation. In its evocation and coverage of a fascinating time when the national cinema enjoyed an unprecedented popularity amongst home audiences, this volume offers the most exhilarating survey yet of 1950s British film. In its provocative challenge to conventional wisdom about this decade's movies, the book will prove indispensable to students of the cinema at all levels and a stimulating companion for the critic and the historian.

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781526137272
    Weitere Identifier:
    Schlagworte: Films, cinema
    Weitere Schlagworte: cinema; film; british; Cinema of the United Kingdom
  7. City of Darkness, City of Light : Emigré Filmmakers in Paris 1929-1939
    Erschienen: 2003
    Verlag:  Amsterdam University Press

    This title is the first ever book-length study of the cinematic representation of Paris in the films of German emigré filmmakers, who found there a first refuge from Hitler. In coming to Paris - the privileged site in terms of production, exhibition... mehr

     

    This title is the first ever book-length study of the cinematic representation of Paris in the films of German emigré filmmakers, who found there a first refuge from Hitler. In coming to Paris - the privileged site in terms of production, exhibition as well as the cinematic imaginary of French film culture - these experienced film professionals encountered also a darker side: hostility toward Germans, anti-Semitism, as well as boycotts from French industry personnel, afraid of losing their jobs to foreigners. The book juxtaposes the cinematic portrayal of Paris in the films of Robert Siodmak, Billy Wilder, Fritz Lang, Max Ophüls, Anatol Litvak and others with the wider social and cultural debates about the city in the cinema. City of Darkness, City of Light is de eerste monografie over de representatie van Parijs in de films van uitgeweken Duitse filmmakers die tijdens Hitlers bewind hun toevlucht zochten in de 'Lichtstad'. Met hun komst naar Parijs - de plaats bij uitstek voor de productie, vertoning en de verbeelding van de Franse filmcultuur - leerden deze ervaren filmprofessionals ook de keerzijde van de stad kennen: een vijandige houding jegens Duitsers, anti-semitisme en boycots van Fransen die werkzaam waren in de filmindustrie en bang waren hun baan te verliezen aan de buitenlanders. City of Darkness, City of Light vergelijkt de cinematografische verbeelding van Parijs in de films van Robert Siodmak, Billy Wilder, Fritz Lang, Max Ophüls, Anatol Litvak en vele anderen met de bredere sociale en culturele debatten over de stad in de cinema.

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789053566336
    Weitere Identifier:
    Schlagworte: Film, TV & radio
    Weitere Schlagworte: motion pictures; film
    Umfang: 1 electronic resource (256 p.)
  8. Art in Progress : A Philosophical Response to the End of the Avant-Garde
    Erschienen: 2003
    Verlag:  Amsterdam University Press

    In this challenging and erudite philosophical essay, the author argues that in art, belief in progress is still relevant, if not essential. The radical freedoms of postmodernism have had a crippling effect on art - more than ever before, art is in... mehr

     

    In this challenging and erudite philosophical essay, the author argues that in art, belief in progress is still relevant, if not essential. The radical freedoms of postmodernism have had a crippling effect on art - more than ever before, art is in danger of becoming meaningless. Art can only acquire meaning through context, and the concept of progress is ideal as the primary criterion for establishing that context. History of art can be seen as a process of constant accumulation. Works of art comment on each other, enriching each other's meanings. These complex interrelationships lead to progress in both the sensibility of the observer and the significance of the works of art. Alles in de kunst is in beweging. Tegelijkertijd lijkt met het eind van de avantgarde de grote stilstand te zijn ingetreden. Het veelbesproken einde van de kunst en het postmodernisme roepen veel twijfels op. In dit helder geschreven betoog onderzoekt de auteur een begrip dat door de tot cliche geworden afschaffing van de Grote Verhalen onzichtbaar is geworden: het vooruitgangsidee. Hij laat zien hoe dat idee in de achttiende eeuw opkomt, allesbepalend is tijdens de avantgarde en met het eind van de avantgarde ten onder gaat. Maarten Doorman pleit voor een kritische herwaardering van vooruitgangsbegrippen om de als zorgeloosheid vermomde vrijblijvendheid van het postmodernisme het hoofd te bieden. Arthur Danto: The end of art does not entail that there has not been genuine progress in the philosophy of art. Maarten Doorman's challenging and valuable study contributes to that progress, whether or not progress in art itself remains, as he argues, a tenable idea.

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789053565858
    Weitere Identifier:
    Schlagworte: History of art / art & design styles; Philosophy; Philosophy: aesthetics
    Weitere Schlagworte: philosophy; kunst en kunstgeschiedenis; filosofie; historical treatment of fine and decorative arts
    Umfang: 1 electronic resource (181 p.)
  9. Divine Comedies for the New Millennium : Recent Dante Translations in America and the Netherlands
    Beteiligt: de Rooy, Ronald (Hrsg.)
    Erschienen: 2003
    Verlag:  Amsterdam University Press

    Dante's intranslatability paradoxically causes a steady flux of translations, overwhelming in America, much more modest in the Netherlands. However, the tiny Netherlands witnessed a remarkable boom of Dante translations around the year 2000: within a... mehr

     

    Dante's intranslatability paradoxically causes a steady flux of translations, overwhelming in America, much more modest in the Netherlands. However, the tiny Netherlands witnessed a remarkable boom of Dante translations around the year 2000: within a short period seven cantiche were translated by Dutchmen and seven by Americans. This historic moment gave rise to a seminar about these recent translations, and about the traditions of translating Dante in both nations. The American and Dutch Divine Comedies discussed in this volume are important landmarks in a long tradition of making Dante's work accessible to non-Italian readers in both countries. On this already crowded stage, however, every newcomer inevitably makes statements about how Dante's masterpiece should be read: as a poem, as a scholarly text or as a scholarly poem? The old polarization between the fearless (at times reckless) 'poetical' translators and the more cautious 'academic' translators is very much alive, and the choice seems one between compromise and confrontation, between caution and courage. Dantes onvertaalbaarheid leidt vreemd genoeg tot een doorlopende stroom van vertalingen - overweldigend veel in de Verenigde Staten en een bescheiden aantal in Nederland. Maar rond het jaar 2000 nam ook het aantal Dante-vertalingen in Nederland plotseling een hoge vlucht: binnen een korte tijd werden zeven cantiches vertaald door Nederlanders, en nog eens zeven door Amerikanen. Dit historische moment gaf aanleiding voor een seminar over deze recente vertalingen en over de traditie van Dante-vertalingen in beide landen. De Amerikaanse en Nederlandse Goddelijke Komedies die in dit boek worden besproken zijn belangrijke ijkpunten in de lange traditie van Dante-vertalingen voor een publiek dat geen Italiaans leest. Op dit toch al drukke' podium brengt elke nieuwkomer standpunten naar voren over de manier waarop Dantes meesterwerk in zijn of haar ogen gelezen dient te worden: als een gedicht, als een wetenschappelijke tekst of als een wetenschappelijk gedicht? De oude tegenstelling tussen dappere (soms roekeloze) 'poëtische' vertalers en de meer voorzichtere 'academische' vertalers is nog nadrukkelijk aanwezig, en een keuze lijkt er een van compromis en confrontatie, tussen voorzichtigheid en moed.

     

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    Quelle: OAPEN
    Beteiligt: de Rooy, Ronald (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789053566329
    Weitere Identifier:
    Schlagworte: Literature & literary studies; Literature: history & criticism
    Weitere Schlagworte: dutch and flemish literature; nederlandse letterkunde; nederlandse en vlaamse literatuur; dutch literature
    Umfang: 1 electronic resource (152 p.)
  10. L'uomo, il suono e la musica
    Erschienen: 2003
    Verlag:  Firenze University Press

    Among the channels of human expression, perhaps the richest of all is music, through which people can express their emotions – in a continuum ranging from joy to grief, from excitement to depression – in a manner that is socially and culturally... mehr

     

    Among the channels of human expression, perhaps the richest of all is music, through which people can express their emotions – in a continuum ranging from joy to grief, from excitement to depression – in a manner that is socially and culturally accessible and acceptable. This book addresses the aspects involved in both producing and listening to music from the point of view of cognitive science. Arguments that might appear hard for non-specialists to understand are addressed in a clear and accessible language. An enthralling itinerary through the various aspects of the human relationship with music that underscores how the long path from the first sounds that man has produced and identified in nature through to the most modern compositions are the result of a process of rationalisation gravitating around the multiform relationship between man, the environment and musical creation. Fra i canali d'espressione dell'uomo il più ricco è forse la musica, che permette di esprimere le proprie emozioni – in un continuum che va dalla gioia al dolore, dalla esaltazione alla depressione – in modi socialmente e culturalmente accessibili e accettabili. Il volume affronta, dal punto di vista della scienza cognitiva, gli aspetti coinvolti sia nel produrre che ascoltare musica. Questi argomenti, che possono sembrare di non facile comprensione ai non specialisti, sono affrontati con un linguaggio chiaro e accessibile. Viene così costruito un appassionante percorso su alcuni aspetti del rapporto dell'uomo con la musica, che evidenzia come il lungo cammino dai primi suoni che l'uomo ha prodotto e individuato nella natura sino alle composizioni più moderne sia il risultato di un processo di razionalizzazione che ha visto al centro il multiforme rapporto fra uomo, ambiente e creazione musicale.

     

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    Quelle: OAPEN
    Sprache: Italienisch
    Medientyp: Ebook
    Format: Online
    ISBN: 8884530733
    Weitere Identifier:
    Schlagworte: Theory of music & musicology; Cognitivism, cognitive theory
    Weitere Schlagworte: antropologia; music; anthropology; musica
  11. Katalog der byzantinischen Münzen : [Münzsammlung der Georg-August-Universität Göttingen im Archäologischen Institut]
  12. The West in Early Cinema : After the Beginning
    Autor*in: Verhoeff, Nanna
    Erschienen: 2006
    Verlag:  Amsterdam University Press

    Verhoeff investigates the emergence of the western genre, made in the first two decades of cinema (1895-1915). By analyzing many unknown and forgotten films from international archives she traces the relationships between films about the American... mehr

     

    Verhoeff investigates the emergence of the western genre, made in the first two decades of cinema (1895-1915). By analyzing many unknown and forgotten films from international archives she traces the relationships between films about the American West, their surrounding films, and other popular media such as photography, painting, (pulp) literature, Wild West Shows and popular ethnography. Through this exploration of archival material she raises new questions of historiography and provides a model for historical analysis. These first traces of the Western film reveal a preoccupation with presence and actuality that informs us about the way in which film, as new medium, took shape within the context of its contemporary visual culture. In The West in Early Cinema gaat Nanna Verhoeff op zoek naar de nog onbekende beginjaren van het westerngenre tijdens de eerste twee decennia van het medium film 1895-1915). Aan de hand van onbekende en vergeten films uit internationale filmarchieven traceert zij de relaties tussen films over het Westen, omringende filmgenres uit deze periode, en andere populaire media als fotografie, schilderkunst, (pulp)literatuur, Wild West Shows en populaire etnografie. Deze sporen van het genre tonen een grote actualiteit en variatie, die laat zien op welke manier de film als nieuw medium een vorm vond binnen de toenmalige visuele cultuur.

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789053568316
    Weitere Identifier:
    Schlagworte: Film, TV & radio; Films, cinema
    Weitere Schlagworte: motion pictures; film
    Umfang: 1 electronic resource (464 p.)
  13. Lezioni di poesia
    Autor*in: Stefania, Pavan
    Erschienen: 2006
    Verlag:  Firenze University Press

    This book focuses upon an aspect which has been little investigated to date in the poetics of Iosif Brodskij: the rich intertextual network that links his verses to classical literature. Brodskij's intertext never appears as imitation but rather as... mehr

     

    This book focuses upon an aspect which has been little investigated to date in the poetics of Iosif Brodskij: the rich intertextual network that links his verses to classical literature. Brodskij's intertext never appears as imitation but rather as mimesis, like an inescapable mediation - at times concealed by the presence of cultures diachronically closer, the Russian in the first place - strongly impregnated with meaning and teaching: "(As for creation, the pen has created very little). / But how much light it casts in the night, / the ink, merging with the darkness!". This book proposes moments of reflection on the intense and nuanced relation that connects Brodskij's poetics with the poetics of Aristotle, and the subtle but equally strong links of Brodskij's idea of democracy with that of the organisation of government in Plato's Republic. Pursuing an historic approach, the book delineates the characteristics of Brodskij as a reader of the classics and, at the same time, as a person intimately involved, at an individual and collective level, in the events of Russian culture. In Brodskij's dialogical approach, in particular in relation to ancient classical culture, the lineaments of the poet emerge clearly. Considered in their globality, these reveal inspiration, thought (profound, and strongly impregnated with philosophy), moral rigour (ironic and self-ironising), the renunciation of the display of feelings, and the tension towards an autobiographical writing that is universalised and externalised, a strong and constant link with the narration of myths and, in a manner that is increasingly marked over the time of his life and work, a progressive prevalence of the signs of the classical authors. Lezioni di poesia mette in luce un aspetto finora poco indagato nella poetica di Iosif Brodskij, la ricca rete intertestuale che lega i suoi versi alle letterature classiche. L'intertesto brodskiano mai appare come "imitazione", piuttosto come "mimesis", come una mediazione, talvolta celata dalla presenza di culture diacronicamente più vicine, in primis quella russa ineludibile, fortemente impregnata di senso e insegnamento: «(Creando, ben poco la penna ha creato). / Ma quanta luce dà nella notte, / con il buio fondendosi, l'inchiostro!». Lezioni di poesia propone momenti di riflessioni sull'intenso e sfumato rapporto che lega poetica brodskiana e poetica aristotelica, e sui sottili ma altrettanto forti nessi dell'idea di democrazia in Brodskij con quella dell'organizzazione di governo nella Repubblica di Platone. Tramite un percorso storico il volume delinea i tratti di Brodskij, lettore dei classici e, contemporaneamente, persona intimamente coinvolta, sul piano individuale e collettivo, nelle vicende della cultura russa. Nel "porsi dialogico" di Brodskij, in particolare nei confronti dell'antica cultura classica, si fanno emergere chiari i lineamenti del poeta, che nel loro insieme evocano ispirazione, pensiero (profondo e fortemente impregnato di filosofia), rigore morale (ironico e autoironico), rinuncia all'esibizione dei sentimenti, tensione a una scrittura autobiografica "universalizzata" e "estraniata", forte e costante legame con la narrazione dei miti e, in maniera sempre più rimarcabile nel tempo dell'esistenza e dell'opera, un progressivo prevalere dei "segni" degli autori classici.

     

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    Quelle: OAPEN
    Sprache: Italienisch
    Medientyp: Ebook
    Format: Online
    ISBN: 978-88-6453-105-2
    Weitere Identifier:
    Schlagworte: Poetry; Literary essays
    Weitere Schlagworte: russia; literature; letteratura; iosif brodskij; poetry; poesia; platone
  14. Camera Obscura, Camera Lucida : Essays in Honor of Annette Michelson
    Beteiligt: Turvey, Malcolm (Hrsg.); Allen, Richard (Hrsg.)
    Erschienen: 2003
    Verlag:  Amsterdam University Press

    Annette Michelson's contribution to art and film criticism over the last three decades is unparalleled. This volume honors Michelson's unique legacy with original essays by some of the many scolars that have been influenced by her work. Some continue... mehr

     

    Annette Michelson's contribution to art and film criticism over the last three decades is unparalleled. This volume honors Michelson's unique legacy with original essays by some of the many scolars that have been influenced by her work. Some continue her efforts to develop theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary crtiticism in relation to avant-garde and modernist art works and artists. Still others investigate and evaluate Michelson's work itself. All in some way pay homage to het extraordinary contribution and demonstrate its continued centrality to the field of art and film criticism. De bijdrage aan de kunst- en filmkritiekdie Annette Michelson afgelopen drie decennia heeft geleverd, is ongeëvenaard. In dit boek wordt door filmcritici die door haar werk zijn beïnvloed de erfenis van Michelson besproken . Duidelijk wordt dat sommigen haar inspanningen voortzetten om een theoretisch kader te vormen om modernistische kunst te begrijpen, terwijl anderen haar vorm van interdisciplinaire kritiek met betrekking tot de avant-gardistische en modernistische kunstwerken en kunstenaars verder ontwikkelen. Iedereen brengt, in losse essays, op de één of andere manier hulde aan de buitengewone bijdrage die Michelson heeft geleverd en toont aan dat de door haar ontwikkelde kennis nog steeds actueel is.

     

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    Quelle: OAPEN
    Beteiligt: Turvey, Malcolm (Hrsg.); Allen, Richard (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789053564943
    Weitere Identifier:
    Schlagworte: Film, TV & radio
    Weitere Schlagworte: motion pictures; film
    Umfang: 1 electronic resource (296 p.)
  15. Women's writing in contemporary France: New writers, new literatures in the 1990s
    Erschienen: 2003
    Verlag:  Manchester University Press

    The 1990s witnessed a veritable explosion in women's writing in France, with a particularly exciting new generation of writers coming to the fore, names like Christine Angot, Marie Darrieussecq and Régine Detambel. Other authors such as Paule... mehr

     

    The 1990s witnessed a veritable explosion in women's writing in France, with a particularly exciting new generation of writers coming to the fore, names like Christine Angot, Marie Darrieussecq and Régine Detambel. Other authors such as Paule Constant, Sylvie Germain, Marie Redonnet and Leïla Sebbar, who had begun publishing in the 1980s, claimed their mainstream status in the 1990s with new texts. This book provides an up-to-date introduction to and analysis of new women's writing in contemporary France including both new writers of the 1990s and their more established counterparts. The editors' incisive introduction situates these authors and their texts at the centre of the current trends and issues concerning French literary production today, whilst fifteen original essays focus on individual writers. The volume includes specialist bibliographies on each writer, incorporating English translations, major interviews, and key critical studies. Quotations are given in both French and English throughout. An invaluable study resource, its clear and accessible style makes this book of interest to the general reader as well as to students of all levels, to teachers of a wide range of courses on French culture, and to specialist researchers of French and Francophone literature.

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781526137999
    Weitere Identifier:
    Schlagworte: Literary studies: from c 1900 -
    Weitere Schlagworte: french; feminism; detambel; angot; darrieussecq; Beur; France; Jacques Lacan; London; Paris
  16. Globale Handlungsfelder. Medien - Politik - Bildung
    Erschienen: 2006
    Verlag:  KIT Scientific Publishing, Karlsruhe

    not yet available Die Auseinandersetzung mit Globalen Handlungsfeldern zählt zu den wissenschaftlichen und praktischen Kernaufgaben des Zentrums für Angewandte Kulturwissenschaft. Für den vorliegenden Band wurden aus der komplexen Themenfülle... mehr

     

    not yet available Die Auseinandersetzung mit Globalen Handlungsfeldern zählt zu den wissenschaftlichen und praktischen Kernaufgaben des Zentrums für Angewandte Kulturwissenschaft. Für den vorliegenden Band wurden aus der komplexen Themenfülle Schwerpunkte gewählt: die Globalisierung der Medien, politische Konflikte und Menschenrechtsfragen, soziale, wirtschaftliche und politische Vernetzungsmöglichkeiten, Fragen der gesellschaftspolitischen und kulturellen Verantwortung in Zeiten der ökonomischen Knappheit sowie die Internationalisierung der Hochschulen als Träger internationaler Verständigung und Chance des Kompetenzgewinns.

     

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    Quelle: OAPEN
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Cultural studies; Globalization; Consumerism
    Weitere Schlagworte: cultural studies; globalization; globalisierung; applied cultural studies; kulturwissenschaft; menschenrechte; human rights; angewandte kulturwissenschaft
    Umfang: 1 electronic resource (320 p.)
  17. Vernetztes Leben. Soziale und digitale Kulturen
    Erschienen: 2006
    Verlag:  KIT Scientific Publishing, Karlsruhe

    The Internet has taken with its unlimited communication structures an outstanding role. In the process of globalization this creates not only the possibility for the integration of access to information independent from time and place, it also... mehr

     

    The Internet has taken with its unlimited communication structures an outstanding role. In the process of globalization this creates not only the possibility for the integration of access to information independent from time and place, it also implies social changes with not yet known consequences. How is our society changing under these new communication structures? Is the "networked egoist" putting an end to the collective responsibility and to the sense of community? Or does networking provide the opportunities for the future development of civil societies, democracy, tolerance and peace? Das Internet hat mit seinen unbegrenzten Kommunikationsstrukturen eine herausragende Rolle eingenommen. Im Prozess der Globalisierung ermöglicht diese Vernetzung nicht nur den von Ort und Zeit unabhängigen Zugang zu Informationen, sie zieht auch eine gesellschaftliche Veränderung mit bisher unüberschaubarem Ausmaß nach sich. Wie wird sich unsere Gesellschaft durch diese neuen Kommunikationstrukturen wandeln? Wird Der vernetzte Egoist der kollektiven Verantwortung und dem Gemeinschaftssinn ein schnelles Ende bereiten? Oder bietet Vernetzung auch zukunftsweisende Chancen für die Entwicklung von Zivilgesellschaften, Demokratien, Toleranz und Frieden?

     

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  18. Arthur Schnitzler und der Film. Bedeutung, Wahrnehmung, Beziehung, Umsetzung, Erfahrung
    Autor*in: Wolf, Claudia
    Erschienen: 2006
    Verlag:  KIT Scientific Publishing, Karlsruhe

    not yet available Die vorliegende Untersuchung liefert einen Gesamtüberblick über Arthur Schnitzlers Zusammenarbeit mit der Filmindustrie. Dabei wird seine Haltung zum Kino ebenso berücksichtigt, wie seine Wahrnehmung und seine theoretische Reflexion... mehr

     

    not yet available Die vorliegende Untersuchung liefert einen Gesamtüberblick über Arthur Schnitzlers Zusammenarbeit mit der Filmindustrie. Dabei wird seine Haltung zum Kino ebenso berücksichtigt, wie seine Wahrnehmung und seine theoretische Reflexion des neuen Mediums. Neben der Entstehungsgeschichte der Verfilmungen, die zu Schnitzlers Lebzeiten auf der Grundlage seiner literarischen Texte entstanden sind, gilt es, Schnitzlers eigene Filmentwürfe nach seinen Werken und schließlich seine Drehbücher und Filmskizzen anzuführen. Anhand Schnitzlers eigenen Filmentwürfen und seinen Äußerungen zu den Verfilmungen wird der filmhistorische Kontext Schnitzlers, seine ästhetischen Forderungen an den Film, seine Filmtechnik und seine filmischen Erzählstrategien rekonstruiert.

     

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    Quelle: OAPEN
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Media studies; Radio & television industry
    Weitere Schlagworte: movies; media industry; kunst; film; art; filmindustrie; Arthur Schnitzler; Drehbuch; Kino; Liebelei
    Umfang: 1 electronic resource (210 p.)
  19. Knowledge Goes Pop : From Conspiracy Theory to Gossip
    Autor*in: Birchall, Clare
    Erschienen: 2006
    Verlag:  Berg Publishers, Oxford

    A voice on late night radio tells you that a fast food joint injects its food with drugs that make men impotent. A colleague asks if you think the FBI was in on 9/11. An alien abductee on the Internet claims extra-terrestrials have planted a... mehr

     

    A voice on late night radio tells you that a fast food joint injects its food with drugs that make men impotent. A colleague asks if you think the FBI was in on 9/11. An alien abductee on the Internet claims extra-terrestrials have planted a microchip in her left buttock. 'Julia Roberts in Porn Scandal' shouts the front page of a gossip mag. A spiritual healer claims he can cure chronic fatigue syndrome with the energizing power of crystals . . . What do you believe? Knowledge Goes Pop examines the popular knowledges that saturate our everyday experience. We make this information and then it shapes the way we see the world. How valid is it when compared to official knowledge and why does such (mis)information cause so much institutional anxiety? Knowledge Goes Pop examines the range of knowledge, from conspiracy theory to plain gossip, and its role and impact in our culture.What do you believe? This title examines the popular knowledges that

    saturate our everyday experience. How valid is it when compared to

    official knowledge and why does such (mis)information cause so much

    institutional anxiety? It examines the range of knowledge, from

    conspiracy theory to plain gossip, and its role and impact in our

    culture.Clare Birchall is Senior Lecturer at Middlesex University.

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Popular culture; Social theory
    Weitere Schlagworte: cultural studies; sociology; culturele studies; sociologie; Conspiracy theory; Gossip; Jacques Derrida
    Umfang: 1 electronic resource (208 p.)
  20. Jihad Beyond Islam
    Erschienen: 2006
    Verlag:  Berg Publishers, Oxford

    'Jihad' is a highly charged word. Often mistranslated as 'Holy War', it has become synonymous with terrorism. Current political events have entirely failed to take account of the subtlety and complexity of jihad. Like many concepts with a long... mehr

     

    'Jihad' is a highly charged word. Often mistranslated as 'Holy War', it has become synonymous with terrorism. Current political events have entirely failed to take account of the subtlety and complexity of jihad. Like many concepts with a long history, different cultural ideas have influenced the religious aspects of jihad. As a result its original meaning has been adapted, modified and destabilized - never more than at the present time. How does jihad manifest itself in Muslims' everyday lives? What impact has 9/11 and its backlash had on jihad? By observing the current crisis of identity among ordinary Muslims, this timely book explores why, and in what circumstances Muslims speak of jihad. In the end, jihad is what Muslims say it is. Marranci offers us a nuanced and sophisticated anthropological understanding of Muslims' lives far beyond the predictable cliches.

    Have a look at the author´s blog hereExplores the different cultural ideas that have influenced the religious

    aspects of jihad. 'jihad', a term often mistranslated as 'Holy War',

    has become synonymous with terrorism. This book, by observing the crisis

    of identity among ordinary Muslims, explores why, and in what

    circumstances Muslims speak of jihad.Gabriele Marranci is Lecturer in the Anthropology of Religion, School of Divinity and Religious Studies, University of Aberdeen. He is the founding editor of Contemporary Islam: Dynamics of Muslim Life.

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Religious groups: social & cultural aspects; Social & cultural anthropology, ethnography
    Weitere Schlagworte: sociology; antropologie; sociologie; anthropology; Allah; Antisemitism; Islam; Jihad; Muslims; Quran
    Umfang: 1 electronic resource (192 p.)
  21. The Cinema of Attractions Reloaded
    Beteiligt: Strauven, Wanda (Hrsg.)
    Erschienen: 2006
    Verlag:  Amsterdam University Press

    What have Lumière in common with Wachowski? More than one hundred years separate these two pairs of brothers who astonished, quite similarly, the film spectator of their respective time with special effects of movement: a train rushing into the... mehr

     

    What have Lumière in common with Wachowski? More than one hundred years separate these two pairs of brothers who astonished, quite similarly, the film spectator of their respective time with special effects of movement: a train rushing into the audience and a bullet flying in slow motion. Do they belong to the same family of "cinema of attractions"? Twenty years ago Tom Gunning introduced the phrase "cinema of attractions" to define the essence of the earliest films made between 1895 and 1906. His term scored an immediate success, even outside the field of early cinema. The present anthology questions the attractiveness and usefulness of the term for both pre-classical and post-classical cinema. With contributions by the most prominent scholars of this discipline (such as Tom Gunning, André Gaudreault, Thomas Elsaesser, Charles Musser, Scott Bukatman and Vivian Sobchack) this volume offers a kaleidoscopic overview of an important historiographical debate. Wat hebben de broers Lumière gemeenschappelijk met de broers Wachowski? Meer dan honderd jaar scheidt deze twee duo's van elkaar, maar op even doordringende wijze hebben ze de filmkijker van hun tijd weten te verbazen met speciale effecten van beweging: een trein die recht op het publiek inrijdt en een vliegende kogel in slow motion. Behoren ze wellicht tot dezelfde familie van de cinema of attractions? Twintig jaar geleden lanceerde Tom Gunning de term 'cinema of attractions' om de essentie van de vroege film (1895-1906) te definiëren. Zijn term sloeg aan en werd snel ook buiten het domein van de vroege cinema gebruikt. Deze bundel buigt zich over de aantrekkelijkheid en de bruikbaarheid van de term voor zowel vroege als digitale cinema. Deze bundel biedt een caleidoscopisch overzicht van een belangrijk historiografisch debat. Met bijdragen van de belangrijkste onderzoekers in dit vakgebied, o.a. Tom Gunning, André Gaudreault, Thomas Elsaesser, Charles Musser, Scott Bukatman en Vivian Sobchack.

     

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    Quelle: OAPEN
    Beteiligt: Strauven, Wanda (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789053569450
    Weitere Identifier:
    Schlagworte: Film, TV & radio
    Weitere Schlagworte: motion pictures; film
    Umfang: 1 electronic resource (464 p.)
  22. Jean Desmet and the Early Dutch Film Trade
    Autor*in: Blom, Ivo
    Erschienen: 2003
    Verlag:  Amsterdam University Press

    Since 1957 the Film Museum in Amsterdam has been in possession of the Desmet Collection which contains the estate of the Dutch cinema owner and film distributor Jean Desmet (1875-1956). The collection comprises almost nine hundred European and... mehr

     

    Since 1957 the Film Museum in Amsterdam has been in possession of the Desmet Collection which contains the estate of the Dutch cinema owner and film distributor Jean Desmet (1875-1956). The collection comprises almost nine hundred European and American films in all genres, a collection of publicity material and a dauntingly large business archive. These three sources form the basis of this first comprehensive reconstruction of Desmet's career: from his nomadic beginnings as a traveling showman, working the seasonal fairgrounds of the Netherlands and Belgium, to his successful switch to permanent cinema operation and film distribution. The history of Desmet's career offers not simply an abstract of an individual character and his personal ambitions and motivations, but also epitomizes transformations in the world of cinema as an industry. Between 1907 and 1916 the world of cinema experienced radical structural change which Desmet not only witnessed but also helped to bring about. Given the insufficiencies of Dutch film production, Desmet became a link between film production abroad and film exhibition in the Netherlands. Desmet is not merely representative of the rise of the permanent movie house and the coming of the film distributor. This book shows how his fortunes also encapsulate a series of structural changes within the new culture of permanent cinema and film distribution. In film distribution these changes embraced the introduction of film rental, the advent of the long feature film, the introduction of the monopoly distribution system and the periodic transformation of the products on offer. In the business of cinema operation change involved specialization, the creation of fixed theater venues, the development of a theater hierarchy, expansions of scale, the introduction of trade journals and the gradual legitimization of cinema as a popular cultural institution. These transformations were not confined to the Netherlands but were also taking place in the rest of Europe. Indeed, they were first set in motion by other European countries, and in order fully to understand Desmet it is necessary to situate him in his larger European context. In this original and wide-ranging study Ivo Blom uses the career of Jean Desmet as a means of exploring the history of cinema from the ground-level position of film distribution and exhibition. His copiously illustrated and scrupulously documented exposition swells into an epic narrative that offers a richer, more rounded -indeed 'truer' - account of early urban cinema culture than is possible from the confined perspective of production-based film histories. De levensloop van de Nederlandse bioscoopeigenaar en filmdistributeur Jean Desmet (1875-1956) biedt niet alleen inzicht in een excentrieke persoonlijkheid, maar staat ook model voor de veranderingen in de filmwereld als geheel. Door buitenlandse filmproducties voor vertoning naar Nederland te brengen leverde Desmet een substantiële bijdrage aan de radicale veranderingen die tussen 1907 en 1916 plaatsvonden in de filmindustrie. Het Filmmuseum in Amsterdam is sinds 1957 in het bezit van de Desmet-verzameling waarin de nalatenschap van deze excentrieke filmliefhebber bewaard is gebleven. Dit materiaal vormde het uitgangspunt van deze originele studie waarin Ivo Blom aan de hand van Desmet's levensverhaal de geschiedenis van de filmdistributie en -vertoning vertelt. Zijn rijk geïllustreerde en grondig gedocumenteerde uiteenzetting is uitgegroeid tot een episch verhaal dat - meer dan een productie-georienteerde geschiedenis - een rijk en afgerond beeld schetst van de vroege stadse filmcultuur.

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789053565704
    Weitere Identifier:
    Schlagworte: Film, TV & radio; Individual film directors, film-makers; History; Society & culture: general
    Weitere Schlagworte: culture and instituten; geschiedenis; motion pictures; film; culture and institutions; history, geography, and auxiliary disciplines
    Umfang: 1 electronic resource (480 p.)
  23. La frammentazione del paesaggio periurbano
    Erschienen: 2003
    Verlag:  Firenze University Press

    This book presents the results of a study on the fragmentation of the suburban territory in the Florentine plain, developed in the framework of the Florence University PhD course in Landscape Design. Thus the landscape on the western edge of the... mehr

     

    This book presents the results of a study on the fragmentation of the suburban territory in the Florentine plain, developed in the framework of the Florence University PhD course in Landscape Design. Thus the landscape on the western edge of the urban centre becomes a case study for evolving from the applications to the quest for theoretical and methodological elements. What emerges clearly from this is the importance of the design mentality as an essential cultural value for the drafting of policies of active conservation, retrieval and modification of the landscape. Il volume presenta gli esiti di uno studio riguardante la frammentazione paesistica dei territori periubani di pianura nell'area fiorentina, elaborato nell'ambito delle attività del Dottorato di ricerca in Progettazione paesistica dell'Università di Firenze. Il paesaggio di margine ad ovest del nucleo urbano diviene così un caso di studio per passare dalle applicazioni alla ricerca di elementi teorico-metodologici. In tal senso emerge chiaramente l'importanza del pensiero progettuale come valore culturale essenziale per l'impostazione di politiche di conservazione attiva, recupero e modificazione del paesaggio.

     

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    Quelle: OAPEN
    Sprache: Italienisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Landscape art & architecture
    Weitere Schlagworte: urbanistica; town planning; florence; firenze
  24. Dalle esigenze alle opportunità
    Erschienen: 2006
    Verlag:  Firenze University Press

    This book sets itself specific objective: namely, the consideration of the design of the river landscape as a cultural and social investment. The aim is at "control" of a landscape which is transformed while preserving harmonious forms and structures... mehr

     

    This book sets itself specific objective: namely, the consideration of the design of the river landscape as a cultural and social investment. The aim is at "control" of a landscape which is transformed while preserving harmonious forms and structures that are sustainable from an ecological and environmental aspect, and is continually redesigned on the basis of human requirements, without overwhelming nature. The need for hydraulic defence of the rivers thus becomes an opportunity for a "third landscape" project, a chance to transform "non-places" into "places". Il volume mira ad uno specifico obiettivo: arrivare a considerare il progetto del paesaggio fluviale un investimento culturale, sociale, puntando ad un "controllo" di un paesaggio che si trasforma mantenendo forme armoniche e strutture sostenibili sotto il profilo ecologico-ambientale e si ridisegna continuamente sulla base delle esigenze dell'uomo, senza per questo sopraffare la natura. L'esigenza di difesa idraulica fluviale, prima ancora che l'infrastruttura, diviene così una opportunità per un progetto di "paesaggio terzo", occasione per trasformare in "luoghi" i "non luoghi".

     

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    Quelle: OAPEN
    Sprache: Italienisch
    Medientyp: Ebook
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    Schlagworte: Environmentally-friendly architecture & design; Landscape art & architecture; City & town planning - architectural aspects
    Weitere Schlagworte: river; fiume; architecture; architettura; landscape; paesaggio
  25. How safe is eating chicken?
    Erschienen: 2006
    Verlag:  Firenze University Press

    Consumers trust is a key factor in dealing with rising concerns about food safety and food quality, but only few studies have dealt with consumer attitudes and none of them has tried to model the process of consumer response. This book reports the... mehr

     

    Consumers trust is a key factor in dealing with rising concerns about food safety and food quality, but only few studies have dealt with consumer attitudes and none of them has tried to model the process of consumer response. This book reports the main findings of an european project aimed at analysing trust along the food chain and its relationship with food risk communication. The papers collected investigate the mechanisms that determine the social diffusion of trust, examining the interplay of the psychological, sociological and economic factors; and analyze the impact of the food risk communication policies on consumers and producers and on the society as a whole.

     

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