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  1. The Cambridge companion to Moliere
    Beteiligt: Calder, Andrew (HerausgeberIn); Bradby, David (HerausgeberIn)
    Erschienen: 2006
    Verlag:  Cambridge University Press, Cambridge

    A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success.... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    keine Fernleihe
    Universitätsbibliothek Braunschweig
    keine Fernleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    keine Fernleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    keine Fernleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    keine Fernleihe

     

    A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France Chronology -- 1. The career strategy of an actor turned playwright : 'de l'audace, encore de l'audace, toujours de l'audace' / Marie-Claude Canova-Green -- 2. The material conditions of Molière's stage / Jan Clarke -- 3. The master and the mirror : Scaramouche and Molière / Stephen Knapper -- 4. Molière as satirist / Larry F. Norman -- 5. How (and why) not to take Molière too seriously / Richard Parish -- 6. L'Avare or Harpagon's masterclass in comedy / Robert McBride -- 7. Laughter and irony in Le Misanthrope / Andrew Calder -- 8. Comédies-ballets / Charles Mazouer -- 9. Le Bourgeois gentilhomme : Molière and music / John S. Powell -- 10. Medicine and entertainment in Le Malade imaginaire / Julia Prest -- 11. Molière and the teaching of Frenchness : Les Femmes savantes as a case study / Ralph Albanese, Jr. -- 12. L'École des femmes : matrimony and the laws of chance / Roxanne Lalande -- 13. Molière nationalised : Tartuffe on the British stage from the Restoration to the present day / Noël Peacock -- 14. Landmark twentieth-century productions of Molière : a transatlantic perspective on Molière : mise en scène and its historiography / Jim Carmody -- 15. Dom Juan the directors' play / David Whitton -- 16. 'Reculer pour mieux sauter' : modern experimental theatre's debt to Molière / David Bradby

     

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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Calder, Andrew (HerausgeberIn); Bradby, David (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139001090
    Weitere Identifier:
    Schriftenreihe: Cambridge companions to literature
    Weitere Schlagworte: Molière (1622-1673)
    Umfang: 1 Online-Ressource (xix, 242 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 09 Nov 2015)

  2. The Cambridge companion to Moliere
    Beteiligt: Calder, Andrew (HerausgeberIn); Bradby, David (HerausgeberIn)
    Erschienen: 2006
    Verlag:  Cambridge University Press, Cambridge

    A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success.... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France Chronology -- 1. The career strategy of an actor turned playwright : 'de l'audace, encore de l'audace, toujours de l'audace' / Marie-Claude Canova-Green -- 2. The material conditions of Molière's stage / Jan Clarke -- 3. The master and the mirror : Scaramouche and Molière / Stephen Knapper -- 4. Molière as satirist / Larry F. Norman -- 5. How (and why) not to take Molière too seriously / Richard Parish -- 6. L'Avare or Harpagon's masterclass in comedy / Robert McBride -- 7. Laughter and irony in Le Misanthrope / Andrew Calder -- 8. Comédies-ballets / Charles Mazouer -- 9. Le Bourgeois gentilhomme : Molière and music / John S. Powell -- 10. Medicine and entertainment in Le Malade imaginaire / Julia Prest -- 11. Molière and the teaching of Frenchness : Les Femmes savantes as a case study / Ralph Albanese, Jr. -- 12. L'École des femmes : matrimony and the laws of chance / Roxanne Lalande -- 13. Molière nationalised : Tartuffe on the British stage from the Restoration to the present day / Noël Peacock -- 14. Landmark twentieth-century productions of Molière : a transatlantic perspective on Molière : mise en scène and its historiography / Jim Carmody -- 15. Dom Juan the directors' play / David Whitton -- 16. 'Reculer pour mieux sauter' : modern experimental theatre's debt to Molière / David Bradby

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Calder, Andrew (HerausgeberIn); Bradby, David (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139001090
    Weitere Identifier:
    Schriftenreihe: Cambridge companions to literature
    Weitere Schlagworte: Molière (1622-1673)
    Umfang: 1 Online-Ressource (xix, 242 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 09 Nov 2015)

  3. The Cambridge companion to Moliere
    Beteiligt: Bradby, David (Herausgeber); Calder, Andrew (Herausgeber)
    Erschienen: 2006
    Verlag:  Cambridge University Press, Cambridge

    A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success.... mehr

    Universität Frankfurt, Elektronische Ressourcen
    /
    keine Fernleihe
    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    keine Fernleihe
    Universität Mainz, Zentralbibliothek
    keine Fernleihe

     

    A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.

     

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    Quelle: Verbundkataloge
    Beteiligt: Bradby, David (Herausgeber); Calder, Andrew (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139001090
    RVK Klassifikation: IF 8105
    Schriftenreihe: Cambridge companions to literature
    Weitere Schlagworte: Molière (1622-1673)
    Umfang: 1 Online-Ressource (xix, 242 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 09 Nov 2015)

  4. Dramaturgy
    A Revolution in Theatre
    Autor*in: Luckhurst, Mary
    Erschienen: 2006
    Verlag:  Cambridge University Press, Cambridge ; ProQuest, Ann Arbor, Michigan

    A study of the origins of dramaturgs and literary managers. mehr

    Universität Frankfurt, Elektronische Ressourcen
    /
    keine Fernleihe
    Universitätsbibliothek Gießen
    keine Fernleihe

     

    A study of the origins of dramaturgs and literary managers.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Bradby, David
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511139482
    RVK Klassifikation: AP 74000 ; EC 4700
    Schriftenreihe: Cambridge Studies in Modern Theatre
    Schlagworte: Dramaturgie; Theater; Rezeption
    Weitere Schlagworte: Brecht, Bertolt (1898-1956)
    Umfang: 1 Online-Ressource (313 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  5. Dramaturgy
    A Revolution in Theatre
    Autor*in: Luckhurst, Mary
    Erschienen: 2006
    Verlag:  Cambridge University Press, Cambridge ; ProQuest, Ann Arbor, Michigan

    A study of the origins of dramaturgs and literary managers. mehr

    Universität Frankfurt, Elektronische Ressourcen
    /
    keine Fernleihe

     

    A study of the origins of dramaturgs and literary managers.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Fachkatalog AVL
    Beteiligt: Bradby, David
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511139482
    RVK Klassifikation: AP 74000 ; EC 4700
    Schriftenreihe: Cambridge Studies in Modern Theatre
    Schlagworte: Dramaturgie; Theater; Rezeption
    Weitere Schlagworte: Brecht, Bertolt (1898-1956)
    Umfang: 1 Online-Ressource (313 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources