Machine generated contents note: pt. One The Bridge -- ℗ʹ 1 The Pictorial and the Poetic; The Bridge as a Prophetic Vision of Origins -- ℗ʹ 2 The Visual Structure of Prophetic Vision; a Simultaneous Glimpse Before and Behind -- ℗ʹ 3 Spengler's Reading of Perspective as a Culture-Symbol -- ℗ʹ 4 The Bridge and the Paintings in the Sistine Chapel; Moses and Jesus: Columbus and Whitman; Joseph Stella; El Greco's Agony in the Garden; the Grail; Dionysus and Jesus -- ℗ʹ 5 Counterpoint in The Bridge -- ℗ʹ 6 Foreshadowing and Lateral Foreshadowing; the Grail Quest; Eliot's The Waste Land -- ℗ʹ 7 The Return to Origin; the Total Return to the Womb; the Primal Scene; Vision and Invisibility; the Dual Identification -- ℗ʹ 8 The Reversal of the Figures of Father and Mother in "Indiana"; Crane's Dream of the Black Man by the River; Crane's Quarrel with His Father; the Composition of "Black Tambourine" -- ℗ʹ 9 Crane's Dream of His Mother's Trunk in the Attic -- ℗ʹ 10 Fantasies of Return to the Womb and the Primal Scene; Three Dimensions Reduced to Two as a Sign of Body Transcendence; the Triple Archetype; Goethe's Faust; Plato's Cave Allegory as a Sublimated Womb Fantasy; Helen as Mother; the Influence of Williams and Nietzsche; Demeter, Kore, and the Amerindian Corn [ect.] -- ℗ʹ 11 Building the Virgin; Crane's "To Liberty"; Lazarus's "The New Colossus"; Helen and Psyche; Astraea and the Constellation Virgo; Demeter and Kore; the Virgin Mary and Queen Elizabeth I -- ℗ʹ 12 The Education of Henry Adams; Arnold's "Stanzas from the Grande Chartreuse"; Wandering between Two Worlds; Seneca's Medea; Whitman and the Rebound Seed -- ℗ʹ 13 "Three Songs"; Golden Hair; "Quaker Hill" and the Motherly Artist; the Return of the Golden Age; Astraea and Atlantis -- ℗ʹ 14 Epic Predecessors: Aeneas and Dido; Survival through a Part-Object; Stellar Translation and the Golden-Haired Grain -- ℗ʹ 15 The Historical Pocahontas and the Mythical Quetzalcoatl; Prescott, Spence, and D. H. Lawrence as Influences on The Bridge, Waldo Frank's Our America and the Image of Submergence -- ℗ʹ 16 Nietzsche and the Return of the Old Gods; Zarathustra and Quetzalcoatl; the Eagle and the Serpent; the Dance -- ℗ʹ 17 The Aeneid, Book 6, and "The Tunnel"; "Cutty Sark" and Glaucus in Ovid; Burns's "Tam of Shanter"; Glaucus in Keats's Endymion -- ℗ʹ 18 Time and Eternity in "Cutty Sark"; Stamboul Rose, Atlantis Rose, and Dante's Rose; Moby-Dick and "Cutty Sark" -- ℗ʹ 19 The Historical Cutty Sark; Hero and Leander; Jason and the Argo; Dante and the Argo -- ℗ʹ 20 Constellations and The Bridge -- ℗ʹ 21 Constellations Continued; Panis Angelicus -- ℗ʹ 22 Time and Eternity; Temporal Narrative and Spatial Configuration; the Bridge as Memory Place; "Atlantis"; One Arc Synoptic of All Times -- ℗ʹ 23 "Atlantis" and the Image of Flight; Shelley's "To a Skylark"; Pater and the Tears of Dionysus -- ℗ʹ 24 Love and Light; Love-as-Bridgeship; Pater and Botticelli's Venus; Venus and the Rainbow; Foam-Born; Pyramids and Fire; From Ritual to Romance, Venus and Adonis -- ℗ʹ 25 Three Structures; the Visualization of the Womb Fantasy in The Last Judgement; the Transumptive Relationship -- ℗ʹ 26 Michelangelo's Self-Portrait; Marsyas and the Suffering Artist -- pt. Two White Buildings and "The Broken Tower" -- ℗ʹ 1 "Legend," "Black Tambourine," "Emblems of Conduct," "My Grandmother's Love Letters," "Sunday Morning Apples" -- ℗ʹ 2 "Praise for an Urn," "Garden Abstract," "Stark Major," "Chaplinesque" -- ℗ʹ 3 "Pastorale," "In Shadow," "The Fernery," "North Labrador" -- ℗ʹ 4 "Repose of Rivers," "Paraphrase," "Possessions" -- ℗ʹ 5 "Lachrymae Christi" -- ℗ʹ 6 "Passage" -- ℗ʹ 7 "The Wine Menagerie," "Recitative" -- ℗ʹ 8 "For the Marriage of Faustus and Helen" -- ℗ʹ 9 "At Melville's Tomb," "Voyages I, II, III" -- ℗ʹ 10 "Voyages IV, V, VI" -- ℗ʹ 11 "The Broken Tower".
