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  1. Einleitung: Was ist Auto(r)fiktion?
    Erschienen: 2014

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    Sprache: Deutsch
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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Deutsch; Autobiographische Literatur; Fiktion
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  2. Kriminalerzählungen der Gegenwart: Zur Ästhetik und Ethik einer Leitgattung
    Erschienen: 2022
    Verlag:  Nomos Verlagsgesellschaft mbH & Co. KG ; DEU ; Baden-Baden

    Die zeitgenössische Kultur zeichnet sich durch einen großen Hunger nach Erzählungen von Verbrechen aus. Romane, Sachbücher, Filme, Serien oder Podcasts, die sich mit realen oder fiktiven Morden, Betrugsaktionen oder spektakulären Diebstählen... mehr

     

    Die zeitgenössische Kultur zeichnet sich durch einen großen Hunger nach Erzählungen von Verbrechen aus. Romane, Sachbücher, Filme, Serien oder Podcasts, die sich mit realen oder fiktiven Morden, Betrugsaktionen oder spektakulären Diebstählen beschäftigen, finden ein breites Publikum und werden oft zum Gegenstand der öffentlichen Faszination. Die Beiträge des Bandes spüren diesem narrativen Bedürfnis nach und stellen die Frage, was es ästhetisch und ethisch bedeutet, dass die Kriminalerzählung zur Leitgattung der Gegenwart geworden ist. ; Contemporary culture is characterised by a peculiar desire for crime narratives. Novels, non-fiction books, films, TV series or podcasts that deal with real or fictional murders, acts of fraud or spectacular thefts attract a wide audience and often become the object of public fascination. The contributions to this volume trace this hunger for crime stories and evaluate both the aesthetic and ethical significance of them having become one of today's leading narrative genres.

     

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    Übergeordneter Titel: 3 ; Rombach Wissenschaft - Reihe Texturen ; 226
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Literatur; Rhetorik; Literaturwissenschaft; Literature; rhetoric and criticism; Ermittlungspraktiken; Gegenwartsliteratur; Podcast; True-Crime; Verbrechen; Kriminalliteratur; Sprachwissenschaft; Linguistik; Science of Literature; Linguistics; Kriminalroman; Ästhetik; Ethik; Fiktion; Film; Hörspiel; Kriminalität; Rezeption; detective novel; aesthetics; ethics; fiction (imagination); radio play; criminality; reception
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    Creative Commons - Namensnennung, Weitergabe unter gleichen Bedingungen 4.0 ; Creative Commons - Attribution-ShareAlike 4.0

  3. At the threshold into new worlds: Virtual reality game worlds beyond narratives
  4. Mediale Wahrnehmungen: Auflebende Frauenstatuen in den Novellen VENUS IM PELZ und GRADIVA
  5. Autobiographien als Kinder ihrer Zeit
    Autor*in: Klika, Dorle
    Erschienen: 2016

    Abstract: Ausgehend vom gegenwärtigen Boom autobiographischen Schreibens, nimmt der Beitrag Begriffsklärungen vor (Ego-Dokumente, Autobiographie, Memoiren, Biographie) und referiert den Diskurs der Germanistik um Referenzialität, Authentizität,... mehr

     

    Abstract: Ausgehend vom gegenwärtigen Boom autobiographischen Schreibens, nimmt der Beitrag Begriffsklärungen vor (Ego-Dokumente, Autobiographie, Memoiren, Biographie) und referiert den Diskurs der Germanistik um Referenzialität, Authentizität, Fiktionalität und das Konzept 'narrativer Wahrheit'. Der historische Wandel autobiographischen Schreibens zur Pluralität autobiographischer Erzählstile wird am Beispiel der Autobiographien von Fanny Lewald und Christa Wolf verdeutlicht. Der Beitrag schießt mit einem Plädoyer für die Verwendung autobiographischer Texte als erziehungswissenschaftliches Quellenmaterial

     

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    Sprache: Deutsch
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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Erzählung; Fiktion; Identität; Authentizität; Biographie
  6. Polemik im Dialog des Renaissance-Humanismus
  7. Nabokovs Version von Puškins "Evgenij Onegin"
  8. Schauspieler sind wir, solange wir leben

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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Fiktion
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    kostenfrei

  9. Schauspieler sind wir, solange wir leben

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    Sprache: Deutsch
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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Fiktion
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    kostenfrei

  10. Taboo, Transgression, and Literature
    Erschienen: 2019

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    Sprache: Englisch
    Medientyp: Unbestimmt
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    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Analyse; English literature; fiction; Hamlet; Holocaust; Macbeth; novel; poetry; Renaissance; Englische Literatur; Fiktion; Roman; Poesie
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    kostenfrei

  11. Anja Spilski: Werbecharaktere im Umfeld fiktionaler Medienwelten. Eine Analyse der Übertragbarkeit fiktionaler Bedeutung auf die Werbung
    Autor*in: Kügle, Markus
    Erschienen: 2013

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    Sprache: Deutsch
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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Werbung; Werbecharaktere; Fiktion
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    kostenfrei

  12. Verbrechen - Fiktion - Vermarktung : Gewalt in den zeitgenössischen slavischen Literaturen
  13. Fiktionswahrnehmung als Grundlage literarischen Verstehens. Eine empirische Studie über den Zusammenhang von Fiktionsverstehen und literarischer Grundkompetenz
    Autor*in: König, Lisa
    Erschienen: 2020

  14. Superheroes
    Erschienen: 2022

    The decisive feature of superheroism is its fictionality: superheroes fall outside the worldly realms of heroism by virtue of their fantastic character. The use of their usually miraculous abilities, namely: their superpowers, which distinguish them... mehr

     

    The decisive feature of superheroism is its fictionality: superheroes fall outside the worldly realms of heroism by virtue of their fantastic character. The use of their usually miraculous abilities, namely: their superpowers, which distinguish them from other people and remove them from the grids of normalisation schemes, is therefore also staged in most cases as a visual exception – be it in comics, films, TV series or computer and video games.

     

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  15. Spies
    Autor*in: Korte, Barbara
    Erschienen: 2023

    Through fictional portrayals – in literature, film and television, comics and computer games – the secret actions of spies become public and can then (potentially) be heroized. However, fictional spies are usually precarious and ambiguous heroes... mehr

     

    Through fictional portrayals – in literature, film and television, comics and computer games – the secret actions of spies become public and can then (potentially) be heroized. However, fictional spies are usually precarious and ambiguous heroes because their deeds, insofar as heroic qualities can be attributed to them at all, are performed in moral grey areas. This makes the spy character suitable for a critical and sceptical negotiation of heroism.

     

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  16. "Minding" the style: reading Conrad through cognitive poetics
    Erschienen: 2015

    Abstract: Cognitive Poetics works on the triangle of author-text-reader. A main focus is the reader of literature, as a co-producer of the text alongside the author, in an attempt to explain how his/her knowledge and experiences are applied in... mehr

     

    Abstract: Cognitive Poetics works on the triangle of author-text-reader. A main focus is the reader of literature, as a co-producer of the text alongside the author, in an attempt to explain how his/her knowledge and experiences are applied in reaching an understanding of a particular text in a particular context. In this paper several examples of how contextual frames can operate in a narrative are discussed in three works of short fiction by Joseph Conrad. Analyzed in the particular context of Conradian narrative and prose style are such points as: how the readers begin a story, how they enter into the interior levels of it in order to feel and touch the events in the way its characters do, how they follow every episode of it and, in other words, how the readers "comprehend" the narrative. It is argued that the application of insights from cognitive poetics to Conrad’s fiction is of particular relevance as Conrad is a writer who embodies and foregrounds this very act and process of "compre

     

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    Sprache: Englisch
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    Format: Online
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Literatur; Dichtung; Kognition; Fiktion; Conrad; J.
  17. Commingling of history and fiction in Julian Barnes's A history of the world in 10 ½ chapters
    Erschienen: 2015

    Abstract: This paper intends to explore the relationship between history and fiction in the novel A History of the World in 10 1⁄2 Chapters (1989) by the British writer Julian Barnes in order to indicate how these two notions have been commingled in... mehr

     

    Abstract: This paper intends to explore the relationship between history and fiction in the novel A History of the World in 10 1⁄2 Chapters (1989) by the British writer Julian Barnes in order to indicate how these two notions have been commingled in different periods. In this regard, the focus of the current study is to investigate the above-mentioned novel, and to demonstrate the invalidity of historical records, their subjectivity, and how throughout history myths have become realities, with an eye on New Historicism. By the end of this study, its reader's attitude towards history and what s/he is presented with as fact and truth is hoped to change, not to readily accept historical records and stories as absolute truths, rather to consider them one possible history among many others that might have been marginalized and suppressed by a dominant ideology

     

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    Sprache: Englisch
    Medientyp: Unbestimmt
    Format: Online
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Literatur; Fiktion; historische Entwicklung; Historismus; Wahrheit; Realität; Roman; Barnes; J.
  18. The sublime in Don DeLillo's Mao II
    Erschienen: 2015

    Abstract: The world that DeLillo's characters live in is often portrayed with an inherent complexity beyond our comprehension, which ultimately leads to a quality of woe and wonder which is characteristic of the concept of the sublime. The... mehr

     

    Abstract: The world that DeLillo's characters live in is often portrayed with an inherent complexity beyond our comprehension, which ultimately leads to a quality of woe and wonder which is characteristic of the concept of the sublime. The inexpressibility of the events that emerge in DeLillo’s fiction has reintroduced into it what Lyotard calls "the unpresentable in presentation itself" (PC 81), or to put it in Jameson’s words, the "postmodern sublime" (38). The sublime, however, appears in DeLillo's fiction in several forms and it is the aim of this study to examine these various forms of sublimity. It is attempted to read DeLillo's Mao II in the light of theories of the sublime, drawing on figures like Burke, Kant, Lyotard, Jameson and Zizek. In DeLillo's novel, it is no longer the divine and magnificent in nature that leads to a simultaneous fear and fascination in the viewers, but the power of technology and sublime violence among other things. The sublime in DeLillo takes many differen

     

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    Sprache: Englisch
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    DDC Klassifikation: Amerikanische Literatur in in Englisch (810)
    Schlagworte: Literatur; Postmoderne; Spiritualität; Technologie; Gewalt; Sublimierung; Fiktion; DeLillo; D.
  19. The enchanted storyteller: John Barth and the magic of Scheherazade
    Erschienen: 2015

    Abstract: During the fifties he was considered to be an existentialist, and absurdist and later a Black Humorist, yet, John Barth proved that he would never subscribe to any specific theory and would make his own world of/about fiction by himself. A... mehr

     

    Abstract: During the fifties he was considered to be an existentialist, and absurdist and later a Black Humorist, yet, John Barth proved that he would never subscribe to any specific theory and would make his own world of/about fiction by himself. A traditional postmodernist as some of the critics calls him; he was obsessed with Scheherazade the narrator of the Thousand and one Nights and her art of storytelling. This essay aims to depict Barth's employment of the frame narrative and embedding structure which are the main devices of Scheherazade's mystifying narratives. Revealing the architectonic structure of his writing, we would demonstrate how traditional technique can bridge postmodernist aesthetics to recreate and replenish the exhausted materials in writings

     

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Fiktion; Literatur; Tradition; Ästhetik; Erzählung; Postmoderne
  20. The autobiographical novels of Sidonie-Gabrielle Colette and Virginia Woolf: a comparative study

    Abstract: Autobiographical mode of writing informs the works of many novelists, consciously or unconsciously. There are, however, diverse techniques for formulating these conscious or unconscious autobiographical interpolations in literary works.... mehr

     

    Abstract: Autobiographical mode of writing informs the works of many novelists, consciously or unconsciously. There are, however, diverse techniques for formulating these conscious or unconscious autobiographical interpolations in literary works. This essay aims to study the works of Sidonie-Gabreille Colette and Virginia Woolf to trace the nuances of the autobiographical mode in two contemporary female writers from different nations. We do not aim at proving that these two writers deploy the autobiographical mode in their writings, but how similar and different their autobiographical techniques in the creation of fiction are. Therefore, Colette's and Woolf's novels, in general, will be compared and contrasted with an eye on their self-defined strategies for the development of autobiographical fiction

     

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Erzählung; Fiktion; Literatur; Schreiben; Biographie; Schriftsteller; Colette; S.-G.; Woolf; V.
  21. Postmodern narrative techniques in Robert Coover's collection: Pricksongs & Descants
    Erschienen: 2015

    Abstract: The modes of narration in postmodernist fiction are not identical with those of modernists and realists. They contravene readers' expectations, making them most often astounded and baffled. This study sets out to discuss some of the... mehr

     

    Abstract: The modes of narration in postmodernist fiction are not identical with those of modernists and realists. They contravene readers' expectations, making them most often astounded and baffled. This study sets out to discuss some of the techniques used by the American writer Robert Coover in his story collection; Pricksongs & Descants (1969) which are associated with postmodernist fiction. These strategies including metafictional techniques, fragmentation, ontological concern, and temporal distortion, will in the subsequent sections of this paper be explicated and elucidated. In this regard, the term postmodernism will be first defined and elaborated, and then some of the salient features of Coover's selected work stated above, will be examined in order to demonstrate the title-mentioned claim. Not all the stories of the collection will in this study be provided an analysis of, but those which are of greater significance and are noticeable in incorporating postmodern strategies

     

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    Sprache: Englisch
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    DDC Klassifikation: Amerikanische Literatur in in Englisch (810)
    Schlagworte: Literatur; Erzählung; Fiktion; Fragmentierung; Ontologie; Postmoderne; Erzähltechnik; Coover; R.
  22. Diversity of love relationship in Janette Oke's fictions
    Erschienen: 2015

    Abstract: Love is used in different ways in literature. The treatment of love in the love stories of Janette Oke are nearly similar and all show the roles that love plays in life of people and how deal with it. Her novels are among the finest works... mehr

     

    Abstract: Love is used in different ways in literature. The treatment of love in the love stories of Janette Oke are nearly similar and all show the roles that love plays in life of people and how deal with it. Her novels are among the finest works in Canadian literature without whom the world of Canadian literature would be dark and empty. Love is the eventual weakness, but philosophy, religion and art during time have portrayed it in its place as a way to a higher level of being beyond the pain and transformation of every day. This paper points out to different kinds of love relationship in Oke's fictions

     

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    Sprache: Englisch
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    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Literatur; Kanada; Liebe; Romantik; Roman; Fiktion; Partnerbeziehung; Oke; J.
  23. Feminism and the hard-boiled genre: breakdown in Sara Paretsky's breakdown
    Erschienen: 2015

    Abstract: As feminist re-writings of the genre of crime fiction (mostly the hard-boiled) from the 1980s onward, Sara Paretsky's Warshawski novels provide a fertile field for critical and cultural studies. The aims of this paper are twofold: first, it... mehr

     

    Abstract: As feminist re-writings of the genre of crime fiction (mostly the hard-boiled) from the 1980s onward, Sara Paretsky's Warshawski novels provide a fertile field for critical and cultural studies. The aims of this paper are twofold: first, it traces the generic influences on her latest novel Breakdown (2012) beyond the obvious male precursors of the hard-boiled (Dashiell Hammett and Raymond Chandler) of the interwar period to the Gothic vogue in the early 19th century; and second, drawing on Roland Barthes's notion of readerly/writerly texts, Pierre Macherey’s critique of ideology in realist fiction, and Fredric Jameson's dialectical view of genre, it teases out the symptomatic fissures and contradictions in Paretsky's novel which betray the text’s inability to ultimately resist the ideology it intends to subvert

     

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    Sprache: Englisch
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    DDC Klassifikation: Amerikanische Literatur in in Englisch (810)
    Schlagworte: Literatur; Kriminalroman; Realismus; Fiktion; Feminismus; Ideologie; Genre
  24. Spion
    Autor*in: Korte, Barbara
    Erschienen: 2018

    Es ist es vor allem die fiktionale Darstellung in Literatur, Film und Fernsehen – daneben auch in Comics und Computerspielen – die das geheime und geheim gehaltene Handeln von Spionen zur öffentlich wahrnehmbaren Tat und so heroisierbar macht. Der... mehr

     

    Es ist es vor allem die fiktionale Darstellung in Literatur, Film und Fernsehen – daneben auch in Comics und Computerspielen – die das geheime und geheim gehaltene Handeln von Spionen zur öffentlich wahrnehmbaren Tat und so heroisierbar macht. Der Spion als fiktionale Figur eignet sich deshalb in besonderer Weise dazu, Heldentum und die Bedingungen seiner Möglichkeit im Zeichen postheroischer Skepsis zu verhandeln.

     

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  25. Superhelden
    Erschienen: 2018

    Das entscheidende Merkmal des Superheldentums ist seine Fiktionalität: Superheldinnen und Superhelden fallen durch ihren phantastischen Charakter aus den welthaltigen Registern des Heldentums heraus. Der Einsatz ihrer meist wunderbaren Fähigkeiten,... mehr

     

    Das entscheidende Merkmal des Superheldentums ist seine Fiktionalität: Superheldinnen und Superhelden fallen durch ihren phantastischen Charakter aus den welthaltigen Registern des Heldentums heraus. Der Einsatz ihrer meist wunderbaren Fähigkeiten, namentlich: ihrer Superkräfte, die sie von anderen Menschen unterscheiden und sie den Rastern der Normalisierungsschemata entziehen, wird deshalb auch in den meisten Fällen als visuelle Ausnahmestelle inszeniert – sei es im Comic, im Film, in der Fernsehserie oder im Computer- und Videospiel.

     

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